Collected

~ Veröffentlichung von Steely Dan (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelBewertungLänge
1Bodhisattva
assistierende(r) Techniker(in):
Miss Natalie
Techniker(in):
Roger (The Immortal) Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bass:
Walter Becker
Klavier und Synthesizer und Sologesang:
Donald Fagen
Schlagzeug:
Jim Hodder
Solo-Gitarre:
Jeff “Skunk” Baxter und Denny Dias
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
engineered at:
Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Bodhisattva
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., Universal/MCA Music Ltd. (not for release label use!), American Broadcasting Music, Inc. (in 1973) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1973)
3.755:18
2Show Biz Kids
assistierende(r) Techniker(in):
Miss Natalie
Techniker(in):
Roger (The Immortal) Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Slide-Gitarre:
Rick Derringer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
aufgenommen bei:
Carabou Ranch in Nederland, Colorado, Vereinigte Staaten (Slide-Gitarre)
engineered at:
Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Show Biz Kids
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (, in 1973) und American Broadcasting Music, Inc. (in 1973)
45:24
3Pearl of the Quarter
assistierende(r) Techniker(in):
Miss Natalie
Techniker(in):
Roger (The Immortal) Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1973)
engineered at:
Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Pearl of the Quarter
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., Red Giant Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), American Broadcasting Music, Inc. (in 1973) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1973)
43:50
4Parker’s Band
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bass:
Walter Becker
Gitarre:
Jeff “Skunk” Baxter, Walter Becker und Denny Dias
Keyboard:
Donald Fagen
Pedal-Steel-Gitarre:
Jeff “Skunk” Baxter
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) und Jeff Porcaro
Hintergrundgesang:
Jim Hodder
vocals:
Donald Fagen
mixed at:
Cherokee Sound in Chatsworth, California (Kalifornien), Vereinigte Staaten
engineered at:
Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Parker’s Band
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
American Broadcasting Music, Inc., MCA Inc. (US record company and parent company for MCA publishing companies, affiliated to ASCAP), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1973) und Red Giant Inc. (in 1973)
32:45
5Barrytown
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bass:
Walter Becker
Gitarre:
Jeff “Skunk” Baxter, Walter Becker und Denny Dias
Keyboard:
Donald Fagen
Pedal-Steel-Gitarre:
Jeff “Skunk” Baxter
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
vocals:
Donald Fagen
mixed at:
Cherokee Sound in Chatsworth, California (Kalifornien), Vereinigte Staaten
engineered at:
Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Barrytown
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
American Broadcasting Music, Inc., MCA Inc. (US record company and parent company for MCA publishing companies, affiliated to ASCAP), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1973) und Red Giant Inc. (in 1973)
33:20
6Throw Back the Little Ones
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bass:
Walter Becker (von 1974-11 bis 1975-01), Wilton Felder (von 1974-11 bis 1975-01) und Chuck Rainey (American bassist) (von 1974-11 bis 1975-01)
Gitarre:
Walter Becker (von 1974-11 bis 1975-01)
Horn:
Bill Perkins (jazz saxophonist) (von 1974-11 bis 1975-01)
Keyboard und Klavier:
Donald Fagen (von 1974-11 bis 1975-01)
Perkussion und Vibraphon:
Victor Feldman (jazz musician) (von 1974-11 bis 1975-01)
Schlagzeug:
Jeff Porcaro (von 1974-11 bis 1975-01)
Solo-Gitarre:
Elliott Randall (von 1974-11 bis 1975-01)
Horn arranger:
Jimmie Haskell
arranger:
Walter Becker und Donald Fagen
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und ABC Records, Inc (in 1975)
aufgenommen bei:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1974-11 bis 1975-01)
recording of:
Throw Back the Little Ones (von 1974-11 bis 1975-01)
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
Anchor Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974) und American Broadcasting Music, Inc. (in 1975)
23:15
7Don’t Take Me Alive
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer) und Elliot Scheiner
Produzent(in):
Gary Katz
Mix:
Roger Nichols (US mastering, recording engineer and producer) und Barney Perkins
Bass:
Walter Becker und Chuck Rainey (American bassist)
Gitarre:
Walter Becker und Larry Carlton
Horn:
Bob Findley und Dick Hyde
Keyboard:
Donald Fagen und Paul Griffin (American pianist, session musician)
Perkussion:
Gary Coleman (US percussionist)
Posaune:
Dick Hyde
Saxophon:
Jim Horn (saxophonist, hornist, flutist and oboist), Plas Johnson und John Klemmer
Schlagzeug:
Rick Marotta (US drummer/percussionist)
Solo-Gitarre:
Larry Carlton
Trompete:
Chuck Findley (trumpet, trombone, horn player)
Hintergrundgesang und Sologesang:
Donald Fagen
Horn arranger:
Walter Becker, Donald Fagen und Chuck Findley (trumpet, trombone, horn player)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
engineered at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten und ABC Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Take Me Alive
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), ABC/Dunhill Music, Inc. (in 1976) und Anchor Music Ltd. (in 1976)
44:16
8Haitian Divorce
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer) und Elliot Scheiner
Produzent(in):
Gary Katz
Mix:
Roger Nichols (US mastering, recording engineer and producer) und Barney Perkins
Bass:
Walter Becker und Chuck Rainey (American bassist)
Gitarre:
Walter Becker und Dean Parks (American session guitarist)
Horn:
Bob Findley und Dick Hyde
Keyboard:
Donald Fagen und Paul Griffin (American pianist, session musician)
Perkussion:
Gary Coleman (US percussionist)
Posaune:
Dick Hyde
Saxophon:
Jim Horn (saxophonist, hornist, flutist and oboist), Plas Johnson und John Klemmer
Schlagzeug:
Bernard “Pretty” Purdie
Solo-Gitarre:
Dean Parks (American session guitarist)
Trompete:
Chuck Findley (trumpet, trombone, horn player)
Hintergrundgesang und Sologesang:
Donald Fagen
Horn arranger:
Walter Becker, Donald Fagen und Chuck Findley (trumpet, trombone, horn player)
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1976), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
engineered at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten und ABC Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Haitian Divorce
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), ABC/Dunhill Music, Inc. (in 1976) und Anchor Music Ltd. (in 1976)
3.655:49
9Sign In Stranger
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer) und Elliot Scheiner
Mix:
Roger Nichols (US mastering, recording engineer and producer) und Barney Perkins
Bass:
Walter Becker und Chuck Rainey (American bassist)
Gitarre:
Walter Becker und Elliott Randall
Horn:
Bob Findley und Dick Hyde
Keyboard, Hintergrundgesang und Sologesang:
Donald Fagen
Klavier:
Paul Griffin (American pianist, session musician)
Perkussion:
Gary Coleman (US percussionist)
Posaune:
Dick Hyde
Saxophon:
Jim Horn (saxophonist, hornist, flutist and oboist), Plas Johnson und John Klemmer
Schlagzeug:
Bernard “Pretty” Purdie
Trompete:
Chuck Findley (trumpet, trombone, horn player)
Horn arranger:
Walter Becker, Donald Fagen und Chuck Findley (trumpet, trombone, horn player)
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1976)
engineered at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten und ABC Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Sign In Stranger
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
ABC/Dunhill Music, Inc. (in 1976) und Anchor Music Ltd. (in 1976)
4:23
10Black Cow
recording of:
Black Cow
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Universal‐MCA Music Publishing (US), ABC/Dunhill Music, Inc. (in 1977) und Anchor Music Ltd. (in 1977)
5:07
11Aja
recording engineer:
Bill Schnee
leitende(r) Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bassgitarre:
Chuck Rainey (American bassist)
Gitarre:
Walter Becker, Larry Carlton und Denny Dias
Klavier:
Michael Omartian
Perkussion:
Victor Feldman (jazz musician)
Rhodes Piano [Fender Rhodes]:
Joe Sample
Schlagzeug:
Steve Gadd (drummer)
Synthesizer, Trillerpfeife [police whistle] und Sologesang:
Donald Fagen
Tenorsaxophon:
Wayne Shorter (US jazz saxophonist and composer)
Hintergrundgesang:
Donald Fagen und Tim Schmit
conductor:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (Horn)
Horn arranger:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1977)
aufgenommen bei:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Aja
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
ABC/Dunhill Music, Inc. (, in 1977), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Anchor Music Ltd. (in 1977)
37:58
12Home at Last
leitende(r) Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bassgitarre:
Chuck Rainey (American bassist)
Gitarre:
Larry Carlton
Klavier und Vibraphon:
Victor Feldman (jazz musician)
Schlagzeug:
Bernard Purdie
Solo-Gitarre:
Walter Becker
Synthesizer und Sologesang:
Donald Fagen
Hintergrundgesang:
Donald Fagen und Tim Schmit
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1977)
recording of:
Home at Last
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., ABC/Dunhill Music, Inc. (in 1977) und Anchor Music Ltd. (in 1977)
35:34
13FM
Produzent(in):
Gary Katz
Bass und E-Gitarre:
Walter Becker
Klavier und Sologesang:
Donald Fagen
Perkussion:
Victor Feldman (jazz musician) und Jeff Porcaro
Schlagzeug:
Jeff Porcaro
Tenorsaxophon:
Pete Christlieb
Hintergrundgesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles), Don Henley und Timothy B. Schmit
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
recording of:
FM (No Static at All)
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
Duchess Music Corporation (BMI-affiliated), Feckless Music, Hornall Brothers Music Ltd. (limited company), Jump Tunes, Kobalt Music Publishing Ltd. (UK) und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
3.55:02
14Gaucho
recorded in:
Vereinigte Staaten (von 1978 bis 1980)
leitende(r) Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Mix:
Elliot Scheiner (von 1978 bis 1980)
Bassgitarre und Solo-Gitarre:
Walter Becker (von 1978 bis 1980)
Gitarre:
Steve Khan (von 1978 bis 1980)
Hybrid-Piano und Synthesizer und Sologesang:
Donald Fagen (von 1978 bis 1980)
Klavier:
Rob Mounsey (von 1978 bis 1980)
Perkussion:
Crusher Bennett (von 1978 bis 1980)
Schlagzeug:
Jeff Porcaro (von 1978 bis 1980)
Tenorsaxophon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (von 1978 bis 1980)
Trompete:
Randy Brecker (von 1978 bis 1980)
Hintergrundgesang:
Patti Austin (von 1978 bis 1980), Leslie Miller (von 1978 bis 1980) und Valerie Simpson (von 1978 bis 1980)
Blechblasinstrumente [horns] arranger:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (von 1978 bis 1980)
arranger:
Steely Dan (group founded by Walter Becker and Donald Fagen)
recording of:
Gaucho (von 1978 bis 1980)
Texter:
Walter Becker und Donald Fagen
Komponist(in):
Walter Becker, Donald Fagen und Keith Jarrett (pianist)
publisher:
Freejunket Music (in 1980) und Zeon Music (in 1980)
basiert auf:
'Long as You Know You're Living Yours
25:30
15Everyone’s Gone to the Movies (demo)
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Perkussion:
Victor Feldman (jazz musician) (in 1971)
Hintergrundgesang:
Howard Kaylan (in 1971) und Mark Volman (in 1971)
recording of:
Everyone’s Gone to the Movies (in 1971)
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
Anchor Music Ltd., American Broadcasting Music, Inc. (in 1972), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1972), Red Giant Inc. (in 1972) und Red Giant Music, Inc. (in 1972)
3:55

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