A Hard Nights Day: A History of Stiff Records

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Alison
Produzent(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
E-Bass [bass]:
Johnny Ciambotti (in 1976)
Gitarre:
Elvis Costello (in 1976) und John McFee (singer, songwriter, guitarist for The Doobie Brothers) (in 1976)
Klavier und Orgel:
Sean Hopper (US Keyboardist for Huey Lewis & the News) (in 1976)
Schlagzeug:
Mickey Shine (Clover drummer) (in 1976)
Hintergrundgesang:
Sean Hopper (US Keyboardist for Huey Lewis & the News) (in 1976), Johnny Ciambotti (in 1976) und Nick Lowe (UK singer/songwriter/instrumentalist/producer) (in 1976)
vocals:
Elvis Costello (in 1976)
aufgenommen bei:
Pathway Studios in Islington, London (Greater London), England, Vereinigtes Königreich (in 1976)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 318) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 396)
recording of:
Alison (in 1976)
Texter und Komponist(in):
Elvis Costello
publisher:
Universal Music Publishing International MGB Ltd.
Elvis Costello3.853:23
2My Girl
Produzent(in):
Clive Langer & Alan Winstanley
baritone saxophone und Tenorsaxophon:
Lee “Kix” Thompson (Madness)
Bass:
Mark Bedford
Gitarre:
Chris Foreman (UK musician, aka “Chrissy Boy”)
Keyboard:
Mike Barson
Schlagzeug und Perkussion:
Daniel Woodgate
Hintergrundgesang:
Chas Smash
vocals:
Suggs und Lee “Kix” Thompson (Madness)
recording of:
My Girl
Texter und Komponist(in):
Mike Barson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.752:46
3Fairytale of New York
Techniker(in):
Chris Dickie, Nick Lacey (engineer) und Roy Spong
Produzent(in):
Steve Lillywhite
vocals:
Kirsty MacColl
Interpret(in):
The Pogues (Irish‐British Celtic punk band)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1987)
aufgenommen bei und mixed at:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Fairytale of New York
Komponist(in):
Jeremy Fax Miner und Shane MacGowan
publisher:
BMG Music Publishing Ltd. und Perfect Songs Ltd. (UK publisher, affiliated with PRS)
The Pogues feat. Kirsty MacColl44:31
4Stop the Cavalry
Produzent(in):
Bob Andrews (keyboardist and producer), Bob Andrews (UK keyboardist/producer) und Jona Lewie
vocals und Interpret(in):
Jona Lewie
phonographisches Urheberrecht (℗) von:
Stiff Records (in 1980) und Stiff Records Ltd. (in 1980)
recording of:
Stop the Cavalry
Texter und Komponist(in):
Jona Lewie
publisher:
Zomba Music Productions Ltd., Zomba Music Publishing Ltd. und Street Music Ltd. (in 1980)
Jona Lewie3.82:55
5Brilliant Mind
Techniker(in):
John Brough, Renny Hill (engineer) und Seb (Engineer)
Produzent(in):
Mick Glossop (producer & engineer)
Bass:
Sally Still
Gitarre und Hintergrundgesang:
Tim Whelan
Keyboard:
Maya Gilder (Keyboardist)
Perkussion und Schlagzeug:
Hamilton Lee
Saiteninstrumente:
Tim Beaton und Charlie Buchannon
Saxophon:
Larry Whelan (Saxophonist)
Sologesang:
Jim Irvin
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986)
aufgenommen bei:
Townhouse 3 in Battersea, Wandsworth, London (Greater London), England, Vereinigtes Königreich
mixed at:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 86)
recording of:
Brilliant Mind
Verfasser(in):
Jim Irvin, Hamilton Lee, Sally Still und Tim Whelan
publisher:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Furniture3.353:42
6Do You Believe in the Westworld
Techniker(in):
Jeremy Green
Produzent(in):
Mick Jones (The Clash/Big Audio Dynamite)
Bassgitarre [bass]:
Stan Stammers
Gitarre:
Kirk Brandon
Klarinette und Saxophon [sax]:
John (Boy) Lennard (Theatre of Hate musician)
Schlagzeug [drums]:
Luke Rendle
vocals:
Kirk Brandon
recording of:
Do You Believe in the Westworld?
Texter und Komponist(in):
Kirk Brandon
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Theatre of Hate5:18
7A New England
cover recording of:
A New England
Texter und Komponist(in):
Billy Bragg
publisher:
BMG Music Publishing Ltd. und Chappell Music Ltd.
Kirsty MacColl3:54
8I Love You
phonographisches Urheberrecht (℗) von:
Universal Music Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 1983)
recording of:
I Love You
Texter:
Dieter Meier (member of Yello)
Komponist(in):
Boris Blank
publisher:
Neue Welt Musikverlag GmbH (2017 – present) und Warner Bros. Music Co. Inc.
Yello4:08
9Going Left Right
Department S3:07
10Breakaway
phonographisches Urheberrecht (℗) von:
Stiff Records Ltd. (in 1982, in 1983)
cover recording of:
Breakaway
Verfasser(in):
Jackie DeShannon und Sharon Sheeley
publisher:
United Artists Music Ltd.
Tracey Ullman3.652:35
11B-A-B-Y
recording engineer:
Bob Painter
Produzent(in):
Liam Sternberg
Bass:
Norman Watt-Roy
Gitarre:
Peter Nardini und Brinsley Schwarz (English rock guitarist)
Keyboard:
Peter Nardini
Klavier:
Mick Gallagher (UK hammond organ player)
Schlagzeug:
Charley Charles (UK drummer)
Hintergrundgesang:
Lene Lovich und Rachel Sweet
Sologesang:
Rachel Sweet
cover recording of:
B-A-B-Y
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner/Chappell North America
Rachel Sweet43:04
12Free Yourself
The Untouchables3:39
13Yankee Wheels
Jane Aire and the Belvederes3:07
14What Becomes of the Broken Hearted
Interpret(in):
Colin Blunstone
cover recording of:
What Becomes of the Brokenhearted
Verfasser(in):
James Dean (US soul songwriter), Paul Riser und William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music (UK)
Dave Stewart feat. Colin Blunstone33:54
15Sign of the Times
Techniker(in):
Phil Chapman (engineer), Pete Hammond (UK producer aka “Mixmaster”), Phil Harding (engineer, producer and remixer) und Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Peter Collins (producer)
alto saxophone:
Miranda Joyce
Bassgitarre:
Lesley Shone
Gitarre:
Sarah‐Jane Owen
Schlagzeug:
Judy Parsons
Sologesang:
Jennie Matthias
phonographisches Urheberrecht (℗) von:
Stiff Records Ltd. (in 1983)
recording of:
Sign of the Times
Verfasser(in):
Stella Barker, Clare Hirst, Miranda Joyce, Jennie Matthias, Sarah‐Jane Owen, Judy Parsons und Lesley Shone
The Belle Stars4.652:53
16Heart of the City
recording of:
Heart of the City
Texter und Komponist(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
publisher:
BMG Rights Management (see annotation), Rock Music Co., Ltd. und Plangent Visions Music Ltd. (in 2008)
Nick Lowe42:02
17I Think We're Alone Now
Produzent(in):
The Stateless (possibly Lene Lovich and Les Chappell)
Mix:
Roger Bechirian
Sologesang:
Lene Lovich
cover recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
Lene Lovich2:45
18Wunderbar
Tenpole Tudor2:55
19Jocko Home
recording of:
Jocko Homo
Texter und Komponist(in):
Mark Mothersbaugh
publisher:
DEVO Music und Nymph Music
DEVO3:20
20Destination Zululand
recording of:
Destination Zululand
Komponist(in):
Smeg (of King Kurt) und Thwack (Paul Laventhol)
King Kurt3:26
21Neat Neat Neat
Produzent(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Interpret(in):
Captain Sensible, Brian James (UK punk rock guitarist), Rat Scabies und Dave Vanian
recording of:
Neat Neat Neat
Texter und Komponist(in):
Brian James (UK punk rock guitarist)
The Damned4.652:42
22Sex & Drugs & Rock & Roll
E-Bass:
Norman Watt-Roy (in 1976)
E-Gitarre:
Chaz Jankel (English musician and songwriter) (in 1976)
Schlagzeug:
Charley Charles (UK drummer) (in 1976)
Sologesang:
Ian Dury (in 1976)
phonographisches Urheberrecht (℗) von:
Stiff Records (in 1977) und Templemill Music Ltd (in 1977)
aufgenommen bei:
Alvic Studios (Wimbledon) in Wimbledon, Merton, London (Greater London), England, Vereinigtes Königreich (in 1976)
recording of:
Sex & Drugs & Rock & Roll (in 1976)
Texter:
Ian Dury
Komponist(in):
Chaz Jankel (English musician and songwriter)
publisher:
Blackhill Music Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Ian Dury and the Blockheads3.853:12

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Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/32823 [Info]