The Choral Recordings on Philips

~ Release by Eugen Jochum (see all versions of this release, 1 available)

Tracklist

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2▼CD
#TitleArtistRatingLength
1Mass in B Minor, BWV 232 / Credo: Credo in unum Deum
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:17
2Mass in B Minor, BWV 232 / Credo: Patrem omnipotentem
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03-29 until 1980-04-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:05
3Mass in B Minor, BWV 232 / Credo: Et in unum Dominum
alto vocals:
Hertha Töpper (mezzo soprano) (in 1957-12)
soprano vocals:
Lois Marshall (soprano) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:11
4Mass in B Minor, BWV 232 / Credo: Et incarnatus est
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:29
5Mass in B Minor, BWV 232 / Credo: Crucifixus
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:47
6Mass in B Minor, BWV 232 / Credo: Et resurrexit
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1980-03 until 1980-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:32
7Mass in B Minor, BWV 232 / Credo: Et in Spiritum Sanctum
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
bass vocals:
Hans Braun (baritone) (from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1980-03 until 1980-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:21
8Mass in B Minor, BWV 232 / Credo: Confiteor unum baptisma
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:32
9Mass in B Minor, BWV 232 / Credo: Et expecto resurrectionem
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:19
10Mass in B Minor, BWV 232 / Sanctus: Sanctus
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:52
11Mass in B Minor, BWV 232 / Sanctus: Osanna in excelsis I
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:08
12Mass in B Minor, BWV 232 / Sanctus: Benedictus
tenor vocals:
Peter Pears (tenor) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:50
13Mass in B Minor, BWV 232 / Sanctus: Osanna in excelsis II
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:11
14Mass in B Minor, BWV 232 / Agnus Dei: Agnus Dei
alto vocals:
Hertha Töpper (mezzo soprano) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:55
15Mass in B Minor, BWV 232 / Agnus Dei: Dona nobis pacem
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:14
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