The Very Best of John Barry

~ Release by John Barry (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The James Bond Theme
conductor:
John Barry (English score composer)
recording of:
James Bond Theme
composer:
Monty Norman
publisher:
EMI Music Publishing (do not use as a release label!) and EMI United Partnership
part of:
James Bond themes
is based on:
Bad Sign, Good Sign (From the stage musical “A House for Mr Biswas”)
John Barry2:58
2Goldfinger
engineer:
John Richards (engineer)
producer:
John Barry (English score composer) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Columbia Pictures Industries, Inc. (in 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) and United Artists Corporation (in 1964)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Goldfinger (in 1964-07)
lyricist:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. and Sony/ATV Songs LLC
part of:
James Bond themes
part of:
Goldfinger
Shirley Bassey4.252:52
3Midnight Cowboy: Main Theme
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Midnight Cowboy
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
John Barry2:38
4Out of Africa: Main Theme (I Had a Farm in Africa)
engineer:
Nicholas Basich and Mike Novitch
producer:
John Barry (English score composer)
mixer:
Dan Wallin
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Geffen Records (in 1985)
recorded at:
The Record Plant, Studio M in Hollywood, Los Angeles, California, United States
recording of:
I Had a Farm in Africa (Out of Africa, main title)
composer:
John Barry (English score composer)
publisher:
MCA Music Ltd.
part of:
Out of Africa (soundtrack of the 1985 film)
John Barry43:13
5The John Dunbar Theme
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
John Dunbar Theme (Dances With Wolves)
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) and EMI Virgin Music Publishing
part of:
Dances With Wolves
John Barry2:21
6You Only Live Twice
producer:
Lee Hazlewood
vocals:
Nancy Sinatra
conductor:
Billy Strange
arranger:
Billy Strange
recording of:
You Only Live Twice
lyricist:
Leslie Bricusse
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
You Only Live Twice (from the James Bond Film)
Nancy Sinatra32:59
7On Her Majesty’s Secret Service
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
On Her Majesty’s Secret Service
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
On Her Majesty's Secret Service (from the James Bond film)
John Barry2:44
8The Ipcress File
recording of:
A Man Alone (The Ipcress File (main theme))
composer:
John Barry (English score composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30)
John Barry3:56
9A View to a Kill
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) and Bernard Edwards (American bassist and record producer)
sampler:
Jonathan Elias
vocals:
Duran Duran (English rock band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
A View to a Kill
orchestrator:
John Barry (English score composer)
writer:
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
composer:
John Barry (English score composer) and Duran Duran (English rock band)
publisher:
EMI Songs and Gloucester Place Music Ltd.
part of:
James Bond themes
part of:
A View to a Kill (from the James Bond film)
Duran Duran3.653:38
10The Girl With the Sun in Her Hair
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
instrumental recording of:
The Girl With the Sun in Her Hair
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
Chappell/Morris Ltd.
John Barry32:57
11007
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
007
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
John Barry2:17
12Zulu: Main Theme
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Barry (English score composer)
orchestra:
The Royal Philharmonic Orchestra (Royal Philharmonic Orchestra)
conductor:
John Barry (English score composer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Zulu Main Theme
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
John Barry2:48
13The Knack
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
The Knack
lyricist:
Leslie Bricusse
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
John Barry2:58
14Chaplin: Main Theme
producer:
John Barry (English score composer)
orchestra:
English Chamber Orchestra
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Chaplin-Main Theme
composer:
John Barry (English score composer)
part of:
Chaplin
John Barry3:11
15The Lion in Winter: Main Theme
performer:
John Barry (English score composer)
instrumental recording of:
The Lion in Winter (main title from the film "The Lion in Winter")
writer and composer:
John Barry (English score composer)
part of:
The Lion in Winter (soundtrack to the 1968 film)
John Barry2:44
16Moviola
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Barry (English score composer)
orchestra:
Royal Philharmonic Orchestra (in 1992)
conductor:
John Barry (English score composer) (in 1992)
performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1992)
recording of:
Moviola
writer:
John Barry (English score composer)
John Barry4:37
17The Persuaders
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1972)
recording of:
Theme from "The Persuaders"
composer:
John Barry (English score composer) (in 1971)
publisher:
ITC Filmscores Ltd. (in 1971) and Sony/ATV Music Publishing France (in 1971)
John Barry2:14
18Seance on a Wet Afternoon
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Theme From ‘Seance on a Wet Afternoon’
writer:
John Barry (English score composer)
John Barry2:25
19Born Free
producer:
John Barry (English score composer)
lead vocals:
Matt Monro
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Born Free
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music Ltd.
part of:
The 39th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1966 winner)
part of:
Born Free
Matt Monro32:51
20Thunderball
producer:
John Barry (English score composer)
lead vocals:
Tom Jones (Welsh pop singer)
orchestra:
Roland Shaw & His Orchestra
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Main Title: Thunderball
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
Thunderball (film score)
Tom Jones2:55
21Somewhere in Time
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Barry (English score composer)
orchestra:
Royal Philharmonic Orchestra (in 1992)
conductor:
John Barry (English score composer) (in 1992)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1992)
recording of:
Theme From "Somewhere in Time" (in 1992)
composer:
John Barry (English score composer)
part of:
Somewhere in Time
John Barry9:03
22The Beyondness of Things
recording engineer:
John Richards (engineer) (in 1997-10)
producer:
John Barry (English score composer)
orchestra:
English Chamber Orchestra (in 1997-10)
conductor:
John Barry (English score composer) (in 1997-10)
performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recorded at:
EMI Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-10)
recording of:
The Beyondness Of Things (in 1997-10)
composer:
John Barry (English score composer)
John Barry4:19
23We Have All the Time in the World
producer:
John Barry (English score composer) and Phil Ramone
lead vocals:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
We Have All the Time in the World (from the film “On Her Majesty’s Secret Service”)
lyricist:
Hal David
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI United Partnership Ltd.
part of:
James Bond themes
part of:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:16
24Diamonds Are Forever
producer:
John Barry (English score composer)
mixer:
John Richards (engineer)
lead vocals:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Liberty Records, Inc. (in 1971)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Diamonds Are Forever (main title theme)
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
Diamonds Are Forever (Soundtrack of the James Bond film)
Shirley Bassey4.152:42