16 Original Hits

~ Pubblicazione di Wilson Pickett (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

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#TitoloValutazioneDurata
1Mustang Sally
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1966-10-13)
tecnico:
Tom Dowd e Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) e Jerry Wexler
basso elettrico [electric bass] :
Tommy Cogbill (dal 1966-10-13 al 1966-10-14)
batteria :
Roger Hawkins (drummer and producer) (dal 1966-10-13 al 1966-10-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-10-13 al 1966-10-14)
chitarra [lead guitar] :
Lincoln "Chips" Moman (dal 1966-10-13 al 1966-10-14)
sassofono tenore :
Gilbert Caples (dal 1966-10-13 al 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-10-13 al 1966-10-14) e Eddie Logan (dal 1966-10-13 al 1966-10-14)
tastiera [piano, organ] :
Dewey "Spooner" Oldham (dal 1966-10-13 al 1966-10-14)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1966-10-13 al 1966-10-14)
voce:
Wilson Pickett (dal 1966-10-13 al 1966-10-14)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-10-13 al 1966-10-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 434)
registrazione cover di:
Mustang Sally (dal 1966-10-13 al 1966-10-14)
paroliere e compositore:
Sir Mack Rice
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
43:07
2In the Midnight Hour
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-05-12)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records) e Jerry Wexler
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-05-12)
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1965-05-12)
chitarra :
Steve Cropper (il 1965-05-12)
pianoforte :
Joe Hall (Memphis pianist) (il 1965-05-12)
sassofono baritono :
Floyd Newman (il 1965-05-12)
sassofono tenore :
Charles “Packy” Axton (il 1965-05-12) e Andrew Love (il 1965-05-12)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-05-12)
voce:
Wilson Pickett (il 1965-05-12)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965, nel 1992) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (il 1965-05-12)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 134) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 218)
registrazione di:
In the Midnight Hour (il 1965-05-12)
autore:
Steve Cropper e Wilson Pickett
editore:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. e Irving Music, Inc.
32:38
3Don’t Fight It
registrazione di:
Don’t Fight It
autore:
Steve Cropper e Wilson Pickett
editore:
Cotillion Music Inc. (BMI) e Irving Music, Inc.
2:10
4Land of 1000 Dances
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (dal 1966-05-08 al 1966-05-11)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-05-08 al 1966-05-11) e Chips Moman (dal 1966-05-08 al 1966-05-11)
chitarra basso [bass] :
Tommy Cogbill (dal 1966-05-08 al 1966-05-11)
pianoforte :
Spooner Oldham (dal 1966-05-08 al 1966-05-11)
sassofono baritono :
Floyd Newman (dal 1966-05-08 al 1966-05-11)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-05-08 al 1966-05-11) e Andrew Love (dal 1966-05-08 al 1966-05-11)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1966-05-08 al 1966-05-11)
voce:
Wilson Pickett (dal 1966-05-08 al 1966-05-11)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-05-08 al 1966-05-11)
registrazione cover di:
Land of 1000 Dances (dal 1966-05-08 al 1966-05-11)
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. e Tune-Kel
registrazione di:
Land of 1000 Dances
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. e Tune-Kel
42:26
5She’s Looking Good
registrazione di:
She’s Looking Good
autore:
Justin Dickens
compositore:
Rodger Collins
editore:
Veytig Music
2:22
6634–5789
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-12-20)
produttore:
Jerry Wexler
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1965-12-20)
chitarra :
Steve Cropper (il 1965-12-20)
chitarra basso [bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-12-20)
pianoforte :
Isaac Hayes (il 1965-12-20)
sassofono baritono :
Floyd Newman (il 1965-12-20)
sassofono tenore :
Charles “Packy” Axton (il 1965-12-20) e Andrew Love (il 1965-12-20)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-12-20)
voce:
Wilson Pickett (il 1965-12-20)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrazione di:
634‒5789 (Soulsville, U.S.A.) (il 1965-12-20)
autore:
Steve Cropper e Eddie Floyd
editore:
Irving Music, Inc. e Pronto Music (publisher)
2:57
7Hey Jude
tecnico e produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
basso elettrico [electric bass] :
Jerry Jemmott (il 1968-11-27)
batteria :
Roger Hawkins (drummer and producer) (il 1968-11-27)
chitarra elettrica :
Duane Allman (il 1968-11-27) e Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1968-11-27)
pianoforte :
Barry Beckett (il 1968-11-27)
sassofono :
Floyd Newman (il 1968-11-27)
sassofono tenore :
Andrew Love (il 1968-11-27) e James Mitchell (US saxophonist/arranger) (il 1968-11-27)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (il 1968-11-27)
voce principale:
Wilson Pickett (il 1968-11-27)
arrangiatore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1968-11-27)
registrazione cover di:
Hey Jude (il 1968-11-27)
scritta a:
England, Regno Unito (nel 1968-06)
autore:
John Lennon (The Beatles) (nel 1968-06) e Paul McCartney (The Beatles) (nel 1968-06)
editore:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP)
scritta presso:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1968-06 al 1968-07-26)
4:05
8Something You Got
registrazione di:
Something You Got
paroliere e compositore:
Chris Kenner
autore:
Fats Domino e Chris Kenner
editore:
EMI Longitude Music, Longitude Music Co. e Tune-Kel Music
2:57
9Funky Broadway
registrazione di:
Funky Broadway
paroliere e compositore:
Arlester “Dyke” Christian
editore:
Drive-In Music Co. e Embassy Music Corporation
2:35
10Stagger Lee
registrazione cover di:
Stagger Lee (Lloyd Price version)
autore:
Harold Logan e Lloyd Price (US R&B/soul singer)
editore:
EMI Catalogue Partnership, Irving Music (BMI) e Travis Music Co.
versione di:
Stagger Lee (“Stackolee” etc., traditional)
2:21
11I’m a Midnight Mover
registrata a:
Memphis, Tennessee, Stati Uniti (il 1968-03-04)
produttore:
Tom Dowd
voce:
Wilson Pickett (il 1968-03-04)
arrangiatore:
Tom Dowd
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrazione di:
I’m a Midnight Mover (il 1968-03-04)
autore:
Wilson Pickett e Bobby Womack
editore:
Cotillion Music Inc. (BMI), Erva Music Publishing (BMI) e Tracebob Music Co.
2:24
12Hey Joe
registrazione cover di:
Hey Joe
paroliere e compositore:
Billy Roberts (songwriter)
editore:
Carlin Music Corp, Sony/ATV Melody, Third Palm Music e Third Story Music, Inc.
2:59
13Don’t Knock My Love
tecnico di registrazione:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
produttore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) e Brad Shapiro (Producer, arranger, bass player and songwriter)
basso elettrico [electric bass] :
David Hood (Muscle Shoals, AL guitarist and trombonist) (il 1971-01-27)
batteria :
Roger Hawkins (drummer and producer) (il 1971-01-27)
chitarra :
Tippy Armstrong (il 1971-01-27) e Dennis Coffey (il 1971-01-27)
percussione :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1971-01-27)
sassofono tenore :
Andrew Love (il 1971-01-27)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1971-01-27)
voce:
Wilson Pickett (il 1971-01-27)
direttore d'orchestra:
Wade Marcus (il 1971-01-27)
arrangiatore:
Wade Marcus
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Muscle Shoals Sound Studio in Sheffield, Alabama, Stati Uniti (il 1971-01-27)
registrazione di:
Don’t Knock My Love (il 1971-01-27)
compositore:
Wilson Pickett e Brad Shapiro (Producer, arranger, bass player and songwriter)
editore:
Erva Music Publishing (BMI)
2:24
14Mama Told Me Not to Come
registrazione di:
Mama Told Me (Not to Come)
paroliere e compositore:
Randy Newman (American singer‐songwriter and score composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. e Warner/Chappell North America
2:39
15Sugar Sugar
produttore:
Tom Dowd e Jerry Wexler
basso [electric bass] :
David Hood (Muscle Shoals, AL guitarist and trombonist) (il 1969-11-19)
batteria :
Roger Hawkins (drummer and producer) (il 1969-11-19)
chitarra [lead guitar] :
Eddie Hinton (il 1969-11-19)
chitarra [rhythm guitar] :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1969-11-19)
tastiera [piano, organ] :
Barry Beckett (il 1969-11-19)
voce:
Wilson Pickett (il 1969-11-19)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Criteria Recording Studios in Miami, Florida, Stati Uniti (il 1969-11-19)
registrazione cover di:
Sugar, Sugar (il 1969-11-19)
autore:
Jeff Barry e Andy Kim (pop singer & songwriter)
editore:
Don Kirshner Music Inc., Kirshner CBS Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner/Chappell Music Ltd. (1996–2019)
2:58
16Everybody Needs Somebody to Love
registrazione di:
Everybody Needs Somebody to Love
autore:
Bert Russell Berns, Solomon Burke e Jerry Wexler
editore:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC e Musical Lights Tokyo
2:17

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