Le Messie

~ Release by Haendel; Elizabeth Harwood, Janet Baker, Paul Esswood, Raimund Herincx, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras (see all versions of this release, 1 available)

Tracklist

1▶CD

2▼CD
#	Title	Artist	Rating	Length
1	Le Messie Part 2: No. 23. Chœur: And with His stripes choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:07
2	Le Messie Part 2: No. 24. Chœur: All we like sheep choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		4:22
3	Le Messie Part 2: No. 25. Récitatif: All trusted in God tenor vocals: Robert Tear (tenor) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		0:51
4	Le Messie Part 2: No. 26. Chœur: He trusted in God choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:22
5	Le Messie Part 2: No. 27. Récitatif: Thy rebuke hath broken His heart tenor vocals: Robert Tear (tenor) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:00
6	Le Messie Part 2: No. 28. Arioso: Behold, and see tenor vocals: Robert Tear (tenor) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part II	George Frideric Handel		1:46
7	Le Messie Part 2: No. 29. Récitatif: He was cut off tenor vocals: Robert Tear (tenor) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		0:17
8	Le Messie Part 2: No. 30. Aria: But thou didst not leave tenor vocals: Robert Tear (tenor) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:31
9	Le Messie Part 2: No. 31. Chœur: Lift up your heads choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		3:02
10	Le Messie Part 2: No. 32. Récitatif: Unto which of the angels tenor vocals: Robert Tear (tenor) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		0:16
11	Le Messie Part 2: No. 33. Chœur: Let all the angels of God choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		1:40
12	Le Messie Part 2: No. 34. Aria: Thou art gone up on high alto vocals: Paul Esswood (countertenor) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) version of: Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		3:20
13	Le Messie Part 2: No. 35. Chœur: The Lord gave the word choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		1:23
14	Le Messie Part 2: No. 36. Duo: How beautiful are the feet alto vocals: Paul Esswood (countertenor) tenor vocals: Robert Tear (tenor) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) composer: George Frideric Handel (German‐British baroque composer) (in 1741) is based on: Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) part of: Messiah, HWV 56: Part II	George Frideric Handel		3:32
15	Le Messie Part 2: No. 37. Chœur & air de basse: Their sound is gone out choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		1:13
16	Le Messie Part 2: No. 38. Aria: Why do the nations bass vocals: Raimund Herincx (bass-baritone) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:54
17	Le Messie Part 2: No. 39. Chœur: Let us break their bonds choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		1:53
18	Le Messie Part 2: No. 40. Récitatif: He that dwelleth in heaven tenor vocals: Robert Tear (tenor) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		0:15
19	Le Messie Part 2: No. 41. Aria: Thou shalt break them tenor vocals: Robert Tear (tenor) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:12
20	Le Messie Part 2: No. 42. Chœur: Hallelujah! producer: Christopher Bishop (conductor/producer) choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06-29 until 1966-08-09) solo vocals: Dame Janet Baker (mezzo‐soprano and alto), Paul Esswood (countertenor), Elizabeth Harwood (soprano), Raimund Herincx (bass-baritone) and Robert Tear (tenor) soprano vocals: Elizabeth Harwood (soprano) orchestra: English Chamber Orchestra (from 1966-06-29 until 1966-08-09) conductor: Sir Charles Mackerras (Australian conductor) (from 1966-06-29 until 1966-08-09) arranger: Basil Lam (English producer, harpsichordist) balance engineer: Neville Boyling (engineer) (from 1966-06-29 until 1966-08-09) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06-29 until 1966-08-09) recording of: Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1966-06-29 until 1966-08-09) composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	George Frideric Handel		4:07
21	Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth producer: Christopher Bishop (conductor/producer) choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) soprano vocals: Elizabeth Harwood (soprano) (from 1966-06-29 until 1966-08-09) orchestra: English Chamber Orchestra (from 1966-06-29 until 1966-08-09) conductor: Charles Mackerras (Australian conductor) (from 1966-06-29 until 1966-08-09) balance engineer: Neville Boyling (engineer) (from 1966-06-29 until 1966-08-09) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06-29 until 1966-08-09) recording of: Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (from 1966-06-29 until 1966-08-09) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		6:38
22	Le Messie Part 3: No. 44. Chœur: Since by man came death choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		0:42
23	Le Messie Part 3: No. 44. Chœur: By man came also the resurrection choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor)	George Frideric Handel		0:24
24	Le Messie Part 3: No. 44. Chœur: For as in Adam all die choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor)	George Frideric Handel		0:47
25	Le Messie Part 3: No. 44. Chœur: Even so in Christ choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor)	George Frideric Handel		0:33
26	Le Messie Part 3: No. 45. Récitatif: Behold, I tell you a mystery bass vocals: Raimund Herincx (bass-baritone) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		0:32
27	Le Messie Part 3: No. 46. Aria: The trumpet shall sound bass vocals: Raimund Herincx (bass-baritone) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		9:30
28	Le Messie Part 3: No. 47. Récitatif: Then shall be brought to pass soprano vocals: Elizabeth Harwood (soprano) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part III	George Frideric Handel		0:17
29	Le Messie Part 3: No. 48. Duo: O death, where is thy sting? alto vocals: Paul Esswood (countertenor) tenor vocals: Robert Tear (tenor) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		1:18
30	Le Messie Part 3: No. 49. Chœur: But thanks be to God choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		2:44
31	Le Messie Part 3: No. 50. Aria: If God be for us soprano vocals: Elizabeth Harwood (soprano) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		4:55
32	Le Messie Part 3: No. 51. Chœur: Worthy is the Lamb choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) partial recording of: Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		3:53
33	Le Messie Part 3: No. 52. Chœur: Amen choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) partial recording of: Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		3:21

Le Messie

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