All-Time Greatest Hits & More: 1959-1965

~ Veröffentlichung von The Drifters (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

When used as an adjective, "All Time" should be hyphenated.
Front, inside booklet and both mediums are correct - only the spine is wrong.

Anmerkung zuletzt geändert am 2022-02-19 14:51 UTC.

Titelliste

1CD
2CD
Nr.TitelBewertungLänge
1She Never Talked to Me That Way
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
2:37
2When My Little Girl Is Smiling
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
When My Little Girl Is Smiling
Verfasser(in):
Gerry Goffin und Carole King
2:32
3Stranger on the Shore
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
Stranger on the Shore (lyric version)
Texter:
Robert Mellin (in 1962)
Komponist(in):
Acker Bilk
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Version von:
Stranger on the Shore (original instrumental version)
2:41
4What to Do
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
2:57
5Up on the Roof
recorded in:
New York, New York, Vereinigte Staaten (am 1962-06-28)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Don Arnone (am 1962-06-28), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1962-06-28), Bob Bushnell (am 1962-06-28) und Al Casamenti (am 1962-06-28)
Keyboard:
Ernie Hayes (American pianist, organist and arranger) und Carole King (am 1962-06-28)
Kontrabass [bass]:
George Duvivier (am 1962-06-28)
Perkussion:
George Devens (am 1962-06-28) und Bobby Rosengarden (am 1962-06-28)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-06-28) und Frank Saracco (am 1962-06-28)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1962-06-28)
Trompete:
Jimmy Nottingham (am 1962-06-28) und Jimmy Sedlar (am 1962-06-28)
Baritongesang:
Dock Green (am 1962-06-28)
Bass-Gesang:
Tommy Evans (US r&b bass vocalist for The Drifters) (am 1962-06-28)
Sologesang:
Rudy Lewis (am 1962-06-28)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1962-06-28)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (am 1962-06-28)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) und Bert Keyes (piano, soul/funk producer/writer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 113) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 375)
recording of:
Up on the Roof (am 1962-06-28)
Texter:
Gerry Goffin und Carole King
Komponist(in):
Carole King
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
52:39
6Another Night With the Boys
recorded in:
New York, New York, Vereinigte Staaten (am 1962-06-28)
Gitarre:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1962-06-28)
Baritongesang:
Dock Green (am 1962-06-28)
Sologesang:
Rudy Lewis (am 1962-06-28)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1962-06-28)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (am 1962-06-28)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
2:51
7I Feel Good All Over
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
2:11
8Let the Music Play
recorded in:
New York, New York, Vereinigte Staaten (am 1963-01-22)
Gitarre:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1963-01-22)
Baritongesang:
Eugene Pearson (am 1963-01-22)
Bass-Gesang:
Tommy Evans (US r&b bass vocalist for The Drifters) (am 1963-01-22)
Sologesang:
Rudy Lewis (am 1963-01-22)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1963-01-22)
vocals:
Doris Troy (am 1963-01-22), Dee Dee Warwick (am 1963-01-22) und Dionne Warwick (am 1963-01-22)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
Let the Music Play (am 1963-01-22)
Texter:
Hal David
Komponist(in):
Burt Bacharach
2:41
9On Broadway
recorded in:
New York, New York, Vereinigte Staaten (am 1963-01-22)
Produzent(in):
Leiber and Stoller (songwriting team)
Bass:
Russ Saunders (jazz bass player) (am 1963-01-22)
Gitarre:
Everett Barksdale (am 1963-01-22), Bill Suyker (am 1963-01-22), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1963-01-22) und Billy Butler (jazz guitarist) (am 1963-01-22)
Perkussion:
Martin Grupp (am 1963-01-22), Phil Kraus (am 1963-01-22) und Nick Rodriquez (percussionist) (am 1963-01-22)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1963-01-22)
Trompete:
Joe Newman (US jazz trumpeter) (am 1963-01-22) und Ernie Royal (am 1963-01-22)
Baritongesang:
Eugene Pearson (am 1963-01-22)
Bass-Gesang:
Tommy Evans (US r&b bass vocalist for The Drifters) (am 1963-01-22)
Hintergrundgesang:
Doris Troy (am 1963-01-22), Dee Dee Warwick (am 1963-01-22) und Dionne Warwick (am 1963-01-22)
Sologesang:
Rudy Lewis (am 1963-01-22)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1963-01-22)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (am 1963-01-22)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 6)
recording of:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters) (am 1963-01-22)
Verfasser(in):
Barry Mann und Cynthia Weil
zusätzliche(r) Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Version von:
On Broadway (original Mann/Weil version)
53:02
10I'll Take You Home
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
I’ll Take You Home
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Screen Gems-EMI
2:39
11If You Don't Come Back
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
If You Don’t Come Back
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Jerry Leiber Music und Mike Stoller Music (ASCAP)
2:39
12Didn't It
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
1:54
13One Way Love
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
One Way Love
Verfasser(in):
Bert Russell Berns und Norman Meade
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Robert Mellin Ltd.
2:32
14He's Just a Playboy
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
2:58
15Under the Boardwalk
recorded in:
New York, New York, Vereinigte Staaten (am 1964-05-21)
Produzent(in):
Bert Berns und Mike Leander
Gitarre:
Everett Barksdale (am 1964-05-21), Bill Suyker (am 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1964-05-21) und Bob Bushnell (am 1964-05-21)
Klavier:
Ernie Hayes (American pianist, organist and arranger) (am 1964-05-21)
Kontrabass [bass]:
Milt Hinton (am 1964-05-21)
Saiteninstrumente [nine strings]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1964-05-21)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1964-05-21)
Vibraphon [vibes]:
George Devens (am 1964-05-21)
Baritongesang:
Gene Pearson (am 1964-05-21)
Bass-Gesang:
Winifred Terry (am 1964-05-21)
Sologesang:
Johnny Moore (soul/rnb vocalist for The Drifters) (am 1964-05-21)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (am 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) und Teacho Wiltshire
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 304) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 487)
recording of:
Under the Boardwalk (am 1964-05-21)
Verfasser(in):
Arthur Resnick (songwriter, producer) und Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. und Trio Music Company
4.352:42
16I Don't Want to Go on Without You
recorded in:
New York, New York, Vereinigte Staaten (am 1964-05-21)
Techniker(in):
Tom Dowd und Phil Iehle
Produzent(in):
Bert Berns und Jerry Wexler
Gitarre:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1964-05-21)
Baritongesang:
Eugene Pearson (am 1964-05-21)
Bass-Gesang:
Johnny Terry (bass vocals, member of James Brown & The Famous Flames) (am 1964-05-21)
Sologesang [lead tenor vocals]:
Johnny Moore (soul/rnb vocalist for The Drifters) (am 1964-05-21)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1964-05-21)
arranger:
Teacho Wiltshire
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
I Don’t Want to Go On Without You
Verfasser(in):
Bert Russell Berns und Jerry Wexler
publisher:
EMI Publishing Ltd., Franco London Music Publishing Corp. und Sony/ATV Songs LLC
42:50
17I've Got Sand in My Shoes
recorded in:
New York, New York, Vereinigte Staaten (am 1964-08-04)
Techniker(in):
Tom Dowd und Phil Iehle
Produzent(in):
Bert Berns und Jerry Wexler
Gitarre:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1964-08-04)
Baritongesang:
Eugene Pearson (am 1964-08-04)
Bass-Gesang:
Winifred Terry und Johnny Terry (bass vocals, member of James Brown & The Famous Flames) (am 1964-08-04)
Sologesang [lead tenor vocals]:
Johnny Moore (soul/rnb vocalist for The Drifters) (am 1964-08-04)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1964-08-04)
conductor:
Teacho Wiltshire (am 1964-08-04)
arranger:
Teacho Wiltshire
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
I’ve Got Sand in My Shoes (am 1964-08-04)
Verfasser(in):
Arthur Resnick (songwriter, producer) und Kenny Young
publisher:
Alley Music Corp. und Trio Music Company
42:49
18Saturday Night at the Movies
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
Saturday Night at the Movies
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Screen Gems–EMI Music Ltd.
2:32
19At the Club
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
At the Club
Verfasser(in):
Gerry Goffin und Carole King
2:57
20Come on Over to My Place
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
Come on Over to My Place
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:26

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