Fascinatin' Rhythm

~ Release by Yehudi Menuhin, Stephane Grappelly (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Just One of Those Things
recorded in:
London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
sound engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Mordler (producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
arranger:
Max Harris
phonographic copyright (℗) by:
EMI Electrola Ltd
cover recording of:
Just One of Those Things (from 1975-05-21 until 1975-05-23)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:20
A2Soon
recorded in:
London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
sound engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Mordler (producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
arranger:
Max Harris
phonographic copyright (℗) by:
EMI Electrola Ltd
cover recording of:
Soon (from 1975-05-21 until 1975-05-23)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co Ltd. and New World Music Corp. (in 1929)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
3:43
A3Summertime
recorded in:
London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
sound engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Mordler (producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
arranger:
Max Harris
phonographic copyright (℗) by:
EMI Electrola Ltd
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (from 1975-05-21 until 1975-05-23)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
4:21
A4Nice Work If You Can Get It
recorded in:
London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
sound engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Mordler (producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
arranger:
Max Harris
phonographic copyright (℗) by:
EMI Electrola Ltd
cover recording of:
Nice Work If You Can Get It (from 1975-05-21 until 1975-05-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:29
A5Johnny Aime
recorded in:
London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
sound engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Mordler (producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
phonographic copyright (℗) by:
EMI Electrola Ltd
recording of:
Johnny Aime (from 1975-05-21 until 1975-05-23)
composer and arranger:
Stéphane Grappelli (jazz violinist)
2:36
A6Looking at You
recorded in:
London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
sound engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Mordler (producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
arranger:
Max Harris
phonographic copyright (℗) by:
EMI Electrola Ltd
cover recording of:
Looking at You (Wake Up and Dream musical revue) (from 1975-05-21 until 1975-05-23)
lyricist and composer:
Cole Porter (composer) (in 1929)
3:20
A7Embraceable You
recorded in:
London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
sound engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Mordler (producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
arranger:
Max Harris
phonographic copyright (℗) by:
EMI Electrola Ltd
cover recording of:
Embraceable You (from 1975-05-21 until 1975-05-23)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:08
A8Fascinatin' Rhythm
recorded in:
London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
sound engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Mordler (producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
arranger:
Max Harris
phonographic copyright (℗) by:
EMI Electrola Ltd
cover recording of:
Fascinatin’ Rhythm (from 1975-05-21 until 1975-05-23)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
2:17
B1Liza
recorded in:
London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
sound engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Mordler (producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
arranger:
Max Harris
phonographic copyright (℗) by:
EMI Electrola Ltd
cover recording of:
Liza (for piano solo) (from 1975-05-21 until 1975-05-23)
composer and arranger:
George Gershwin (composer)
arrangement of:
Liza (All the Clouds’ll Roll Away)
part of:
George Gershwin’s Songbook (18 arrangements for piano solo by George Gershwin, 1932)
3:37
B2Why Do I Love You
recorded in:
London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
sound engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Mordler (producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
arranger:
Max Harris
phonographic copyright (℗) by:
EMI Electrola Ltd
cover recording of:
Why Do I Love You? (Show Boat) (from 1975-05-21 until 1975-05-23)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
3:25
B3Menuet Pour Menuhin
recorded in:
London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
sound engineer and balance engineer:
Tony Clark (engineer, Abbey Road)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and John Mordler (producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
electric piano:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
phonographic copyright (℗) by:
EMI Electrola Ltd
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
recording of:
Menuet Pour Menuhin (from 1975-05-21 until 1975-05-23)
composer and arranger:
Stéphane Grappelli (jazz violinist)
3:06
B4's Wonderful
recorded in:
London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
sound engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Mordler (producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
arranger:
Max Harris
phonographic copyright (℗) by:
EMI Electrola Ltd
cover recording of:
’S Wonderful (from 1975-05-21 until 1975-05-23)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
2:42
B5I Get a Kick Out of You
recorded in:
London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
sound engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Mordler (producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
arranger:
Max Harris
phonographic copyright (℗) by:
EMI Electrola Ltd
cover recording of:
I Get a Kick Out of You (from 1975-05-21 until 1975-05-23)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
4:02
B6All the Things You Are
recorded in:
London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
sound engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Mordler (producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
arranger:
Max Harris
phonographic copyright (℗) by:
EMI Electrola Ltd
cover recording of:
All the Things You Are (from “Very Warm for May”) (from 1975-05-21 until 1975-05-23)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
4:11
B7I Got Rhythm
recorded in:
London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
sound engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Mordler (producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
arranger:
Max Harris
phonographic copyright (℗) by:
EMI Electrola Ltd
cover recording of:
I Got Rhythm (from 1975-05-21 until 1975-05-23)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:57

Credits

Release

photography:Mike Ivans
Reg Wilson (theatre photographer)
Discogs:https://www.discogs.com/release/16190184 [info]