The Operas: Complete Opera & Vocal Recordings on Deutsche Grammophon

~ Uitgave van Karl Böhm (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

1cd: Beethoven: Fidelio (Act I)
2cd: Beethoven: Fidelio (Act II)
#TitelArtiestWaarderingDuur
1Fidelio: Akt II. Nr. 11 Introduktion und Arie: »Gott! Welch Dunkel hier! … In des Lebens Frühlingstagen« (Florestan)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Dieter-Gerhardt Worm
tenorvocalen [Florestan]:
James King (tenor) (in 1969-03)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1969-03)
balanstechnicus:
Günter Hermanns (producer/engineer) en Claus Strüben (german sound engineer)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1969-03)
is een opname van:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan) (in 1969-03)
componist:
Ludwig van Beethoven (German composer) (in 1814)
deel van:
Fidelio, op. 72: Akt II
Ludwig van Beethoven9:48
2Fidelio: Akt II. Nr. 12 Melodram und Duett: »Wie kalt ist es in diesem unterirdischen Gewölbe!« (Leonore, Rocco) / »Nur hurtig fort, nur frisch gegraben« (Leonore, Rocco)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Dieter-Gerhardt Worm
basvocalen [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
sopraanvocalen [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1969-03)
balanstechnicus:
Günter Hermanns (producer/engineer) en Claus Strüben (german sound engineer)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1969-03)
is een opname van:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (in 1969-03)
componist:
Ludwig van Beethoven (German composer) (in 1814)
aanvullend librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
vertaler:
Joseph Sonnleithner
deel van:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:35
3Fidelio: Akt II. »Er erwacht« (Leonore, Rocco, Florestan)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Dieter-Gerhardt Worm
basvocalen [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
sopraanvocalen [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
tenorvocalen [Florestan]:
James King (tenor) (in 1969-03)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1969-03)
balanstechnicus:
Günter Hermanns (producer/engineer) en Claus Strüben (german sound engineer)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1969-03)
is een opname van:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (in 1969-03)
componist:
Ludwig van Beethoven (German composer) (in 1814)
aanvullend librettist:
Stephan von Breuning en Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
vertaler:
Joseph Sonnleithner en Georg Friedrich Treitschke
deel van:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:32
4Fidelio: Akt II. Nr. 13 Terzett: »Euch werde Lohn in bessern Welten« (Florestan, Rocco, Leonore)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Dieter-Gerhardt Worm
basvocalen [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
sopraanvocalen [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
tenorvocalen [Florestan]:
James King (tenor) (in 1969-03)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1969-03)
balanstechnicus:
Günter Hermanns (producer/engineer) en Claus Strüben (german sound engineer)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1969-03)
is een opname van:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (in 1969-03)
componist:
Ludwig van Beethoven (German composer) (in 1814)
aanvullend librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
vertaler:
Joseph Sonnleithner
deel van:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:15
5Fidelio: Akt II. »Ist alles bereit?« (Pizarro, Rocco, Leonore)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Dieter-Gerhardt Worm
baritonvocalen [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1969-03)
basvocalen [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
sopraanvocalen [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1969-03)
balanstechnicus:
Günter Hermanns (producer/engineer) en Claus Strüben (german sound engineer)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1969-03)
is een opname van:
Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (in 1969-03)
aanvullend librettist:
Georg Friedrich Treitschke
vertaler:
Joseph Sonnleithner
deel van:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:22
6Fidelio: Akt II. Nr. 14 Quartett: »Er sterbe! Doch er soll erst wissen« (Pizarro, Florestan, Leonore, Rocco) / »Vater Rocco, Vater Rocco, der Herr Minister kommt an« (Jaquino, Rocco)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Dieter-Gerhardt Worm
baritonvocalen [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1969-03)
basvocalen [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
sopraanvocalen [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
tenorvocalen [Florestan]:
James King (tenor) (in 1969-03)
tenorvocalen [Jaquino]:
Peter Schreier (German tenor and conductor) (in 1969-03)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1969-03)
balanstechnicus:
Günter Hermanns (producer/engineer) en Claus Strüben (german sound engineer)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1969-03)
is een opname van:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (in 1969-03)
componist:
Ludwig van Beethoven (German composer) (in 1814)
aanvullend librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
vertaler:
Joseph Sonnleithner
deel van:
Fidelio, op. 72: Akt II
Ludwig van Beethoven4:31
7Fidelio: Akt II. »Meine Leonore« (Florestan, Leonore)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Dieter-Gerhardt Worm
sopraanvocalen [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
tenorvocalen [Florestan]:
James King (tenor) (in 1969-03)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1969-03)
balanstechnicus:
Günter Hermanns (producer/engineer) en Claus Strüben (german sound engineer)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1969-03)
is een opname van:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (in 1969-03)
componist:
Ludwig van Beethoven (German composer) (in 1814)
deel van:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:15
8Fidelio: Akt II. Nr. 15. Duett: »O namenlose Freude!« (Leonore, Florestan)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Dieter-Gerhardt Worm
sopraanvocalen [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
tenorvocalen [Florestan]:
James King (tenor) (in 1969-03)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1969-03)
balanstechnicus:
Günter Hermanns (producer/engineer) en Claus Strüben (german sound engineer)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1969-03)
is een opname van:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (in 1969-03)
componist:
Ludwig van Beethoven (German composer) (in 1814)
aanvullend librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
vertaler:
Joseph Sonnleithner
deel van:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:00
9Ouvertüre »Leonore III«, op. 72b
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Dieter-Gerhardt Worm
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1969-03)
balanstechnicus:
Günter Hermanns (producer/engineer) en Claus Strüben (german sound engineer)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1969-03)
is een opname van:
Overture “Leonore” no. 3 in C major, op. 72b (in 1969-03)
componist:
Ludwig van Beethoven (German composer) (van 1805 tot 1806)
deel van:
Works of Ludwig van Beethoven by opus number (nummer: op. 72b)
revisie van:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven13:34
10Fidelio: Akt II. Nr. 16 Finale: »Heil sei dem Tag, Heil sei der Stunde« (Chor, Fernando, Rocco, Pizarro, Leonore, Marzelline, Florestan, Jaquino)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Dieter-Gerhardt Worm
baritonvocalen [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1969-03)
basvocalen [Don Fernando]:
Martti Talvela (operatic bass) (in 1969-03)
basvocalen [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
koor:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1969-03)
solotenorvocalen [Florestan]:
James King (tenor) (in 1969-03)
sopraanvocalen [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
sopraanvocalen [Marzelline]:
Edith Mathis (soprano) (in 1969-03)
tenorvocalen [Jaquino]:
Peter Schreier (German tenor and conductor) (in 1969-03)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1969-03)
balanstechnicus:
Günter Hermanns (producer/engineer) en Claus Strüben (german sound engineer)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1969-03)
is een opname van:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale) (in 1969-03)
componist:
Ludwig van Beethoven (German composer)
deel van:
Fidelio, op. 72: Akt II
Ludwig van Beethoven14:11
3cd: Beethoven: Missa Solemnis [1955]
4cd: Beethoven: Missa solemnis (1974) (Kyrie / Gloria / Credo)
5cd: Beethoven: Missa solemnis (1974) (Sanctus - Benedictus / Agnus Dei)
6cd: Berg: Wozzeck (Acts I, II & III beg.)
7cd: Berg: Wozzeck (Act III cont.) / Lulu (Prolog - Act I)
8cd: Berg: Lulu (Act II)
9cd: Handel: Giulio Cesare (Highlights)
10cd: Haydn: Die Jahreszeiten (Der Frühling - Der Sommer)
11cd: Haydn: Die Jahreszeiten (Die Herbst - Der Winter)
12cd: Mahler: Kindertotenlieder / 4 Lieder / Brahms: Alto Rhapsody
13cd: Mozart: Idomeneo (Act I)
14cd: Mozart: Idomeneo (Act II)
15cd: Mozart: Idomeneo (Act III)
16cd: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
17cd: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
18cd: Mozart: Le nozze di Figaro (Acts I & II beg.)
19cd: Mozart: Le nozze di Figaro (Acts II cont. & III)
20cd: Mozart: Le nozze di Figaro (Act IV)
21cd: Mozart: Don Giovanni (1967) (Act I beg.)
22cd: Mozart: Don Giovanni (1967) (Acts I cont. & II beg.)
23cd: Mozart: Don Giovanni (1967) (Act II cont.)
24cd: Mozart: Don Giovanni (1977) (Act I beg.)
25cd: Mozart: Don Giovanni (1977) (Acts I cont. & II beg.)
26cd: Mozart: Don Giovanni (1977) (Act II cont.)
27cd: Mozart: Così fan tutte (Act I beg.)
28cd: Mozart: Così fan tutte (Acts I cont. & II)
29cd: Mozart: Die Zauberflöte (Act I)
30cd: Mozart: Die Zauberflöte (Act II beg.)
31cd: Mozart: Die Zauberflöte (Act II cont.) / Der Schauspieldirektor
32cd: Mozart: La clemenza di Tito (Act I)
33cd: Mozart: La clemenza di Tito (Act II)
34cd: Mozart: Requiem
35cd: R. Strauss: Salome (Scenes I-IV beg.)
36cd: R. Strauss: Salome: (Scene IV cont.)
37cd: R. Strauss: Elektra (beg.)
38cd: R. Strauss: Elektra (cont.)
39cd: R. Strauss: Der Rosenkavalier (1958) (Act I)
40cd: R. Strauss: Der Rosenkavalier (1958) (Act II)
41cd: R. Strauss: Der Rosenkavalier (1958) (Act III)
42cd: R. Strauss: Der Rosenkavalier (1969) (Act I)
43cd: R. Strauss: Der Rosenkavalier (1969) (Act II)
44cd: R. Strauss: Der Rosenkavalier (1969) (Act III)
45cd: R. Strauss: Ariadne auf Naxos (1944) (Vorpsiel)
46cd: R. Strauss: Ariadne auf Naxos (1944) (Oper)
47cd: R. Strauss: Ariadne auf Naxos (1954) (Vorspiel / Oper beg.)
48cd: R. Strauss: Ariadne auf Naxos (1954) (Oper cont.)
49cd: R. Strauss: Ariadne auf Naxos (1969) (Vorspiel / Oper beg.)
50cd: R. Strauss: Ariadne auf Naxos (1969) (Oper cont.)
51cd: R. Strauss: Die Frau ohne Schatten (Act I)
52cd: R. Strauss: Die Frau ohne Schatten (Act II)
53cd: R. Strauss: Die Frau ohne Schatten (Act III)
54cd: R. Strauss: Arabella (Act I)
55cd: R. Strauss: Arabella (Act II)
56cd: R. Strauss: Arabella (Act III)
57cd: R. Strauss: Die schweigsame Frau (Acts I & II beg.)
58cd: R. Strauss: Die schweigsame Frau (Acts II cont. & III)
59cd: R. Strauss: Daphne (beg.)
60cd: R. Strauss: Daphne (cont.)
61cd: R. Strauss: Capriccio (Scenes I - IX beg.)
62cd: R. Strauss: Capriccio (Scene IX cont. - Last Scene)
63cd: Wagner: Der fliegende Holländer (Acts I & II beg.)
64cd: Wagner: Der fliegende Holländer (Acts II cont. & III)
65cd: Wagner: Tristan und Isolde (Act I)
66cd: Wagner: Tristan und Isolde (Act II)
67cd: Wagner: Tristan und Isolde (Act III)
68cd: Das Vermächtnis meines Meisters
69cd: Karl Böhm speaks to the press on the occasion of the complete recording of Mozart's Don Giovanni in Prague / »Wolfgang Amadeus Mozart gilt meine große Liebe« / Karl Böhm speaks about his relationship with the Wiener Philharmoniker
70cd: Karl Böhm: Erzähltes Leben

Relaties

Uitgave

fotografie:Susesch Bayat (photographer)
Diether Warneck (producer)
Gerd H. Siess (photographer)
Siegfried Lauterwasser
Lothar Rübelt (photographer)
Kristina Söderbaum (Swedish-born German film actress, producer, and photographer)
Felicitas Timpe (photographer)
Reinhart Wolf (photographer)
diverse ondersteuning:Harald Reiter (taak: project manager)
samensteller:Alan Newcombe (Producer, coordinator, researcher, and liner notes translator)
verzorgde het ontwerp:Fred Münzmaier
redacteur van het boekje:Jens Schünemeyer (liner note editor for DG)
Discogs:https://www.discogs.com/release/20809144 [info]
discografisch lemma:https://www.deutschegrammophon.com/en/catalogue/products/boehm-complete-opera-vocal-recordings-9375 [info]