Puccini Favourites

~ Veröffentlichung von Giacomo Puccini (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1La bohème: “Si, mi chiamano Mimì…”
Produzent(in):
Ray Minshull (record producer) und Erik Smith (British producer, pianist and harpsichordist)
Baritongesang [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
Baritongesang [Schaunard] und bass-baritone vocals [Schaunard]:
Renato Cesari (bass-baritone)
Bass-Gesang:
Renato Cesari (bass-baritone) (in 1959-08)
Bass-Gesang [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
Soprangesang [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
Tenor-Gesang [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
Tonmeister(in):
Peter Attwood (in 1959-08)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
aufgenommen bei:
Santa Cecilia in Trastevere in Roma (Rom), Roma, Lazio, Italien (in 1959-08)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1959-08)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 8. “Ehi! Rodolfo” (Schaunard, Colline, Marcello, Mimi) (in 1959-08)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
teilweise recording of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème (Puccini)
6:17
2La bohème: “O soave fanciulla”
Soprangesang:
Renata Tebaldi (soprano) (in 1959-08)
Tenor-Gesang:
Carlo Bergonzi (tenor) (in 1959-08)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1959-08)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:01
3Gianni Schicchi: “O mio babbino caro”
Soprangesang und Soprangesang [Lauretta]:
Leona Mitchell (soprano)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Kurt Herbert Adler (conductor)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
2:41
4La Fanciulla del West: “Ch’ella mi creda”
Tenor-Gesang:
Bruno Prevedi (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Edward Downes (conductor)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1910)
Librettist:
Guelfo Civinini (Italian librettist) und Carlo Zangarini
Teil von:
La fanciulla del West: Atto III
2:23
5Madama Butterfly: “Vogliatemi bene” (Love Duet)
recorded in:
Roma (Rom), Roma, Lazio, Italien (in 1958-07)
Chorgesang:
Coro dell’Accademia di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Tenor-Gesang [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1958)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
8:01
6Madama Butterfly: “Un bel dì vedremo”
Produzent(in):
Christopher Raeburn (producer) und James Walker (ballet/opera conductor, classical recordings producer for Decca)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
Interpret(in):
Renata Tebaldi (soprano)
Tonmeister(in):
Kenneth Wilkinson (engineer) (in 1958-07)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1958)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (in 1958-07)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
4:52
7Madama Butterfly: Humming Chorus
Chorgesang:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1958-07)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
chorus master:
Bonaventura Somma (chorus master) (in 1958-07)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (in 1958-07)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
3:22
8Manon Lescaut: “In quelle trine morbide”
Soprangesang [Manon]:
Maria Chiara (soprano)
Orchester:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) und Vienna Volksoper Orchestra
conductor:
Nello Santi (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto II
2:02
9La Rondine: “Chi il bel sogno di Doretta”
Soprangesang:
Leona Mitchell (soprano)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Kurt Herbert Adler (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recording of:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami
Teil von:
La rondine: Atto I
3:24
10Tosca: “Te Deum”
Baritongesang:
George London (bass-baritone)
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
Chorgesang:
Coro dell’Accademia di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1959)
Tenor-Gesang [Spoletta]:
Piero de Palma (tenor) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Tosca: Atto I (Tosca: Act 1)
4:44
11Tosca: “Vissi d’arte”
Soprangesang [Tosca]:
Joan Sutherland (soprano) (in 1972)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Richard Bonynge (conductor and pianist) (in 1972)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1972)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
3:39
12Tosca: “E lucevan le stelle”
Tenor-Gesang [Cavaradossi]:
James McCracken (tenor)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Lamberto Gardelli (conductor)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
2:28
13Suor Angelica: “Senza mamma”
Soprangesang:
Felicia Weathers (soprano)
Orchester:
Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Argeo Quadri (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recording of:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Suor Angelica
4:59
14Turandot: “Signore, ascolta!” … “Non piangere, Liù!” … “Ah! per l’ultima volta!”
Baritongesang:
Renato Ercolani (tenor)
Bass-Gesang:
Fernando Corena (operatic bass) und Nicola Zaccaria (operatic bass)
Soprangesang:
Renata Tebaldi (soprano)
Tenor-Gesang:
Mario Carlin (tenor) und Mario Del Monaco (tenor)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
Kompilation von:
Turandot: Atto I. "Non piangere, Liù" von Borkh (soprano), Tebaldi (soprano), del Monaco (tenor), Orchestra (Orchestra of the National Academy of Santa Cecilia) e Coro dell'Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Alberto Erede (conductor) und Turandot: Atto I. "Signore, ascolta!" von Borkh (soprano), Tebaldi (soprano), del Monaco (tenor), Orchestra (Orchestra of the National Academy of Santa Cecilia) e Coro dell'Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Alberto Erede (conductor)
recording of:
Turandot: Atto I. “Ah! per l’ultima volta!” (Timur, Liù, Ministri, Calaf, coro)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
7:55
15Turandot: “Nessun dorma”
Tenor-Gesang und Tenor-Gesang [Calaf]:
Giuseppe Di Stefano (tenor)
Orchester:
Orchestra dell’Accademia di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Franco Patanè (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
3:34

Nennungen

Veröffentlichung

Teil von:Weekend Classics (Decca/London Classics) (Reihenfolge: 31)
Discogs:https://www.discogs.com/release/14590007 [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/1575438 [Info]