Don Giovanni & Les Noces de Figaro

~ Release by Wolfgang Amadeus Mozart; Orchestre de la Société des Concerts du Conservatoire, Hans Rosbaud (see all versions of this release, 1 available)

Annotation

Don Giovanni: Recorded in a studio in Paris with the cast of the 1956 Aix-en-Provence Festival
Les Noces de Figaro: Live recording of a performance at the 1955 Aix-en-Provence Festival

Annotation last modified on 2023-08-14 22:30 UTC.

Tracklist

1▶CD: Don Giovanni (1/3)
2▼CD: Don Giovanni (2/3)
#TitleArtistRatingLength
1Don Giovanni: Atto I. “Masetto, senti un po’!”
recorded in:
Paris, Île-de-France, France (in 1956)
bass vocals [Masetto]:
André Vessières (French bass vocalist) (in 1956)
soprano vocals [Zerlina]:
Anna Moffo (soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:09
2Don Giovanni: Atto I. “Batti, batti, o bel Masetto… guarda un po’”
recorded in:
Paris, Île-de-France, France (in 1956)
soprano vocals [Zerlina]:
Anna Moffo (soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:53
3Don Giovanni: Atto I. “Presto, presto, pria ch’ei venga”
recorded in:
Paris, Île-de-France, France (in 1956)
bass vocals [Masetto]:
André Vessières (French bass vocalist) (in 1956)
soprano vocals [Zerlina]:
Anna Moffo (soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:47
4Don Giovanni: Atto I. “Tra quest’ arbori celata”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
bass vocals [Masetto]:
André Vessières (French bass vocalist) (in 1956)
choir vocals:
Chœurs du Festival d'Aix-en-Provence (in 1956)
soprano vocals [Zerlina]:
Anna Moffo (soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. “Tra quest’ arbori celata” (Zerlina, Don Giovanni, Masetto, Coro) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:34
5Don Giovanni: Atto I. “Bisogna aver coraggio”
recorded in:
Paris, Île-de-France, France (in 1956)
soprano vocals [Donna Anna]:
Teresa Stich‐Randall (soprano) (in 1956)
soprano vocals [Donna Elvira]:
Suzanne Danco (soprano / mezzo-soprano) (in 1956)
tenor vocals [Don Ottavio]:
Nicolai Gedda (tenor) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:05
6Don Giovanni: Atto I. “Protegga il giusto cielo”
recorded in:
Paris, Île-de-France, France (in 1956)
soprano vocals [Donna Anna]:
Teresa Stich‐Randall (soprano) (in 1956)
soprano vocals [Donna Elvira]:
Suzanne Danco (soprano / mezzo-soprano) (in 1956)
tenor vocals [Don Ottavio]:
Nicolai Gedda (tenor) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. “Protegga il giusto cielo” (Donna Anna, Donna Elvira, Don Ottavio) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:12
7Don Giovanni: Atto I. “Riposate, vezzose ragazze”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
baritone vocals [Leporello]:
Marcello Cortis (bass-baritone) (in 1956)
bass vocals [Masetto]:
André Vessières (French bass vocalist) (in 1956)
choir vocals:
Chœurs du Festival d'Aix-en-Provence (in 1956)
soprano vocals [Donna Anna]:
Teresa Stich‐Randall (soprano) (in 1956)
soprano vocals [Donna Elvira]:
Suzanne Danco (soprano / mezzo-soprano) (in 1956)
soprano vocals [Zerlina]:
Anna Moffo (soprano) (in 1956)
tenor vocals [Don Ottavio]:
Nicolai Gedda (tenor) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:12
8Don Giovanni: Atto I. “Venite pur avanti”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
baritone vocals [Leporello]:
Marcello Cortis (bass-baritone) (in 1956)
bass vocals [Masetto]:
André Vessières (French bass vocalist) (in 1956)
choir vocals:
Chœurs du Festival d'Aix-en-Provence (in 1956)
soprano vocals [Donna Anna]:
Teresa Stich‐Randall (soprano) (in 1956)
soprano vocals [Donna Elvira]:
Suzanne Danco (soprano / mezzo-soprano) (in 1956)
soprano vocals [Zerlina]:
Anna Moffo (soprano) (in 1956)
tenor vocals [Don Ottavio]:
Nicolai Gedda (tenor) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. “Venite, pur avanti” … “Ricominciate il suono” … Minuetto (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:01
9Don Giovanni: Atto I. “Ecco il birbo che t’ha offesa !”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
baritone vocals [Leporello]:
Marcello Cortis (bass-baritone) (in 1956)
bass vocals [Masetto]:
André Vessières (French bass vocalist) (in 1956)
choir vocals:
Chœurs du Festival d'Aix-en-Provence (in 1956)
soprano vocals [Donna Anna]:
Teresa Stich‐Randall (soprano) (in 1956)
soprano vocals [Donna Elvira]:
Suzanne Danco (soprano / mezzo-soprano) (in 1956)
soprano vocals [Zerlina]:
Anna Moffo (soprano) (in 1956)
tenor vocals [Don Ottavio]:
Nicolai Gedda (tenor) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. “Ecco il birbo che t'ha offesa!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:30
10Don Giovanni: Atto I. “Trema, trema, scellerato !”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
baritone vocals [Leporello]:
Marcello Cortis (bass-baritone) (in 1956)
bass vocals [Masetto]:
André Vessières (French bass vocalist) (in 1956)
choir vocals:
Chœurs du Festival d'Aix-en-Provence (in 1956)
soprano vocals [Donna Anna]:
Teresa Stich‐Randall (soprano) (in 1956)
soprano vocals [Donna Elvira]:
Suzanne Danco (soprano / mezzo-soprano) (in 1956)
soprano vocals [Zerlina]:
Anna Moffo (soprano) (in 1956)
tenor vocals [Don Ottavio]:
Nicolai Gedda (tenor) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. “Trema, trema, o scellerato!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:10
11Don Giovanni: Atto II. “Eh via, buffone” … “Leporello!… Signore?”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
baritone vocals [Leporello]:
Marcello Cortis (bass-baritone) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Leporello! Signore?” (Don Giovanni, Leporello) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:37
12Don Giovanni: Atto II. “Ah taci, ingiusto core!”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
baritone vocals [Leporello]:
Marcello Cortis (bass-baritone) (in 1956)
soprano vocals [Donna Elvira]:
Suzanne Danco (soprano / mezzo-soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:38
13Don Giovanni: Atto II. “Amico, che ti par?”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
baritone vocals [Leporello]:
Marcello Cortis (bass-baritone) (in 1956)
soprano vocals [Donna Elvira]:
Suzanne Danco (soprano / mezzo-soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto II. Recitativo “Amico che ti par?” (Don Giovanni, Leporello, Donna Elvira) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:53
14Don Giovanni: Atto II. “Deh vieni alla finestra” … “V’è gente alla finestra”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
bass vocals [Masetto]:
André Vessières (French bass vocalist) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “V’è gente alla finestra!” (Don Giovanni) / “Non ci stanchiamo” (Masetto, Don Giovanni) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:50
15Don Giovanni: Atto II. “Metà di voi qua vadano”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:06
16Don Giovanni: Atto II. “Zitto, lascia che senta!”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
bass vocals [Masetto]:
André Vessières (French bass vocalist) (in 1956)
soprano vocals [Zerlina]:
Anna Moffo (soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:00
17Don Giovanni: Atto II. “Vedrai, carino, se sei buonino”
recorded in:
Paris, Île-de-France, France (in 1956)
soprano vocals [Zerlina]:
Anna Moffo (soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:40
18Don Giovanni: Atto II. “Di moite faci il lume” … “Sola, sola in buio loco”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
baritone vocals [Leporello]:
Marcello Cortis (bass-baritone) (in 1956)
soprano vocals [Donna Anna]:
Teresa Stich‐Randall (soprano) (in 1956)
soprano vocals [Donna Elvira]:
Suzanne Danco (soprano / mezzo-soprano) (in 1956)
tenor vocals [Don Ottavio]:
Nicolai Gedda (tenor) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:41
19Don Giovanni: Atto II. “Mille torbidi pensieri”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Leporello]:
Marcello Cortis (bass-baritone) (in 1956)
bass vocals [Masetto]:
André Vessières (French bass vocalist) (in 1956)
soprano vocals [Donna Anna]:
Teresa Stich‐Randall (soprano) (in 1956)
soprano vocals [Donna Elvira]:
Suzanne Danco (soprano / mezzo-soprano) (in 1956)
soprano vocals [Zerlina]:
Anna Moffo (soprano) (in 1956)
tenor vocals [Don Ottavio]:
Nicolai Gedda (tenor) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto II. Recitativo “Ferma, briccone” … “Mille torbidi pensieri” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:21
20Don Giovanni: Atto II. “Dunque quello sei tu” … “Ah, pietà, signori miel!” …“Ferma, perfido, ferma!”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Leporello]:
Marcello Cortis (bass-baritone) (in 1956)
bass vocals [Masetto]:
André Vessières (French bass vocalist) (in 1956)
soprano vocals [Donna Elvira]:
Suzanne Danco (soprano / mezzo-soprano) (in 1956)
soprano vocals [Zerlina]:
Anna Moffo (soprano) (in 1956)
tenor vocals [Don Ottavio]:
Nicolai Gedda (tenor) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:51
21Don Giovanni: Atto II. “Il mio tesoro intanto”
recorded in:
Paris, Île-de-France, France (in 1956)
tenor vocals [Don Ottavio]:
Nicolai Gedda (tenor) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:13
22Don Giovanni: Atto II. “In quali eccessi”
recorded in:
Paris, Île-de-France, France (in 1956)
soprano vocals [Donna Elvira]:
Suzanne Danco (soprano / mezzo-soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart2:16
23Don Giovanni: Atto II. “Mi tradì quell’ alma ingrata”
recorded in:
Paris, Île-de-France, France (in 1956)
soprano vocals [Donna Elvira]:
Suzanne Danco (soprano / mezzo-soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart3:53
3▶CD: Don Giovanni (3/3)
4▶CD: Les Noces de Figaro (1/2)
5▶CD: Les Noces de Figaro (2/2)