TopGear Turbo Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Also sprach Zarathustra (extract)
Orchester:
Wiener Philharmoniker
conductor:
Lorin Maazel (conductor)
teilweise recording of:
Also sprach Zarathustra, op. 30 (TrV 176)
Premiere in:
Frankfurt am Main, Hessen, Deutschland (am 1896-11-27)
Komponist(in):
Richard Strauss (German composer) (in 1896)
Teil von:
Works of Richard Strauss by opus number (Nummer: op. 30) und Werkverzeichnis (Richard Strauss TrV) (Nummer: TrV 176)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Also sprach Zarathustra, op. 30: Einleitung, Sonnenaufgang)
Komponist(in):
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
Teil von:
Also sprach Zarathustra, op. 30 (TrV 176)
R. Strauss2:00
2Ride of Valkyries
Produzent(in):
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) und Werner Mayer (classical producer) (in 1983-01)
Orchester:
Orchestre de Paris (in 1983-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1983-01)
Tonmeister(in):
Klaus Scheibe (editor/engineer) (in 1983-01)
aufgenommen bei:
Salle Pleyel (1927-) in Paris, Île-de-France, Frankreich (in 1983-01)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (Die Walküre: Walkürenritt) (in 1983-01)
Komponist(in):
Richard Wagner (composer) (von 1854 bis 1856)
publisher:
Schott Music International (publisher; do not use as label)
Teil von:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Wagner4:56
3The Planets: Mars
Orchester:
Boston Symphony Orchestra (in 1970-10)
conductor:
William Steinberg (conductor) (in 1970-10)
recording of:
The Planets, op. 32: I. Mars, the Bringer of War (in 1970-10)
Komponist(in):
Gustav Holst (composer) (von 1914 bis 1916)
Orchestrierung von:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
Teil von:
The Planets, op. 32 (Suite for Large Orchestra)
Holst6:36
4William Tell Overture: Finale
Orchester:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
William Tell Overture: Finale, March of the Swiss Soldiers (allegro vivace) (Lone Ranger theme)
Komponist(in):
Gioachino Rossini (composer)
Teil von:
Guillaume Tell : Ouverture (Wilhelm Tell: Ouvertüre)
Rossini3:28
5Sabre Dance
Orchester:
Leningrad Philharmonic Orchestra (Kammerorchester der Leningrader Staatlichen Philharmonie, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Gennadi Rozhdestvensky (Gennady Rozhdestvensky, conductor) (in 1960-09) und Геннадий Николаевич Рождественский (Gennady Rozhdestvensky, conductor) (in 1961)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1960-09)
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance (in 1960-09)
Komponist(in):
Արամ Խաչատրյան (Aram Chatschaturjan, Soviet-Armenian composer) (in 1942)
Version von:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Teil von:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
Komponist(in):
Aram Khachaturian (Aram Chatschaturjan, Soviet-Armenian composer) (in 1942)
Arrangement von:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Khatchaturian2:19
6Carmina Burana: O Fortuna
Produzent(in):
Hans Hirsch (producer at Deutsche Grammophon)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1967-10)
Orchester:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1968)
aufgenommen bei:
UFA-Tonstudio in Berlin, Deutschland (in 1967-10)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1967-10)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Orff2:39
7Pomp and Circumstance March No.1 (Land of Hope and Glory)
Orchester:
Royal Philharmonic Orchestra (in 1975-06)
conductor:
Norman Del Mar (conductor) (in 1975-06)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1975-06)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (in 1975-06)
Premiere in:
Liverpool, Merseyside, England, Vereinigtes Königreich (am 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
Teil von:
Pomp and Circumstance Military Marches, op. 39
recording of:
Pomp and Circumstance Marches, op. 39: March no. 1 in D major (catch‐all for arrangements)
Komponist(in):
Edward Elgar (composer) (in 1901)
Arrangement von:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
Elgar5:57
8Symphony no. 5: 1st Movement
leitende(r) Produzent(in):
Dr. Hans Hirsch (producer at Deutsche Grammophon)
Produzent(in):
Wolfgang Lohse
Orchester:
Vienna Philharmonic (Wiener Philharmoniker) (in 1970-04)
conductor:
Karl Böhm (Austrian conductor) (in 1970-04)
Tonmeister(in):
Günter Hermanns (producer/engineer)
aufgenommen bei:
Simmeringer Hof in Wien, Österreich (in 1970-04)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1970-04)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1808)
Teil von:
Symphony no. 5 in C minor, op. 67 (Symphonie Nr. 5 in C-dur, Op. 67)
Beethoven8:37
9The Firebird: Infernal Dance
Produzent(in):
Wolfgang Lohse
Orchester:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
Tonmeister(in):
Werner Wolf (engineer/producer) (in 1957-11)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1957-11)
recording of:
L’Oiseau de feu: III. Danse infernale du roi Kachtcheï (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
Komponist(in):
Игорь Фёдорович Стравинский (Igor Strawinski, Russian composer) (in 1919)
Teil von:
L’Oiseau de feu, suite de 1919 (Der Fuervogel Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Stravinsky3:59
10Aida: Grand March
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
Orchester:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto II
recording of:
Aida: Grand March (catch-all for arrangements)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Arrangement von:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
Verdi5:12
11Romeo and Juliet: Dance of the Knights
sonstige Unterstützung:
Wolfgang Stengel (Aufgabe: recording supervision)
Produzent(in):
Hanno Rinke
Editing:
Helmut Burk
Orchester:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1987)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (in 1986-10)
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Romeo and Juliet, op. 64: Act I
Prokofiev5:24
12Lohengrin: Prelude to Act III
Produzent(in):
Werner Mayer (classical producer)
Orchester:
Wiener Philharmoniker (in 1975-06)
conductor:
Karl Böhm (Austrian conductor) (in 1975-06)
Tonmeister(in):
Günter Hermanns (producer/engineer) (in 1975-06)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (in 1975-06)
recording of:
Lohengrin, WWV 75: Akt III. Vorspiel (in 1975-06)
Komponist(in):
Richard Wagner (composer) (von 1846 bis 1848)
Teil von:
Lohengrin, WWV 75: Akt III
Wagner3:20
13Requiem: Dies Irae (extract)
Orchester:
Vienna Philharmonic Orchestra (Wiener Philharmoniker)
conductor:
Herbert von Karajan (conductor)
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1874)
Teil von:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Verdi2:33
14L’Arlisienne Suite: Farandole
Produzent(in):
Michel Glotz
Orchester:
Berliner Philharmoniker (von 1983-09-28 bis 1984-02-19)
conductor:
Herbert von Karajan (conductor) (von 1983-09-28 bis 1984-02-19)
Tonmeister(in):
Günter Hermanns (producer/engineer) (von 1983-09-28 bis 1984-02-19)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (von 1983-09-28 bis 1984-02-19)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (von 1983-09-28 bis 1984-02-19)
Komponist(in):
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
Teil von:
L’Arlésienne Suite no. 2 (for orchestra)
Bizet3:21
15Symphonie Fantastique: March to the Scaffold
Produzent(in):
Hans Weber (producer/engineer)
Orchester:
Berliner Philharmoniker (von 1974-10-14 bis 1975-02-21)
conductor:
Herbert von Karajan (conductor) (von 1974-10-14 bis 1975-02-21)
Tonmeister(in):
Günter Hermanns (producer/engineer) (von 1974-10-14 bis 1975-02-21)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1975)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (von 1974-10-14 bis 1975-02-21)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (von 1974-10-14 bis 1975-02-21)
Komponist(in):
Hector Berlioz (French composer) (in 1830)
Teil von:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Berlioz4:37
16Messiah: Hallelujah Chorus
Produzent(in):
Dr. Gerd Ploebsch
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Chorgesang:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
vocals:
The John Alldis Choir
Orchester:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) und London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1973)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
Handel4:05
171812 Overture (finale)
Orchester:
Chicago Symphony Orchestra
conductor:
Daniel Barenboim (pianist and conductor)
teilweise recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
Premiere in:
Moscow (Moskau), Russland (am 1882-08-20)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1880-09 bis 1880-11)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 46) und Works of Pyotr Ilyich Tchaikovsky by opus number (Nummer: op. 49)
basiert auf:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Tchaikovsky3:58

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