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~ Pubblicazione di Billie Holiday (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloValutazioneDurata
1Fine and Mellow
registrazione di:
Fine and Mellow
paroliere e compositore:
Billie Holiday
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:20
2The Very Thought of You
registrazione di:
The Very Thought of You (il 1938-09-15)
paroliere e compositore:
Ray Noble
editore:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) e Warner Bros. Music (publisher; do NOT use as release label)
2:45
3I Can't Give You Anything but Love
registrazione di:
I Can’t Give You Anything but Love, Baby
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Aldi Music Company, Cotton Club Publishing e EMI Mills Music Inc. (ASCAP-affiliated)
sub-editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
3:28
4Pennies From Heaven
registrata a:
New York, New York, Stati Uniti (il 1936-11-19)
batteria :
Cozy Cole (il 1936-11-19)
chitarra :
Allan Reuss (il 1936-11-19)
clarinetto :
Benny Goodman (clarinetist and bandleader) (il 1936-11-19)
contrabbasso :
John Kirby (jazz bass/trombone/tuba player) (il 1936-11-19)
pianoforte :
Teddy Wilson (il 1936-11-19)
sassofono tenore :
Ben Webster (il 1936-11-19)
tromba :
Jonah Jones (il 1936-11-19)
voce:
Billie Holiday (il 1936-11-19)
orchestra:
Teddy Wilson and His Orchestra (il 1936-11-19)
registrazione di:
Pennies From Heaven (il 1936-11-19)
paroliere:
Johnny Burke (American lyricist, 1908–1964) (nel 1936)
compositore:
Arthur Johnston (American composer and songwriter) (nel 1936)
editore:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) e Joy Music Inc.
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
3:17
5It Had to Be You
registrazione di:
It Had to Be You (il 1955-08-23)
paroliere:
Gus Kahn (nel 1924)
compositore:
Isham Jones (nel 1924)
editore:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) e Jerome H. Remick & Co. (il 1924-05-09)
54:03
6All or Nothing at All
registrazione di:
All or Nothing at All
paroliere:
Jack Lawrence (US songwriter)
compositore:
Arthur Altman e Jack Lawrence (US songwriter)
editore:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. e Universal‐MCA Music Publishing (US)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:41
7My Man
registrata a:
New York, New York, Stati Uniti (il 1952-07-27)
batteria :
J.C. Heard (il 1952-07-27) e Gus Johnson (drums) (il 1952-07-27)
chitarra :
Freddie Green (il 1952-07-27)
contrabbasso e contrabbasso [bass] :
Ray Brown (jazz bassist) (il 1952-07-27)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1952-07-27)
sassofono tenore :
Paul Quinichette (il 1952-07-27)
tromba :
Joe Newman (US jazz trumpeter) (il 1952-07-27)
voce:
Billie Holiday (il 1952-07-27)
registrazione di:
My Man (Mon homme) (Channing Pollock lyrics) (il 1952-07-27)
paroliere:
Jacques Charles (French librettist and theatre producer) e Albert Willemetz
compositore:
Maurice Yvain
traduttore:
Channing Pollock
editore:
CBS Feist Catalog, Inc. (conclusa) e Éditions Salabert France
versione tradotta di:
Mon homme
42:39
8One for My Baby (And One More for the Road)
registrazione di:
One for My Baby (and One More for the Road)
paroliere:
Johnny Mercer (nel 1943)
compositore:
Harold Arlen (nel 1943)
editore:
Chappell/Morris Ltd. e Harwin Music
parte di:
The Sky’s the Limit (1943 film)
5:41
9Carelessly
ance :
Harry Carney (il 1937-03-31)
batteria :
Cozy Cole (il 1937-03-31)
chitarra :
Allan Reuss (il 1937-03-31)
contrabbasso :
John Kirby (jazz bass/trombone/tuba player) (il 1937-03-31)
pianoforte :
Teddy Wilson (il 1937-03-31)
sassofono contralto :
Johnny Hodges (il 1937-03-31)
tromba :
Cootie Williams (il 1937-03-31)
voce:
Billie Holiday (il 1937-03-31)
registrazione di:
Carelessly (il 1937-03-31)
autore:
Norman Ellis (songwriter), Charles Kenny (songwriter, violinist) e Nick Kenny
3:06
10Embraceable You
registrata a:
Los Angeles, California, Stati Uniti (il 1957-01-09)
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Larry Bunker (il 1957-01-09)
chitarra :
Barney Kessel (il 1957-01-09)
contrabbasso [bass] :
Red Mitchell (jazz double-bassist, composer and lyricist) (il 1957-01-09)
pianoforte :
Jimmy Rowles (il 1957-01-09)
sassofono tenore :
Ben Webster (il 1957-01-09)
tromba :
Harry “Sweets” Edison (il 1957-01-09)
voce:
Billie Holiday (il 1957-01-09)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (dal 1957-01-07 al 1957-01-09)
registrazione di:
Embraceable You (il 1957-01-09)
paroliere:
Ira Gershwin (nel 1928)
compositore:
George Gershwin (composer) (nel 1928)
editore:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 al 2024-01-01)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
56:49
11Stormy Weather
batteria :
Gus Johnson (drums) (il 1952-07-27)
chitarra :
Freddie Green (il 1952-07-27)
contrabbasso :
Ray Brown (jazz bassist) (il 1952-07-27)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1952-07-27)
sassofono tenore :
Paul Quinichette (il 1952-07-27)
tromba :
Joe Newman (US jazz trumpeter) (il 1952-07-27)
voce:
Billie Holiday (il 1952-07-27)
registrazione di:
Stormy Weather (il 1952-07-27)
paroliere:
Ted Koehler (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. e The Songwriters Guild
53:43
12Love Me or Leave Me
registrata a:
Los Angeles, California, Stati Uniti (il 1954-09-03)
batteria :
Chico Hamilton (il 1954-09-03)
chitarra :
Barney Kessel (il 1954-09-03)
contrabbasso :
Red Callender (il 1954-09-03)
pianoforte :
Bobby Tucker (il 1954-09-03)
sassofono contralto :
Willie Smith (US jazz alto saxophonist, 1910-1967) (il 1954-09-03)
tromba :
Harry “Sweets” Edison (il 1954-09-03)
voce:
Billie Holiday (il 1954-09-03)
registrazione di:
Love Me or Leave Me (il 1954-09-03)
paroliere:
Gus Kahn
compositore:
Walter Donaldson
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (nel 1928, nel 1955) e Gilbert Keyes Music Company (nel 1928, nel 1955)
42:39
13Let's Call the Whole Thing Off
registrata a:
Los Angeles, California, Stati Uniti (il 1957-01-09)
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Larry Bunker (il 1957-01-09)
chitarra :
Barney Kessel (il 1957-01-09)
contrabbasso :
Red Mitchell (jazz double-bassist, composer and lyricist) (il 1957-01-09)
pianoforte :
Jimmy Rowles (il 1957-01-09)
sassofono tenore :
Ben Webster (il 1957-01-09)
tromba :
Harry “Sweets” Edison (il 1957-01-09)
voce:
Billie Holiday (il 1957-01-09)
registrazione di:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (il 1957-01-09)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1937)
versione tradotta di:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
parte di:
Shall We Dance (1937 film soundtrack)
3:25
14What a Little Moonlight Can Do
registrata a:
New York, New York, Stati Uniti (il 1954-04-14)
batteria :
Ed Shaughnessy (il 1954-04-14)
chitarra elettrica :
Herb Ellis (jazz guitarist) (il 1954-04-14)
contrabbasso [bass] :
Ray Brown (jazz bassist) (il 1954-04-14)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1954-04-14)
tromba :
Charlie Shavers (il 1954-04-14)
voce:
Billie Holiday (il 1954-04-14)
registrazione di:
What a Little Moonlight Can Do (il 1954-04-14)
paroliere e compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) e Warner Brothers Music Inc.
3.653:12
15I Loves You Porgy
registrazione di:
I Loves You, Porgy (use this for non-operatic performances)
paroliere:
Ira Gershwin e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America e Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
2:59
16A Fine Romance
batteria :
Larry Bunker (il 1954-08-25)
chitarra elettrica :
Barney Kessel (il 1954-08-25)
contrabbasso :
John Simmons (bassist) (il 1954-08-25)
pianoforte :
Jimmy Rowles (il 1954-08-25)
sassofono contralto :
Benny Carter (il 1954-08-25)
tromba :
Harry “Sweets” Edison (il 1954-08-25)
voce:
Billie Holiday (il 1954-08-25)
registrazione cover di:
A Fine Romance (from “Swing Time”) (il 1955-08-25)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Chappell & Co.
parte di:
Swing Time (film)
43:34
17There'll Be Some Changes Made
voce:
Billie Holiday (nel 1959)
orchestra:
Ray Ellis and His Orchestra (nel 1959)
registrazione di:
There’ll Be Some Changes Made
editore:
Harry H. Pace (nel 1921)
paroliere:
Billy Higgins (1920s composer and singer)
compositore:
W. Benton Overstreet
editore:
Herman Darewski Music Publishing Co Ltd. e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (nel 1924)
2:54
18All of You
voce:
Billie Holiday (nel 1959)
orchestra:
Ray Ellis and His Orchestra (nel 1959)
registrazione di:
All of You (Silk Stockings musical)
paroliere e compositore:
Cole Porter (composer) (nel 1954)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Chappell Music (UK)
parte di:
Silk Stockings (1957 musical film)
2:31
19I've Got My Love to Keep Me Warm
registrazione di:
I’ve Got My Love to Keep Me Warm
paroliere e compositore:
Irving Berlin (nel 1937)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Williamson Music Company
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:55
20I'm a Fool to Want You
registrazione di:
I’m a Fool to Want You
autore:
Joel Herron (nel 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (nel 1951) e Jack Wolf (nel 1951)
editore:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network e Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:26
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