Now Yearbook ’77

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

In series: Now Yearbook ('77)

Other Identifiers
Label Code: LC48653
Rights Society: BIEM/SDRM
Matrix / Runout (CD1): 58481138/00602465976724 21 [4x Universal logo]
Mastering SID Code (CD1): IFPI LP 73
Mould SID Code (CD1): IFPI 0757
Matrix / Runout (CD2): 58481135/00602465976731 21 [4x Universal logo]
Mastering SID Code (CD2): IFPI LP 73
Mould SID Code (CD2): IFPI 0757
Matrix / Runout (CD3): 58481132/00602465976748 21 [4x Universal logo]
Mastering SID Code (CD3): IFPI LP 73
Mould SID Code (CD3): IFPI 072Y
Matrix / Runout (CD4): 58481129/00602465976755 21 [4x Universal logo]
Mastering SID Code (CD4): IFPI LP 73
Mould SID Code (CD4): IFPI 072Y

Anmerkung zuletzt geändert am 2025-08-04 07:28 UTC.

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1We Are the Champions
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
assistierende(r) Produzent(in) und Koproduzent(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
Queen (UK rock group)
Bassgitarre:
John Deacon
E-Gitarre und Gitarre:
Brian May (Queen guitarist)
Klavier und Sologesang:
Freddie Mercury
Schlagzeug:
Roger Taylor (Queen drummer)
Hintergrundgesang:
Brian May (Queen guitarist), Freddie Mercury und Roger Taylor (Queen drummer)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2011)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 25)
recording of:
We Are the Champions
Texter und Komponist(in):
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.953:01
2Fanfare for the Common Man (single edit)
Produzent(in):
Greg Lake
Bassgitarre:
Greg Lake
Pauke und Schlagzeug:
Carl Palmer
Synthesizer:
Keith Emerson
phonographisches Urheberrecht (℗) von:
Leadclass Ltd (copyrights holder) (in 1977), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Bearbeitung von:
Fanfare for the Common Man von Emerson, Lake & Palmer
recording of:
Fanfare for the Common Man (ELP arrangement)
Komponist(in):
Aaron Copland (composer)
arranger:
Keith Emerson, Greg Lake und Carl Palmer
publisher:
Boosey & Hawkes Music Publishers, Ltd
Arrangement von:
Fanfare for the Common Man (for brass and percussion orchestra)
Emerson, Lake & Palmer42:58
3Rockin’ All Over the World
assistierende(r) Techniker(in):
Kevin Whyte
Techniker(in):
John Eden (producer), Barry Hammond und Simon Sullivan
Produzent(in):
Status Quo (UK boogie rock band) und Pip Williams (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1977), Mercury Records Ltd. (London) (for copyrights use only) (in 1977), Mercury Records Ltd. (UK) (in 1977), Phonogram Ltd. (not for release label use!) (in 1977), Phonogram Ltd. (London) (company name, NOT a label!) (in 1977, in 1988) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1992)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (am 1992-08-30), Studio Bohus in Kungälv Municipality (Kungälv), Västra Götaland (Västra Götaland county), Schweden (am 1992-08-30) und Sutton Park in Birmingham, West Midlands, England, Vereinigtes Königreich (am 1992-08-30)
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Rockin All Over the World von Status Quo (UK boogie rock band)
cover recording of:
Rockin’ All Over the World (am 1992-08-30)
Texter und Komponist(in):
John Fogerty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Wenaha Music, Wenaha Music Company und Intersong Ltd. (publisher) (in 1977)
Status Quo43:31
4Way Down
Techniker(in):
Mike Moran (American engineer, associated with RCA)
leitende(r) Produzent(in):
Elvis Presley (“The King of Rock and Roll”)
Bass:
Jerry Scheff (von 1976-10-29 bis 1976-10-30)
Gitarre:
James Burton (guitarist) (von 1976-10-29 bis 1976-10-30), Charlie Hodge (von 1976-10-29 bis 1976-10-30), John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (von 1976-10-29 bis 1976-10-30) und Chip Young (American session guitarist, bassist, producer in the genre of country) (von 1976-10-29 bis 1976-10-30)
Hybrid-Piano:
David Briggs (English organist and composer) (von 1976-10-29 bis 1976-10-30)
Klavier:
Tony Brown (US producer, pianist and keyboardist) (von 1976-10-29 bis 1976-10-30)
Moog:
Shane Keister (von 1976-10-29 bis 1976-10-30)
Schlagzeug:
Ronnie Tutt (drummer) (von 1976-10-29 bis 1976-10-30)
Steel-Gitarre:
Weldon Myrick (von 1976-10-29 bis 1976-10-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1976-10-29)
vocals:
Sherrill Nielsen (American tenor singer) (am 1976-10-29, von 1976-10-29 bis 1976-10-30), Myrna Smith (am 1976-10-29, von 1976-10-29 bis 1976-10-30), J.D. Sumner & The Stamps (am 1976-10-29, von 1976-10-29 bis 1976-10-30) und Kathy Westmoreland (am 1976-10-29, von 1976-10-29 bis 1976-10-30)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1977), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1977) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Graceland in Memphis, Tennessee, Vereinigte Staaten (am 1976-10-29, von 1976-10-29 bis 1976-10-30) und Creative Workshop in Nashville, Tennessee, Vereinigte Staaten (in 1977-01)
recording of:
Way Down (von 1976-10-29 bis 1977-01)
Texter und Komponist(in):
Layng Martine, Jr. (Nashville songwriter)
publisher:
MCS Music Ltd. und Ray Stevens Music
Elvis Presley22:38
5Good Morning Judge
assistierende(r) Techniker(in) und assistierende(r) Mix:
Tony Spath
Techniker(in), Mix und Editing:
Eric Stewart
Produzent(in):
10cc, Graham Gouldman und Eric Stewart
Bassgitarre, E-Gitarre, Gitarre und Tamburin, E-Bass [six string bass] und Hintergrundgesang:
Graham Gouldman
cabasa, Schlagzeug, Klavier und Tamburin:
Paul (UK rock drummer)
Moog, Gitarre, Klavier und Slide-Gitarre und Hintergrundgesang und Sologesang:
Eric Stewart
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1977) und Phonogram Ltd. (not for release label use!) (in 1977)
recorded by:
Phonogram Ltd. (London) (company name, NOT a label!)
aufgenommen bei:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich
Musikvideos:
Good Morning Judge von 10cc
recording of:
Good Morning Judge
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), St. Anne’s Music Ltd. und Man-Ken Music Ltd. (in 1977)
10cc4.42:53
6Telephone Line
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) und Duane Scott
Produzent(in):
Jeff Lynne
Bass und Hintergrundgesang:
Kelly Groucutt (in 1976-07)
Cello:
Melvyn Gale (in 1976-07) und Hugh McDowell (in 1976-07)
Clavinet, Klavier und Moog:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
Geige / Violine:
Mik Kaminski (in 1976-07)
Gitarre:
Jeff Lynne (in 1976-07) und Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (in 1976-07)
Sologesang:
Jeff Lynne (in 1976-07)
conductor:
Louis Clark (in 1976-07)
phonographisches Urheberrecht (℗) von:
United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1974), Jet Records (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976, in 2005) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976-07), De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1976-07) und Musicland Studios (Munich) in München, Bayern, Deutschland (in 1976-07)
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
edited at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Telephone Line (in 1976-07)
Texter und Komponist(in):
Jeff Lynne
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Jet Music Ltd. (British branch) und Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.454:40
7When I Need You
recording engineer:
Howard Steele (US producer, sound engineer) (in 1976)
assistierende(r) Techniker(in):
Dana Latham
Produzent(in):
Richard Perry (producer)
Bass:
Willie Weeks (US bass player) (in 1976)
Gitarre:
Dean Parks (American session guitarist) (in 1976)
Hybrid-Piano:
Michael Omartian (in 1976)
Saxophon:
George Palisky, Jr. (in 1976)
Schlagzeug:
Jeff Porcaro (in 1976)
Synthesizer:
James Newton Howard (American score composer) (in 1976)
vocals:
Leo Sayer (in 1976)
Synthesizer arranger:
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1976), Rhino Records, Inc. (company credits only; not for release label use!) (in 1977), Silverbird Ltd. (in 1977) und Warner Music H.K. Ltd. (in 1997)
cover recording of:
When I Need You (in 1976)
Texter:
Carole Bayer Sager
Komponist(in):
Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019) und Windswept Music (London) Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:09
8Don’t Give Up on Us
vocals:
David Soul
phonographisches Urheberrecht (℗) von:
David Soul (in 1976)
phonographisches Urheberrecht (℗) von:
David Soul (in 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976) und Private Stock (in 1977)
recording of:
Don’t Give Up on Us (in 1976)
Texter und Komponist(in):
Tony Macaulay
publisher:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. und Universal Music Publishing International Ltd.
David Soul33:36
9So You Win Again
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977) und RAK (in 1977)
recording of:
So You Win Again
Texter und Komponist(in):
Russ Ballard
publisher:
EMI Virgin Music Publishing Australia Pty Ltd, Sony Music Publishing (worldwide except Japan, ended 1995) und Universal Music–MGB Songs
Hot Chocolate4.254:31
10Nights on BroadwayCandi Staton33:30
11From New York to LA
recording of:
From New York to L.A.
Verfasser(in):
Gilles Vigneault und Gene Williams (Songwriter, worked with Patsy Gallant)
basiert auf:
Mon pays (Gilles Vigneault song)
Patsy Gallant3:44
12Love’s Unkind
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
phonographisches Urheberrecht (℗) von:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1977) und WEA Filipacchi Music (not for release label use! copyrights/distribution only, FR division of WEA International Inc. in the 1970s) (in 1977)
recording of:
Love’s Unkind
Verfasser(in):
Pete Bellotte (English lyricist and producer), Giorgio Moroder und Donna Summer (soul/disco diva)
Donna Summer24:28
13Ma Baker
recording of:
Ma Baker
Texter und Komponist(in):
Frank Farian, Fred Jay und George Reyam
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Boney M.4.54:36
14The Crunch
recording of:
The Crunch
Komponist(in):
Richard Hewson
The RAH Band3:40
15Tear Me Apart
recording of:
Tear Me Apart
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Suzi Quatro32:58
16OK?
assistierende(r) Techniker(in):
Steve Prestage (in 1977) und John Walls (in 1977)
Techniker(in):
Denny Bridges (in 1977)
Produzent(in):
Andy Mackay (of Roxy Music) (in 1977)
Bass:
Tony Stevens (Bass player for Foghat) (in 1977)
Gitarre:
Ray Russell (guitar, composer, producer) (in 1977)
Schlagzeug:
Peter Van Hooke (in 1977)
Sologesang:
Julie Covington (in 1977)
vocals:
Sue Jones‐Davies, Charlotte Cornwell (in 1977) und Rula Lenska (in 1977)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1977)
recording of:
OK? (in 1977)
Texter:
Howard Schuman
Komponist(in):
Andy Mackay (of Roxy Music)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
Rock Follies53:33
17Living Next Door to Alice
Partner-Produzent(in):
Nicky Chinn
Produzent(in):
Mike Chapman (Australian producer and songwriter) und G. Kasper (German sound engineer & producer, “Mr. Cool”)
phonographisches Urheberrecht (℗) von:
Chinnichap Records Ltd. (in 1976) und RAK Records Ltd. (in 1976)
produced for:
Chinnichap (production company and publisher)
cover recording of:
Living Next Door to Alice
Texter:
Nicky Chinn
Komponist(in):
Mike Chapman (Australian producer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton GmbH und Universal Music Publishers MGB Australia Pty Ltd
Smokie4.153:28
18Pearl’s a SingerElkie Brooks43:38
19Every Man Must Have a Dream
Produzent(in):
Hal Carter (songwriter and producer) und Peter Swettenham
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
produced for:
Hal Carter Productions (production company)
recording of:
Every Man Must Have a Dream
Texter und Komponist(in):
Roger Scott Craig und Billy Kinsley (singer, songwriter and bassist)
Liverpool Express3:53
20Don’t Cry for Me Argentina
Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre) und Tim Rice
vocals:
Julie Covington (in 1976)
Interpret(in):
Julie Covington
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 56)
recording of:
Don’t Cry for Me Argentina (Evita) (in 1976)
Texter:
Tim Rice
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) und Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
Teil von:
Evita (Andrew Lloyd Webber musical)
Julie Covington, Andrew Lloyd Webber & Tim Rice35:25
2CD
3CD
4CD

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Now That's What I Call Music LLP (British holding company)
Stamm-Pressung bei:Sonopress in Gütersloh, Nordrhein-Westfalen, Deutschland
Discogs:https://www.discogs.com/release/32179176 [Info]

Veröffentlichungsgruppe

Teil von:Now Yearbook (UK Now subseries) (Nummer: 1977) (Reihenfolge: 5)
Discogs:https://www.discogs.com/master/3644589 [Info]