Classical Sampler

~ Pubblicazione di Bizet, Dvořák, Bach, Mozart, Vivaldi (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1Carmen Suite no. 1: Prélude (Les Toréadors)
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
compositore:
Georges Bizet (French composer)
parte di:
Carmen Suite no. 1
Georges Bizet1:23
2Carmen Suite no. 1: Aragonaise
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
parte di:
Carmen Suite no. 1
Georges Bizet2:14
3Carmen Suite no. 1: Intermezzo
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
parte di:
Carmen Suite no. 1
Georges Bizet2:41
4Carmen Suite no. 1: Seguidilla
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
compositore:
Georges Bizet (French composer)
arrangiatore:
Ernest Guiraud (French composer)
si basa su:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
parte di:
Carmen Suite no. 1
Georges Bizet1:53
5Carmen Suite no. 1: Les Dragons d'Alcala
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
parte di:
Carmen Suite no. 1
Georges Bizet1:38
6Carmen Suite no. 1: Les Toréadors
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic), Orchester der Zagreber Oper (Alfred Scholz related), Orchestre radio symphonique de Paris, Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, Jovan Šajnović (conductor, Alfred Scholz related), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
si basa su:
Carmen : Prélude
parte di:
Carmen Suite no. 1
Georges Bizet2:19
7Slavonic Dance no. 1 in C major, op. 46.1: Furiant
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) e Royal Philharmonic Orchestra
direttore d'orchestra:
Alfred Scholz, Frank Shipway (British conductor) e Thomas Waldham
diritti fonografici (℗) detenuti da:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (nel 1984)
registrazione di:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant)
compositore:
Antonín Dvořák (composer) (dal 1878-04 al 1878-08-22)
parte di:
Slavonic Dances, op. 46, B. 83 (for orchestra)
registrazione di:
Slavonic Dances, op. 72: No. 1 in B major: Molto vivace (for orchestra)
compositore:
Antonín Dvořák (composer) (dal 1886-11 al 1887-01-05)
eseguita per la prima volta presso:
[concert] (1887-01-06)
parte di:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák3:26
8Slavonic Dance no. 2 in E minor, op. 46.2: Dumka
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) e London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO)
direttore d'orchestra:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym), Alfred Scholz, Thomas Waldham e George Ralph Warren
diritti fonografici (℗) detenuti da:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (nel 1984)
registrazione di:
Slavonic Dances, op. 46, B. 83: No. 2 in E minor (Dumka)
compositore:
Antonín Dvořák (composer) (dal 1878-04 al 1878-08-22)
parte di:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák5:36
9Slavonic Dance no. 3 in A flat major, op. 46.3: Polka
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Alfred Scholz
registrazione di:
Slavonic Dances, op. 46, B. 83: No. 3 in A-flat major (Polka)
compositore:
Antonín Dvořák (composer) (dal 1878-04 al 1878-08-22)
parte di:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák4:31
10Concerto no. 1 in E major, op. 8.1, Spring: I. Allegro
violino :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), I Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti), Musici di San Marco (an Alfred Scholz pseudonym), I Solisti Napoli (probably a pseudonym of Alfred Sholtz), Salzburger Kammerorchester (Salzburg Chamber Orchestra), Slovak Chamber Orchestra e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (Alfred Scholz pseudonym) e Bohdan Warchal (violinist, conductor)
registrazione parziale di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (numero: F. I/22) e Ryom-Verzeichnis (numero: RV 269)
parte di:
Il cimento dell’armonia e dell’inventione, op. 8 (Il cimento dell'armonia e dell'inventione, op. 8)
parte di:
Le quattro stagioni (The Four Seasons, “The Four Seasons”)
registrazione di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (« Le quattro stagioni »: Concerto no. 1 en Mi majeur, RV 269 « La primavera » : 1. Allegro)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi13:34
11Concerto no. 1 in E major, op. 8.1, Spring: II. Largo e pianissimo sempre
strumenti:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym) e Slovak Chamber Orchestra
direttore d'orchestra:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Bohdan Warchal (violinist, conductor)
registrazione di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:56
12Concerto no. 1 in E major, op. 8.1, Spring: III. Danza pastorale: Allegro
strumenti:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym) e Slovak Chamber Orchestra
direttore d'orchestra:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Bohdan Warchal (violinist, conductor)
registrazione di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi4:32
13Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro
violino :
J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) e Gabor Ötvös
registrazione di:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I.
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:02
14Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio
violino :
Otto Büchner (violinist) e J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) e Gabor Ötvös
registrazione di:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:06
15Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro
violino :
J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) e Gabor Ötvös
registrazione di:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:25
16Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Minuetto
violino :
J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) e Gabor Ötvös
registrazione di:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto – Trio I – Menuetto da capo – Polacca – Menuetto da capo – Trio II – Menuetto da capo
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach7:29
17Divertimento in D major, K.136, Salzburg Symphony no. 1: I. Allegro
tecnico:
Gustáv Šoral
produttore:
Alfred Scholz
orchestra:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Süddeutsche Philharmonie (an Alfred Scholz pseudonym) e Slovak Philharmonic Orchestra (Slovak Philharmonic) (nel 1983-12)
direttore d'orchestra:
Hermann Abel, Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Libor Pešek (conductor) (nel 1983-12)
registrata presso:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Regione di Bratislava), Slovacchia (nel 1983-12)
registrazione di:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: I. Allegro (nel 1983-12)
compositore:
Wolfgang Amadeus Mozart (classical composer) (nel 1772)
parte di:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
Wolfgang Amadeus Mozart5:53
18Divertimento in D major, K.136, Salzburg Symphony no. 1: II. Andante
tecnico:
Gustáv Šoral
produttore:
Alfred Scholz
orchestra:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Süddeutsche Philharmonie (an Alfred Scholz pseudonym) e Slovak Philharmonic Orchestra (Slovak Philharmonic) (nel 1983-12)
direttore d'orchestra:
Hermann Abel, Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Libor Pešek (conductor) (nel 1983-12)
registrata presso:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Regione di Bratislava), Slovacchia (nel 1983-12)
registrazione di:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: II. Andante (nel 1983-12)
compositore:
Wolfgang Amadeus Mozart (classical composer) (nel 1772)
parte di:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
Wolfgang Amadeus Mozart5:24
19Divertimento in D major, K.136, Salzburg Symphony no. 1: III. Presto
tecnico:
Gustáv Šoral
produttore:
Alfred Scholz
orchestra:
Camerata Academica of Salzburg (Austrian chamber orchestra), Süddeutsche Philharmonie (an Alfred Scholz pseudonym) e Slovak Philharmonic Orchestra (Slovak Philharmonic) (nel 1983-12)
direttore d'orchestra:
Hermann Abel, Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Libor Pešek (conductor) (nel 1983-12)
registrata presso:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Regione di Bratislava), Slovacchia (nel 1983-12)
registrazione di:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: III. Presto (nel 1983-12)
compositore:
Wolfgang Amadeus Mozart (classical composer) (nel 1772)
parte di:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
Wolfgang Amadeus Mozart53:46

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