Essential Classics, Vol. 212: Billie Holiday (Digital download)

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1I'll Be Seeing You
Produzent(in):
Milt Gabler
alto saxophone:
Lem Davis (saxophonist) (am 1944-04-01)
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (am 1944-04-01)
Kontrabass:
John Simmons (bassist) (am 1944-04-01)
Posaune:
Vic Dickenson (am 1944-04-01)
Schlagzeug:
Sid Catlett (am 1944-04-01)
Trompete:
Doc Cheatham (am 1944-04-01)
vocals:
Billie Holiday (am 1944-04-01)
arranger:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1944-04-01)
recording of:
I’ll Be Seeing You (am 1944-04-01)
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
3:31
2Blue Moon
Gitarre:
Barney Kessel (am 1952-03-26)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-03-26)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-03-26)
Schlagzeug:
Alvin Stoller (am 1952-03-26)
Tenorsaxophon:
Flip Phillips (am 1952-03-26)
Trompete:
Charlie Shavers (am 1952-03-26)
vocals:
Billie Holiday (am 1952-03-26)
recording of:
Blue Moon (am 1952-03-26)
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
4.653:31
3I'm a Fool to Want You
Bass:
Milt Hinton (am 1958-02-20)
Bassposaune:
Tom Mitchell (US jazz trombonist) (am 1958-02-20)
Bratsche / Viola:
Sidney Brecher (am 1958-02-20) und Richard Dickler (am 1958-02-20)
Cello:
Maurice Brown (jazz cellist) (am 1958-02-20) und David Soyer (am 1958-02-20)
flute:
Danny Bank (reeds) (am 1958-02-20), Phil Bodner (Woodwind player) (am 1958-02-20), Thomas Parshley (am 1958-02-20) und Romeo Penque (am 1958-02-20)
Geige / Violine:
Emmanual Green (am 1958-02-20), Harry Hoffman (violinist) (am 1958-02-20), Harry Katzman (am 1958-02-20), Leo Kruczek (am 1958-02-20), Milton Lomask (am 1958-02-20), Harry Melnikoff (am 1958-02-20), George Ockner (am 1958-02-20) und Sam Rand (violinist) (am 1958-02-20)
Gitarre:
Barry Galbraith (am 1958-02-20)
Harfe:
Janet Putnam (harpist) (am 1958-02-20)
Klavier:
Mal Waldron (American jazz pianist) (am 1958-02-20)
Posaune:
Jack Green (am 1958-02-20) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1958-02-20)
Schlagzeug:
Osie Johnson (am 1958-02-20)
Solo-Posaune:
Urbie Green (am 1958-02-20)
Trompete:
Billy Butterfield (am 1958-02-20), Mel Davis (US jazz trumpeter) (am 1958-02-20) und Bernie Glow (am 1958-02-20)
Hintergrundgesang:
Elise Bretton (am 1958-02-20) und Miriam Workman (am 1958-02-20)
Sologesang:
Billie Holiday (am 1958-02-20)
Orchester:
Ray Ellis and His Orchestra (am 1958-02-20)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1958-02-20)
cover recording of:
I’m a Fool to Want You (am 1958-02-20)
Verfasser(in):
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) und Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network und Warner Chappell Music Ltd. (no slash; used 1988–1996)
43:25
4On the Sunny Side of the Street
recording of:
On the Sunny Side of the Street (am 1944-04-08)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
2:59
5Lover Man
Produzent(in):
Milt Gabler
alto saxophone:
Jack Cressey (am 1944-10-04) und Hymie Shertzer (am 1944-10-04)
Gitarre:
Carl Kress (am 1944-10-04)
Klavier:
Dave Bowman (jazz pianist) (am 1944-10-04)
Kontrabass [bass]:
Haig Stephens (am 1944-10-04)
Schlagzeug:
Johnny Blowers (am 1944-10-04)
Tenorsaxophon:
Larry Binyon (am 1944-10-04) und Paul Ricci (American big-band jazz saxophonist and clarinetist, 1914–2001) (am 1944-10-04)
Trompete:
Russ Case (US trumpeter & bandleader)
Sologesang:
Billie Holiday (am 1944-10-04)
Orchester:
Toots Camarata and His Orchestra (am 1944-10-04)
conductor:
Tutti Camarata
arranger:
Tutti Camarata (am 1944-10-04)
recording of:
Lover Man (am 1944-10-04)
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
43:20
6I've Got My Love to Keep Me Warm
sonstige Unterstützung:
Leroy Lovett (am 1955-02-14)
E-Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1955-02-14)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-02-14)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1955-02-14)
Kontrabass:
Leonard Gaskin (am 1955-02-14)
Schlagzeug:
Cozy Cole (am 1955-02-14)
Tenorsaxophon:
Budd Johnson (am 1955-02-14)
Trompete:
Charlie Shavers (am 1955-02-14)
vocals:
Billie Holiday (am 1955-02-14)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1955-02-14)
recording of:
I’ve Got My Love to Keep Me Warm (am 1955-02-14)
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.753:58
7Lover Come Back to Me
recording of:
Lover, Come Back to Me (from "The New Moon")
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
3:21
8Willow Weep for Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-03)
recording of:
Willow Weep for Me (am 1954-09-03)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
33:08
9Cheek to Cheek
Gitarre:
Barney Kessel (am 1956-08-14)
Klavier:
Jimmy Rowles (am 1956-08-14)
Kontrabass:
Joe Mondragon (am 1956-08-14)
Schlagzeug:
Alvin Stoller (am 1956-08-14)
Tenorsaxophon:
Ben Webster (am 1956-08-14)
Trompete:
Harry “Sweets” Edison (am 1956-08-14)
vocals:
Billie Holiday (am 1956-08-14)
recording of:
Cheek to Cheek (from “Top Hat”) (am 1956-08-14)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
3:37
10Love Me or Leave Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-03)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1954-09-03)
Gitarre:
Barney Kessel (am 1954-09-03)
Klavier:
Bobby Tucker (am 1954-09-03)
Kontrabass:
Red Callender (am 1954-09-03)
Schlagzeug:
Chico Hamilton (am 1954-09-03)
Trompete:
Harry “Sweets” Edison (am 1954-09-03)
vocals:
Billie Holiday (am 1954-09-03)
recording of:
Love Me or Leave Me (am 1954-09-03)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
42:36
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