NOW YEARBOOK 1981 ((special edition (with booklet))

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

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same tracks but different case

Anmerkung zuletzt geändert am 2025-02-02 21:23 UTC.

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Imagine
Techniker(in):
Eddie Klein (engineer, Hog Hill Mill) (am 1971-05-27), Phil McDonald (engineer and producer) (am 1971-05-27), Roy Cicala (am 1971-07-04), Jack Douglas (am 1971-07-04) und Shelly Yakus (am 1971-07-04)
Bass:
Klaus Voormann (am 1971-05-27), John Beal (American Broadway bassist) (am 1971-07-04), George Duvivier (am 1971-07-04) und Jack Lesberg (am 1971-07-04)
Bratsche / Viola:
Alfred Brown (viola) (am 1971-07-04), Harold Coletta (am 1971-07-04), Theodore Israel (am 1971-07-04) und Emanuel Vardi (am 1971-07-04)
Cello:
Charles McCracken (cellist) (am 1971-07-04), Kermit Moore (am 1971-07-04), George Ricci (am 1971-07-04) und Anthony Sophos (am 1971-07-04)
Geige / Violine:
Julius Brand (am 1971-07-04), Frederick Buldrini (am 1971-07-04), Peter Buonconsiglio (am 1971-07-04), Paul Gershman (am 1971-07-04), Harry Glickman (am 1971-07-04), Emanuel Green (am 1971-07-04), Leo Kahn (am 1971-07-04), Harry Katzman (am 1971-07-04), Joseph Malignaggi (am 1971-07-04), David Nadien (am 1971-07-04), John Pintavalle (am 1971-07-04), Raoul Polikian (am 1971-07-04), Matthew Raimondi (am 1971-07-04), Aaron Rosand (violinist) (am 1971-07-04), Julius Schachter (am 1971-07-04) und Stanley Karpienia (violinist) (am 1971-07-04)
Klavier:
John Lennon (The Beatles) (am 1971-05-27)
Schlagzeug:
Alan White (Yes drummer) (am 1971-05-27)
vocals:
John Lennon (The Beatles) (am 1971-05-27)
conductor:
Torrie Zito (am 1971-07-04)
aufgenommen bei:
Ascot Sound Studios (Tittenhurst Park) in Ascot, Windsor and Maidenhead, England, Vereinigtes Königreich (am 1971-05-27) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1971-07-04)
recording of:
Imagine (von 1971-05-27 bis 1971-07-04)
Texter:
John Lennon (The Beatles) und Yoko Ono (Japanese‐American musician and artist)
Komponist(in):
John Lennon (The Beatles)
publisher:
Downtown DMP Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!) und Lenono Music
sub-publisher:
フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
John Lennon3:02
2Jealous Guy
Produzent(in):
Rhett Davies, Bryan Ferry und Roxy Music
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1981), Virgin EG Records Ltd. (in 1981) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981, in 2000)
cover recording of:
Jealous Guy
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
sub-publisher:
Fujipacific Music, Inc. Division 2
Revision von:
Child of Nature
Roxy Music4.54:51
3I Go to Sleep
Produzent(in):
Chris Thomas (UK record producer / remixer)
mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
cover recording of:
I Go to Sleep
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd. und Sony/ATV
Pretenders2:56
4Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
Produzent(in):
Val Garay
E-Gitarre:
Waddy Wachtel (in 1981-01)
Sologesang:
Kim Carnes (in 1981-01)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1981-01)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:39
5Keep On Loving You
assistierende(r) Techniker(in):
Tom Cummings (engineer) und Jeff Eccles
Techniker(in):
Kevin Beamish
Koproduzent(in):
Alan Gratzer (drummer)
Produzent(in):
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter) und Gary Richrath (guitarist and songwriter)
Akustikgitarre:
Kevin Cronin (guitarist, singer and songwriter)
Bass:
Bruce Hall (US bassist for REO Speedwagon)
Gitarre:
Gary Richrath (guitarist and songwriter)
Hammond-Orgel:
Neal Doughty (keyboards)
Schlagzeug:
Alan Gratzer (drummer)
Hintergrundgesang:
Kevin Cronin (guitarist, singer and songwriter), Tom Kelly (songwriter) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arranger:
Kevin Cronin (guitarist, singer and songwriter)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980, in 1981) und CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 67)
recording of:
Keep On Loving You (am 1980-09-03)
Texter und Komponist(in):
Kevin Cronin (guitarist, singer and songwriter)
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Taiyō Music
REO Speedwagon3.553:21
6Hold On Tight
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Jeff Lynne
Bass:
Kelly Groucutt (in 1981)
Gitarre, Klavier und Synthesizer:
Jeff Lynne (in 1981) und Richard Tandy (keyboardist for Electric Light Orchestra) (in 1981)
Hybrid-Piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1981)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (in 1981)
Sologesang:
Jeff Lynne (in 1981)
conductor:
Rainer Pietsch (musician, songwriter and arranger) (in 1981)
phonographisches Urheberrecht (℗) von:
Jet Records (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (in 1981)
recording of:
Hold On Tight (in 1981)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Ltd. (British branch), Polygon Publishing Ltd., EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.153:08
7You Better You Bet
The Who3:59
8I Surrender
assistierende(r) Techniker(in):
Thomas Brekling und Clay Hutchinson (Engineer, who has worked at Kingdom Sound, New York)
Techniker(in):
Flemming Rasmussen
Produzent(in):
Roger Glover
Bassgitarre:
Roger Glover (in 1980-11)
Gitarre:
Ritchie Blackmore (in 1980-11)
Keyboard:
Don Airey (in 1980-11)
Schlagzeug:
Bob Rondinelli (in 1980-11)
Sologesang:
Joe Lynn Turner (US rock vocalist) (in 1980-11)
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1981) und Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1981)
aufgenommen bei:
Sweet Silence Studio (at Strandlodsvej, 1976–1999) in Copenhagen (Kopenhagen), Capital Region of Denmark (Region Hovedstaden), Dänemark (in 1980-11)
cover recording of:
I Surrender (in 1980-11)
Texter und Komponist(in):
Russ Ballard
publisher:
April Music Publishing Inc., Complete Music Ltd., Island Music Ltd., Russell Ballard Ltd, フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Rainbow3.73:26
9Something ’Bout You Baby I Like
Koproduzent(in):
John Eden (producer) und Status Quo (UK boogie rock band)
Produzent(in):
John Eden (producer) und Status Quo (UK boogie rock band)
aufgenommen bei:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
cover recording of:
Something ’bout You Baby I Like
Texter und Komponist(in):
Richard Supa (American guitarist, singer & songwriter)
publisher:
Colgems Music Corp., EMI Music (do not use as release label! this is a music publisher), Screen Gems und Screen Gems–EMI Music Ltd.
Status Quo2:49
10Please Don’t Touch
Produzent(in):
Vic Maile (in 1980-12)
Bassgitarre:
Lemmy Kilmister (“Lemmy” from Motörhead) (in 1980-12) und Enid Williams (in 1980-12)
Gitarre [Lead Guitar]:
Eddie Clarke (Motörhead guitarist) (in 1980-12) und Kelly Johnson (in 1980-12)
Gitarre [Rhythm Guitar]:
Kim McAuliffe (in 1980-12)
Schlagzeug:
Denise Dufort (in 1980-12)
Sologesang:
Kelly Johnson (in 1980-12) und Lemmy Kilmister (“Lemmy” from Motörhead) (in 1980-12)
cover recording of:
Please Don’t Touch (in 1980-12)
Komponist(in):
Frederick Heath und Guy Robinson (UK songwriter)
publisher:
EMI Blackwood Music Inc.
Motörhead, Girlschool32:48
11Will You?
Produzent(in):
Tony Visconti
vocals:
Hazel O’Connor
arranger:
Tony Visconti
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1980)
aufgenommen bei und mixed at:
Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Will You?
Texter und Komponist(in):
Hazel O’Connor
publisher:
Albion Music Ltd.
Hazel O’Connor4:48
12Wordy Rappinghood
recording engineer und Mix:
S. Stanley (audio engineer, record producer and keyboardist from Jamaica)
assistierende(r) Techniker(in):
B. Armbrister und K. Stubbs
Produzent(in):
C. Frantz, S. Stanley (audio engineer, record producer and keyboardist from Jamaica) und T. Weymouth
aufgenommen bei und mixed at:
Compass Point Studios in Nassau, Bahamas
recording of:
Wordy Rappinghood
Verfasser(in):
Chris Frantz, Steven Stanley (audio engineer, record producer and keyboardist from Jamaica) und Tina Weymouth
publisher:
Metered Music, Inc.
Tom Tom Club4.253:44
13Don’t Stop the Music
recording of:
Don’t Stop the Music
Verfasser(in):
Jonah Ellis, Alisa Peoples und Lonnie Simmons (producer, songwriter)
publisher:
BMG Platinum Songs US und BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
Yarbrough & Peoples4:09
14Body Talk
leitende(r) Produzent(in):
Eliot M. Cohen
phonographisches Urheberrecht (℗) von:
R&B Division Ltd (in 1981)
recording of:
Body Talk
Verfasser(in):
Ashley Ingram, Leee John, Steve Jolley und Tony Swain (songwriter, producer)
publisher:
Associated Music International Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony/ATV Music Publishing LLC (1995–2020), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Imagination43:33
15You’ll Never Know
recording engineer:
Gene Leone und Ray Volpe (engineer)
sonstige Unterstützung:
Benny Diggs (Aufgabe: background vocals coach)
Produzent(in):
Giuliano Salerni
Mix:
Giuliano Salerni und Gene Leone
Hintergrundgesang:
Phillip Ballou, Luter Vandross, Ullanda McCullough und Maeretha Stewart
Sologesang:
Bonita Taylor
conductor:
Giuliano Salerni (Horn [horns], Saiteninstrumente)
Horn [horns] arranger und Saiteninstrumente arranger:
Giuliano Salerni
arranger:
Giuliano Salerni
phonographisches Urheberrecht (℗) von:
Prelude Records (NY-based independent dance label, 1976–86) (in 1981)
aufgenommen bei:
Alpha International in Philadelphia, Pennsylvania, Vereinigte Staaten und Eras Recording in New York, New York, Vereinigte Staaten
mixed at:
Alpha International in Philadelphia, Pennsylvania, Vereinigte Staaten
recording of:
You’ll Never Know
Texter:
Phil Hurtt
Verfasser(in):
Giuliano Salerni
publisher:
April Blackwood Music, Cookie Box Music, GS EuroAmerican, Keep On Music, Phylmar Music, Unitunes Music, リトルスター・コピーライトマネージメント (Little Star Copyright Management) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Hi‐Gloss34:45
16Southern Freeez
recording of:
Southern Freeez
Verfasser(in):
Peter Maas, John Rocca und Andy Stennett
Freeez4:01
17Going Back to My Roots
cover recording of:
Going Back to My Roots
Texter und Komponist(in):
Lamont Dozier
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., Maurice Starr Music, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Odyssey53:25
18Let’s Groove
recording of:
Let’s Groove
Verfasser(in):
Wayne Vaughn und Maurice White (Earth, Wind & Fire)
publisher:
Campbell Connelly, EMI Songs, EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Earth, Wind & Fire3:31
19It’s a Love Thing
recording of:
It’s a Love Thing
Verfasser(in):
Dana Meyers und William Shelby
publisher:
Mykinda Music, Notting Hill Music (UK) Ltd. und Spectrum VII
The Whispers3:47
20When She Was My Girl
Produzent(in):
David Wolfert
vocals arranger:
Lawrence Payton
produced for:
The Entertainment Company (not for release label use! use “The Entertainment Company Records” instead)
recording of:
When She Was My Girl
Verfasser(in):
Marc Blatte (songwriter, composer, producer, record music executive and author.) und Larry Gottlieb (soul, funk and pop songwriter and producer)
publisher:
Jump Star Music Inc. und Universal Music Corp. (USA, affiliated with ASCAP)
Four Tops3:19
21How ’Bout Us
assistierende(r) Techniker(in):
Michael Ferraro (engineer) und Tom Miller (engineer)
Techniker(in):
Stu Walder
Partner-Produzent(in):
James Mack (Composer, arranger, conductor)
Produzent(in):
Leo Graham (producer / composer / lyricist)
Bassgitarre [bass]:
Michael Reed (US bassist for Champaign) und Paul Richmond (producer - songwriter - bassist)
elektronisches Schlagzeug / E-Drums [syndrums]:
Tommy Radtke
Gitarre [guitars]:
Michael Day und Howard Reeder
Keyboard [keyboards]:
Michael Day und Dana Walden
Perkussion:
Rocky Maffit
Schlagzeug:
Morris Jennings, Jr.
Solo-alto saxophone:
Ken Soderbloom
Synthesizer [synthesizers]:
Dana Walden
Sologesang:
Pauli Carman
vocals:
Michael Day, Rena Jones (vocalist for Champaign), Rocky Maffit und Howard Reeder
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
James Mack (Composer, arranger, conductor)
arranger:
Champaign, Leo Graham (producer / composer / lyricist) und James Mack (Composer, arranger, conductor)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
produced for:
B‐Line Productions
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten
cover recording of:
How ’bout Us
Texter und Komponist(in):
Dana Walden
publisher:
April Music, Irving Music (BMI) und Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
How ’bout Us
Texter und Komponist(in):
Dana Walden
publisher:
April Music, Irving Music (BMI) und Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign33:20
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4▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:Now Yearbook (UK Now subseries) (Nummer: 1981) (Reihenfolge: 16)