Dreamboats and Petticoats Two

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Wake Up Little Susie
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 21) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 311)
registrazione di:
Wake Up Little Susie (nel 1957)
autore:
Boudleaux Bryant e Felice Bryant
editore:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:02
2C’mon Everybody
basso elettrico :
Connie “Guybo” Smith (bass player) (il 1958-10-10)
batteria :
Earl Palmer (il 1958-10-10)
chitarra :
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-10-10)
pianoforte :
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (il 1958-10-10)
tamburello :
Jerry Capehart (il 1958-10-10)
voce:
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-10-10)
registrata presso:
Goldstar Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1958-10-10)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 403)
registrazione di:
C’mon Everybody (il 1958-10-09)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran41:54
3The Night Has a Thousand Eyes
registrazione di:
The Night Has a Thousand Eyes
autore:
Marilyn Garrett, Dottie Wayne e Ben Weisman
editore:
Blen Music, Mabs Music Co. (ASCAP-affiliated), Music Publishing Company of America e Shelby Music
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bobby Vee2:34
4Hats Off to Larry
registrazione di:
Hats Off to Larry
paroliere e compositore:
Del Shannon
Del Shannon2.52:00
5It’s My Party
produttore:
Quincy Jones
arrangiatore:
Claus Ogerman
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 353)
registrazione di:
It’s My Party (il 1963-03-30)
autore:
John Gluck, Jr., Wally Gold, Seymour Gottlieb e Herb Weiner
editore:
A. Schroeder Music Ltd. e Chappell & Co., Inc. (USA)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Lesley Gore4.352:14
6In Dreams
registrata a:
Nashville, Tennessee, Stati Uniti (il 1963-01-04)
produttore:
Fred Foster
voce principale:
Roy Orbison
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 312)
registrazione di:
In Dreams (il 1963-01-04)
paroliere e compositore:
Roy Orbison
editore:
Barbara Orbison Music Company, Roy Orbison Music Company, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1963-02-13)
Roy Orbison42:50
7Poetry in Motion
registrazione cover di:
Poetry in Motion
autore:
Mike Anthony (US songwriter) e Paul Kaufman (songwriter)
Johnny Tillotson2:24
8Let’s Dance
voce principale:
Chris Montez
registrazione di:
Let’s Dance
paroliere e compositore:
Jim Lee (“Let’s Dance” writer/producer)
editore:
Chappell Morris Ltd., DeVorzon Music, Rondell Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chris Montez32:25
9Poor Me
produttore:
John Burgess (British record producer)
voce:
Adam Faith
arrangiatore:
John Barry (English score composer)
Adam Faith1:45
10You Don’t Know
registrazione di:
You Don’t Know
orchestratore:
Martin Slavin
paroliere:
Mike Hawker
compositore:
John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
editore:
Lorna Music Co., Ltd.
Helen Shapiro42:40
11That’ll Be the Day
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
batteria :
Jerry Allison (il 1957-02-25)
chitarra :
Niki Sullivan
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25) e Niki Sullivan (il 1957-02-25)
contrabbasso :
Larry Welborn (il 1957-02-25)
voce di accompagnamento:
June Clark (background vocals for The Crickets) (il 1957-02-25), Gary Tollett (il 1957-02-25), Niki Sullivan (il 1957-02-25) e Ramona Tollett (il 1957-02-25)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-02-25)
registrazione di:
That’ll Be the Day (il 1957-02-25)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
Buddy Holly4.62:16
12Breaking Up Is Hard to Do
voce:
Neil Sedaka
direttore d'orchestra:
Al Lorber
arrangiatore:
Al Lorber
registrazione di:
Breaking Up Is Hard to Do
paroliere e compositore:
Howard Greenfield e Neil Sedaka
editore:
Careers–BMG Music Publishing, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Careers e Aldon (nel 1962)
Neil Sedaka3.252:15
13It’s Almost Tomorrow
registrazione cover di:
It’s Almost Tomorrow
paroliere:
Wade Buff (nel 1953)
compositore:
Gene Adkinson (nel 1953)
editore:
Macmelodies (aka Macmelodies Ltd., or Macmelodies Music Ltd.)
Mark Wynter2:25
14Roses Are Red (My Love)
produttore:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
voce:
Bobby Vinton
direttore d'orchestra:
Robert Mersey
arrangiatore:
Robert Mersey
registrazione di:
Roses Are Red (nel 1962)
autore:
Al Byron e Paul Evans (50s US rock n roll singer/songwriter)
Bobby Vinton2:37
15Sealed With a Kiss
voce:
Brian Hyland
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1962)
registrazione cover di:
Sealed With a Kiss
autore:
Gary Geld e Peter Udell
eseguita per la prima volta da:
The Four Voices (nel 1960-05)
editore:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) e Pogo Music Corp. (nel 1962)
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Brian Hyland42:40
16Ain’t That a Shame
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
F. D. & Hunter (nel 1955) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Stati Uniti
registrazione di:
Ain’t That a Shame (il 1955-03-15)
autore:
Antoine Domino (Fats Domino) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
Fats Domino4.52:25
17Shop Around
chitarra :
Marvin Tarplin (nel 1960)
strumenti:
The Funk Brothers (nel 1960)
voce di accompagnamento:
Claudette Rogers Robinson (nel 1960), Warren “Pete” Moore (nel 1960), Bobby Rogers (nel 1960) e Ronnie White (soul singer, founding member of The Miracles) (nel 1960)
voce principale:
Smokey Robinson (nel 1960)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1960)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 15), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 495)
registrazione di:
Shop Around (nel 1960)
autore:
Berry Gordy e Smokey Robinson
The Miracles2.752:50
18Sweet Nothin’s
voce:
Brenda Lee (1960s American singer)
voce di accompagnamento:
Anita Kerr Singers (mixed vocal group)
voce principale:
Brenda Lee (1960s American singer)
direttore d'orchestra:
Owen Bradley
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 19)
registrazione di:
Sweet Nothin’s
paroliere e compositore:
Ronnie Self (rockabilly singer and songwriter)
editore:
Champion Music Co. e Leeds Music Ltd.
Brenda Lee32:23
19Shake, Rattle and Roll
batteria :
Panama Francis (US swing jazz drummer) (il 1954-06-07)
chitarra :
Bill Haley (il 1954-06-07)
chitarra elettrica :
Danny Cedrone (il 1954-06-07)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-06-07)
contrabbasso :
Marshall Lytle (il 1954-06-07)
pianoforte :
Johnny Grande (il 1954-06-07)
sassofono tenore :
Joey D'Ambrosio (il 1954-06-07)
voce:
Bill Haley (il 1954-06-07)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1954-06-07)
registrazione cover di:
Shake, Rattle and Roll (il 1954-06-07)
paroliere aggiunto:
Daryl Bosteels
autore:
Charles Calhoun e Jesse Stone
editore:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music e Unichappell Music, Inc.
Bill Haley & His Comets42:30
20Long Tall Sally
batteria :
Earl Palmer (il 1956-02-07)
chitarra :
Edgar Blanchard (il 1956-02-07)
chitarra basso :
Frank Fields (il 1956-02-07)
pianoforte e voce principale:
Little Richard (il 1956-02-07)
sassofono baritono :
Alvin “Red” Tyler (American jazz saxophonist) (il 1956-02-07)
sassofono tenore :
Lee Allen (US jazz tenor saxophonist) (il 1956-02-07)
registrata presso:
J&M Music Shop in New Orleans, Louisiana, Stati Uniti (il 1956-02-07)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 13) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 56)
registrazione di:
Long Tall Sally (il 1956-02-07)
autore:
Enotris Johnson (il 1955-11-29), Richard Wayne Penniman (il 1955-11-29) e Robert Alexander Blackwell (il 1955-11-29)
editore:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music e Venice Music
Little Richard42:09
21Shakin’ All Over
registrazione di:
Shakin’ All Over
paroliere e compositore:
Frederick Heath e Johnny Kidd
editore:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Kidd3.752:19
22Sleepwalk
The Shadows2:21
23Almost Grown
produttore:
Leonard & Phil Chess (legendary US production duo)
basso e contrabbasso :
Willie Dixon (il 1959-02-17)
batteria :
Jasper Thomas (il 1959-02-17)
chitarra :
Chuck Berry (il 1959-02-17) e Bo Diddley (American singer, guitarist, songwriter and music producer) (il 1959-02-17)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1959-02-17)
voce:
Chuck Berry (il 1959-02-17)
voce di accompagnamento:
Chuck Barksdale (il 1959-02-17), Harvey Fuqua (il 1959-02-17), Marvin Gaye (il 1959-02-17), Etta James (il 1959-02-17), The Marquees (il 1959-02-17), The Moonglows (1950s Cleveland R&B group) (il 1959-02-17), James Nolan (Second Tenor, Baritone singer) (il 1959-02-17), Reese Palmer (First Tenor singer) (il 1959-02-17) e Chester Simmons (il 1959-02-17)
voce principale:
Chuck Berry (il 1959-02-17)
registrata presso:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Stati Uniti (il 1959-02-17)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 6)
registrazione di:
Almost Grown (il 1959-02-17)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher) e Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry3.652:20
24Young Love
registrazione di:
Young Love
autore:
Ric Cartey (US rockabilly singer and songwriter) e Carole Joyner
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Tab Hunter2:17
25To Know Him Is to Love Him
tecnico:
Stan Ross (recording engineer, mixer & producer)
produttore:
Phil Spector
membranofono :
Sandy Nelson (nel 1958-07)
strumenti:
Phil Spector (nel 1958-07)
arrangiatore:
Phil Spector
lavorazione tecnica effettuata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1958-07)
registrazione di:
To Know Him Is to Love Him (nel 1958-07)
paroliere e compositore:
Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Bourne Music Ltd., Mother Bertha Music Inc. e Vogue Music
The Teddy Bears2:22
26Donna
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1959)
registrazione cover di:
Donna
paroliere e compositore:
Ritchie Valens
editore:
Aberbach Musikverlag (German publisher) e Carlin Music Corporation
Marty Wilde42:13
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Accreditamenti

Gruppo di pubblicazioni

parte di:Dreamboats and Petticoats (numero: 2) (ordine: 14)
Allmusic:https://www.allmusic.com/album/mw0001243990 [info]