Spanish Guitar Favorites

~ Release by Granados, Albéniz, Rodrigo, Tárrega, Falla; John Williams (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Spanish Dance No. 5
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
arranger:
John Williams (classical guitarist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (catch-all for arrangements) (in 1964-05)
composer:
Enrique Granados (composer)
arrangement of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera)
part of:
12 danzas españolas, op. 37 (catch-all for arrangements)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera)
composer:
Enrique Granados (composer)
part of:
12 danzas españolas, op. 37 (original for piano)
Enrique Granados4:21
2Homenaje
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
Homenaje, pour le tombeau de Claude Debussy, G. 56 (for guitar) (in 1964-05)
composer:
Manuel de Falla (Spanish composer) (in 1920-08)
dedicated to:
Claude Debussy (French composer)
is based on:
Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera
Manuel de Falla3:33
3Sevilla
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
arranger:
Andrés Segovia (guitarist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements) (in 1964-05)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (for solo piano)
Isaac Albéniz4:32
4Recuerdos de la Alhambra
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra) (in 1964-05)
composer:
Francisco Tárrega (Spanish composer and guitarist)
arrangement of:
FINE ON THE OUTSIDE
Francisco Tárrega3:56
5Fandanguillo
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
Fandanguillo, op. 36 (in 1964-05)
composer:
Joaquín Turina (Spanish composer) (from 1925-05-25 until 1925-06-04)
Joaquín Turina4:42
6Soleares (No. 2 from “Hommage à Tárrega”)
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
Homenaje a Tárrega, op. 69: II. Soleares (in 1964-05)
composer:
Joaquín Turina (Spanish composer) (in 1932)
part of:
Homenaje a Tárrega, op. 69
Joaquín Turina2:04
7Ráfaga
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
Ráfaga, op. 53 (in 1964-05)
composer:
Joaquín Turina (Spanish composer) (in 1929)
Joaquín Turina2:52
8El Testamen de Amelia
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
El testament d’Amèlia (Miguel Llobet guitar arrangement) (in 1964-05)
composer:
[traditional] (special purpose artist)
arranger:
Miguel Llobet Solés (composer for guitar)
arrangement of:
El testament d’Amèlia
[traditional]2:14
9El Colibri
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
El colibrí (in 1964-05)
composer:
Julio Salvador Sagreras
Julio Salvador Sagreras1:14
10Asturias
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
guitar:
John Williams (classical guitarist)
arranger:
Andrés Segovia (guitarist)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
Suite española No. 1, B 7, Op. 47 No. 5 "Asturias": Leyenda in G minor (for guitar, Segovia) (in 1969)
composer:
Isaac Albéniz (Spanish composer)
arranger:
Andrés Segovia (guitarist)
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
recording of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
Isaac Albéniz6:20
11Tango
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
guitar:
John Williams (classical guitarist)
arranger:
Andrés Segovia (guitarist)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
España, seis hojas de álbum, op. 165: II. Tango (catch-all for arrangements) (in 1969)
composer:
Isaac Albéniz (Spanish composer) (in 1890)
arrangement of:
España, seis hojas de álbum, op. 165: II. Tango
recording of:
España, seis hojas de álbum, op. 165: II. Tango
composer:
Isaac Albéniz (Spanish composer) (in 1890)
part of:
España, seis hojas de álbum, op. 165
Isaac Albéniz2:49
12Fandango
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
Tres piezas españolas, nº 1: Fandango (in 1969)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
publisher:
Schott Musik (publisher; do not use as label)
part of:
Tres piezas españolas
Joaquín Rodrigo3:45
13Valses Poéticos
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
Valses poéticos (catch-all for arrangements) (in 1969)
composer:
Enrique Granados (composer)
arrangement of:
Valses poéticos, H.147
Enrique Granados7:40
14Sonata in D
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
arranger:
John Williams (classical guitarist)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
Sonata in D major (catch-all for arrangements) (in 1969)
composer:
Mateo Albéniz (Spanish composer)
arrangement of:
Sonata in D major
Mateo Albéniz3:13
15The Three-cornered Hat: Danse du Corregidor
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
El sombrero de tres picos: Parte II. Danza del corregidor (catch-all for arrangements) (in 1969)
composer:
Manuel de Falla (Spanish composer)
arrangement of:
El sombrero de tres picos: Parte II. Danza del corregidor
Manuel de Falla1:49
16The Three-cornered Hat: Fisherman’s Song
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
arranger:
John Williams (classical guitarist)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
El amor brujo: VI. El círculo mágico (Romance del pescador) (catch-all for arrangements) (in 1969)
composer:
Manuel de Falla (Spanish composer)
arrangement of:
El amor brujo: VI. El círculo mágico (Romance del pescador)
Manuel de Falla2:31
17The Three-cornered Hat: The Miller’s Dance
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
arranger:
John Williams (classical guitarist)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
El sombrero de tres picos: Parte II. Danza del molinero (Farruca) (in 1969)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla2:21
18La Nit de Nadal
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
La nit de Nadal (El desembre congelat) (for guitar, Llobet) (in 1969)
composer:
[traditional] (special purpose artist)
arranger:
Miguel Llobet Solés (composer for guitar)
arrangement of:
La nit de Nadal
[traditional]1:12
19El Noy de la Mare
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
El noi de la mare (Miguel Llobet guitar arrangement) (in 1969)
composer:
[traditional] (special purpose artist)
arranger:
Miguel Llobet Solés (composer for guitar)
arrangement of:
El noi de la mare
[traditional]2:27
20La Maja de Goya
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
La maja de Goya (catch-all for arrangements) (in 1969)
composer:
Enrique Granados (composer)
publisher:
Unión Musical Española
arrangement of:
12 tonadillas al estilo antiguo, H.136: No. 8: La maja de Goya (song)
Enrique Granados3:44
21Córdoba
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
arranger:
John Williams (classical guitarist)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
Cantos de España, op. 232, n.º 4: Córdoba (catch-all for arrangements) (in 1969)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Cantos de España, op. 232, n.º 4: Córdoba
Isaac Albéniz6:44

Credits

Release

manufactured in:Austria
liner notes:Kay Jaffee
John Williams (classical guitarist)
liner notes translator:Michael Danner (liner notes)
Danielle Descottes (translator)
rights society:BIEM (international rights organization representing member societies from 58 countries)
STEMRA (Netherlands rights society for composers and music publishers)
copyrighted (©) by and phonographic copyright (℗) by:CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
Discogs:https://www.discogs.com/release/10795931 [info]
ASIN:US: B0000026P8 [info]