The Ultimate Collection: School Days

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Don’t You Want Me
assistente alla programmazione:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (nel 1981)
programmazione:
Martin Rushent (nel 1981)
assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981) e Susan Ann Sulley (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
video musicali:
Don’t You Want Me di The Human League
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 79) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 82)
registrazione di:
Don’t You Want Me (Human League song) (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.93:57
2Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:40
3Baggy Trousers
produttore:
Clive Langer e Alan Winstanley (English record producer)
registrata presso:
Hammersmith Palais (not to be confused with Hammersmith Apollo aka Hammersmith Odeon) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Regno Unito (il 1981-12-19)
registrazione di:
Baggy Trousers
paroliere:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness42:28
4Everybody Wants to Rule the World
tecnico:
David Bascombe
produttore:
Chris Hughes (producer, aka “Merrick”)
tecnico di missaggio:
Steven Wilson (founder of Porcupine Tree)
batteria :
Manny Elias (nel 1984)
chitarra e chitarra solista :
Neil Taylor (guitarist) (nel 1984)
chitarra basso :
Curt Smith (nel 1984)
tastiera :
Ian Stanley (nel 1984)
voce di accompagnamento:
Roland Orzabal (UK musician, songwriter and producer) (nel 1984)
voce principale:
Curt Smith
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985, nel 2014) e Phonogram Ltd. (not for release label use!) (nel 1985)
video musicali:
Everybody Wants to Rule the World di Tears for Fears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 28) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 319)
registrazione di:
Everybody Wants to Rule the World (nel 1984)
autore:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Virgin Music (Publishers) Ltd.
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Tears for Fears3.94:12
5Karma Chameleon
tecnico:
Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) :
Judd Lander (nel 1983)
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
tastiera ospite :
Phil Pickett (songwriter, producer, keyboard player) (nel 1983)
voce di accompagnamento:
Helen Terry (UK singer) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Karma Chameleon di Culture Club (English pop group)
registrazione di:
Karma Chameleon (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e BMG VM Music Ltd. (dal 2013-05 a oggi)
Culture Club3.753:59
6Kids in America
registrazione di:
Kids in America
autore:
Marty Wilde e Ricky Wilde
editore:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Rickim Music Ltd.
Kim Wilde3:11
7Mirror in the Bathroom
produttore:
Bob Sargeant
basso :
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
batteria :
Everett Morton
chitarra :
Andy Cox (of The Beat) e Dave Wakeling
sassofono :
Papa Saxa
voce:
Ranking Roger e Dave Wakeling
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 282)
registrazione di:
Mirror in the Bathroom
autore:
Andy Cox (of The Beat), Everett Morton, Roger Charlery, David Steele (UK musician, member of The Beat and Fine Young Cannibals) e Dave Wakeling
editore:
Arista Records Ltd. (not for release label use!), Beat Brothers Ltd. e Zomba Enterprises, Inc.
The Beat4.753:06
8This Ole House
registrazione cover di:
This Ole House
paroliere e compositore:
Stuart Hamblen
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Universal/MCA Music Publishing Pty Ltd
Shakin’ Stevens3:03
9Making Your Mind Up
produttore:
Andy Hill (English producer & songwriter)
diritti fonografici (℗) detenuti da:
BMG Records (UK) Ltd. (1987–1996) (nel 1981)
parte di:
United Kingdom in the Eurovision Song Contest (Regno Unito all'Eurovision Song Contest) (numero: 1981) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1981)
registrazione di:
Making Your Mind Up
paroliere e compositore:
John Danter e Andy Hill (English producer & songwriter)
editore:
BMG Music Publishers Ltd., Intersong (publisher), Intersong Music Ltd., Paper Music, Paper Music Ltd., RAK Publishing Ltd., Stave and Nickelodeon Ltd., Stave and Nickelodeon Music, Universal Music Publishing MGB Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bucks Fizz4.652:38
10Chicken Man (Grange Hill Theme Tune) (original)
registrazione di:
Chicken Man (Grange Hill)
compositore:
Alan Hawkshaw (British pianist, composer and producer.)
Alan Hawkshaw2:00
11Echo Beach
assistente tecnico:
Laurence Diana
tecnico:
Richard Manwaring (Producer)
produttore:
Mike Howlett
diritti fonografici (℗) detenuti da:
Dindisc Ltd (nel 1980) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1980, nel 2002)
registrata presso:
The Manor in Oxfordshire, England, Regno Unito (nel 1979-08)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 87)
registrazione di:
Echo Beach
paroliere e compositore:
Mark Gane
editore:
EMI Virgin Music Ltd. (do not use this as a release label!) e Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (nel 1980)
Martha and the Muffins3.63:33
12Fade to Grey
tecnico:
John Hudson (producer, recording and mixing engineer)
produttore:
Midge Ure e Visage (new romantic band from London)
esecutore:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) e Midge Ure
arrangiatore:
Visage (new romantic band from London)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1980)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito
mixata presso:
Mayfair Sound (England) in London (Greater London), England, Regno Unito
registrazione di:
Fade to Grey
autore:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) e Midge Ure
editore:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) e Performance Music Ltd
Visage4.13:50
13The Look of Love (Pt. 1)
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
tastiera :
Mark White (ABC/Vice Versa)
voce principale:
Martin Fry
arrangiatore archi :
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 4), The Downloader’s Music Source Book (numero: 73) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 43)
registrazione parziale di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC3.93:29
14Get Down on It (single version)
diritti fonografici (℗) detenuti da:
De-Lite Recorded Sound Corp. (not for release) (nel 1981)
registrazione di:
Get Down on It
autore:
Ronald Bell, Kool & the Gang e James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
editore:
Delightful Music Publishing Ltd., Double F Music Co., Planetary Nom (London) Ltd., Second Decade Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e WB Music Corp. (1929–2019)
Kool & the Gang4.53:33
15Oops Up Side Your Head (7″ single version)
produttore:
Lonnie Simmons (producer, songwriter)
diritti fonografici (℗) detenuti da:
Phonogram, Inc. (nel 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1980)
è stato produttore per:
Total Experience Productions
registrazione di:
I Don’t Believe You Want to Get Up and Dance (Oops!)
autore:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) e Ronnie Wilson (Gap Band member)
editore:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (nel 1979) e Total Experience Music (publisher) (nel 1979)
registrazione cover di:
I Don’t Believe You Want to Get Up and Dance (Oops!)
autore:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) e Ronnie Wilson (Gap Band member)
editore:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (nel 1979) e Total Experience Music (publisher) (nel 1979)
The Gap Band3:26
16Breakin’… There’s No Stoppin’ Us (album version/club mix)
produttore:
Ollie E. Brown (US drummer, session musician & record producer)
tecnico di missaggio:
Jellybean (US producer John Benitez)
registrazione di:
Breakin’… There’s No Stopping Us
compositore:
Ollie E. Brown (US drummer, session musician & record producer) e Jerry Knight
Ollie & Jerry3:42
17And the Beat Goes On (single edit)
registrazione di:
And the Beat Goes On
autore:
William Shelby, Stephen Shockley e Leon Sylvers
editore:
Notting Hill Music (UK) Ltd. e Sony/ATV Music Publishing (UK) Ltd.
The Whispers4:54
18Too Good to Be Forgotten
registrazione cover di:
Too Good to Be Forgotten
autore:
Barbara Acklin (singer and songwriter) e Eugene Record
Amazulu3:05
19Heartache Avenue
registrazione di:
Heartache Avenue
paroliere e compositore:
Lol Mason e Mark Tibenham
editore:
ATV Music (nel 1982) e Graduate (publisher) (nel 1982)
The Maisonettes42:56
20Yellow Pearl (first version)
produttore:
Phil Lynott e Kit Woolven
batteria elettronica [syn drums] :
Brian Downey (Thin Lizzy drummer)
chitarra , chitarra basso , percussione , vocoder e voce principale:
Phil Lynott
minimoog :
Phil Lynott e Midge Ure
sintetizzatore [arp synthesizer] :
Billy Currie e Midge Ure
registrazione di:
Yellow Pearl
autore:
Phil Lynott e Midge Ure
editore:
Chappell Music (UK)
Phil Lynott4:05
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Gruppo di pubblicazioni

parte di:The Ultimate Collection (Union Square Music, ULTIM5CD) (numero: 043) (ordine: 32)