The Complete EMI Recordings 1946-1984, Volume 2: Opera & Vocal (discs 31-40) (editable pseudo-release)

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

31▶CD: Falstaff (Philharmonia Orchestra & Chorus)
32▶CD: Fidelio (Berliner Philharmoniker)
33▶CD: Fidelio (Berliner Philharmoniker)
34▶CD: Missa Solemnis in D major
35▼CD: Ein deutsches Requiem, Op. 45
#TitleArtistRatingLength
1Ein deutsches Requiem, Op. 45: I. Ziemlich langsam. "Selig sind, die da Leid tragen"
recorded in:
Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
organ:
David Bell (organist)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
conductor:
Herbert von Karajan (conductor) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
balance engineer:
David Bell (engineer) and Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” (Chor) (from 1976-09-26 until 1976-10-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:12
2Ein deutsches Requiem, Op. 45: II. Langsam, marschmässig. "Denn alles Fleisch, es ist wie Gras"
recorded in:
Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
organ:
David Bell (organist)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
conductor:
Herbert von Karajan (conductor) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
balance engineer:
David Bell (engineer) and Wolfgang Gülich (engineer)
recording of:
Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” (Chor) (from 1976-09-26 until 1976-10-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms14:53
3Ein deutsches Requiem, Op. 45: III. Andante moderato. "Herr, lehre doch mich"
recorded in:
Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
organ:
David Bell (organist)
baritone vocals:
José van Dam (Belgian operatic bass-baritone) (on 1976-09-26)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
conductor:
Herbert von Karajan (conductor) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
balance engineer:
David Bell (engineer) and Wolfgang Gülich (engineer)
recording of:
Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” (Chor, Bariton) (from 1976-09-26 until 1976-10-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:19
4Ein deutsches Requiem, Op. 45: IV. Mässig bewegt. "Wie lieblich sind Deine Wohnungen"
recorded in:
Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
organ:
David Bell (organist)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
conductor:
Herbert von Karajan (conductor) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
balance engineer:
David Bell (engineer) and Wolfgang Gülich (engineer)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (from 1976-09-26 until 1976-10-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms5:32
5Ein deutsches Requiem, Op. 45: V. Langsam. "Ihr habt nun Traurigkeit"
recorded in:
Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
organ:
David Bell (organist)
choir vocals:
Wiener Singverein (on 1976-09-26) and Singverein der Gesellschaft der Musikfreunde (on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
conductor:
Herbert von Karajan (conductor) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
balance engineer:
David Bell (engineer) and Wolfgang Gülich (engineer)
recording of:
Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (Chor, Sopran) (from 1976-09-26 until 1976-10-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms7:53
6Ein deutsches Requiem, Op. 45: VI. Andante. "Denn wir haben hier keine bleibende Statt"
recorded in:
Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
organ:
David Bell (organist)
baritone vocals:
José van Dam (Belgian operatic bass-baritone) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
conductor:
Herbert von Karajan (conductor) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
balance engineer:
David Bell (engineer) and Wolfgang Gülich (engineer)
recording of:
Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (Chor, Bariton) (from 1976-09-26 until 1976-10-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms13:21
7Ein deutsches Requiem, Op. 45: VII. Feierlich. "Selig sind die Toten, die in dem Herrn sterben"
recorded in:
Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
organ:
David Bell (organist)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
conductor:
Herbert von Karajan (conductor) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
balance engineer:
David Bell (engineer) and Wolfgang Gülich (engineer)
recording of:
Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten” (Chor) (from 1976-09-26 until 1976-10-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:28
36▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
37▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
38▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
39▶CD: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
40▶CD: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)

Credits

Release group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (German operatic soprano, 1919–2013), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (Austrian bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)