Ultimate Love Songs Collection: Falling in Love Again

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Let's Stay Together
registrazione di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
Al Green4:52
2Lost in Love
tecnico e tecnico di missaggio:
William Wittman
produttore:
Rick Chertoff, Charles Fisher (Australian producer) e Robie Porter
batteria :
Ralph Cooper (drummer)
chitarra [lead guitar] :
David Moyse
chitarra [rhythm guitar] :
Graham Russell (Air Supply)
chitarra basso :
Criston Barker
tastiera :
Frank Esler‐Smith e Sam McNally
voce:
Graham Russell (Air Supply)
voce di accompagnamento:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, David Moyse, Nancy Nash e Graham Russell (Air Supply)
voce principale:
Russell Hitchcock
arrangiatore:
Air Supply e Robie Porter
orchestratore:
Frank Esler‐Smith e Robie Porter
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1980) e Wizard Records Pty. Ltd. (holding company - file no releases here!) (nel 1980)
registrata presso:
Trafalgar Studios in Annandale, Sydney, New South Wales, Australia
mixata presso:
Soundmixers in Midtown Manhattan, New York, New York, Stati Uniti
parte di:
The Downloader’s Music Source Book (numero: 295)
registrazione di:
Lost in Love
paroliere e compositore:
Graham Russell (Air Supply)
editore:
Nottsongs, Universal Music Careers e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply53:54
3Missing You
tecnico e tecnico di missaggio:
David Thoener
basso elettrico [bass] :
Donnie Nossov
batteria :
Curly Smith (Jo Jo Gunne musician)
chitarra :
Gary Myrick
percussione :
Steve Scales
tastiera :
Bruce Brody
voce principale:
John Waite
diritti fonografici (℗) detenuti da:
EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (nel 1984), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1984) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1984)
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite3.754:26
4True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:30
5Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1997)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:44
6You're in Love
tecnico di registrazione e tecnico di missaggio:
Francis Buckley
tecnico di registrazione aggiunto:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat e Rail Jon Rogut
assistente tecnico:
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson e Bill Malina
produttore:
Glen Ballard
basso :
Jimmy Johnson (US session bassist) e Abraham Laboriel
batteria :
John “JR” Robinson (session drummer)
chitarra :
Michael Landau
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Glen Ballard e Randy Kerber
arrangiatore percussione :
Glen Ballard
arrangiatore voci:
Glen Ballard e Wilson Phillips
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990) e SBK Records (nel 1990)
registrazione di:
You’re in Love
autore:
Glen Ballard, Chynna Phillips, Carnie Wilson e Wendy Wilson
editore:
Aerostation Corporation, EMI Blackwood Music Inc., Get Out Songs, Smooshie Music, Wendihaus Music, Willphill Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (dal 1990 al 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (dal 1990 al 2003) e Universal Music Corp. (USA, affiliated with ASCAP) (dal 2003 a oggi)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Wilson Phillips3.654:50
7Morning Train (Nine to Five)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1980)
registrazione di:
9 to 5
paroliere e compositore:
Florrie Palmer
editore:
Chappell Music (UK), Pendulum Music (publisher) e Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton4.353:21
8(Hey Won't You Play) Another Somebody Done Somebody Wrong Song
registrazione cover di:
(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song (1974 song)
autore:
Larry Butler (US country music producer, songwriter & pianist) e Chips Moman
B.J. Thomas3:25
9Don't It Make My Brown Eyes Blue
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (nel 1976) e Capitol Nashville (nel 1977, nel 1979)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 71)
registrazione cover di:
Don’t It Make My Brown Eyes Blue
paroliere e compositore:
Richard Leigh (American country music songwriter and singer)
editore:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) e EMI United Partnership Ltd.
Crystal Gayle4.42:32
10Angel of the Morning
tecnico di registrazione:
Joe Chiccarelli
produttore:
Richard Landis
produttore associato:
Otha Young
tecnico di missaggio:
Michael Verdick
arrangiatore:
Charles Calello
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981) e Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (nel 1981)
mixata presso:
Location Recorders, Inc. in New York, New York, Stati Uniti
registrazione cover di:
Angel of the Morning (il 1980-09-04)
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
April Music, EMI Blackwood, EMI Songs Ltd. e Unichappell Music
Juice Newton4.354:09
11Afternoon Delight
voce:
Jon Carroll (of Starland Vocal Band, on vocals, keyboard, guitar), Margot Chapman (singer with Starland Vocal Band), Bill Danoff e Taffy Nivert
diritti fonografici (℗) detenuti da:
Cherry Lane Music Publishing Company Inc. (nel 1976)
registrazione di:
Afternoon Delight
paroliere e compositore:
Bill Danoff
editore:
Cherry Lane Music Publishing Company Inc. e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Starland Vocal Band3.53:16
12I Just Fall in Love Again
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979)
registrazione cover di:
I Just Fall in Love Again
paroliere:
Harry Lloyd (songwriter) e Gloria Sklerov
compositore:
Steve Dorff (composer) e Larry Herbstritt
editore:
Campbell Connelly & Co. Ltd., Cotton Pickin' Songs, Hobby Horse Music, Peso Music (publisher), Universal Music Careers e Universal Music–MGB Songs
Anne Murray52:45
13Endless Summer Nights
tecnico, produttore e tecnico di missaggio:
Humberto Gatica
tecnico aggiunto:
David Cole (US musician/producer, member of C+C Music Factory)
batteria :
John Keane (drummer)
chitarra :
Bruce Gaitsch (American guitarist, producer, engineer and arranger) e Mike Landau
chitarra basso [bass] :
Nathan East
percussione :
Paulinho da Costa (Brazilian percussionist)
sassofono :
Dave Boruff
tastiera :
Tom Keane (keyboards, of The Keane Brothers)
voce di accompagnamento e voce principale:
Richard Marx
diritti fonografici (℗) detenuti da:
Manhattan Records (EMI Music / Universal Music; 1984–1987, relaunched 2001) (nel 1987)
è stato produttore per:
Hum Productions, Inc.
registrazione di:
Endless Summer Nights
paroliere e compositore:
Richard Marx
editore:
BMG Monarch, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e Chi‐Boy Music (nel 1987)
Richard Marx4:32
14You Are My Lady
registrazione di:
You Are My Lady
autore:
Barry Eastmond
editore:
Zomba Enterprises, Inc.
Freddie Jackson54:45
15When I'm With You
registrazione di:
When I’m with You
paroliere e compositore:
Arnold Lanni
editore:
Bananaree Publishing Limited
Sheriff3:52
16We've Got Tonight
voce principale:
Sheena Easton e Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
esecutore:
Sheena Easton
registrazione cover di:
We’ve Got Tonite
paroliere e compositore:
Bob Seger
editore:
Hideout Records & Distributors, Inc. e Gear Publishing Co (nel 1976)
sub-editore:
大洋音楽 (Taiyō Music)
registrazione di:
We’ve Got Tonite
paroliere e compositore:
Bob Seger
editore:
Hideout Records & Distributors, Inc. e Gear Publishing Co (nel 1976)
sub-editore:
大洋音楽 (Taiyō Music)
Kenny Rogers & Sheena Easton33:54
17You Got It
tecnico:
Richard Dodd (mastering engineer, producer and engineer), Phil McDonald (engineer and producer) e Don Smith (producer, engineer and mixer)
produttore:
Jeff Lynne
batteria e percussione :
Phil Jones (Percussionist) (nel 1988-04)
chitarra acustica :
Roy Orbison (nel 1988-04) e Tom Petty (nel 1988-04)
chitarra basso , chitarra elettrica , pianoforte e tastiera :
Jeff Lynne (nel 1988-04)
voce di accompagnamento:
Jeff Lynne (nel 1988-04), Roy Orbison (nel 1988-04) e Tom Petty (nel 1988-04)
voce principale:
Roy Orbison (nel 1988-04)
diritti fonografici (℗) detenuti da:
Roys Boy’s, LLC (nel 1989, nel 2014) e Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 1989)
registrata presso:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, Regno Unito (nel 1988-04), M.C. Studios in Los Angeles, California, Stati Uniti (nel 1988-04) e Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti (nel 1988-04)
registrazione di:
You Got It (nel 1988-04)
autore:
Jeff Lynne, Roy Orbison e Tom Petty
editore:
EMI Songs, Gone Gator Music (ASCAP affiliated), Island Music Ltd., MCA Gilbey, Mushroom Music (Mushroom label’s publishing company) e SBK Songs Ltd.
Roy Orbison4.553:32
18Just Another Day
Jon Secada5:28

Accreditamenti

Gruppo di pubblicazioni

parte di:Ultimate Love Songs Collection (numero: 19696-2) (ordine: 11)