Terra musica

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Ainsi parlait Zarathoustra, Introduction
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Rudolf Kempe (conductor)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:54
2Concerto pour piano No. 21 en ut majeur, K. 467: II. Andante
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart8:08
3Lakmé, Duo des fleurs - "Viens Mallika"Léo Delibes4:19
4Le Cygne, extrait du "Carnaval des Animaux"
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1962-07-21)
harp:
Osian Ellis (Welsh harpist and composer) (on 1962-07-21)
balance engineer:
Neville Boyling (engineer) (on 1962-07-21)
phonographic copyright (℗) by:
Warner Classics (in 1995) and Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1962-07-21)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) (on 1962-07-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns2:51
5Messa da Requiem, Ingemisco
vocals:
Luciano Pavarotti (tenor)
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore)
composer:
Giuseppe Verdi (Italian opera composer) (from 1873 until 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi3:46
6Méditation de Thaïs
conductor:
Lorin Maazel (conductor)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet5:03
7Concerto pour violon en mi mineur, Op. 64, II Andante
violin:
Itzhak Perlman (violinist and conductor)
recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn4:46
8Tosca, Air de Cavaradossi - "E lucevan le stelle"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:54
9Les Contes d'Hoffmann: “Belle nuit, ô nuit d'amour“ (Barcarolle)
vocals:
Ann Murray (Irish mezzo-soprano) and Jessye Norman (soprano)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach4:20
10Symphonie No. 5 en ut mineur, Op. 67: I. Allegro con brio
conductor:
Riccardo Muti (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven2:53
11Carmen, Habanera - "L'amour est un oiseau rebelle"
vocals:
Maria Callas (soprano)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:21
12Boléro (extrait)
orchestra:
London Symphony Orchestra
partial recording of:
Boléro
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel5:17
13Rhapsodie in blue (extrait)
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Rhapsody in Blue (standard 1942 orchestration)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Classic 100: Feel Good (2024) (number: 5)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin5:14
14Ode à la joie, extrait de la Symphonie n° 9
conductor:
Riccardo Muti (conductor)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven4:40
15Concerto pour clarinette en la majeur, K. 622: II. Adagio (extrait)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart4:24
16La Flûte enchantée, Air de la Reine de la nuit - "Der Hölle Rache"Wolfgang Amadeus Mozart2:58
17La Traviata: “Noi siamo zingarelle” (Chœur des bohémiennes)
bass vocals:
Christopher Keyte (operatic bass)
recording of:
La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:57
18Suite pour violoncelle seul n° 1 en sol majeur, BWV 1007, I Prélude
cello:
Mstislav Rostropovich (cellist/conductor)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:04
19Valse en la majeur, Op. 39 n° 16
piano:
Jean‐Philippe Collard (French classical pianist)
recording of:
Walzer, op. 39: Nr. 16 cis-moll (Zu zwei Händen)
composer:
Johannes Brahms (German composer) (in 1865)
version of:
16 Waltzes, op. 39: No. 16 in D minor (for piano four hands)
part of:
16 Walzer, op. 39 (16 Waltzes, op. 39, Zu zwei Händen)
Johannes Brahms1:30
20Cancan d'Orphée aux enfers
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
recording of:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach1:58

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ASIN:FR: B00004VMC2 [info]