The Complete Recordings

~ Veröffentlichung von Elgar; Sir Adrian Boult (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Packaging: box with booklet and 19CDs (each in cardboard sleeve)

Status: All 19 discs now have tracklists entered. All records I could find shared/merged. All ARs entered.

Still to do: Some editing for consistency. Linking (and creating if needed) works.

Anmerkung zuletzt geändert am 2017-09-16 05:02 UTC.

Titelliste

1▶CD
2▶CD
3▶CD
4▶CD
5▶CD
6▶CD
7▶CD
8▶CD
9▶CD
10▶CD
11▼CD
Nr.TitelKünstlerBewertungLänge
1The Apostles, op. 49: Part 2: Introduction
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [Jesus]:
John Carol Case (English baritone) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [Judas]:
Clifford Grant (operatic bass and actor) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [St. Peter]:
Benjamin Luxon (baritone) (von 1973-10-23 bis 1974-07-02)
Chorgesang:
Choir of Downe House School, Choir of Downe House School (Purley) (von 1973-10-23 bis 1974-07-02) und London Philharmonic Choir (von 1973-10-23 bis 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (von 1973-10-23 bis 1974-07-02)
Soprangesang [The Angel] und Soprangesang [The Blessed Virgin]:
Sheila Armstrong (soprano) (von 1973-10-23 bis 1974-07-02)
Tenor-Gesang [St. John]:
Robert Tear (tenor) (von 1973-10-23 bis 1974-07-02)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1973-10-23 bis 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (von 1973-10-23 bis 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (von 1973-10-23 bis 1974-07-02) und Dorothy Dickinson (choir music director) (von 1973-10-23 bis 1974-07-02)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (von 1973-10-23 bis 1974-07-02)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1973-10-23, von 1973-10-29 bis 1973-10-30, am 1973-11-05, am 1973-11-07, am 1973-12-20, am 1973-12-31, am 1974-07-02)
recording of:
The Apostles, op. 49: Part II: Introduction (von 1973-10-23 bis 1974-07-02)
Komponist(in):
Edward Elgar (composer)
Teil von:
The Apostles, op. 49: Part II
Edward Elgar4:20
2The Apostles, op. 49: Part 2: IV. The Betrayal: And it came to pass
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [Jesus]:
John Carol Case (English baritone) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [Judas]:
Clifford Grant (operatic bass and actor) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [St. Peter]:
Benjamin Luxon (baritone) (von 1973-10-23 bis 1974-07-02)
Chorgesang:
Choir of Downe House School, Choir of Downe House School (Purley) (von 1973-10-23 bis 1974-07-02) und London Philharmonic Choir (von 1973-10-23 bis 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (von 1973-10-23 bis 1974-07-02)
Soprangesang [The Angel] und Soprangesang [The Blessed Virgin]:
Sheila Armstrong (soprano) (von 1973-10-23 bis 1974-07-02)
Tenor-Gesang [St. John]:
Robert Tear (tenor) (von 1973-10-23 bis 1974-07-02)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1973-10-23 bis 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (von 1973-10-23 bis 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (von 1973-10-23 bis 1974-07-02) und Dorothy Dickinson (choir music director) (von 1973-10-23 bis 1974-07-02)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (von 1973-10-23 bis 1974-07-02)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1973-10-23, von 1973-10-29 bis 1973-10-30, am 1973-11-05, am 1973-11-07, am 1973-12-20, am 1973-12-31, am 1974-07-02)
teilweise recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass" (von 1973-10-23 bis 1974-07-02)
Komponist(in):
Edward Elgar (composer)
Teil von:
The Apostles, op. 49: Part II: IV. The Betrayal
recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass"
Komponist(in):
Edward Elgar (composer)
Teil von:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar1:59
3The Apostles, op. 49: Part 2: IV. The Betrayal: Then gathered the Chief Priests and Pharisees
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [Jesus]:
John Carol Case (English baritone) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [Judas]:
Clifford Grant (operatic bass and actor) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [St. Peter]:
Benjamin Luxon (baritone) (von 1973-10-23 bis 1974-07-02)
Chorgesang:
Choir of Downe House School, Choir of Downe House School (Purley) (von 1973-10-23 bis 1974-07-02) und London Philharmonic Choir (von 1973-10-23 bis 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (von 1973-10-23 bis 1974-07-02)
Soprangesang [The Angel] und Soprangesang [The Blessed Virgin]:
Sheila Armstrong (soprano) (von 1973-10-23 bis 1974-07-02)
Tenor-Gesang [St. John]:
Robert Tear (tenor) (von 1973-10-23 bis 1974-07-02)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1973-10-23 bis 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (von 1973-10-23 bis 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (von 1973-10-23 bis 1974-07-02) und Dorothy Dickinson (choir music director) (von 1973-10-23 bis 1974-07-02)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (von 1973-10-23 bis 1974-07-02)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1973-10-23, von 1973-10-29 bis 1973-10-30, am 1973-11-05, am 1973-11-07, am 1973-12-20, am 1973-12-31, am 1974-07-02)
teilweise recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass" (von 1973-10-23 bis 1974-07-02)
Komponist(in):
Edward Elgar (composer)
Teil von:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar3:24
4The Apostles, op. 49: Part 2: IV. The Betrayal: Hail, Master!
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [Jesus]:
John Carol Case (English baritone) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [Judas]:
Clifford Grant (operatic bass and actor) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [St. Peter]:
Benjamin Luxon (baritone) (von 1973-10-23 bis 1974-07-02)
Chorgesang:
Choir of Downe House School, Choir of Downe House School (Purley) (von 1973-10-23 bis 1974-07-02) und London Philharmonic Choir (von 1973-10-23 bis 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (von 1973-10-23 bis 1974-07-02)
Soprangesang [The Angel] und Soprangesang [The Blessed Virgin]:
Sheila Armstrong (soprano) (von 1973-10-23 bis 1974-07-02)
Tenor-Gesang [St. John]:
Robert Tear (tenor) (von 1973-10-23 bis 1974-07-02)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1973-10-23 bis 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (von 1973-10-23 bis 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (von 1973-10-23 bis 1974-07-02) und Dorothy Dickinson (choir music director) (von 1973-10-23 bis 1974-07-02)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (von 1973-10-23 bis 1974-07-02)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1973-10-23, von 1973-10-29 bis 1973-10-30, am 1973-11-05, am 1973-11-07, am 1973-12-20, am 1973-12-31, am 1974-07-02)
teilweise recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass" (von 1973-10-23 bis 1974-07-02)
Komponist(in):
Edward Elgar (composer)
Teil von:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar5:01
5The Apostles, op. 49: Part 2: IV. The Betrayal: In the Place of the High Priest: Then Judas, which had betrayed him
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [Jesus]:
John Carol Case (English baritone) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [Judas]:
Clifford Grant (operatic bass and actor) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [St. Peter]:
Benjamin Luxon (baritone) (von 1973-10-23 bis 1974-07-02)
Chorgesang:
Choir of Downe House School, Choir of Downe House School (Purley) (von 1973-10-23 bis 1974-07-02) und London Philharmonic Choir (von 1973-10-23 bis 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (von 1973-10-23 bis 1974-07-02)
Soprangesang [The Angel] und Soprangesang [The Blessed Virgin]:
Sheila Armstrong (soprano) (von 1973-10-23 bis 1974-07-02)
Tenor-Gesang [St. John]:
Robert Tear (tenor) (von 1973-10-23 bis 1974-07-02)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1973-10-23 bis 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (von 1973-10-23 bis 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (von 1973-10-23 bis 1974-07-02) und Dorothy Dickinson (choir music director) (von 1973-10-23 bis 1974-07-02)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (von 1973-10-23 bis 1974-07-02)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1973-10-23, von 1973-10-29 bis 1973-10-30, am 1973-11-05, am 1973-11-07, am 1973-12-20, am 1973-12-31, am 1974-07-02)
recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: The Temple (von 1973-10-23 bis 1974-07-02)
Komponist(in):
Edward Elgar (composer)
Teil von:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar3:57
6The Apostles, op. 49: Part 2: IV. The Betrayal: The Temple: Without the temple
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [Jesus]:
John Carol Case (English baritone) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [Judas]:
Clifford Grant (operatic bass and actor) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [St. Peter]:
Benjamin Luxon (baritone) (von 1973-10-23 bis 1974-07-02)
Chorgesang:
Choir of Downe House School, Choir of Downe House School (Purley) (von 1973-10-23 bis 1974-07-02) und London Philharmonic Choir (von 1973-10-23 bis 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (von 1973-10-23 bis 1974-07-02)
Soprangesang [The Angel] und Soprangesang [The Blessed Virgin]:
Sheila Armstrong (soprano) (von 1973-10-23 bis 1974-07-02)
Tenor-Gesang [St. John]:
Robert Tear (tenor) (von 1973-10-23 bis 1974-07-02)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1973-10-23 bis 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (von 1973-10-23 bis 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (von 1973-10-23 bis 1974-07-02) und Dorothy Dickinson (choir music director) (von 1973-10-23 bis 1974-07-02)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (von 1973-10-23 bis 1974-07-02)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1973-10-23, von 1973-10-29 bis 1973-10-30, am 1973-11-05, am 1973-11-07, am 1973-12-20, am 1973-12-31, am 1974-07-02)
recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Without the Temple (von 1973-10-23 bis 1974-07-02)
Komponist(in):
Edward Elgar (composer)
Teil von:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar9:04
7The Apostles, op. 49: Part 2: V. Golgotha
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [Jesus]:
John Carol Case (English baritone) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [Judas]:
Clifford Grant (operatic bass and actor) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [St. Peter]:
Benjamin Luxon (baritone) (von 1973-10-23 bis 1974-07-02)
Chorgesang:
Choir of Downe House School, Choir of Downe House School (Purley) (von 1973-10-23 bis 1974-07-02) und London Philharmonic Choir (von 1973-10-23 bis 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (von 1973-10-23 bis 1974-07-02)
Soprangesang [The Angel] und Soprangesang [The Blessed Virgin]:
Sheila Armstrong (soprano) (von 1973-10-23 bis 1974-07-02)
Tenor-Gesang [St. John]:
Robert Tear (tenor) (von 1973-10-23 bis 1974-07-02)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1973-10-23 bis 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (von 1973-10-23 bis 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (von 1973-10-23 bis 1974-07-02) und Dorothy Dickinson (choir music director) (von 1973-10-23 bis 1974-07-02)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (von 1973-10-23 bis 1974-07-02)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1973-10-23, von 1973-10-29 bis 1973-10-30, am 1973-11-05, am 1973-11-07, am 1973-12-20, am 1973-12-31, am 1974-07-02)
recording of:
The Apostles, op. 49: Part II: V. Golgotha (von 1973-10-23 bis 1974-07-02)
Komponist(in):
Edward Elgar (composer)
Teil von:
The Apostles, op. 49: Part II
Edward Elgar4:37
8The Apostles, op. 49: Part 2: VI. At the Sepulchre
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [Jesus]:
John Carol Case (English baritone) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [Judas]:
Clifford Grant (operatic bass and actor) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [St. Peter]:
Benjamin Luxon (baritone) (von 1973-10-23 bis 1974-07-02)
Chorgesang:
Choir of Downe House School, Choir of Downe House School (Purley) (von 1973-10-23 bis 1974-07-02) und London Philharmonic Choir (von 1973-10-23 bis 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (von 1973-10-23 bis 1974-07-02)
Soprangesang [The Angel] und Soprangesang [The Blessed Virgin]:
Sheila Armstrong (soprano) (von 1973-10-23 bis 1974-07-02)
Tenor-Gesang [St. John]:
Robert Tear (tenor) (von 1973-10-23 bis 1974-07-02)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1973-10-23 bis 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (von 1973-10-23 bis 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (von 1973-10-23 bis 1974-07-02) und Dorothy Dickinson (choir music director) (von 1973-10-23 bis 1974-07-02)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (von 1973-10-23 bis 1974-07-02)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1973-10-23, von 1973-10-29 bis 1973-10-30, am 1973-11-05, am 1973-11-07, am 1973-12-20, am 1973-12-31, am 1974-07-02)
recording of:
The Apostles, op. 49: Part II: VI. At the Sepulchre (von 1973-10-23 bis 1974-07-02)
Komponist(in):
Edward Elgar (composer)
Teil von:
The Apostles, op. 49: Part II
Edward Elgar4:24
9The Apostles, op. 49: Part 2: VII. The Ascension: We trusted that it had been He
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [Jesus]:
John Carol Case (English baritone) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [Judas]:
Clifford Grant (operatic bass and actor) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [St. Peter]:
Benjamin Luxon (baritone) (von 1973-10-23 bis 1974-07-02)
Chorgesang:
Choir of Downe House School, Choir of Downe House School (Purley) (von 1973-10-23 bis 1974-07-02) und London Philharmonic Choir (von 1973-10-23 bis 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (von 1973-10-23 bis 1974-07-02)
Soprangesang [The Angel] und Soprangesang [The Blessed Virgin]:
Sheila Armstrong (soprano) (von 1973-10-23 bis 1974-07-02)
Tenor-Gesang [St. John]:
Robert Tear (tenor) (von 1973-10-23 bis 1974-07-02)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1973-10-23 bis 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (von 1973-10-23 bis 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (von 1973-10-23 bis 1974-07-02) und Dorothy Dickinson (choir music director) (von 1973-10-23 bis 1974-07-02)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (von 1973-10-23 bis 1974-07-02)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1973-10-23, von 1973-10-29 bis 1973-10-30, am 1973-11-05, am 1973-11-07, am 1973-12-20, am 1973-12-31, am 1974-07-02)
recording of:
The Apostles, op. 49: Part II: VII. The Ascension: Moderato. "We trusted that it had been He" (von 1973-10-23 bis 1974-07-02)
Komponist(in):
Edward Elgar (composer)
Teil von:
The Apostles, op. 49: Part II: VII. The Ascension
Edward Elgar5:15
10The Apostles, op. 49: Part 2: VII. The Ascension: Give us one heart
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [Jesus]:
John Carol Case (English baritone) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [Judas]:
Clifford Grant (operatic bass and actor) (von 1973-10-23 bis 1974-07-02)
Bass-Gesang [St. Peter]:
Benjamin Luxon (baritone) (von 1973-10-23 bis 1974-07-02)
Chorgesang:
Choir of Downe House School, Choir of Downe House School (Purley) (von 1973-10-23 bis 1974-07-02) und London Philharmonic Choir (von 1973-10-23 bis 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (von 1973-10-23 bis 1974-07-02)
Soprangesang [The Angel] und Soprangesang [The Blessed Virgin]:
Sheila Armstrong (soprano) (von 1973-10-23 bis 1974-07-02)
Tenor-Gesang [St. John]:
Robert Tear (tenor) (von 1973-10-23 bis 1974-07-02)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1973-10-23 bis 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (von 1973-10-23 bis 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (von 1973-10-23 bis 1974-07-02) und Dorothy Dickinson (choir music director) (von 1973-10-23 bis 1974-07-02)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (von 1973-10-23 bis 1974-07-02)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1973-10-23, von 1973-10-29 bis 1973-10-30, am 1973-11-05, am 1973-11-07, am 1973-12-20, am 1973-12-31, am 1974-07-02)
recording of:
The Apostles, op. 49: Part II: VII. The Ascension: In Heaven / On Earth (von 1973-10-23 bis 1974-07-02)
Komponist(in):
Edward Elgar (composer)
Teil von:
The Apostles, op. 49: Part II: VII. The Ascension
Edward Elgar9:21
11The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Elgar’s use of leitmotiv: General introduction
Produzent(in):
Christopher Bishop (conductor/producer)
Sprecher:
Sir Adrian Boult (conductor) (am 1974-06-24)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1974-06-24)
Samples von:
The Dream of Gerontius von Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) und The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” von Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
teilweise recording of:
The Apostles & The Kingdom: An Illustrated Introduction (am 1974-06-24)
Verfasser(in):
Sir Adrian Boult (conductor) und Michael Kennedy (classical music critic and writer)
basiert auf:
The Apostles, op. 49
basiert auf:
The Dream of Gerontius, op. 38
basiert auf:
The Kingdom, op. 51
basiert auf:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:56
12The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Elgar’s use of leitmotiv: Introduction to The Apostles and The Kingdom
Produzent(in):
Christopher Bishop (conductor/producer)
Sprecher:
Sir Adrian Boult (conductor) (am 1974-06-24)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1974-06-24)
Samples von:
The Dream of Gerontius von Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) und The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” von Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
teilweise recording of:
The Apostles & The Kingdom: An Illustrated Introduction (am 1974-06-24)
Verfasser(in):
Sir Adrian Boult (conductor) und Michael Kennedy (classical music critic and writer)
basiert auf:
The Apostles, op. 49
basiert auf:
The Dream of Gerontius, op. 38
basiert auf:
The Kingdom, op. 51
basiert auf:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:16
13The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Christ, the Man of Sorrows
Produzent(in):
Christopher Bishop (conductor/producer)
Sprecher:
Sir Adrian Boult (conductor) (am 1974-06-24)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1974-06-24)
Samples von:
The Dream of Gerontius von Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) und The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” von Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
teilweise recording of:
The Apostles & The Kingdom: An Illustrated Introduction (am 1974-06-24)
Verfasser(in):
Sir Adrian Boult (conductor) und Michael Kennedy (classical music critic and writer)
basiert auf:
The Apostles, op. 49
basiert auf:
The Dream of Gerontius, op. 38
basiert auf:
The Kingdom, op. 51
basiert auf:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:49
14The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: The Spirit of the Lord
Produzent(in):
Christopher Bishop (conductor/producer)
Sprecher:
Sir Adrian Boult (conductor) (am 1974-06-24)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1974-06-24)
Samples von:
The Dream of Gerontius von Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) und The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” von Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
teilweise recording of:
The Apostles & The Kingdom: An Illustrated Introduction (am 1974-06-24)
Verfasser(in):
Sir Adrian Boult (conductor) und Michael Kennedy (classical music critic and writer)
basiert auf:
The Apostles, op. 49
basiert auf:
The Dream of Gerontius, op. 38
basiert auf:
The Kingdom, op. 51
basiert auf:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:07
15The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Christ’s Loneliness
Produzent(in):
Christopher Bishop (conductor/producer)
Sprecher:
Sir Adrian Boult (conductor) (am 1974-06-24)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1974-06-24)
Samples von:
The Dream of Gerontius von Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) und The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” von Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
teilweise recording of:
The Apostles & The Kingdom: An Illustrated Introduction (am 1974-06-24)
Verfasser(in):
Sir Adrian Boult (conductor) und Michael Kennedy (classical music critic and writer)
basiert auf:
The Apostles, op. 49
basiert auf:
The Dream of Gerontius, op. 38
basiert auf:
The Kingdom, op. 51
basiert auf:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:18
16The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: The Beatitudes
Produzent(in):
Christopher Bishop (conductor/producer)
Sprecher:
Sir Adrian Boult (conductor) (am 1974-06-24)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1974-06-24)
Samples von:
The Dream of Gerontius von Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) und The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” von Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
teilweise recording of:
The Apostles & The Kingdom: An Illustrated Introduction (am 1974-06-24)
Verfasser(in):
Sir Adrian Boult (conductor) und Michael Kennedy (classical music critic and writer)
basiert auf:
The Apostles, op. 49
basiert auf:
The Dream of Gerontius, op. 38
basiert auf:
The Kingdom, op. 51
basiert auf:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult3:08
17The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Judas
Produzent(in):
Christopher Bishop (conductor/producer)
Sprecher:
Sir Adrian Boult (conductor) (am 1974-06-24)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1974-06-24)
Samples von:
The Dream of Gerontius von Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) und The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” von Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
teilweise recording of:
The Apostles & The Kingdom: An Illustrated Introduction (am 1974-06-24)
Verfasser(in):
Sir Adrian Boult (conductor) und Michael Kennedy (classical music critic and writer)
basiert auf:
The Apostles, op. 49
basiert auf:
The Dream of Gerontius, op. 38
basiert auf:
The Kingdom, op. 51
basiert auf:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:42
18The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: St. Peter
Produzent(in):
Christopher Bishop (conductor/producer)
Sprecher:
Sir Adrian Boult (conductor) (am 1974-06-24)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1974-06-24)
Samples von:
The Dream of Gerontius von Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) und The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” von Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
teilweise recording of:
The Apostles & The Kingdom: An Illustrated Introduction (am 1974-06-24)
Verfasser(in):
Sir Adrian Boult (conductor) und Michael Kennedy (classical music critic and writer)
basiert auf:
The Apostles, op. 49
basiert auf:
The Dream of Gerontius, op. 38
basiert auf:
The Kingdom, op. 51
basiert auf:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:26
19The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Gospel
Produzent(in):
Christopher Bishop (conductor/producer)
Sprecher:
Sir Adrian Boult (conductor) (am 1974-06-24)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1974-06-24)
Samples von:
The Dream of Gerontius von Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) und The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” von Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
teilweise recording of:
The Apostles & The Kingdom: An Illustrated Introduction (am 1974-06-24)
Verfasser(in):
Sir Adrian Boult (conductor) und Michael Kennedy (classical music critic and writer)
basiert auf:
The Apostles, op. 49
basiert auf:
The Dream of Gerontius, op. 38
basiert auf:
The Kingdom, op. 51
basiert auf:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:51
20The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Church
Produzent(in):
Christopher Bishop (conductor/producer)
Sprecher:
Sir Adrian Boult (conductor) (am 1974-06-24)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1974-06-24)
Samples von:
The Dream of Gerontius von Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) und The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” von Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
teilweise recording of:
The Apostles & The Kingdom: An Illustrated Introduction (am 1974-06-24)
Verfasser(in):
Sir Adrian Boult (conductor) und Michael Kennedy (classical music critic and writer)
basiert auf:
The Apostles, op. 49
basiert auf:
The Dream of Gerontius, op. 38
basiert auf:
The Kingdom, op. 51
basiert auf:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult0:40
21The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Fellowship of the Apostles
Produzent(in):
Christopher Bishop (conductor/producer)
Sprecher:
Sir Adrian Boult (conductor) (am 1974-06-24)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1974-06-24)
Samples von:
The Dream of Gerontius von Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) und The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” von Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
teilweise recording of:
The Apostles & The Kingdom: An Illustrated Introduction (am 1974-06-24)
Verfasser(in):
Sir Adrian Boult (conductor) und Michael Kennedy (classical music critic and writer)
basiert auf:
The Apostles, op. 49
basiert auf:
The Dream of Gerontius, op. 38
basiert auf:
The Kingdom, op. 51
basiert auf:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:17
22The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: The New Faith (Christianity)
Produzent(in):
Christopher Bishop (conductor/producer)
Sprecher:
Sir Adrian Boult (conductor) (am 1974-06-24)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1974-06-24)
Samples von:
The Dream of Gerontius von Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) und The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” von Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
teilweise recording of:
The Apostles & The Kingdom: An Illustrated Introduction (am 1974-06-24)
Verfasser(in):
Sir Adrian Boult (conductor) und Michael Kennedy (classical music critic and writer)
basiert auf:
The Apostles, op. 49
basiert auf:
The Dream of Gerontius, op. 38
basiert auf:
The Kingdom, op. 51
basiert auf:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult3:04
23The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: In the name of Jesus Christ
Produzent(in):
Christopher Bishop (conductor/producer)
Sprecher:
Sir Adrian Boult (conductor) (am 1974-06-24)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1974-06-24)
Samples von:
The Dream of Gerontius von Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) und The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” von Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
teilweise recording of:
The Apostles & The Kingdom: An Illustrated Introduction (am 1974-06-24)
Verfasser(in):
Sir Adrian Boult (conductor) und Michael Kennedy (classical music critic and writer)
basiert auf:
The Apostles, op. 49
basiert auf:
The Dream of Gerontius, op. 38
basiert auf:
The Kingdom, op. 51
basiert auf:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult0:42
24The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: The Real Presence (Christ)
Produzent(in):
Christopher Bishop (conductor/producer)
Sprecher:
Sir Adrian Boult (conductor) (am 1974-06-24)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1974-06-24)
Samples von:
The Dream of Gerontius von Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) und The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” von Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
teilweise recording of:
The Apostles & The Kingdom: An Illustrated Introduction (am 1974-06-24)
Verfasser(in):
Sir Adrian Boult (conductor) und Michael Kennedy (classical music critic and writer)
basiert auf:
The Apostles, op. 49
basiert auf:
The Dream of Gerontius, op. 38
basiert auf:
The Kingdom, op. 51
basiert auf:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:10
25The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: Motto theme quoted from The Light of Life
Produzent(in):
Christopher Bishop (conductor/producer)
Sprecher:
Sir Adrian Boult (conductor) (am 1974-06-24)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1974-06-24)
Samples von:
The Dream of Gerontius von Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) und The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” von Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
teilweise recording of:
The Apostles & The Kingdom: An Illustrated Introduction (am 1974-06-24)
Verfasser(in):
Sir Adrian Boult (conductor) und Michael Kennedy (classical music critic and writer)
basiert auf:
The Apostles, op. 49
basiert auf:
The Dream of Gerontius, op. 38
basiert auf:
The Kingdom, op. 51
basiert auf:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult2:24
26The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: Motto theme quoted from The Dream of Gerontius
Produzent(in):
Christopher Bishop (conductor/producer)
Sprecher:
Sir Adrian Boult (conductor) (am 1974-06-24)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1974-06-24)
Samples von:
The Dream of Gerontius von Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) und The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” von Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
teilweise recording of:
The Apostles & The Kingdom: An Illustrated Introduction (am 1974-06-24)
Verfasser(in):
Sir Adrian Boult (conductor) und Michael Kennedy (classical music critic and writer)
basiert auf:
The Apostles, op. 49
basiert auf:
The Dream of Gerontius, op. 38
basiert auf:
The Kingdom, op. 51
basiert auf:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:48
12▶CD
13▶CD
14▶CD
15▶CD
16▶CD
17▶CD
18▶CD
19▶CD

Nennungen

Veröffentlichung

hergestellt in:EU (Europa)
gedruckt in:EU (Europa)
Fotografie:Derek Allen (photographer)
liner notes:Martin Cotton (in 2013)
liner notes Übersetzer:Dennis Collins (liner notes translator) (in 2013)
Leandra Rhoese (liner notes translator) (in 2013)
Zusammensteller:Richard J. Bradburn (compiler)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Warner Classics (in 2013)
ASIN:UK: B00C68FJ0K [Info]

Veröffentlichungsgruppe

enthält:Choral Works
Enigma Variations / Pomp & Circumstance Marches Nos. 1–5 von Elgar (Edward Elgar, composer); London Symphony Orchestra, London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
Symphony no. 1 in A-flat / Serenade for Strings / Chanson de nuit / Chanson de matin von Sir Edward Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
Symphony no. 2 in E-flat / Cockaigne Overture von Sir Edward Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)