Adès Conducts Adès

~ Release by Thomas Adès; Boston Symphony Orchestra, Kirill Gerstein, Mark Stone, Christianne Stotijn, Thomas Adès (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Concerto for Piano and Orchestra: I. Allegramente (Quarter Note = 112)
assistant engineer:
Joel Watts (engineer)
engineer:
Tim Martyn (engineer) and Nicholas Squire
executive producer:
Sid McLauchlan (engineer/producer)
producer and editor:
Nicholas Squire
piano:
Kirill Gerstein (pianist) (in 2019)
orchestra:
Boston Symphony Orchestra (in 2019)
conductor:
Thomas Adès (British composer, pianist and conductor) (in 2019)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2019)
live recording of:
Concerto for Piano and Orchestra: I. Allegramente (Quarter Note = 112)
composer:
Thomas Adès (British composer, pianist and conductor) (in 2018)
part of:
Concerto for Piano and Orchestra
Thomas Adès7:35
2Concerto for Piano and Orchestra: II. Andante gravemente (Quarter Note = 66 intimo)
assistant engineer:
Joel Watts (engineer)
engineer:
Tim Martyn (engineer) and Nicholas Squire
executive producer:
Sid McLauchlan (engineer/producer)
producer and editor:
Nicholas Squire
piano:
Kirill Gerstein (pianist) (in 2019)
orchestra:
Boston Symphony Orchestra (in 2019)
conductor:
Thomas Adès (British composer, pianist and conductor) (in 2019)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2019)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
live recording of:
Concerto for Piano and Orchestra: II. Andante gravemente (Quarter Note = 66 intimo)
composer:
Thomas Adès (British composer, pianist and conductor) (in 2018)
part of:
Concerto for Piano and Orchestra
Thomas Adès7:00
3Concerto for Piano and Orchestra: III. Allegro gioioso (Quarter Note = 120)
assistant engineer:
Joel Watts (engineer)
engineer:
Tim Martyn (engineer) and Nicholas Squire
executive producer:
Sid McLauchlan (engineer/producer)
producer and editor:
Nicholas Squire
piano:
Kirill Gerstein (pianist) (in 2019)
orchestra:
Boston Symphony Orchestra (in 2019)
conductor:
Thomas Adès (British composer, pianist and conductor) (in 2019)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2019)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
live recording of:
Concerto for Piano and Orchestra: III. Allegro gioioso (Quarter Note = 120)
composer:
Thomas Adès (British composer, pianist and conductor) (in 2018)
part of:
Concerto for Piano and Orchestra
Thomas Adès6:51
4Totentanz: Der Prediger
assistant engineer:
Joel Watts (engineer)
engineer:
Tim Martyn (engineer) and Nicholas Squire
executive producer:
Sid McLauchlan (engineer/producer)
producer and editor:
Nicholas Squire
baritone vocals:
Mark Stone (baritone singer) (in 2016)
orchestra:
Boston Symphony Orchestra (in 2016)
conductor:
Thomas Adès (British composer, pianist and conductor) (in 2016)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2016)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
live partial recording of:
Totentanz (Adès)
composer:
Thomas Adès (British composer, pianist and conductor) (in 2013)
is based on:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Thomas Adès1:16
5Totentanz: Der Tod
assistant engineer:
Joel Watts (engineer)
engineer:
Tim Martyn (engineer) and Nicholas Squire
executive producer:
Sid McLauchlan (engineer/producer)
producer and editor:
Nicholas Squire
baritone vocals:
Mark Stone (baritone singer) (in 2016)
orchestra:
Boston Symphony Orchestra (in 2016)
conductor:
Thomas Adès (British composer, pianist and conductor) (in 2016)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2016)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
live partial recording of:
Totentanz (Adès)
composer:
Thomas Adès (British composer, pianist and conductor) (in 2013)
is based on:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Thomas Adès1:56
6Totentanz: Der Tod zum Papst – Der Papst
assistant engineer:
Joel Watts (engineer)
engineer:
Tim Martyn (engineer) and Nicholas Squire
executive producer:
Sid McLauchlan (engineer/producer)
producer and editor:
Nicholas Squire
baritone vocals:
Mark Stone (baritone singer) (in 2016)
mezzo-soprano vocals:
Christianne Stotijn (Dutch mezzo-soprano and violinist) (in 2016)
orchestra:
Boston Symphony Orchestra (in 2016)
conductor:
Thomas Adès (British composer, pianist and conductor) (in 2016)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2016)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
live partial recording of:
Totentanz (Adès)
composer:
Thomas Adès (British composer, pianist and conductor) (in 2013)
is based on:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Thomas Adès1:52
7Totentanz: Der Tod zum Kaiser – Der Kaiser
assistant engineer:
Joel Watts (engineer)
engineer:
Tim Martyn (engineer) and Nicholas Squire
executive producer:
Sid McLauchlan (engineer/producer)
producer and editor:
Nicholas Squire
baritone vocals:
Mark Stone (baritone singer) (in 2016)
mezzo-soprano vocals:
Christianne Stotijn (Dutch mezzo-soprano and violinist) (in 2016)
orchestra:
Boston Symphony Orchestra (in 2016)
conductor:
Thomas Adès (British composer, pianist and conductor) (in 2016)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2016)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
live partial recording of:
Totentanz (Adès)
composer:
Thomas Adès (British composer, pianist and conductor) (in 2013)
is based on:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Thomas Adès2:16
8Totentanz: Der Tod zum Kardinal – Der Kardinal
assistant engineer:
Joel Watts (engineer)
engineer:
Tim Martyn (engineer) and Nicholas Squire
executive producer:
Sid McLauchlan (engineer/producer)
producer and editor:
Nicholas Squire
baritone vocals:
Mark Stone (baritone singer) (in 2016)
mezzo-soprano vocals:
Christianne Stotijn (Dutch mezzo-soprano and violinist) (in 2016)
orchestra:
Boston Symphony Orchestra (in 2016)
conductor:
Thomas Adès (British composer, pianist and conductor) (in 2016)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2016)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
live partial recording of:
Totentanz (Adès)
composer:
Thomas Adès (British composer, pianist and conductor) (in 2013)
is based on:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Thomas Adès2:42
9Totentanz: Der Tod zum König – Der König
assistant engineer:
Joel Watts (engineer)
engineer:
Tim Martyn (engineer) and Nicholas Squire
executive producer:
Sid McLauchlan (engineer/producer)
producer and editor:
Nicholas Squire
baritone vocals:
Mark Stone (baritone singer) (in 2016)
mezzo-soprano vocals:
Christianne Stotijn (Dutch mezzo-soprano and violinist) (in 2016)
orchestra:
Boston Symphony Orchestra (in 2016)
conductor:
Thomas Adès (British composer, pianist and conductor) (in 2016)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2016)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
live partial recording of:
Totentanz (Adès)
composer:
Thomas Adès (British composer, pianist and conductor) (in 2013)
is based on:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Thomas Adès1:55
10Totentanz: Der Tod zum Mönch – Der Mönch
assistant engineer:
Joel Watts (engineer)
engineer:
Tim Martyn (engineer) and Nicholas Squire
executive producer:
Sid McLauchlan (engineer/producer)
producer and editor:
Nicholas Squire
baritone vocals:
Mark Stone (baritone singer) (in 2016)
mezzo-soprano vocals:
Christianne Stotijn (Dutch mezzo-soprano and violinist) (in 2016)
orchestra:
Boston Symphony Orchestra (in 2016)
conductor:
Thomas Adès (British composer, pianist and conductor) (in 2016)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2016)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
live partial recording of:
Totentanz (Adès)
composer:
Thomas Adès (British composer, pianist and conductor) (in 2013)
is based on:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Thomas Adès1:41
11Totentanz: Der Tod zum Ritter – Der Ritter – Der Tod zum Bürgermeister – Der Bürgermeister
assistant engineer:
Joel Watts (engineer)
engineer:
Tim Martyn (engineer) and Nicholas Squire
executive producer:
Sid McLauchlan (engineer/producer)
producer and editor:
Nicholas Squire
baritone vocals:
Mark Stone (baritone singer) (in 2016)
mezzo-soprano vocals:
Christianne Stotijn (Dutch mezzo-soprano and violinist) (in 2016)
orchestra:
Boston Symphony Orchestra (in 2016)
conductor:
Thomas Adès (British composer, pianist and conductor) (in 2016)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2016)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
live partial recording of:
Totentanz (Adès)
composer:
Thomas Adès (British composer, pianist and conductor) (in 2013)
is based on:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Thomas Adès1:49
12Totentanz: Der Tod zum Arzt – Der Arzt – Der Tod zum Wucherer – Der Wucherer
assistant engineer:
Joel Watts (engineer)
engineer:
Tim Martyn (engineer) and Nicholas Squire
executive producer:
Sid McLauchlan (engineer/producer)
producer and editor:
Nicholas Squire
baritone vocals:
Mark Stone (baritone singer) (in 2016)
mezzo-soprano vocals:
Christianne Stotijn (Dutch mezzo-soprano and violinist) (in 2016)
orchestra:
Boston Symphony Orchestra (in 2016)
conductor:
Thomas Adès (British composer, pianist and conductor) (in 2016)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2016)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
live partial recording of:
Totentanz (Adès)
composer:
Thomas Adès (British composer, pianist and conductor) (in 2013)
is based on:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Thomas Adès0:45
13Totentanz: Der Tod zum Kaufmann – Der Kaufmann
assistant engineer:
Joel Watts (engineer)
engineer:
Tim Martyn (engineer) and Nicholas Squire
executive producer:
Sid McLauchlan (engineer/producer)
producer and editor:
Nicholas Squire
baritone vocals:
Mark Stone (baritone singer) (in 2016)
mezzo-soprano vocals:
Christianne Stotijn (Dutch mezzo-soprano and violinist) (in 2016)
orchestra:
Boston Symphony Orchestra (in 2016)
conductor:
Thomas Adès (British composer, pianist and conductor) (in 2016)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2016)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
live partial recording of:
Totentanz (Adès)
composer:
Thomas Adès (British composer, pianist and conductor) (in 2013)
is based on:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Thomas Adès2:05
14Totentanz: Der Tod zum Küster – Der Küster – Der Tod zum Küster
assistant engineer:
Joel Watts (engineer)
engineer:
Tim Martyn (engineer) and Nicholas Squire
executive producer:
Sid McLauchlan (engineer/producer)
producer and editor:
Nicholas Squire
baritone vocals:
Mark Stone (baritone singer) (in 2016)
mezzo-soprano vocals:
Christianne Stotijn (Dutch mezzo-soprano and violinist) (in 2016)
orchestra:
Boston Symphony Orchestra (in 2016)
conductor:
Thomas Adès (British composer, pianist and conductor) (in 2016)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2016)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
live partial recording of:
Totentanz (Adès)
composer:
Thomas Adès (British composer, pianist and conductor) (in 2013)
is based on:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Thomas Adès4:01
15Totentanz: Der Handwerker – Der Tod zum Handwerker
assistant engineer:
Joel Watts (engineer)
engineer:
Tim Martyn (engineer) and Nicholas Squire
executive producer:
Sid McLauchlan (engineer/producer)
producer and editor:
Nicholas Squire
baritone vocals:
Mark Stone (baritone singer) (in 2016)
mezzo-soprano vocals:
Christianne Stotijn (Dutch mezzo-soprano and violinist) (in 2016)
orchestra:
Boston Symphony Orchestra (in 2016)
conductor:
Thomas Adès (British composer, pianist and conductor) (in 2016)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2016)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
live partial recording of:
Totentanz (Adès)
composer:
Thomas Adès (British composer, pianist and conductor) (in 2013)
is based on:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Thomas Adès2:20
16Totentanz: Der Tod zum Bauer – Der Bauer
assistant engineer:
Joel Watts (engineer)
engineer:
Tim Martyn (engineer) and Nicholas Squire
executive producer:
Sid McLauchlan (engineer/producer)
producer and editor:
Nicholas Squire
baritone vocals:
Mark Stone (baritone singer) (in 2016)
mezzo-soprano vocals:
Christianne Stotijn (Dutch mezzo-soprano and violinist) (in 2016)
orchestra:
Boston Symphony Orchestra (in 2016)
conductor:
Thomas Adès (British composer, pianist and conductor) (in 2016)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2016)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
live partial recording of:
Totentanz (Adès)
composer:
Thomas Adès (British composer, pianist and conductor) (in 2013)
is based on:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Thomas Adès2:13
17Totentanz: Der Tod zum Mädchen – Das Mädchen
assistant engineer:
Joel Watts (engineer)
engineer:
Tim Martyn (engineer) and Nicholas Squire
executive producer:
Sid McLauchlan (engineer/producer)
producer and editor:
Nicholas Squire
baritone vocals:
Mark Stone (baritone singer) (in 2016)
mezzo-soprano vocals:
Christianne Stotijn (Dutch mezzo-soprano and violinist) (in 2016)
orchestra:
Boston Symphony Orchestra (in 2016)
conductor:
Thomas Adès (British composer, pianist and conductor) (in 2016)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2016)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
live partial recording of:
Totentanz (Adès)
composer:
Thomas Adès (British composer, pianist and conductor) (in 2013)
is based on:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Thomas Adès2:58
18Totentanz: Der Tod zum Kind – Das Kind
assistant engineer:
Joel Watts (engineer)
engineer:
Tim Martyn (engineer) and Nicholas Squire
executive producer:
Sid McLauchlan (engineer/producer)
producer and editor:
Nicholas Squire
baritone vocals:
Mark Stone (baritone singer) (in 2016)
mezzo-soprano vocals:
Christianne Stotijn (Dutch mezzo-soprano and violinist) (in 2016)
orchestra:
Boston Symphony Orchestra (in 2016)
conductor:
Thomas Adès (British composer, pianist and conductor) (in 2016)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2016)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
live partial recording of:
Totentanz (Adès)
composer:
Thomas Adès (British composer, pianist and conductor) (in 2013)
is based on:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Thomas Adès4:50

Credits