Best of the Best

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Come Fly With Me
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn und Dave Sterkin
Cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Conrad Gozzo, Manny Klein, Vito N. Mangano und Shorty Sherock
Tuba:
Joe Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-08)
Orchester:
The Billy May Orchestra (am 1957-10-08)
conductor:
Billy May (am 1957-10-08)
arranger:
Billy May
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-08)
recording of:
Come Fly With Me (am 1957-10-08)
Texter:
Sammy Cahn (in 1957)
Komponist(in):
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) und フジパシフィックミュージック (Fujipacific Music, Inc.)
4.653:18
2You Make Me Feel So Young
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-09) und Wilbur Schwartz (am 1956-01-09)
baritone saxophone:
Mort Friedman (am 1956-01-09)
Bass:
Joe Comfort (am 1956-01-09)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-09)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-09), Maxine Johnson (am 1956-01-09) und Milton Thomas (violist) (am 1956-01-09)
Cello:
Cy Bernard (am 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-09) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-09)
Geige / Violine:
Victor Bay (am 1956-01-09), Alex Beller (am 1956-01-09), Harry Bluestone (am 1956-01-09), Harold Dicterow (am 1956-01-09), David Frisina (am 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-09), Mischa Russell (violinist) (am 1956-01-09), Paul Shure (am 1956-01-09), Felix Slatkin (am 1956-01-09) und Marshall Sosson (am 1956-01-09)
Gitarre:
George van Eps (am 1956-01-09)
Harfe:
Kathryn Julye (am 1956-01-09)
Klavier:
Bill Miller (pianist) (am 1956-01-09)
Posaune:
Milt Bernhart (am 1956-01-09), Francis Howard (trombone) (am 1956-01-09) und Juan Tizol (am 1956-01-09)
Schlagzeug:
Frank Flynn (am 1956-01-09) und Alvin Stoller (am 1956-01-09)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-01-09) und Irving “Babe” Russin (am 1956-01-09)
Trompete:
Harry “Sweets” Edison (am 1956-01-09), Conrad Gozzo (am 1956-01-09), Manny Klein (am 1956-01-09) und Mickey Mangano (am 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-09)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-09)
conductor:
Nelson Riddle (am 1956-01-09)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-09)
recording of:
You Make Me Feel So Young (am 1956-01-09)
Texter:
Mack Gordon
Komponist(in):
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Version von:
E bi eit barn med deg
3.752:54
3My Funny Valentine
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
arranger:
Nelson Riddle
cover recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
2:31
4Witchcraft
Produzent(in):
Dave Cavanaugh
Bass:
Joe Comfort (am 1957-05-20)
Bassposaune:
George Roberts (american bass trombone) (am 1957-05-20)
Bratsche / Viola:
Maxine Johnson (am 1957-05-20) und Barbara Simons (am 1957-05-20)
Cello:
Cy Bernard (am 1957-05-20), Edgar Lustgarten (am 1957-05-20) und Eleanor Slatkin (US cellist, b. Aller) (am 1957-05-20)
Geige / Violine:
Alex Beller (am 1957-05-20), Harry Bluestone (am 1957-05-20), Robert Cross (violinist) (am 1957-05-20), Walter Edelstein (am 1957-05-20), Ben Gill (am 1957-05-20), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1957-05-20), Mischa Russell (violinist) (am 1957-05-20), Marshall Sosson (am 1957-05-20) und Gerald Vinci (American violinist and strings conductor) (am 1957-05-20)
Gitarre:
Nick Bonney (guitarist) (am 1957-05-20)
Harfe:
Kathryn Julye (am 1957-05-20)
Klavier:
Bill Miller (pianist) (am 1957-05-20)
Posaune:
Jim Priddy (am 1957-05-20), Dick Noel (trombone) (am 1957-05-20) und Juan Tizol (am 1957-05-20)
Rohrblattinstrumente:
Buddy Collette (am 1957-05-20), Harry Klee (am 1957-05-20), Joe Koch (am 1957-05-20), Wilbur Schwartz (am 1957-05-20) und Warren Webbe (am 1957-05-20)
Schlagzeug:
Frank DeVito (american jazz drummer) (am 1957-05-20)
Trompete:
Clarence "Shorty" Sherock (am 1957-05-20), Harry “Sweets” Edison (am 1957-05-20), Conrad Gozzo (am 1957-05-20) und Vito "Mickey" Mangano (am 1957-05-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-05-20)
Orchester:
The Nelson Riddle Orchestra (am 1957-05-20)
conductor:
Nelson Riddle (am 1957-05-20)
arranger:
Nelson Riddle
Herausgeber:
Morley Music Corp. und Notable Music Co., Inc.
recording of:
Witchcraft (am 1957-05-20)
Texter:
Carolyn Leigh
Komponist(in):
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC und WB Music Corp. (1929–2019)
12:52
5Young at Heart
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-12-09)
conductor:
Nelson Riddle (am 1953-12-09)
arranger:
Nelson Riddle
recording of:
Young at Heart (Frank Sinatra song) (am 1953-12-09)
Texter:
Carolyn Leigh
Komponist(in):
Johnny Richards
publisher:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3.652:50
6In the Wee Small Hours of the Morning
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn und Dave Sterkin
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Morty Corb (bass, USA) und Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Schlagzeug:
Louis Singer (percussionist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-17)
Orchester:
The Nelson Riddle Orchestra (am 1955-02-17)
conductor:
Nelson Riddle (am 1955-02-17)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (am 1955-02-17)
Texter:
Bob Hilliard
Komponist(in):
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company und Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
32:59
7I’ve Got You Under My Skin
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-12) und Wilbur Schwartz (am 1956-01-12)
baritone saxophone:
Morton Friedman (am 1956-01-12)
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Klavier:
Bill Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jimmy Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Schlagzeug:
Irving Cottler (am 1956-01-12)
Tenorsaxophon:
Justin Gordon (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Vito "Mickey" Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-12)
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (am 1956-01-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
43:42
8Three Coins in the Fountain
recording of:
Three Coins in the Fountain
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1954 winner)
3:05
9All the Way
Produzent(in):
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-08-13)
Orchester:
The Nelson Riddle Orchestra (am 1957-08-13)
conductor:
Nelson Riddle (am 1957-08-13)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
recording of:
All the Way (from “The Joker Is Wild”) (am 1957-08-13)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network und Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1957 winner)
2.52:53
10The Lady Is a Tramp
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee und Willie Schwartz
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player) und Maxine Johnson
Cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) und Joseph Stepansky
Gitarre:
Nick Bonney (guitarist)
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Murray McEachern, Dick Noel (trombone) und Juan Tizol
Schlagzeug:
Irv Cottler
Tenorsaxophon:
Jules Kinsler und James Williamson (Saxophone player)
Trompete:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano und Shorty Sherock
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-11-26)
Orchester:
The Nelson Riddle Orchestra (am 1956-11-26)
conductor:
Nelson Riddle (am 1956-11-26)
arranger und Orchestrator(in):
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-11-26)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (am 1956-11-26)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
43:14
11One for My Baby (And One More for the Road)
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin (am 1958-06-25), Stanley Harris (US big band viola player) (am 1958-06-25), Paul Robyn (am 1958-06-25) und Dave Sterkin (am 1958-06-25)
Cello:
James Arkatov (American cellist and photographer) (am 1958-06-25), Armand Kaproff (am 1958-06-25), Joseph Saxon (am 1958-06-25) und Eleanor Slatkin (US cellist, b. Aller) (am 1958-06-25)
Fagott:
Don Christlieb (am 1958-06-25) und Norman Herzberg (bassoon) (am 1958-06-25)
flute:
Arthur Gleghorn (am 1958-06-25) und Harry Klee (am 1958-06-25)
Geige / Violine:
Israel Baker (American violinist) (am 1958-06-25), Victor Bay (am 1958-06-25), Alex Beller (am 1958-06-25), Arnold Belnick (am 1958-06-25), Daniel Karpilowsky (am 1958-06-25), Emo Neufeld (am 1958-06-25), Ben Gill (am 1958-06-25), Paul Shure (am 1958-06-25), Felix Slatkin (am 1958-06-25), Marshall Sosson (am 1958-06-25), Victor Amo (am 1958-06-25) und Gerald Vinci (American violinist and strings conductor) (am 1958-06-25)
Gitarre:
Al Hendrickson (am 1958-06-25) und Al Viola (am 1958-06-25)
Harfe:
Kathryn Julye (am 1958-06-25)
Klarinette:
Gus Bivona (am 1958-06-25), Sal Franzella (am 1958-06-25), Chuck Gentry (am 1958-06-25) und Morris Bercov (am 1958-06-25)
Klavier:
Bill Miller (pianist) (am 1958-06-25)
Kontrabass:
Joe Comfort (am 1958-06-25) und Eddie Gilbert (am 1958-06-25)
Oboe:
Arnold Koblentz (Oboe player) (am 1958-06-25) und Champ Webb (am 1958-06-25)
Perkussion und Schlagzeug:
Frank Flynn (am 1958-06-25) und Bill Richmond (am 1958-06-25)
Posaune:
Milt Bernhart (am 1958-06-25), Russell Brown (Swing trombonist) (am 1958-06-25), Ray Sims (am 1958-06-25) und Tommy Pederson (am 1958-06-25)
Trompete:
Cappy Lewis (am 1958-06-25)
Waldhorn:
James Decker (French hornist) (am 1958-06-25), James McGee (am 1958-06-25) und George Price (am 1958-06-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-06-25)
Orchester:
The Nelson Riddle Orchestra (am 1958-06-25)
conductor:
Nelson Riddle (am 1958-06-26)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-06-25)
cover recording of:
One for My Baby (and One More for the Road) (am 1958-06-26)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
2.54:24
12Nice n’ Easy
Produzent(in):
Dave Cavanaugh (am 1960-04-13)
Bassposaune:
George Roberts (american bass trombone) (am 1960-04-13)
Bratsche / Viola:
Lou Kievman (violist) (am 1960-04-13), Alexander Neiman (violist) (am 1960-04-13) und Barbara Simons (am 1960-04-13)
Cello:
James Arkatov (American cellist and photographer) (am 1960-04-13), Victor Gottlieb (am 1960-04-13) und Eleanor Slatkin (US cellist, b. Aller) (am 1960-04-13)
Geige / Violine:
Victor Arno (am 1960-04-13), Victor Bay (am 1960-04-13), Alex Beller (am 1960-04-13), Jacques Gasselin (am 1960-04-13), Dan Lube (am 1960-04-13), Erno Neufeld (am 1960-04-13), Nathan Ross (am 1960-04-13), Felix Slatkin (am 1960-04-13) und Marshall Sosson (am 1960-04-13)
Gitarre:
Al Viola (am 1960-04-13)
Harfe:
Kathryn Julye (am 1960-04-13)
Klavier:
Bill Miller (pianist) (am 1960-04-13)
Kontrabass:
Joe Comfort (am 1960-04-13)
Posaune:
Tommy Shepard (trombonist) (am 1960-04-13) und Ken Shroyer (trombonist) (am 1960-04-13)
Rohrblattinstrumente:
Plas Johnson (am 1960-04-13), Joe Koch (am 1960-04-13), Abe Most (am 1960-04-13), Harry Schuchman (am 1960-04-13) und Wilbur Schwartz (am 1960-04-13)
Schlagzeug:
Irv Cottler (am 1960-04-13)
Trompete:
Carroll Lewis (trumpeter) (am 1960-04-13)
Waldhorn:
William Hinshaw (American horn player) (am 1960-04-13) und James McGee (am 1960-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-04-13)
Orchester:
Nelson Riddle and His Orchestra (am 1960-04-13)
conductor:
Nelson Riddle (am 1960-04-13)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-13)
recording of:
Nice ’n’ Easy (am 1960-04-13)
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Lew Spence
publisher:
Spirit Two Music (beendet), Threesome Music Company (beendet), Warner Bros. Music Corp. (beendet), Eddie Shaw Music Co., Fantasy Mus. Co., Spence Lew Music und Spirit Two Music Crescendo
12:46
13The Very Thought of You
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1962-06-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-06-12)
conductor:
Robert Farnon (composer, conductor, trumpet player) (am 1962-06-12)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
The Very Thought of You (am 1962-06-12)
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
recording of:
The Very Thought of You
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
13:31
14Fly Me to the Moon (In Other Words)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-09)
Techniker(in):
Lowell Frank (engineer)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-09)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-09)
Klavier:
Count Basie (pianist) (am 1964-06-09)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (jazz trombonist) (am 1964-06-09), Bill Hughes (jazz trombonist) (am 1964-06-09), Grover Mitchell (trombone) (am 1964-06-09) und Ken Shroyer (trombonist) (am 1964-06-09)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-09), Frank Foster (saxophonist) (am 1964-06-09), Charlie Fowlkes (baritone saxophonist) (am 1964-06-09) und Frank Wess (am 1964-06-09)
Schlagzeug:
Sonny Payne (am 1964-06-09)
Trompete:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-09), Wallace Davenport (am 1964-06-09), Harry “Sweets” Edison (am 1964-06-09) und Al Porcino (am 1964-06-09)
Vibraphon:
Emil Richards (am 1964-06-09)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
Orchester:
Count Basie and His Orchestra (am 1964-06-09)
conductor:
Quincy Jones (, am 1964-06-09)
arranger:
Quincy Jones
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 75)
recording of:
Fly Me to the Moon (am 1964-06-09)
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (am 1964-06-09)
Texter und Komponist(in):
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. und Hampshire House Publishing Corp.
Arrangement von:
Fly Me to the Moon
42:28
15Night and Day
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-22)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Jack Marsh
flute:
Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Abe Most und Bud Shank
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Ben Gill, Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Russ Cheever und Arthur Smith (Saxophonist)
Klavier:
Bill Miller (pianist)
Oboe:
Jules Jacob (US jazz woodwind player)
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Saxophon:
Russ Cheever, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jack Marsh, Abe Most, Bud Shank und Arthur Smith (Saxophonist)
Schlagzeug:
John Markham
Trompete:
Bobby Bryant, Don Fagerquist, Conrad Gozzo und Al Porcino
Waldhorn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-22)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer) und Nelson Riddle
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1961-11-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
33:37
16My Kind of Town
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-04-08)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-04-08)
Orchester:
Nelson Riddle and His Orchestra (am 1964-04-08)
conductor:
Nelson Riddle (am 1964-04-08)
arranger:
Nelson Riddle
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-04-08)
recording of:
My Kind of Town (am 1964-04-08)
gewidmet:
Chicago, Illinois, Vereinigte Staaten
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Cahn Music Company, PW Arrangements, The Songwriters Guild, Universal Music Corp. (USA, affiliated with ASCAP), WB Music Corp. (1929–2019), WC Music Corp., Glorste, Inc. (in 1964), Sergeant Music Co. (in 1964) und Van Heusen Music Corp. (in 1964)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 37th Academy Award for Best Original Song (Nummer: 2)
33:10
17It Was a Very Good Year
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-04-22)
recording engineer:
Lowell Frank (engineer) (am 1965-04-22)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Bratsche / Viola:
Alvin Dinkin, Lou Kievman (violist) und Paul Robyn
Cello:
Armand Kaproff
Fagott:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
Gitarre:
Vincent Terri (Jazz Guitarist)
Harfe:
Kathryn Thompson (harpist)
Klarinette:
Clyde Hylton, Harry Klee und Wayne Songer (clarinetist and saxophonist)
Klavier:
Bill Miller (pianist)
Oboe:
Arnold Koblentz (Oboe player) und Melinda Eckels
Schlagzeug:
Nick Fatool
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1965-04-22)
conductor:
Gordon Jenkins (am 1965-04-22)
arranger:
Gordon Jenkins (in 1965)
cover recording of:
It Was a Very Good Year (am 1965-04-22)
Texter und Komponist(in):
Ervin Drake (songwriter)
publisher:
Memory Lane Music (publishing company), Reedlands Music Corp. und The Songwriters Guild
44:25
18Strangers in the Night
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-04-11)
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter) (am 1966-04-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-04-11)
arranger:
Ernie Freeman (am 1966-04-11)
phonographisches Urheberrecht (℗) von:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
recording of:
Strangers in the Night (am 1966-04-11)
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Leeds Music, Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4.12:37
19Somethin’ Stupid
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-02-01)
Techniker(in):
Eddie Brackett und Phil Ramone
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter) und Lee Hazlewood
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-02-01) und Nancy Sinatra (am 1967-02-01)
conductor:
Billy Strange (am 1967-02-01)
arranger:
Billy Strange
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1967)
cover recording of:
Somethin’ Stupid (am 1967-02-01)
Texter und Komponist(in):
Carson Parks
publisher:
Greenwood Music, Montclare Music und Montclare Music Co Ltd.
übersetzte Version von:
Forelsket
42:40
20That’s Life
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-10-18)
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-10-18)
conductor:
Ernie Freeman (am 1966-10-18)
arranger:
Ernie Freeman
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
cover recording of:
That’s Life (am 1966-10-18)
Texter:
Kelly Gordon und Dean Kay
Komponist(in):
Dean Kay
publisher:
Four Star Television Music Co., Lichelle Music Company, PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4.353:07
21It Had to Be You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1979-07-18)
Bratsche / Viola:
Pamela Goldsmith (American violist) (am 1979-07-18), Allan Harshman (violist) (am 1979-07-18), Janet Lakatos (am 1979-07-18), Archie Levin (am 1979-07-18), David Schwartz (violist) (am 1979-07-18) und Linn Subotnick (am 1979-07-18)
Cello:
Douglas Davis (cellist) (am 1979-07-18), Marie Fera (am 1979-07-18), Raymond Kelley (cellist) (am 1979-07-18), Mary Lane (cellist) (am 1979-07-18), Frederick Seykora (am 1979-07-18) und Eleanor Slatkin (US cellist, b. Aller) (am 1979-07-18)
E-Bass:
Gene Cherico (am 1979-07-18)
Geige / Violine:
Israel Baker (American violinist) (am 1979-07-18), Norman Carr (am 1979-07-18), Glenn Dicterow (violinist) (am 1979-07-18), Ronald Folsom (am 1979-07-18), David Frisina (am 1979-07-18), James Getzoff (American concertmaster and violinist) (am 1979-07-18), Harris Goldman (am 1979-07-18), Marvin Limonick (am 1979-07-18), Mary Lundquist (am 1979-07-18), Stanley Plummer (am 1979-07-18), Nathan Ross (am 1979-07-18), Sheldon Sanov (violinist) (am 1979-07-18), Paul Shure (am 1979-07-18), Marshall Sosson (am 1979-07-18), Joseph Stepansky (am 1979-07-18), Robert Sushel (am 1979-07-18), David Turner (string player) (am 1979-07-18) und Dorothy Wade (Violinist) (am 1979-07-18)
Gitarre:
Al Viola (am 1979-07-18)
Harfe:
Verlye Mills (am 1979-07-18)
Holzblasinstrumente:
Gene Cipriano (am 1979-07-18), Jules Jacob (US jazz woodwind player) (am 1979-07-18), John Lowe (woodwind) (am 1979-07-18), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1979-07-18) und Wilbur Schwartz (am 1979-07-18)
Klavier:
Vincent Falcone, Jr. (am 1979-07-18)
Kontrabass:
Peter Mercurio (am 1979-07-18) und Meyer "Mike" Rubin (US bassist 1930s - 1960s) (am 1979-07-18)
Perkussion:
Larry Bunker (am 1979-07-18)
Posaune:
Charles Loper (American trombonist) (am 1979-07-18), Dick Nash (am 1979-07-18) und Lloyd Ulyate (am 1979-07-18)
Schlagzeug:
Irv Cottler (am 1979-07-18)
Trompete:
John Audino (am 1979-07-18), Chuck Findley (trumpet, trombone, horn player) (am 1979-07-18), Uan Rasey (am 1979-07-18) und Charles Turner (US jazz trumpeter) (am 1979-07-18)
Tuba:
Tommy Johnson (session tuba player) (am 1979-07-18)
Waldhorn:
Vincent DeRosa (am 1979-07-18), Richard Perissi (am 1979-07-18) und Henry Sigismonti (am 1979-07-18)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1979-07-18)
Orchester:
Billy May & His Orchestra (am 1979-07-18)
conductor:
Billy May (am 1979-07-18)
arranger:
Billy May (am 1979-07-18)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1979-07-18)
cover recording of:
It Had to Be You (am 1979-07-18)
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
recording of:
It Had to Be You
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
33:53
22Mack the Knife
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1986-10-30)
recording engineer und Mix:
Phil Ramone
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Solo-Gitarre:
George Benson (jazz guitarist/singer) (am 1986-10-30)
Solo-Posaune:
Urbie Green (am 1986-10-30)
Solo-Trompete [Muted Trumpet]:
Joe Newman (US jazz trumpeter) (am 1986-10-30)
Vibraphon [vibes]:
Lionel Hampton (am 1986-10-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1986-10-30)
Orchester und Interpret(in):
Quincy Jones and His Orchestra (am 1986-10-30)
conductor:
Quincy Jones (am 1986-10-30)
arranger:
Frank Foster (saxophonist)
cover recording of:
Mack the Knife (1954 Blitzstein translation) (am 1986-10-30)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
24:53
23My Way
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-12-30)
Techniker(in):
Lee Herschberg
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) und Don Costa (US pop music arranger & producer)
Instrumente:
Buddy Saltzman
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1968-12-30)
conductor:
Don Costa (US pop music arranger & producer) (am 1968-12-30)
arranger:
Don Costa (US pop music arranger & producer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 79)
cover recording of:
My Way (Frank Sinatra song) (am 1968-12-30)
Texter:
Paul Anka (Canadian singer, songwriter and actor)
Komponist(in):
Claude François und Jacques Revaux
vorher zugeschrieben zu:
Gilles Thibaut
Übersetzer:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
übersetzte Version von:
Comme d’habitude
3.954:35
24Theme From New York, New York
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1979-09-19)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (am 1979-09-19)
Bratsche / Viola:
Pamela Goldsmith (American violist) (am 1979-09-19), Allan Harshman (violist) (am 1979-09-19), Archie Levin (am 1979-09-19) und Barbara Simons (am 1979-09-19)
Cello:
Ronald Cooper (am 1979-09-19), Douglas Davis (cellist) (am 1979-09-19), Raymond Kelley (cellist) (am 1979-09-19) und Mary Lane (cellist) (am 1979-09-19)
Geige / Violine:
Rochelle Abramson (violinist) (am 1979-09-19), Judith Aller (am 1979-09-19), Israel Baker (American violinist) (am 1979-09-19), Harry Bluestone (am 1979-09-19), David Frisina (am 1979-09-19), Harris Goldman (am 1979-09-19), Marvin Limonick (am 1979-09-19), Sheldon Sanov (violinist) (am 1979-09-19), Daniel Shindaryov (Session Musician) (am 1979-09-19), Jennifer Small (am 1979-09-19), Marshall Sosson (am 1979-09-19) und Joseph Stepansky (am 1979-09-19)
Gitarre:
Al Viola (am 1979-09-19)
Holzblasinstrumente:
Gene Cipriano (am 1979-09-19), Jules Jacob (US jazz woodwind player) (am 1979-09-19), John Lowe (woodwind) (am 1979-09-19), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1979-09-19) und Wilbur Schwartz (am 1979-09-19)
Klavier:
Pete Jolly (American jazz pianist, accordionist, and composer) (am 1979-09-19)
Kontrabass:
Gene Cherico (am 1979-09-19) und Meyer "Mike" Rubin (US bassist 1930s - 1960s) (am 1979-09-19)
Perkussion:
Dale Anderson (percussionist) (am 1979-09-19)
Posaune:
Charles Loper (American trombonist) (am 1979-09-19), Dick Nash (am 1979-09-19) und Lloyd Ulyate (am 1979-09-19)
Schlagzeug:
Irv Cottler (am 1979-09-19)
Trompete:
John Audino (am 1979-09-19), Johnny Best (jazz trumpeter) (am 1979-09-19), Chuck Findley (trumpet, trombone, horn player) (am 1979-09-19) und Charles Turner (US jazz trumpeter) (am 1979-09-19)
Tuba:
Tommy Johnson (session tuba player) (am 1979-09-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1979-09-19)
Orchester:
Vincent Falcone, Jr. & His Orchestra (am 1979-09-19)
conductor:
Vincent Falcone, Jr. (am 1979-09-19) und Vinnie Falcone (conductor) (am 1979-09-19)
arranger:
Don Costa (US pop music arranger & producer) (am 1979-09-19)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1979-09-19)
cover recording of:
Theme From “New York, New York” (usually just titled “New York, New York”) (am 1979-09-19)
gewidmet:
New York, New York, Vereinigte Staaten
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (beendet), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
New York, New York (1977 musical film soundtrack)
recording of:
Theme From “New York, New York” (usually just titled “New York, New York”) (am 1979-09-19)
gewidmet:
New York, New York, Vereinigte Staaten
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (beendet), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
New York, New York (1977 musical film soundtrack)
3.83:25

Nennungen

Veröffentlichung

Teil von:The Frank Sinatra Collection (Reihenfolge: 4)
Discogs:https://www.discogs.com/release/4743229 [Info]
ASIN:UK: B005NJ9BIU [Info]

Veröffentlichungsgruppe

Wikidata:Q593440 [Info]