Les plus beaux chants de Noël

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1O holy night (Minuit, Chrétiens)
Adolphe Charles Adam4:25
2« For unto us a Child is born » (Le messie)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Friderich Haendel3:36
3Stille Nacht, heilige Nacht (Douce nuit, Sainte nuit)
choir vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir)
conductor:
Georg Ratzinger (German choir conductor and composer)
recording of:
Stille Nacht, heilige Nacht
lyricist:
Josef Mohr (composer/author) (in 1816)
composer:
Franz Xaver Gruber (composer/author) (in 1818)
part of:
Oh, What a Lovely War! (stage musical)
Franz Gruber2:59
4Laudate Dominum (Vêpres solennelles d'un confesseur, K.339)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1960-06-03 until 1960-06-04)
solo violin:
Helmut Heller (violinist) (from 1960-06-03 until 1960-06-04)
choir vocals:
RIAS-Kammerchor (German chamber choir) (from 1960-06-03 until 1960-06-04)
soprano vocals:
Maria Stader (soprano) (from 1960-06-03 until 1960-06-04)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-06-03 until 1960-06-04)
conductor:
Ferenc Fricsay (conductor) (from 1960-06-03 until 1960-06-04)
chorus master:
Günther Arndt (choral conductor) (from 1960-06-03 until 1960-06-04)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-06-03 until 1960-06-04)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (from 1960-06-03 until 1960-06-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart5:14
5Chœur « Nun komm, der Heiden Heiland » Cantate BWV 62
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
editor:
Ingmar Haas (engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
The English Baroque Soloists (in 1992-01)
conductor:
John Eliot Gardiner (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Great Hall, Blackheath Concert Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach4:27
6Ave Maria (d'après Bach Prélude No.1 BWV 846)
producer:
Wolfgang Stengel
soprano vocals:
Cheryl Studer (soprano) (from 1991-03-25 until 1991-03-30)
orchestra:
London Symphony Orchestra (from 1991-03-25 until 1991-03-30)
conductor:
Ion Marin (conductor) (from 1991-03-25 until 1991-03-30)
arranger:
Carlo Sabatini
balance engineer:
Jochen Gottschall (from 1991-03-25 until 1991-03-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-03-25 until 1991-03-30)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (from 1991-03-25 until 1991-03-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Charles Gounod2:04
7Adagio (Concerto grosso en sol mineur op. 6 n° 8 « pour la nuit de Noël »
producer:
Hans Hirsch (producer at Deutsche Grammophon) (from 1970-08-19 until 1970-08-23) and Hans Weber (producer/engineer) (from 1970-08-19 until 1970-08-23)
cello:
Ottomar Borwitzky (cellist) (from 1970-08-19 until 1970-08-23)
harpsichord:
Waldemar Döling (harpsichordist) (from 1970-08-19 until 1970-08-23) and Wolfgang Meyer (organist, harpsichordist) (from 1970-08-19 until 1970-08-23)
violin:
Thomas Brandis (violinist) (from 1970-08-19 until 1970-08-23) and Emil Maas (violinist) (from 1970-08-19 until 1970-08-23)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-08-19 until 1970-08-23)
conductor:
Herbert von Karajan (conductor) (from 1970-08-19 until 1970-08-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-08-19 until 1970-08-23)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1970-08-19 until 1970-08-23)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: III. Adagio - Allegro - Adagio (from 1970-08-19 until 1970-08-23)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli3:46
8White Christmas (Noël blanc)
baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paul Daniel (conductor)
arranger:
Robert Russell Bennett (American composer and arranger)
recording of:
White Christmas
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
EMI Allans Music Australia Pty Ltd, Irving Berlin Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner)
Irving Berlin5:01
9Villancico Andaluz (Villancicos espanolas)
phonographic copyright (℗) by:
Deutsche Grammophon (from 2006 to present)
recording of:
Villancico andaluz
composer:
Joaquín Nin y Castellanos (in 1932)
part of:
Diez villancicos españoles
Joaquín Nin y Castellanos1:50
10Amazing Grace (Arr. Chris Hazell)
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
orchestra:
London Symphony Orchestra
conductor:
Barry Wordsworth (conductor)
arranger:
Chris Hazell
James P. Carrell, David S. Clayton4:02
11Scène et Valse des flocons de neige (Casse-noisette op. 71)
producer:
Christian Gansch (conductor)
choir vocals:
American Boychoir (in 1990-12)
orchestra:
Boston Symphony Orchestra (in 1990-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-12)
chorus master:
James Litton (conductor and choir master)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1990-12)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-12)
recording of:
Щелкунчик, op. 71: Действие I, Картина II, no. 9. Вальс снежных хлопьев (The Nutcracker, op. 71: Act I, Scene II. Waltz of the snowflakes, Waltz of the Snowflakes) (in 1990-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
Piotr Ilyitch Tchaïkovski6:22
12Chœur : « Jauchzet, frohlocket » (Oratorio de Noël, BWV 248)
recording engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber (producer/engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1965-02 until 1965-06) and Detlev Kühl (bassoonist) (from 1965-02 until 1965-06)
cello:
Kurt Engert (cellist) (from 1965-02 until 1965-06) and Oswald Uhl (cellist) (from 1965-02 until 1965-06)
double bass:
Herbert Duft (double bass player) (from 1965-02 until 1965-06) and Ludwig Kiblböck (double bass player) (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (German horn player) (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (classical horn player) (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (oboist) (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (flautist) (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (French trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (trumpeter) (from 1965-02 until 1965-06)
violin:
Otto Büchner (violinist) (from 1965-02 until 1965-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1965-02 until 1965-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1965-02 until 1965-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 1965-02 until 1965-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach8:23
13La Promenade en traîneau, K.605 n° 3
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1991-01-01)
conductor:
Claudio Abbado (conductor) (on 1991-01-01)
recording of:
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda (on 1991-01-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
3 German Dances for Orchestra, K. 605
Wolfgang Amadeus Mozart2:32
14O Tannenbaum (Mon beau sapin) (Arr. Friedrich Meyer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (in 1961-06) and Wiener Großstadtkinderchor (in 1961-06)
soprano vocals:
Leontyne Price (soprano) (in 1961-06)
conductor:
Herbert von Karajan (conductor) (in 1961-06)
chorus master:
Reinhold Schmidt (chorusmaster, composer)
arranger:
Friedrich Meyer (composer, bandleader)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-06)
recording of:
O Tannenbaum (O Fir Tree, original German version) (in 1961-06)
lyricist:
Ernst Anschütz (in 1824)
composer:
[traditional] (special purpose artist) (from 1500 until 1600)
version of:
Es lebe hoch der Zimmermannsgeselle
Anonyme1:51
15Choral « Jésus que ma joie demeure » (Cantate BWV 147)
Johann Sebastian Bach2:37
16Grave - Vivace - Adagio (Concerto grosso en sol mineur, op.8, n°6 « Concerto de Noël »)
producer:
Hans Weber (producer/engineer)
cello:
Ottomar Borwitzky (cellist) (from 1970-08-19 until 1970-08-23)
harpsichord:
Waldemar Döling (harpsichordist) (from 1970-08-19 until 1970-08-23) and Wolfgang Meyer (organist, harpsichordist) (from 1970-08-19 until 1970-08-23)
violin:
Thomas Brandis (violinist) (from 1970-08-19 until 1970-08-23) and Emil Maas (violinist) (from 1970-08-19 until 1970-08-23)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-08-19 until 1970-08-23)
conductor:
Herbert von Karajan (conductor) (from 1970-08-19 until 1970-08-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-08-19 until 1970-08-23)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1970-08-19 until 1970-08-23)
recording of:
Concerto grosso in G minor, op. 8 no. 6 "Christmas Concerto": I. Grave - Vivace (from 1970-08-19 until 1970-08-23)
composer:
Giuseppe Torelli (violinist and composer)
part of:
Concerto grosso in G minor, op. 8 no. 6 "Christmas Concerto"
Giuseppe Torelli3:46
17Pie Jesu (Requiem, op. 48)
recording engineer:
Hans Weber (producer/engineer) (in 1986-03)
executive producer:
Günther Breest (producer for classical music)
producer:
Joseph Szurly
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano) (in 1986-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:01
18Sleigh Ride
Leroy Anderson2:50
19Chœur « Alleluia » (Le messie)
sound engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Ulrich Vette (engineer)
choir vocals:
The English Concert Choir (in 1988-01)
orchestra:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1988)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1988-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Haendel4:00

Credits

Release

part of:Collection du millénaire (Deutsche Grammophon) (order: 19)
ASIN:FR: B0050QLIEQ [info]
purchase for mail-order:https://www.fnac.com/a3614108/Les-plus-beaux-chants-de-Noel-CD-album [info]