Sacred Masterpieces

~ Uitgave van Johann Sebastian Bach;Karl Richter (Bekijk alle versies van deze uitgave, 2 beschikbaar)

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#TitelArtiestWaarderingDuur
1Mass In B Minor BWV 232: Symbolum Nicenum (Credo): 13. Coro: Credo In Unum Deum
cello:
Fritz Kiskalt (cellist) (in 1969-05)
contrabas:
Herbert Duft (double bass player) (in 1969-05)
fagot:
Peter Dienstbier (bassoonist) (in 1969-05) en Richard Popp (bassoonist) (in 1969-05)
fluit:
Paul Meisen (flautist) (in 1969-05) en Herbert Segl (flautist) (in 1969-05)
hobo:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) en Edgar Shann (oboist) (in 1969-05)
hoornfamilie [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe d’amore:
Manfred Clement (oboist) (in 1969-05) en Kurt Hausmann (oboist) (in 1969-05)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
pauk:
Mathias Holm (German timpanist) (in 1969-05)
trompet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) en Josef Wiendl (trumpeter) (in 1969-05)
viool:
Kurt Guntner (violinist) (in 1969-05)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
opgenomen bij:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1969-05)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:15
2Mass In B Minor BWV 232: Symbolum Nicenum (Credo): 14. Coro: Credo In Unum Deum, Patrem Omnipotentem
cello:
Fritz Kiskalt (cellist) (in 1969-05)
contrabas:
Herbert Duft (double bass player) (in 1969-05)
fagot:
Peter Dienstbier (bassoonist) (in 1969-05) en Richard Popp (bassoonist) (in 1969-05)
fluit:
Paul Meisen (flautist) (in 1969-05) en Herbert Segl (flautist) (in 1969-05)
hobo:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) en Edgar Shann (oboist) (in 1969-05)
hoornfamilie [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe d’amore:
Manfred Clement (oboist) (in 1969-05) en Kurt Hausmann (oboist) (in 1969-05)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
pauk:
Mathias Holm (German timpanist) (in 1969-05)
trompet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) en Josef Wiendl (trumpeter) (in 1969-05)
viool:
Kurt Guntner (violinist) (in 1969-05)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
opgenomen bij:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1969-05)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:08
3Mass In B Minor BWV 232: Symbolum Nicenum (Credo): 15. Duetto (Soprano, Alto): Et In Unum Dominum [Variante]
cello:
Fritz Kiskalt (cellist) (in 1969-05)
contrabas:
Herbert Duft (double bass player) (in 1969-05)
fagot:
Peter Dienstbier (bassoonist) (in 1969-05) en Richard Popp (bassoonist) (in 1969-05)
fluit:
Paul Meisen (flautist) (in 1969-05) en Herbert Segl (flautist) (in 1969-05)
hobo:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) en Edgar Shann (oboist) (in 1969-05)
hoornfamilie [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe d’amore:
Manfred Clement (oboist) (in 1969-05) en Kurt Hausmann (oboist) (in 1969-05)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
pauk:
Mathias Holm (German timpanist) (in 1969-05)
trompet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) en Josef Wiendl (trumpeter) (in 1969-05)
viool:
Kurt Guntner (violinist) (in 1969-05)
altvocalen:
Marga Höffgen (contralto) (in 1969-05)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
sopraanvocalen:
Ursula Buckel (soprano) (in 1969-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
opgenomen bij:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1969-05)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:54
4Mass In B Minor BWV 232: Symbolum Nicenum (Credo): 16. Coro: Et Incarnatus Est
cello:
Fritz Kiskalt (cellist) (in 1969-05)
contrabas:
Herbert Duft (double bass player) (in 1969-05)
fagot:
Peter Dienstbier (bassoonist) (in 1969-05) en Richard Popp (bassoonist) (in 1969-05)
fluit:
Paul Meisen (flautist) (in 1969-05) en Herbert Segl (flautist) (in 1969-05)
hobo:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) en Edgar Shann (oboist) (in 1969-05)
hoornfamilie [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe d’amore:
Manfred Clement (oboist) (in 1969-05) en Kurt Hausmann (oboist) (in 1969-05)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
pauk:
Mathias Holm (German timpanist) (in 1969-05)
trompet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) en Josef Wiendl (trumpeter) (in 1969-05)
viool:
Kurt Guntner (violinist) (in 1969-05)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
opgenomen bij:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1969-05)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:37
5Mass In B Minor BWV 232: Symbolum Nicenum (Credo): 17. Coro: Crucifixus
cello:
Fritz Kiskalt (cellist) (in 1969-05)
contrabas:
Herbert Duft (double bass player) (in 1969-05)
fagot:
Peter Dienstbier (bassoonist) (in 1969-05) en Richard Popp (bassoonist) (in 1969-05)
fluit:
Paul Meisen (flautist) (in 1969-05) en Herbert Segl (flautist) (in 1969-05)
hobo:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) en Edgar Shann (oboist) (in 1969-05)
hoornfamilie [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe d’amore:
Manfred Clement (oboist) (in 1969-05) en Kurt Hausmann (oboist) (in 1969-05)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
pauk:
Mathias Holm (German timpanist) (in 1969-05)
trompet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) en Josef Wiendl (trumpeter) (in 1969-05)
viool:
Kurt Guntner (violinist) (in 1969-05)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
opgenomen bij:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1969-05)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:26
6Mass In B Minor BWV 232: Symbolum Nicenum (Credo): 18. Coro: Et Resurrecit
cello:
Fritz Kiskalt (cellist) (in 1969-05)
contrabas:
Herbert Duft (double bass player) (in 1969-05)
fagot:
Peter Dienstbier (bassoonist) (in 1969-05) en Richard Popp (bassoonist) (in 1969-05)
fluit:
Paul Meisen (flautist) (in 1969-05) en Herbert Segl (flautist) (in 1969-05)
hobo:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) en Edgar Shann (oboist) (in 1969-05)
hoornfamilie [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe d’amore:
Manfred Clement (oboist) (in 1969-05) en Kurt Hausmann (oboist) (in 1969-05)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
pauk:
Mathias Holm (German timpanist) (in 1969-05)
trompet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) en Josef Wiendl (trumpeter) (in 1969-05)
viool:
Kurt Guntner (violinist) (in 1969-05)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
vocalen:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
opgenomen bij:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1969-05)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:25
7Mass In B Minor BWV 232: Symbolum Nicenum (Credo): 19. Aria (Bass): Et In Spiritum Sanctum
cello:
Fritz Kiskalt (cellist) (in 1969-05)
contrabas:
Herbert Duft (double bass player) (in 1969-05)
fagot:
Peter Dienstbier (bassoonist) (in 1969-05) en Richard Popp (bassoonist) (in 1969-05)
fluit:
Paul Meisen (flautist) (in 1969-05) en Herbert Segl (flautist) (in 1969-05)
hobo:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) en Edgar Shann (oboist) (in 1969-05)
hoornfamilie [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe d’amore:
Manfred Clement (oboist) (in 1969-05) en Kurt Hausmann (oboist) (in 1969-05)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
pauk:
Mathias Holm (German timpanist) (in 1969-05)
trompet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) en Josef Wiendl (trumpeter) (in 1969-05)
viool:
Kurt Guntner (violinist) (in 1969-05)
basvocalen:
Ernst Gerold Schramm (German baritone) (in 1969-05)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
opgenomen bij:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1969-05)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:51
8Mass In B Minor BWV 232: Symbolum Nicenum (Credo): 20. Coro: Confiteor
cello:
Fritz Kiskalt (cellist) (in 1969-05)
contrabas:
Herbert Duft (double bass player) (in 1969-05)
fagot:
Peter Dienstbier (bassoonist) (in 1969-05) en Richard Popp (bassoonist) (in 1969-05)
fluit:
Paul Meisen (flautist) (in 1969-05) en Herbert Segl (flautist) (in 1969-05)
hobo:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) en Edgar Shann (oboist) (in 1969-05)
hoornfamilie [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe d’amore:
Manfred Clement (oboist) (in 1969-05) en Kurt Hausmann (oboist) (in 1969-05)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
pauk:
Mathias Holm (German timpanist) (in 1969-05)
trompet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) en Josef Wiendl (trumpeter) (in 1969-05)
viool:
Kurt Guntner (violinist) (in 1969-05)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
opgenomen bij:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1969-05)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:52
9Mass In B Minor BWV 232: Symbolum Nicenum (Credo): 21. Coro: Et Exspecto Resurrectionem
cello:
Fritz Kiskalt (cellist) (in 1969-05)
contrabas:
Herbert Duft (double bass player) (in 1969-05)
fagot:
Peter Dienstbier (bassoonist) (in 1969-05) en Richard Popp (bassoonist) (in 1969-05)
fluit:
Paul Meisen (flautist) (in 1969-05) en Herbert Segl (flautist) (in 1969-05)
hobo:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) en Edgar Shann (oboist) (in 1969-05)
hoornfamilie [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe d’amore:
Manfred Clement (oboist) (in 1969-05) en Kurt Hausmann (oboist) (in 1969-05)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
pauk:
Mathias Holm (German timpanist) (in 1969-05)
trompet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) en Josef Wiendl (trumpeter) (in 1969-05)
viool:
Kurt Guntner (violinist) (in 1969-05)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
opgenomen bij:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1969-05)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:21
10Mass In B Minor BWV 232: Sanctus: 22. Coro: Sanctus
cello:
Fritz Kiskalt (cellist) (in 1969-05)
contrabas:
Herbert Duft (double bass player) (in 1969-05)
fagot:
Peter Dienstbier (bassoonist) (in 1969-05) en Richard Popp (bassoonist) (in 1969-05)
fluit:
Paul Meisen (flautist) (in 1969-05) en Herbert Segl (flautist) (in 1969-05)
hobo:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) en Edgar Shann (oboist) (in 1969-05)
hoornfamilie [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe d’amore:
Manfred Clement (oboist) (in 1969-05) en Kurt Hausmann (oboist) (in 1969-05)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
pauk:
Mathias Holm (German timpanist) (in 1969-05)
trompet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) en Josef Wiendl (trumpeter) (in 1969-05)
viool:
Kurt Guntner (violinist) (in 1969-05)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
opgenomen bij:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
is een opname van:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1969-05)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:15
11Mass In B Minor BWV 232: Sanctus: 23. Coro: Osanna In Excelsis
cello:
Fritz Kiskalt (cellist) (in 1969-05)
contrabas:
Herbert Duft (double bass player) (in 1969-05)
fagot:
Peter Dienstbier (bassoonist) (in 1969-05) en Richard Popp (bassoonist) (in 1969-05)
fluit:
Paul Meisen (flautist) (in 1969-05) en Herbert Segl (flautist) (in 1969-05)
hobo:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) en Edgar Shann (oboist) (in 1969-05)
hoornfamilie [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe d’amore:
Manfred Clement (oboist) (in 1969-05) en Kurt Hausmann (oboist) (in 1969-05)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
pauk:
Mathias Holm (German timpanist) (in 1969-05)
trompet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) en Josef Wiendl (trumpeter) (in 1969-05)
viool:
Kurt Guntner (violinist) (in 1969-05)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
opgenomen bij:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1969-05)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:21
12Mass In B Minor BWV 232: Sanctus: 24. Aria (Tenor): Benedictus
cello:
Fritz Kiskalt (cellist) (in 1969-05)
contrabas:
Herbert Duft (double bass player) (in 1969-05)
fagot:
Peter Dienstbier (bassoonist) (in 1969-05) en Richard Popp (bassoonist) (in 1969-05)
fluit:
Paul Meisen (flautist) (in 1969-05) en Herbert Segl (flautist) (in 1969-05)
hobo:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) en Edgar Shann (oboist) (in 1969-05)
hoornfamilie [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe d’amore:
Manfred Clement (oboist) (in 1969-05) en Kurt Hausmann (oboist) (in 1969-05)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
pauk:
Mathias Holm (German timpanist) (in 1969-05)
trompet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) en Josef Wiendl (trumpeter) (in 1969-05)
viool:
Kurt Guntner (violinist) (in 1969-05)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
tenorvocalen:
Ernst Haefliger (tenor) (in 1969-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
opgenomen bij:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1969-05)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:06
13Mass In B Minor BWV 232: Sanctus: 25. Coro: Osanna In Excelsis (Repetatur)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
contrabas:
Herbert Duft (double bass player) (in 1969-05)
fagot:
Peter Dienstbier (bassoonist) (in 1969-05) en Richard Popp (bassoonist) (in 1969-05)
fluit:
Paul Meisen (flautist) (in 1969-05) en Herbert Segl (flautist) (in 1969-05)
hobo:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) en Edgar Shann (oboist) (in 1969-05)
hoornfamilie [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe d’amore:
Manfred Clement (oboist) (in 1969-05) en Kurt Hausmann (oboist) (in 1969-05)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
pauk:
Mathias Holm (German timpanist) (in 1969-05)
trompet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) en Josef Wiendl (trumpeter) (in 1969-05)
viool:
Kurt Guntner (violinist) (in 1969-05)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
opgenomen bij:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1969-05)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:08
14Mass In B Minor BWV 232: Agnus Dei: 26. Aria (Alto): Agnus Dei
cello:
Fritz Kiskalt (cellist) (in 1969-05)
contrabas:
Herbert Duft (double bass player) (in 1969-05)
fagot:
Peter Dienstbier (bassoonist) (in 1969-05) en Richard Popp (bassoonist) (in 1969-05)
fluit:
Paul Meisen (flautist) (in 1969-05) en Herbert Segl (flautist) (in 1969-05)
hobo:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) en Edgar Shann (oboist) (in 1969-05)
hoornfamilie [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe d’amore:
Manfred Clement (oboist) (in 1969-05) en Kurt Hausmann (oboist) (in 1969-05)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
pauk:
Mathias Holm (German timpanist) (in 1969-05)
trompet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) en Josef Wiendl (trumpeter) (in 1969-05)
viool:
Kurt Guntner (violinist) (in 1969-05)
altvocalen:
Marga Höffgen (contralto) (in 1969-05)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
opgenomen bij:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1969-05)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:01
15Mass In B Minor BWV 232: Agnus Dei: 27. Tutti: Dona Nobis Pacem
cello:
Fritz Kiskalt (cellist) (in 1969-05)
contrabas:
Herbert Duft (double bass player) (in 1969-05)
fagot:
Peter Dienstbier (bassoonist) (in 1969-05) en Richard Popp (bassoonist) (in 1969-05)
fluit:
Paul Meisen (flautist) (in 1969-05) en Herbert Segl (flautist) (in 1969-05)
hobo:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) en Edgar Shann (oboist) (in 1969-05)
hoornfamilie [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe d’amore:
Manfred Clement (oboist) (in 1969-05) en Kurt Hausmann (oboist) (in 1969-05)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
pauk:
Mathias Holm (German timpanist) (in 1969-05)
trompet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) en Josef Wiendl (trumpeter) (in 1969-05)
viool:
Kurt Guntner (violinist) (in 1969-05)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
opgenomen bij:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1969-05)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Dona nobis pacem
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:40