70s HITS - 100 Greatest Songs of the 1970s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼Supporto digitale
#TitoloArtistaValutazioneDurata
1Dreams
assistente tecnico:
Chris Morris (LA engineer & producer (late ’70s))
tecnico:
Ken Caillat e Richard Dashut
produttore:
Ken Caillat, Richard Dashut e Fleetwood Mac
produttore aggiunto:
Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
chitarra basso :
John McVie
tastiera e sintetizzatore :
Christine McVie
voce:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1977) e Warner Bros. (holding: file NO releases) (nel 2004)
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 9) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 17)
registrazione di:
Dreams
paroliere e compositore:
Stevie Nicks
editore:
Gentoo Music, Inc., Kobalt Music Publishing Ltd. (publisher) e Welsh Witch Music (BMI affiliated) (nel 1977)
Fleetwood Mac4.34:17
2You’re So Vain
tecnico di registrazione:
Robin Geoffrey Cable (dal 1972-09 al 1972-10)
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
basso :
Klaus Voorman (dal 1972-09 al 1972-10)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (dal 1972-09 al 1972-10)
chitarra :
Jimmy Ryan (American guitarist and singer/songwriter) (dal 1972-09 al 1972-10)
percussione :
Richard Perry (producer) (dal 1972-09 al 1972-10)
pianoforte e voce principale:
Carly Simon (dal 1972-09 al 1972-10)
voce di accompagnamento:
Mick Jagger (The Rolling Stones) (dal 1972-09 al 1972-10)
voce di accompagnamento aggiuntiva:
Carly Simon (dal 1972-09 al 1972-10) e Doris Troy (dal 1972-09 al 1972-10)
arrangiatore archi :
Carly Simon
orchestratore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1972-09 al 1972-10)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 140) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 495)
registrazione di:
You’re So Vain (dal 1972-09 al 1972-10)
paroliere e compositore:
Carly Simon
editore:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) e Universal Music Publishing Group
Carly Simon4.554:18
3Take It Easy
tecnico e produttore:
Glyn Johns
banjo e chitarra elettrica :
Bernie Leadon (nel 1972)
batteria :
Don Henley (nel 1972)
chitarra acustica e voce principale:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) (nel 1972)
chitarra basso :
Randy Meisner (nel 1972)
voce di accompagnamento:
Don Henley (nel 1972), Bernie Leadon (nel 1972) e Randy Meisner (nel 1972)
diritti fonografici (℗) detenuti da:
Asylum Records (Warner Music subsidiary) (nel 1972)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (nel 1972)
registrazione di:
Take It Easy (nel 1972)
autore:
Jackson Browne (American singer-songwriter) e Glenn Frey (US musician/singer/songwriter, member of the Eagles)
editore:
Swallow Turn Music e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Eagles4.13:32
4Young Hearts Run Free
produttore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
batteria :
Ollie E. Brown (US drummer, session musician & record producer)
chitarra :
Jay Graydon e Ray Parker
chitarra basso :
Scotty Edwards (bassist)
congas :
Eddie Bongo
percussione :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
sintetizzatore :
Monty Stark
tastiera :
Michael Boddicker, Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) e Sonny Burke (soul/jazz/funk keyboardist)
vibrafono :
Vic Feldman
voce di accompagnamento:
Jim Gilstrap, Lani Groves, Angie Johnson, Fleming McWilliams, Rochelle Runnells e June D. Williams
voce principale:
Candi Staton
arrangiatore:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
registrata presso:
Sound City Studios in Van Nuys, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 424)
registrazione di:
Young Hearts Run Free
paroliere e compositore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. e IQ Music Ltd.
Candi Staton4.154:09
5I’m Every Woman
tecnico:
James Douglass (engineer)
produttore:
Arif Mardin
voce di accompagnamento:
Will Lee (US jazz/rock bassist) (nel 1978) e Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (nel 1978)
voce di accompagnamento e voce principale:
Chaka Khan (nel 1978)
arrangiatore archi , arrangiatore legni e arrangiatore ottoni :
Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1978)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 6) (numero: 4)
registrazione di:
I’m Every Woman (nel 1978)
autore:
Nickolas Ashford e Valerie Simpson
editore:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:07
6Summer Breeze
produttore:
Louie Shelton
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1972)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 10)
registrazione di:
Summer Breeze
paroliere:
James Seals
compositore:
Dash Crofts e James Seals
editore:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals and Crofts4.253:22
7Into the Mystic
registrazione di:
Into the Mystic
paroliere e compositore:
Van Morrison
editore:
Caledonia Productions, Inc. (Caledonia Soul Music Division), Warner/Chappell North America, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Caledonia Soul Music (nel 1970), WB Music Corp. (1929–2019) (dal 1970 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Van Morrison3:28
8Right Down the Line
tecnico di registrazione:
Barry Hammond
produttore:
Hugh Murphy (UK producer, engineer) e Gerry Rafferty
tecnico di missaggio:
Declan O’Doherty
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
batteria :
Henry Spinetti
chitarra steel :
Brian Cole
famiglia delle chitarre :
Hugh Burns
organo e pianoforte :
Tommy Eyre
percussione :
Glen LeFleur
voce principale:
Gerry Rafferty
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
mixata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 1)
registrazione di:
Right Down the Line
paroliere e compositore:
Gerry Rafferty
editore:
Stage Three Music Publishing Limited, Universal–Songs of PolyGram International, Inc. e Music of Stage Three (nel 1978)
Gerry Rafferty3.54:28
9Ventura Highway
assistente tecnico:
Chuck Leary
tecnico:
Mike Stone (producer and engineer, 1960s–80s)
produttore:
America (US folk/soft rock band) e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
basso :
Joe Osborne (American bass guitar player, session musician and songwriter)
batteria e percussione :
Hal Blaine (U.S. studio drummer and percussionist)
chitarra :
Gerry Beckley, Dewey Bunnell e Dan Peek
tastiera :
Gerry Beckley e Dan Peek
voce:
Gerry Beckley, Dewey Bunnell e Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972), Warner Music International (trademark of Warner Music International the company) (nel 1972) e Rhino Entertainment Company (not for release label use!) (nel 2011)
registrazione di:
Ventura Highway
paroliere e compositore:
Dewey Bunnell
editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
America43:32
10We Are Family
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 444)
registrazione di:
We Are Family
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge43:37
11I’ll Be Around
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Thom Bell (keyboards, songwriter, producer)
basso :
Ron Baker (record producer, bassist, arranger and songwriter) (nel 1973)
batteria :
Earl Young (nel 1973)
percussione [vibraphone, marimba] :
Vince Montana (nel 1973)
pianoforte :
Thom Bell (keyboards, songwriter, producer) (nel 1973)
voce di accompagnamento:
Yvette Benson (nel 1973), Carla Benton (nel 1973) e Barbara Ingram (nel 1973)
voce di baritono:
Henry Fambrough (A member of the R&B quintet The Spinners) (nel 1973)
voce di basso:
Pervis Jackson (The bass singer for The Spinners) (nel 1973)
voce di tenore:
Billy Henderson (founding member of The Spinners) (nel 1973), Bobbie Smith (US R&B lead singer for The Spinners) (nel 1973) e Philippé Wynne (A lead vocalist of The Spinners) (nel 1973)
direttore d'orchestra:
Thom Bell (keyboards, songwriter, producer) (nel 1973)
remixer:
DJ Minnesotah, MASATO (KANDYTOWN) e Joe Tarsia (engineer)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
registrazione di:
I’ll Be Around (nel 1973)
compositore:
Thom Bell (keyboards, songwriter, producer) e Phil Hurtt
editore:
Mighty Three Music Ld. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:09
12Psycho Killer
tecnico:
Ed Stasium (US record producer & audio engineer)
tecnico aggiunto:
Matt Cohen (US producer and engineer)
produttore:
Tony Bongiovi, Lance Quinn e Talking Heads
produttore esecutivo:
Karen Ahmed e Robin Hurley
batteria :
Chris Frantz (dal 1976 al 1977)
chitarra :
David Byrne (Talking Heads) (dal 1976 al 1977) e Jerry Harrison (Talking Heads & producer) (dal 1976 al 1977)
chitarra basso :
Tina Weymouth (dal 1976 al 1977)
chitarra e tastiera e tastiera :
Jerry Harrison (Talking Heads & producer) (dal 1976 al 1977)
voce:
Jerry Harrison (Talking Heads & producer) (dal 1976 al 1977)
voce principale:
David Byrne (Talking Heads) (dal 1976 al 1977)
diritti fonografici (℗) detenuti da:
Sire Records Inc. (nel 1977)
registrata presso:
Sundragon Studios in Flatiron District, New York, New York, Stati Uniti (dal 1976 al 1977)
mixata presso:
Mediasound Studios in New York, New York, Stati Uniti (nel 2005)
campionamenti da:
Lexicon Valley #190, "Beyond the Five Ws" di John McWhorter
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 108)
registrazione di:
Psycho Killer (dal 1976 al 1977)
paroliere:
David Byrne (Talking Heads), Chris Frantz e Tina Weymouth
autore:
David Byrne (Talking Heads), Christopher Frantz e Martina Weymouth
compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Talking Heads3.854:21
13Hooked on a Feeling
produttore:
Bengt Palmers
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (nel 1973) e EMI Records Group (nel 1973)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 284)
registrazione di:
Hooked on a Feeling
paroliere e compositore:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
Blue Swede4.052:53
14Long Train Runnin’
tecnico:
Donn Landee
produttore:
Ted Templeman
armonica (a bocca) :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
chitarra :
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
chitarra steel :
Jeff “Skunk” Baxter
congas , piatti e timbales :
Michael Hossack
membranofono :
John Hartman (drummer for the Doobie Brothers) e Michael Hossack
organo , pianoforte e tastiera :
Bill Payne
percussione :
John Hartman (drummer for the Doobie Brothers) e Ted Templeman
sintetizzatore :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
sintetizzatore ospite :
Malcolm Cecil e Robert Margouleff
voce:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter e Patrick Simmons
arrangiatore archi :
Nick de Caro
arrangiatore basso :
Tiran Porter
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, nel 1973) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973)
registrata presso:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Long Train Runnin’
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (nel 1982) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) (nel 1991)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.13:27
15Let It Be
registrazione cover di:
Let It Be
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP)
Aretha Franklin3:33
16Ooh La La
assistente tecnico:
Phil Chapman (engineer)
tecnico e produttore:
Glyn Johns
armonium e pianoforte :
Ian McLagan
batteria e percussione :
Kenney Jones (drummer for Small Faces, Faces, and The Who)
chitarra acustica :
Ronnie Lane e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
voce principale:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 246)
registrazione di:
Ooh La La
paroliere:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
compositore:
Ronnie Lane e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
editore:
WB Music Corp. (1929–2019)
Faces3.753:34
17Fool (If You Think It’s Over)
tecnico:
Justin Shirley‐Smith
produttore:
Jon Kelly (engineer at Air London Studios) e Chris Rea
diritti fonografici (℗) detenuti da:
Magnet Records Ltd. (nel 1988)
registrata presso:
Sol Mill Studios (The Sol) in Windsor and Maidenhead, England, Regno Unito (nel 2007)
registrazione di:
Fool (If You Think It’s Over) (nel 2007)
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea54:07
18Lotta Love
tecnico:
Donn Landee
produttore:
Ted Templeman
basso :
Bob Glaub
batteria :
Rick Schlosser (drummer)
chitarra :
Dave Kalish
chitarra acustica :
Herb Pedersen
flauto :
Plas Johnson
sassofono :
Andrew Love
tamburello :
Nicolette Larson
tastiera :
Mark T. Jordan
voce di accompagnamento:
Nicolette Larson e Ted Templeman
direttore d'orchestra:
Jimmie Haskell
arrangiatore archi :
Jimmie Haskell
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1978)
registrazione di:
Lotta Love
paroliere:
Neil Young (Canadian singer, songwriter & musician)
compositore:
Frank Sampedro e Neil Young (Canadian singer, songwriter & musician)
editore:
Silver Fiddle Music
Nicolette Larson53:06
19Da Ya Think I’m Sexy
tecnico:
Andy Johns
produttore:
Tom Dowd
tecnico di missaggio:
Tom Dowd e Andy Johns
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) e WEA Records B.V. (nel 1978)
video musicali:
Da Ya Think I'm Sexy? di Rod Stewart
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 301)
registrazione di:
Da Ya Think I’m Sexy?
autore:
Carmine Appice, Duane Hitchings e Rod Stewart
editore:
Control (German electronic sub-label of edel, inactive for a time, but relaunched in 2015), EMI April Music Inc., EMI Full Keel Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Nitestalk Music, Riva Music Ltd., Warner/Chappell Music, Inc., Warner/Chappell North America, WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
versione di:
Taj Mahal
Rod Stewart4.155:31
20Listen to the Music
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972)
edit di:
Listen to the Music di The Doobie Brothers
registrazione di:
Listen to the Music
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:47
21Could It Be I’m Falling in Love
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Thom Bell (keyboards, songwriter, producer)
basso :
Ron Baker (record producer, bassist, arranger and songwriter) (nel 1973)
batteria :
Earl Young (nel 1973)
percussione [vibraphone, marimba] :
Vince Montana (nel 1973)
pianoforte :
Thom Bell (keyboards, songwriter, producer) (nel 1973)
voce di accompagnamento:
Yvette Benson (nel 1973), Carla Benton (nel 1973) e Barbara Ingram (nel 1973)
voce di baritono:
Henry Fambrough (A member of the R&B quintet The Spinners) (nel 1973)
voce di basso:
Pervis Jackson (The bass singer for The Spinners) (nel 1973)
voce di tenore:
Billy Henderson (founding member of The Spinners) (nel 1973), Bobbie Smith (US R&B lead singer for The Spinners) (nel 1973) e Philippé Wynne (A lead vocalist of The Spinners) (nel 1973)
direttore d'orchestra:
Thom Bell (keyboards, songwriter, producer) (nel 1973)
remixer:
Joe Tarsia (engineer)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 221)
registrazione di:
Could It Be I’m Falling in Love (nel 1973)
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:10
22Stay With Me
Faces4:39
23Cold as Ice
registrazione di:
Cold as Ice
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (fino al 2014-12-31), Yamaha Music Publishing (fino al 2017-03-31), Fujipacific Music, Inc. (dal 2015-01-01 a oggi) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
Foreigner3:20
24Saturday in the Park
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972) e Rhino Entertainment Company (not for release label use!) (nel 1972, nel 2002)
registrata presso e mixata presso:
Columbia Studios in New York, New York, Stati Uniti (dal 1971-09-20 al 1971-09-29)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 9)
registrazione di:
Saturday in the Park (dal 1971-09-20 al 1971-09-29)
paroliere e compositore:
Robert Lamm (nel 1971)
editore:
Big Elk Music, Lamminations Music, Spirit Music Publishing Ltd. e Warner Chappell North America Ltd.
Chicago43:56
25Every 1’s a Winner
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Infinity Records Inc. (nel 1978)
registrazione di:
Every 1’s a Winner
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
EMI Music Publishing (PRS‐affiliated) e RAK Music Publishing Ltd.
Hot Chocolate4.154:04
26Helplessly Hoping
Crosby, Stills & Nash2:38
27The Rubberband Man
The Spinners3:33
28Truckin’
Grateful Dead5:07
29Immigrant Song
registrazione di:
Immigrant Song
paroliere:
Robert Plant (of Led Zeppelin)
compositore:
Jimmy Page
editore:
Superhype Music, Inc.
Led Zeppelin2:26
30La Grange
ZZ Top3:50
31Baker Street
tecnico di registrazione:
Barry Hammond
produttore:
Hugh Murphy (UK producer, engineer) e Gerry Rafferty
tecnico di missaggio:
Declan O’Doherty
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
batteria :
Henry Spinetti
chitarra elettrica :
Hugh Burns e Nigel Jenkins
moog e tastiera :
Tommy Eyre
percussione :
Glen LeFleur
sassofono :
Raphael Ravenscroft
voce principale:
Gerry Rafferty
arrangiatore archi :
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1978), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
mixata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 26) e Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 89)
registrazione di:
Baker Street
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.756:11
32The Last Waltz Suite: The Weight
The Band & The Staple Singers4:36
33Just What I Needed
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978)
registrata presso e mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1978-02)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 112) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 369)
registrazione di:
Just What I Needed (nel 1978-02)
paroliere e compositore:
Ric Ocasek
editore:
BMG Music Publishing Ltd., Lido Music, Inc. e Lido Music (not for release label use!) (nel 1978)
The Cars4.33:46
34Good Times (7” edit)
basso :
Bernard Edwards (American bassist and record producer) (nel 1979)
batteria :
Tony Thompson (drummer, best known for his work in CHIC) (nel 1979)
chitarra :
Nile Rodgers (nel 1979)
pianoforte :
Rob Sabino (nel 1979)
pianoforte elettrico :
Raymond Jones (nel 1979)
voce principale:
Alfa Anderson (nel 1979) e Luci Martin (nel 1979)
esecutore:
Chic (US disco group) (nel 1979)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1979)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 68) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 224)
registrazione di:
Good Times (nel 1979)
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs e Tommy Jymi Inc.
Chic53:46
35American Girl
registrazione di:
American Girl
paroliere e compositore:
Tom Petty
editore:
Almo Music Corp. (USA, affiliated with ASCAP)
Tom Petty and the Heartbreakers3:35
36A Horse With No Name
tecnico:
Robin Black (engineer) e Ken Scott (UK record producer & engineer)
produttore:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) e Ian Samwell
produttore aggiunto:
America (US folk/soft rock band) e Jeff Dexter
tecnico di missaggio:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
batteria :
Kim Haworth (nel 1971)
chitarra a 12 corde :
Gerry Beckley (nel 1971)
chitarra acustica e voce principale:
Dewey Bunnell (nel 1971)
chitarra basso :
Dan Peek (nel 1971)
percussione :
Ray Cooper (percussionist) (nel 1971)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1971, nel 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (nel 1972) e Rhino Entertainment Company (not for release label use!) (nel 2011)
registrata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1971)
registrazione di:
A Horse With No Name (nel 1971)
paroliere e compositore:
Dewey Bunnell
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
America4.254:12
37I’d Really Love to See You Tonight
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1976)
registrazione di:
I’d Really Love to See You Tonight
paroliere e compositore:
Parker McGee
editore:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing e Sutjujo Music
England Dan & John Ford Coley52:39
38A Song for You
Gram Parsons4:55
39We Don’t Talk Anymore
produttore:
Bruce Welch (English guitarist, singer, songwriter and producer)
voce:
Cliff Richard (nel 1979)
diritti fonografici (℗) detenuti da:
EMI America (nel 1979) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1979)
video musicali:
We Don’t Talk Anymore di Cliff Richard
registrazione di:
We Don’t Talk Anymore (nel 1979)
paroliere e compositore:
Alan Tarney
editore:
ATV Music Ltd., Sony/ATV Songs LLC e Warner Chappell
Cliff Richard34:12
40The Air That I Breathe
The Hollies4:13
41Love the One You’re With
tecnico:
Andy Johns
produttore:
Bill Halverson e Stephen Stills
basso :
Calvin Samuels (nel 1970-03)
chitarra , organo , percussione e voce principale:
Stephen Stills (nel 1970-03)
congas :
Jeff Whittaker (nel 1970-03)
steel pan :
Stephen Stills
voce di accompagnamento:
Rita Coolidge (nel 1970-03), David Crosby (nel 1970-03), Graham Nash (nel 1970-03), Priscilla Jones (American folk, rock and pop singer) (nel 1970-03) e John Sebastian (nel 1970-03)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1970)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (nel 1970-03)
registrazione di:
Love the One You’re With (nel 1970-03)
paroliere e compositore:
Stephen Stills
editore:
Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Gold Hill Music, Inc. (nel 1970)
sub-editore:
EMI Music Publishing Scandinavia AB (nel 1997)
Stephen Stills3.53:06
42Rock Steady
registrazione di:
Rock Steady
paroliere e compositore:
Aretha Franklin (dal 1970 al 1971)
editore:
Carlin Music Corporation, Pundit Music, Inc e Springtime Music, Inc.
Aretha Franklin3:14
432-4-6-8 Motorway
produttore:
Vic Maile
basso :
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
batteria :
Dolphin Taylor (il 1977-09-14)
chitarra :
Danny Kustow (il 1977-09-14)
organo e pianoforte :
Mark Ambler (il 1977-09-14)
voce:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
Berwick Street Studios in Westminster, London (Greater London), England, Regno Unito (il 1977-09-14)
registrazione di:
2‐4‐6‐8 Motorway (il 1977-09-14)
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
editore:
Konkwest Music Limited
Tom Robinson Band4.253:17
44So You Win Again
Hot Chocolate4:31
45I Just Want to Make Love to You
Foghat4:21
46Tiger Feet
Mud3:50
47Right Place Wrong Time
tecnico di registrazione:
Karl Richardson
produttore:
Allen Toussaint
tecnico di missaggio:
Jimmy Douglass (engineer) e Arif Mardin
batteria :
Joseph Modeliste
chitarra :
Leo Nocentelli
chitarra acustica, congas, pianoforte elettrico, pianoforte e tamburello :
Allen Toussaint
chitarra basso :
George Porter, Jr.
chitarra solista :
David Spinozza
organo :
Art Neville
sassofono :
Gary Brown (US saxophonist from Louisiana)
voce di accompagnamento:
Jessie Mae Smith (US R&B vocalist Jessica Mae Smith, 1941–2021), Robbie Montgomery e Allen Toussaint
voce principale:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
direttore d'orchestra:
Allen Toussaint
esecutore:
The Bonaroo horn section e The Meters
arrangiatore e arrangiatore voci:
Allen Toussaint
registrazione di:
Right Place Wrong Time
paroliere e compositore:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
editore:
Mystical Light Music e Walden Music, Inc.
Dr. John3.652:55
48Tin Town
Seals and Crofts3:16
49Willin’
registrazione di:
Willin’
paroliere e compositore:
Lowell George
editore:
Abraham Music e Naked Snake Music
Little Feat2:55
50Disco Inferno
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977) e WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (nel 1977)
registrazione di:
Disco Inferno
autore:
Leroy Green (disco/soul songwriter) e Ron Kersey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. e Six Strings Music
The Trammps53:34
51Is It Love You’re After
registrazione cover di:
Is It Love You’re After
paroliere, autore e compositore:
Miles Gregory
editore:
Sony/ATV Ballad, Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce5:06
52Sailing
produttore:
Tom Dowd
registrazione cover di:
Sailing
paroliere e compositore:
Gavin Sutherland (UK folk rock artist, member of The Sutherland Brothers)
editore:
Ackee Music Inc., Island Music (Island Music Ltd.) e Melodie der Welt J. Michel KG (German publisher; read annotation)
Rod Stewart3.354:36
53Thank You for Being a Friend
Andrew Gold4:41
54Brass Buttons
Gram Parsons3:30
55I Saw the Light
produttore:
Todd Rundgren
strumenti e voce:
Todd Rundgren
arrangiatore:
Todd Rundgren
diritti fonografici (℗) detenuti da:
Bearsville Records (nel 1972)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 452)
registrazione di:
I Saw the Light
paroliere e compositore:
Todd Rundgren
editore:
Earmark Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Todd Rundgren53:00
56Make It Easy on Yourself
Dionne Warwick2:40
57My Eyes Adored You
Frankie Valli3:33
58Cat’s in the Cradle
produttore:
Paul Leka
arrangiatore:
Paul Leka
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1974)
registrata presso:
Connecticut Recording Studios in Connecticut, Stati Uniti
registrazione di:
Cat’s in the Cradle
autore:
Sandra Campbell Chapin e Harry F Chapin
editore:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:46
59Fire and Rain
tecnico:
Bill Lazerus (nel 1969-12)
produttore:
Peter Asher (nel 1969-12)
batteria :
Russ Kunkel (session drummer) (nel 1969-12)
chitarra acustica e voce principale:
James Taylor (singer-songwriter and guitarist) (nel 1969-12)
contrabbasso :
Bobby ‘Wild, Wild’ West (nel 1969-12)
pianoforte :
Carole King (nel 1969-12)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1969)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1969-12)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 146) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 227)
registrazione di:
Fire and Rain (nel 1969-12)
paroliere e compositore:
James Taylor (singer-songwriter and guitarist)
editore:
Country Road Music, Inc. (ASCAP-affiliated) (conclusa), EMI Blackwood Music Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
James Taylor4.33:21
60Killing Me Softly With His Song
produttore:
Joel Dorn
pianoforte :
Roberta Flack (singer and pianist)
voce:
Roberta Flack (singer and pianist)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 273) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 361)
registrazione cover di:
Killing Me Softly With His Song
paroliere:
Norman Gimbel
compositore:
Charles Fox (film/TV composer, also Latin pianist)
editore:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC e Fox-Gimbel Productions Inc. (nel 1972)
Roberta Flack3.554:47
61Tush
tecnico di registrazione e tecnico di missaggio:
Terry Manning (US recording engineer)
produttore:
Bill Ham (manager of ZZ Top)
batteria :
Frank Beard (ZZ Top drummer)
chitarra basso e voce principale:
Dusty Hill
chitarra elettrica :
Billy Gibbons
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti e Robin Hood Studios in Tyler, Texas, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 67)
registrazione di:
Tush
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
Music of Stage Three e Songs of Mosaic
ZZ Top4.552:14
62Werewolves of London
tecnico:
Dennis Kirk e Greg Ladanyi
produttore:
Jackson Browne (American singer-songwriter) e Waddy Wachtel
basso :
John McVie
batteria :
Mick Fleetwood
chitarra [guitars] :
Waddy Wachtel
pianoforte :
Warren Zevon
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e Rhino Entertainment Company (not for release label use!) (dal 2007 a oggi)
registrata presso:
The Sound Factory in Tucson, Arizona, Stati Uniti (nel 2007)
registrazione di:
Werewolves of London
autore:
LeRoy P. Marinell, Waddy Wachtel e Warren Zevon
editore:
Leadsheet Land Music, Polite Music, Tiny Tunes e Zevon Music Inc. (BMI)
Warren Zevon4.93:29
63Sweet Potato Pie
Al Jarreau3:14
64Cry Baby
Gloria Jones3:12
65Low Rider
War3:11
66Grease
tecnico e tecnico di missaggio:
Karl Richardson
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
chitarra :
Peter Frampton
voce di accompagnamento:
Barry Gibb
voce principale:
Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
arrangiatore:
Albhy Galuten e Barry Gibb
diritti fonografici (℗) detenuti da:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 11)
registrazione di:
Grease (Grease, 1978 film)
paroliere e compositore:
Barry Gibb
editore:
Careers–BMG Music Publishing, Inc. e Gibb Brothers Music
parte di:
Grease (1978 film)
Frankie Valli4.43:27
67You’ve Got a Friend
tecnico:
Richard Sanford Orshoff
produttore:
Peter Asher
cabassa, congas e batteria :
Russ Kunkel (session drummer)
chitarra acustica :
James Taylor (singer-songwriter and guitarist)
chitarra acustica e congas :
Danny Kortchmar (Danny Kootch)
chitarra basso :
Leland Sklar (bassist, session musician)
voce di accompagnamento:
Joni Mitchell e James Taylor (singer-songwriter and guitarist)
registrazione cover di:
You’ve Got a Friend
paroliere e compositore:
Carole King
editore:
Colgems-EMI Music Inc. e Screen Gems–EMI Music Ltd.
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
James Taylor4.44:29
68Year of the Cat
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
Al Stewart (UK folk singer/songwriter) (nel 1976)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
mixata presso:
Davlen Sound Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 13)
registrazione di:
Year of the Cat
autore:
Al Stewart (UK folk singer/songwriter) e Peter Wood (UK keyboardist/pianist)
editore:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.456:34
69Right Back Where We Started From
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1994)
registrazione di:
Right Back Where We Started From (nel 1975)
autore:
J. Vincent Edwards e Pierre Tubbs
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Sony/ATV Songs LLC
Maxine Nightingale4.153:12
70Brass in Pocket
tecnico di registrazione aggiunto:
Steve Nye (producer, engineer and pianist)
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Michael Paul Stavrou (producer/engineer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
Pretenders4.43:06
71Feel Like Makin’ Love
tecnico di registrazione:
Ron Nevison (nel 1974-09)
produttore:
Bad Company (British blues-rock supergroup)
tecnico di missaggio:
Ron Nevison
basso elettrico :
Boz Burrell (English musician) (nel 1974-09)
batteria :
Simon Kirke (nel 1974-09)
chitarra :
Mick Ralphs (nel 1974-09) e Paul Rodgers (nel 1974-09)
pianoforte e voce principale:
Paul Rodgers (nel 1974-09)
tastiera :
Mick Ralphs (nel 1974-09)
diritti fonografici (℗) detenuti da:
Swan Song Inc. (nel 1975)
registrata presso:
Clearwell Castle in Gloucestershire, England, Regno Unito (nel 1974-09)
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 78)
registrazione di:
Feel Like Makin’ Love (nel 1974-09)
autore:
Mick Ralphs e Paul Rodgers
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Badco Music, Inc. (dal 1974 a oggi)
Bad Company4.255:15
72Midnight at the Oasis
tecnico:
Lee Herschberg e Donn Landee
produttore:
Joe Boyd (US producer, founder of Hannibal Records) e Lenny Waronker
tecnico di missaggio:
Lee Herschberg
batteria :
Jim Gordon (US drummer with Derek and the Dominos)
chitarra acustica :
David Nichtern
chitarra basso :
Freebo
chitarra elettrica :
Amos Garrett
pianoforte :
Mark T. Jordan
voce:
Maria Muldaur
voce parlata:
Greg Prestopino
arrangiatore archi :
Nick de Caro
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Midnight at the Oasis
paroliere e compositore:
David Nichtern
editore:
Space Potato Music (nel 1974)
Maria Muldaur43:50
73Riders on the Storm
registrazione di:
Riders on the Storm
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company e Rondor Music (London) Ltd.
The Doors7:15
74Your Love
Graham Central Station3:20
75Rainy Night in Georgia
produttore:
Arif Mardin
armonica (a bocca) :
Toots Thielemans (nel 1969)
basso :
Harold Cowart (il 1969-09-11)
batteria :
Ron Ziegler (drummer) (il 1969-09-11)
chitarra :
Cornell Dupree (nel 1969) e Jim O’Rourke (US musician & producer, b. 1969) (il 1969-09-11)
organo :
Billy Carter (organ, jazz) (il 1969-09-11)
pianoforte :
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (il 1969-09-11)
strumenti:
Cold Grits (nel 1969)
voce di accompagnamento:
The Sweet Inspirations (il 1969-09-11)
arrangiatore:
Arif Mardin
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1969-09-11)
pubblicazioni successive:
Rainy Night in Georgia di Brook Benton
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 498)
registrazione cover di:
Rainy Night in Georgia (il 1969-09-11)
paroliere e compositore:
Tony Joe White
editore:
Combine Music Corp. e EMI Songs Limited
Brook Benton43:54
76Go Your Own Way
registrazione di:
Go Your Own Way
paroliere e compositore:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
editore:
Gentoo Music, Inc. e Now Sounds Music
Fleetwood Mac3:39
77Breakdown
tecnico di registrazione e tecnico di missaggio:
Max e Noah Shark
produttore:
Denny Cordell
basso elettrico :
Ron Blair
diritti fonografici (℗) detenuti da:
Gone Gator Records (nel 1976)
registrata presso e mixata presso:
The Shelter Studio (Leon Russell's second studio) in Los Angeles, California, Stati Uniti
registrazione di:
Breakdown
paroliere e compositore:
Tom Petty
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd. e Skyhill Pub. Co., Inc.
Tom Petty and the Heartbreakers4.152:44
78The Right Thing to Do
tecnico di registrazione e tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
basso :
Jimmy Ryan (American guitarist and singer/songwriter) (dal 1972-09 al 1972-10)
batteria :
Andy Newmark (dal 1972-09 al 1972-10)
congas :
Ray Cooper (percussionist) (dal 1972-09 al 1972-10)
pianoforte e voce principale:
Carly Simon (dal 1972-09 al 1972-10)
voce di accompagnamento:
Vicki Brown (English pop, rock & contemporary classical singer) (dal 1972-09 al 1972-10), Carly Simon (dal 1972-09 al 1972-10) e Liza Strike (dal 1972-09 al 1972-10)
arrangiatore archi e arrangiatore ottoni [horns] :
Kirby Johnson
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978) e Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1972-09 al 1972-10)
registrazione di:
The Right Thing to Do (dal 1972-09 al 1972-10)
paroliere e compositore:
Carly Simon
editore:
C’Est Music e Universal Music Corporation (USA, affiliated with ASCAP)
Carly Simon3.53:00
79Sister Golden Hair
assistente tecnico:
Tom Anderson (engineer)
tecnico:
Geoff Emerick (British recording engineer)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
altri strumenti :
America (US folk/soft rock band)
batteria e percussione :
Willie Leacox
chitarra basso :
David Dickey (U.S. drummer and bassist)
voce:
America (US folk/soft rock band)
arrangiatore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1975), Warner Music H.K. Ltd. (nel 1997) e Rhino Entertainment Company (not for release label use!) (nel 2011)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 12) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 264)
registrazione di:
Sister Golden Hair
paroliere e compositore:
Gerald Beckley
editore:
Warner/Chappell Music Australia Pty. Ltd.
America4.13:17
80Don’t Stop
assistente tecnico:
Chris Morris (LA engineer & producer (late ’70s))
tecnico:
Ken Caillat e Richard Dashut
produttore:
Ken Caillat, Richard Dashut e Fleetwood Mac
produttore aggiunto:
Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
chitarra basso :
John McVie
tastiera e sintetizzatore :
Christine McVie
voce:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Warner Bros. (holding: file NO releases) (nel 2004)
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Don’t Stop
paroliere e compositore:
Christine McVie
editore:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) e Gentoo Music, Inc. (nel 1977)
Fleetwood Mac4.23:14
81Debris
Faces4:36
82Suite: Judy Blue Eyes
Crosby, Stills & Nash7:24
83He’s the Greatest Dancer
registrazione di:
He’s the Greatest Dancer
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Sister Sledge6:15
84School’s Out
tecnico:
Roy Cicala e Shelly Yakus
produttore:
Bob Ezrin
basso elettrico :
Dennis Dunaway (original bass player for Alice Cooper)
batteria :
Neil Smith (former Alice Cooper drummer)
chitarra e voce di accompagnamento:
Reggie Vincent
chitarra elettrica :
Michael Bruce (of Alice Cooper) e Glen Buxton (American guitarist)
tastiera :
Michael Bruce (of Alice Cooper) e Bob Ezrin
voce principale:
Alice Cooper (the singer, active as a solo artist 1975–present)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972, nel 1974) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
è stato produttore per:
Alive Enterprises Incorporated e Nimbus 9 Productions
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 293) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 319)
registrazione di:
School’s Out
autore:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975–present), Dennis Dunaway (original bass player for Alice Cooper) e Neal Smith (former Alice Cooper drummer)
editore:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:30
85December, 1963 (Oh What a Night!)
registrazione di:
December, 1963 (Oh, What a Night)
paroliere:
Bob Gaudio e Judy Parker
compositore:
Bob Gaudio
editore:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. e Seasons Music Co.
The Four Seasons3:21
86Sundown
assistente tecnico:
Chris Skene
produttore:
Lenny Waronker
batteria :
Jim Gordon (US drummer with Derek and the Dominos)
chitarra acustica :
Terry Clements e Gordon Lightfoot
chitarra basso :
John Stockfish
chitarra elettrica :
Red Shea
diritti fonografici (℗) detenuti da:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text), Reprise Records (nel 1974, nel 1975) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1974)
registrazione di:
Sundown
paroliere e compositore:
Gordon Lightfoot
editore:
Moose Music e WB Music Corp. (1929–2019)
Gordon Lightfoot4.853:33
87Me and You and a Dog Named Boo
Lobo2:58
88Aqualung
tecnico:
John Burns (engineer/producer for Genesis)
produttore:
Ian Anderson (of Jethro Tull) e Terry Ellis (UK producer & band manager)
batteria e percussione :
Clive Bunker (dal 1970-12 al 1971-02)
chitarra acustica e flauto :
Ian Anderson (of Jethro Tull) (dal 1970-12 al 1971-02)
chitarra basso e flauto dolce contralto :
Jeffrey Hammond Hammond (dal 1970-12 al 1971-02)
chitarra elettrica e flauto dolce soprano :
Martin Barre (dal 1970-12 al 1971-02)
mellotron, organo e pianoforte :
John Evan (dal 1970-12 al 1971-02)
voce:
Ian Anderson (of Jethro Tull) (dal 1970-12 al 1971-02)
direttore d'orchestra:
Dee Palmer (aka David Palmer, of Jethro Tull) (dal 1970-12 al 1971-02)
orchestratore:
Dee Palmer (aka David Palmer, of Jethro Tull)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 90)
registrazione di:
Aqualung (Jethro Tull) (il 1971-02-12)
paroliere:
Ian Anderson (of Jethro Tull) e Jennie Franks
compositore:
Ian Anderson (of Jethro Tull)
Jethro Tull4.256:35
89Still the One
voce principale:
Larry Hoppen
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1976) e Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1976)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 18)
registrazione di:
Still the One
autore:
Johanna Hall e John Hall (US guitarist/vocalist for Orleans, later US congressman)
editore:
Siren Songs
Orleans53:54
90She’s Gone
registrata a:
New York, New York, Stati Uniti (nel 1973)
produttore:
Arif Mardin
basso :
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (nel 1973)
batteria :
Bernard “Pretty” Purdie (nel 1973)
chitarra :
John Oates (nel 1973)
chitarra elettrica, mellotron e sintetizzatore :
Chris Bond (producer, active circa 1970s) (nel 1973)
percussione :
Ralph MacDonald (nel 1973)
pianoforte elettrico :
Daryl Hall (nel 1973)
sassofono tenore :
Joe Farrell (nel 1973)
voce principale:
Daryl Hall (nel 1973) e John Oates (nel 1973)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1973)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 336)
registrazione di:
She’s Gone (nel 1973)
paroliere e compositore:
Daryl Hall e John Oates
editore:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
91Carolina in My Mind
registrazione di:
Carolina in My Mind
paroliere e compositore:
James Taylor (singer-songwriter and guitarist)
editore:
Country Road Music, Inc. (ASCAP-affiliated) e EMI Blackwood Music Inc.
James Taylor3:59
92Casey Jones
Grateful Dead4:25
93Boulder to Birmingham
registrazione di:
Boulder to Birmingham
autore:
Bill Danoff e Emmylou Harris
Emmylou Harris3:33
94Crazy Love
produttore:
Van Morrison
produttore esecutivo:
Lewis Merenstein
tecnico di missaggio:
Elliot Scheiner (nel 1969-12)
voce di accompagnamento:
Judy Clay (American soul and gospel singer) (nel 1969), Emily Houston (nel 1969) e Jackie Verdell (nel 1969)
voce principale:
Van Morrison (nel 1969)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1970)
è stato produttore per:
Inherit Productions
registrata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti (nel 1969)
mixata presso:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Stati Uniti (nel 1969-12)
registrazione di:
Crazy Love (nel 1969)
paroliere e compositore:
Van Morrison
editore:
Caledonia Soul Music (, nel 1970), Van-Jan Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America e WB Music Corp. (1929–2019) (nel 1970)
Van Morrison3.72:35
95Sweet Jane
produttore:
Geoffrey Haslam, Shel Kagan e The Velvet Underground (Lou Reed’s seminal rock band)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 335)
registrazione di:
Sweet Jane
paroliere e compositore:
Lou Reed
editore:
Oakfield Avenue Music Ltd.
The Velvet Underground54:06
96Love Time
Badfinger2:21
97Can’t Get Enough
Bad Company4:14
98L.A. Woman
registrazione di:
L.A. Woman
paroliere:
Jim Morrison (lead vocalist of the Doors)
compositore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company e Rondor Music (London) Ltd.
The Doors7:51
99P.F. Sloan
Jimmy Webb4:17
100Move Me No Mountain
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1980)
registrazione cover di:
Move Me No Mountain
autore:
Jerry Ragovoy e Aaron Schroeder (1950s~1960s US songwriter)
editore:
Dandy Dittys Unlimited
Chaka Khan4:13

Accreditamenti

Pubblicazione

streaming gratuito:https://www.deezer.com/album/507947041 [info] (conclusa)
https://open.spotify.com/album/3N8mBG9DvFq93X6efNxH0i [info]
pagina di streaming:https://music.apple.com/gb/album/1714781747 [info]