Seize the Day! Your Morning Commute

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ «2016 Sony Music Entertainment»

Countries excluded (Spotify + Deezer)

(As of 2021-10-12).

  • Northern America: 🇺🇸 United States (us)
  • South America: 🇫🇰 Falkland Islands (fk)
  • Northern Europe: 🇸🇯 Svalbard and Jan Mayen (sj)
  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
  • Eastern Asia: 🇯🇵 Japan (jp)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇹🇰 Tokelau (tk)
Annotation last modified on 2021-10-12 20:15 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Bills
phonographic copyright (℗) by:
Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 2015)
recording of:
Bills (on 2015-02-05)
writer:
Eric Frederic, Rickard Göransson, Jacob Kasher (American songwriter, producer) and Gamal Lewis
LunchMoney Lewis2.53:25
2So What
assistant engineer:
Tim Roberts (engineer) (task: engineered for mix)
engineer:
John Hanes (audio engineer, mixer) (task: engineered for mix)
producer:
Al Clay and Max Martin (Swedish record producer)
mixer:
Serban Ghenea
phonographic copyright (℗) by:
LaFace Records LLC (in 2008) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2008)
produced for:
Maratone Productions
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
produced at:
House of Blues Studios in Encino, California, United States and Maratone Studios in Stockholm, Stockholms län (Stockholm county), Sweden
music videos:
So What (explicit music video) by P!nk (American singer/songwriter)
part of:
Billboard Year-End Hot 100 singles of 2008 (number: 24) and Billboard Year-End Hot 100 singles of 2009 (number: 45)
recording of:
So What (in 2008)
writer:
Alecia Moore (American singer/songwriter), Johan Schuster and Max Martin (Swedish record producer)
publisher:
EMI Blackwood Music Inc., Kobalt Music, Maratone AB and P!nk Inside Publishing
P!nk3.753:34
3Happy - From “Despicable Me 2”
assistant recording engineer:
Matthew Desrameaux
recording engineer:
Mike Larson (recording engineer)
producer:
Pharrell Williams
mixer:
Leslie Brathwaite
editor:
Andrew Coleman (recording/mix engineer, Neptunes-associated) and Mike Larson (recording engineer)
background vocals:
Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray and Terrence Rolle
arranger:
Andrew Coleman (recording/mix engineer, Neptunes-associated) and Mike Larson (recording engineer)
recorded at:
Circle House Studios in North Miami, Florida, United States
mixed at:
Music Box Studios (Atlanta) in Atlanta, Georgia, United States
music videos:
Happy by Pharrell Williams and Happy (from Despicable Me 2) (ballroom version) by Pharrell Williams
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 1), Billboard Decade End Chart: Streaming Songs (2010s) (number: 20) and Billboard: Greatest of All Time Hot 100 Songs (number: 88)
recording of:
Happy
lyricist and composer:
Pharrell Williams
publisher:
EMI April Music Inc., More Water From Nazareth Publishing, Inc. and Universal Pictures Music
part of:
The 86th Academy Award for Best Original Song (number: 2)
Pharrell Williams4.33:53
4I Will Never Let You Down
phonographic copyright (℗) by:
Roc Nation, LLC (for copyrights use only; for release labels, use "Roc Nation") (from 2014 to present)
recording of:
I Will Never Let You Down
lyricist and composer:
Calvin Harris (Scottish DJ and producer)
publisher:
EMI Music Publishing (do not use as a release label!)
Rita Ora33:23
5Walk This Way
engineer:
Steve Ett
co-producer:
Jason Mizell and Joseph Simmons (US rapper Rev. Run of Run-D.M.C)
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records) and Russell Simmons
guest guitar:
Joe Perry (guitarist for Aerosmith)
keyboard and percussion:
Jason Mizell
guest background vocals:
Steven Tyler
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1986, in 1989) and Sony BMG Music Entertainment Inc. (in 1986)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 9), New York Post: 100 Greatest Covers (2007) (number: 30) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 287)
recording of:
Walk This Way
writer:
Joe Perry (guitarist for Aerosmith) and Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited and Vindaloo Productions, Inc.
Run–D.M.C. feat. Aerosmith4.055:11
6Budapest
programming and producer:
Cam Blackwood
engineer:
Cam Blackwood and Liam Thorne
assistant producer:
Liam Thorne
assistant mixer:
Sean Julliard
mixer:
Cenzo Townshend (engineer)
bass synthesizer [bass synth] and keyboard [keys]:
Cam Blackwood
guitar [guitars] and percussion:
Cam Blackwood and George Ezra
keyboard [keyboards]:
George Ezra
vocals:
George Ezra
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
produced for:
Big Life Management
recorded at:
Voltaire Road Recording Studios in Clapham, Lambeth, London (Greater London), England, United Kingdom
mixed at:
Decoy Studios in Studio City, Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 89)
recording of:
Budapest
writer:
George Ezra Barnett and Joel Pott
publisher:
BMG Chrysalis (may be used as an imprint, trade name of BMG Rights Management in the US/UK/SE), BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
George Ezra3.653:21
7We Can’t Stop
co-producer:
P-Nasty
producer:
Mike WiLL Made‐It and R. City (hip‐hop/R&B artist/producer duo, aka Rock City)
performer:
Miley Cyrus
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2013)
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 17), Billboard Decade End Chart: Streaming Songs (2010s) (number: 41), Rolling Stone: The 100 Best Songs of the 2010s (number: 62) and BILLIONS CLUB
recording of:
We Can’t Stop
writer:
Miley Cyrus, Douglas Davis, Michael Williams, Pierre Ramon Slaughter, Theron Thomas, Timothy Thomas (US-based caribbean R&B/hip hop musician) and Richard Walters (US rapper Slick Rick)
quotes lyrics from:
La Di Da Di
Miley Cyrus3.63:52
8Black Magic
programming:
Edvard Førre Erfjord, Henrik Michelsen and Matt Rad
engineer:
Chris Bishop (breakbeat, alias of Chris Bishop) and Electric (producer duo)
additional producer:
Matt Rad
assistant producer:
Sam Ellison
producer:
Electric (producer duo) and Maegan Cottone
mixer:
Serban Ghenea and John Hanes (audio engineer, mixer)
instruments:
Edvard Førre Erfjord, Henrik Michelsen and Matt Rad
background vocals:
Camille Purcell (British singer-songwriter and record producer)
vocals:
JADE (UK vocalist, member of Little Mix), Leigh‐Anne, Jesy Nelson and Perrie (English singer‐songwriter)
performer:
Little Mix (British girl group)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2021) and Warner Music UK Limited (not for release label use!) (in 2021)
recording of:
Black Magic
writer:
Camille Purcell (British singer-songwriter and record producer), Ed Drewett, Edvard Førre Erfjord and Henrik Michelsen
publisher:
San Remo Music Limited, Sony/ATV Music Publishing (UK) Ltd. and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Little Mix3:32
99 to 5
recording of:
9 to 5
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music and Velvet Apple Music
part of:
The 53rd Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1980 nominee)
Dolly Parton3.653:00
10Live While We’re Young
programming and producer:
Carl Falk (Swedish guitarist and songwriter) and Rami (Swedish record producer and songwriter)
engineer:
John Hanes (audio engineer, mixer)
mixer:
Serban Ghenea
additional editor:
Kristoffer Fogelmark (Swedish singer) (lead vocals [vocal]) and Albin Nedler (Swedish songwriter/engineer) (lead vocals [vocal])
additional guitar [guitars]:
Niall Horan
bass:
Rami (Swedish record producer and songwriter)
guitar [guitars]:
Carl Falk (Swedish guitarist and songwriter)
instruments:
Carl Falk (Swedish guitarist and songwriter) and Rami (Swedish record producer and songwriter)
background vocals:
Carl Falk (Swedish guitarist and songwriter), Savan Kotecha and Kristoffer Fogelmark (Swedish singer)
phonographic copyright (℗) by:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2012)
recorded at:
Chalice Studios in Hollywood, Los Angeles, California, United States and Kinglet Studios in Stockholm, Stockholms län (Stockholm county), Sweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
recording of:
Live While We’re Young
writer:
Carl Falk (Swedish guitarist and songwriter), Savan Kotecha and Rami Yacoub (Swedish record producer and songwriter)
publisher:
2101 Songs, Anthem 2101 Songs, BMG Gold Songs, BMG Platinum Songs US, BMG Rights Management AB, BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), BMG Ruby Songs, BMG/Chrysalis Scandinavia (not for release label use! file releases under its imprint “BMG Chrysalis”), Kobalt Songs Music Publishing (USA, ASCAP affiliated) and MXM Music
One Direction3.753:19
11Ex’s & Oh’sElle King4.53:22
12Brave
assistant recording engineer:
Alex DeGroot, Geoff Neal and Sadaharu Yagi
recording engineer, programming, producer and mixer:
Mark Endert
cello:
Cameron Stone
drums (drum set):
Aaron Sterling
electric bass guitar:
Curt Schneider (American producer, bassist, guitarist, engineer)
guitar:
Michael Ward (US guitarist for The Wallflowers/School of Fish)
keyboard:
Mark Endert
lead vocals:
Sara Bareilles
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2013)
recorded at:
House of Blues Studios in Encino, California, United States, Indian River Studios in Florida, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
Indian River Studios in Florida, United States
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 74) and Billboard Year-End Hot 100 singles of 2013 (number: 96)
recording of:
Brave
writer:
Jack Antonoff and Sara Bareilles
Sara Bareilles3.753:39
13Die Young
miscellaneous support:
Andrew “Muffman” Luftman (task: production coordination), Katie Mitzell (task: production coordination), Irene Richter (task: production coordination) and Scott “Yarmov” Yarmovsky (task: production coordination)
programming and producer:
benny blanco (producer Benjamin Levin), Cirkut and Dr. Luke
assistant engineer:
Rachael Findlen (engineer)
engineer:
Clint Gibbs
assistant mixer:
Phil Seaford
mixer:
Serban Ghenea and John Hanes (audio engineer, mixer)
instruments:
benny blanco (producer Benjamin Levin), Cirkut and Dr. Luke
additional vocals:
Monica Cornia, Łukasz Gottwald, Henry Walter, Ava James (EDM vocals, featured on Braxton's "Something About You") and Katie Mitzell
produced for:
Matza Ball Productions Inc. and Prescription Songs
recorded at:
Lotzah Matzah Studios in New York, New York, United States and Luke’s in the Boo in Malibu, California, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 57), Stereogum: The 200 Best Songs of the 2010s (number: 81) and Billboard Year-End Hot 100 singles of 2012 (number: 85)
recording of:
Die Young
writer:
Benjamin Levin (producer Benjamin Levin), Łukasz Gottwald, Henry Walter, Kesha Sebert (Kesha, American singer fka Ke$ha) and Nate Ruess
publisher:
Bearvon Music, Dynamite Cop Music, FBR Music, Kasz Money Publishing (ASCAP affiliated), Matza Ballzack Music, Oneirology Publishing, Prescription Songs, WB Music Corp. (1929–2019) and Where da Kasz At
Kesha3.353:32
14Helena Beat
additional recording engineer:
Mark Foster (of Foster the People) and Jesse Shatkin (US hip-hop producer Jesse Shatkin)
assistant recording engineer:
Jeremy Miller (engineer based in Los Angeles, CA)
recording engineer:
Billy Bush (mixing engineer), Mark Foster (of Foster the People) and Greg Kurstin
programming and mixer:
Mark Foster (of Foster the People) and Greg Kurstin
co-producer:
Mark Foster (of Foster the People)
producer:
Greg Kurstin
additional percussion and drums (drum set):
Mark Pontius
bass:
Cubbie Fink
guitar, percussion and synthesizer:
Mark Foster (of Foster the People)
synthesizer:
Greg Kurstin
vocals:
Mark Foster (of Foster the People)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 74)
recording of:
Helena Beat
lyricist and composer:
Mark Foster (of Foster the People)
publisher:
Smims Coffee and Tea Music Publishing
Foster the People3.54:36
15Candyman
programming:
Marc Jameson
additional engineer:
Kristofer Kaufman and Chris Wonzer
engineer, producer and mixer:
Linda Perry (rock singer‐songwriter & producer)
audio engineer:
Andrew Chavez (engineer)
bass, mellotron and piano:
Linda Perry (rock singer‐songwriter & producer)
membranophone:
Nathan Wetherington
saxophone:
Glen Berger (saxophonist) and Ray Herrmann
trombone:
Jim McMillen (arranger & trombonist)
trumpet:
Chris Tedesco
horn arranger:
Linda Perry (rock singer‐songwriter & producer)
samples:
Tarzan and Jane Swingin' on a Vine by US Marines (United States Marine Corps)
music videos:
Candyman by Christina Aguilera
recording of:
Candyman
writer:
Christina Aguilera and Linda Perry (rock singer‐songwriter & producer)
Christina Aguilera3.53:14
16Amazing
engineer:
Drew Smith (engineer) and Tom AD Fuller
producer and mixer:
Mark Ralph
assistant mixer:
Drew Smith (engineer) and Tom AD Fuller
cello:
Ian Burdge (cellist)
drums (drum set) [drums] and percussion:
Ben Kennedy (drummer)
keyboard [keyboards] and piano:
Sam Kennedy
viola:
Katherine Mann (London-based multi-instrumentalist)
violin:
Jennymay Logan and Emma Smith (violinist)
background vocals [backing vocals]:
Ben Kennedy (drummer) and Sam Kennedy
strings [string] arranger:
Adem Ilhan
mixed at:
Club Ralph in London (Greater London), England, United Kingdom
Foxes3:47
17Temple
a cappella versions:
Temple by Tufts Beelzebubs (Tufts University all-male a cappella group)
Parson James2.754:10
18Work Bitch
recording engineer, programming and engineer:
Sebastian Ingrosso and Otto Knows (SE | electronic)
associate executive producer:
Anthony Preston
executive producer:
will.i.am (American rapper and producer)
producer:
Sebastian Ingrosso, Otto Knows (SE | electronic), Anthony Preston and will.i.am (American rapper and producer)
assistant mixer:
Ghazi Hourani and Bradford Smith (engineer(?))
mixer:
Joe Peluso
editor:
Jacob Dennis (engineer), Chris Kahn, Padraic Kerin and Julian Prindle (engineer)
other instruments [instrumentation]:
Sebastian Ingrosso and Otto Knows (SE | electronic)
background vocals:
Myah Marie (Myah Marie Langston), Anthony Preston and Britney Spears
lead vocals:
Britney Spears
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead)
produced for:
Refune Records (2003-2015; later releases see Refune Music) and will.i.am music, LLC
recorded at:
Glenwood Place Studios in Burbank, California, United States (other vocals [vocal recording]) and KBK Studios in Stockholm, Stockholms län (Stockholm county), Sweden
mixed at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
engineered at:
Glenwood Place Studios in Burbank, California, United States (other vocals [vocal engineered]) and KBK Studios in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
Work Bitch
writer:
Sebastian Ingrosso, Otto Jettman (SE | electronic), Anthony Preston, RuthAnne (Irish singer-songwriter), Britney Spears and William Adams (American rapper and producer)
publisher:
BMG Sapphire Songs, Britney Spears Music, i.am.composing llc, Refune Music Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing AB (Sweden) and Universal Music–Z Songs
Britney Spears4.254:08
19Time to Pretend
engineer and mixer:
Dave Fridmann
producer:
Dave Fridmann and MGMT (US pop rock group)
performer:
Ben Goldwasser and Andrew VanWyngarden
arranger:
Ben Goldwasser and Andrew VanWyngarden
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2007)
recorded at:
Context Studios in Brooklyn, New York, New York, United States and Tarbox Road Studios in Chautauqua County, New York, United States
part of:
triple j's Hottest 100 of 2008 (16th edition of Australian annual music poll) (number: 18), Pitchfork Presents: The 100 Best Tracks of 2008 (number: 30) and Indie 88: Top 500 Indie Rock Songs (number: 126)
recording of:
Time to Pretend
lyricist:
Andrew VanWyngarden
composer:
Ben Goldwasser and Andrew VanWyngarden
publisher:
Old Man Future and Sadguitarius
MGMT4.254:21
20Rollercoaster
recording engineer:
Jesse Shatkin (US hip-hop producer Jesse Shatkin), Laura Sisk and Stuart White
programming:
Jack Antonoff and John Hill (producer and songwriter, aka Johnny Rodeo)
producer:
Jack Antonoff, John Hill (producer and songwriter, aka Johnny Rodeo) and Greg Kurstin
mixer:
Michael Brauer (engineer) and Stuart White
bass, drums (drum set), guitar, keyboard and lead vocals:
Jack Antonoff
electric guitar and synthesizer:
Greg Kurstin
recording of:
Rollercoaster
writer:
Jack Antonoff and John Hill (producer and songwriter, aka Johnny Rodeo)
publisher:
Bleachers Music, EMI April Music Inc., Rodeoman Music and Sony/ATV Songs LLC
Bleachers3.853:09
21Don’t Look Down
recording of:
Don’t Look Down
writer:
James “JHart” Abrahart (trance singer, songwriter, producer & arranger James Abrahart), Martijn Garritsen (Martin Garrix), Michael Busbee and Usher (American R&B singer‐songwriter)
Martin Garrix feat. Usher3.13:43
22Hall of Fame
producer:
Andrew Frampton, Jimbo Barry (producer and songwriter), Steve Kipner, Daniel O'Donoghue (Linguist and musician, arranger for Keola Beamer, not the Irish rapper) and Mark Sheehan
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 85)
recording of:
Hall of Fame
writer:
James Barry (producer and songwriter), Danny O’Donoghue, Mark Sheehan and William Adams (American rapper and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Script feat. will.i.am4.13:23
23Wake Me Up Before You Go‐Go
assistant engineer:
Paul Gomersau
engineer:
Chris Porter (engineer and producer)
producer:
George Michael
keyboard:
Tommy Eyre
saxophone:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographic copyright (℗) by:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984, in 2006) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
music videos:
Wake Me Up Before You Go by Wham! (British pop-duo)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 28) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 269)
recording of:
Wake Me Up Before You Go‐Go
lyricist and composer:
George Michael
publisher:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:51
24Ghost
miscellaneous support:
Maxi Anderson (70s US funk/soul artist Maxi Anderson) (task: background vocals contractor)
programming and producer:
Ryan Tedder (American singer, songwriter, and producer) and Noel Zancanella
assistant engineer:
Big L (sound engineer)
engineer:
Francesco Cameli and Smith Carlson
mixer:
Joe Zook (engineer)
bass:
Tom Herbert (jazz bassist) and Ryan Tedder (American singer, songwriter, and producer)
drums (drum set) [drums]:
Homer Steinweiss and Ryan Tedder (American singer, songwriter, and producer)
guitar:
Alex Reeve (guitarist) and Ryan Tedder (American singer, songwriter, and producer)
piano and background vocals [BGVs]:
Ryan Tedder (American singer, songwriter, and producer)
background vocals:
Bridgette Bryant (American session backing vocalist), Carmel Echols (American singer, vocalist), Angie Fisher and Nikki Grier
background vocals arranger:
Maxi Anderson (70s US funk/soul artist Maxi Anderson)
phonographic copyright (℗) by:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2014)
recorded at:
Patriot Studios in Denver, Colorado, United States, Sphere Studios in London (Greater London), England, United Kingdom, Tritonus in Berlin, Germany and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
music videos:
Ghost by Ella Henderson
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 93)
recording of:
Ghost
writer:
Ella Henderson, Ryan Tedder (American singer, songwriter, and producer) and Noel Zancanella
publisher:
Blastronaut, Downtown Music UK Ltd., Patriot Games, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Write 2 Live
Ella Henderson43:36
25Fantasy
MS MR3.053:29
26Shut Up and Let Me Go
producer:
Jules De Martino
mixer:
David Sardy (American score composer)
lead vocals:
Katie White
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2008)
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
music videos:
Shut Up and Let Me Go by The Ting Tings
recording of:
Shut Up and Let Me Go
writer:
Jules De Martino and Katie White
The Ting Tings4.22:52
27She Bangs the Drums
engineer:
Paul Schroeder (UK rock/pop producer, engineer & remixer)
producer:
John Leckie
bass guitar:
Gary Mounfield
drums (drum set) and background vocals:
Reni
guitar:
John Squire
vocals:
Ian Brown (UK singer, member of Stone Roses)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom (from 1988-08 until 1989-01)
music videos:
She Bangs the Drums (Music video) by The Stone Roses
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 12)
recording of:
She Bangs the Drums
writer:
Ian Brown (UK singer, member of Stone Roses) and John Squire
The Stone Roses4.353:43
28Go Outside
assistant engineer:
Ever Ronquillo
engineer and mixer:
Shane Stoneback (American engineer, producer, and musician)
producer:
Cults (NYC indie pop duo) and Paul Kostabi
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
recorded at:
Treefort Studios in Brooklyn, New York, New York, United States (from 2010 until 2011)
mixed at:
SMT Studios in New York, New York, United States
produced at:
Thunderdome Studios
recording of:
Go Outside
writer:
Madeline Follin and Brian Oblivion
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Cults53:23
29Take It Easy
vocals:
Stan Walker (New Zealander, 2009 Australian Idol winner)
recording of:
Take It Easy
writer:
Anthony Francesco Egizii, David Nicholas Musumeci and Stan Roto Walker (New Zealander, 2009 Australian Idol winner)
Stan Walker3:20
30Lovely Day
producer:
Clarence McDonald and Bill Withers
bass guitar:
Jerry Knight (in 1977)
drums (drum set) and shakers:
Russell Kunkel (session drummer) (in 1977)
guitar:
Ray Parker (in 1977)
keyboard:
Clarence McDonald (in 1977)
percussion:
Ralph MacDonald (in 1977)
lead vocals:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographic copyright (℗) by:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 402)
recording of:
Lovely Day (in 1977)
writer:
Skip Scarborough and Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.454:11