Contented Rest: The Timeless Music of J.S. Bach

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Concerto for Flute and Strings in G minor, BWV 1056: Largo (Arios)
Produzent(in):
Michael Bremner (producer/engineer)
Cembalo:
Christopher Hogwood (conductor, harpsichordist) (in 1974-08) und Nicholas Kraemer (harpsichordist and conductor) (in 1974-08)
flute:
William Bennett (flautist) (in 1974-08)
Orchester:
Academy of St Martin in the Fields (in 1974-08)
conductor:
Sir Neville Marriner (conductor) (in 1974-08)
Tonmeister(in):
Stanley Goodall (engineer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1974-08)
recording of:
Violin Concerto in G minor, BWV 1056R: II. Largo (in 1974-08)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Violin Concerto in G minor, BWV 1056R
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo
Teil von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056 (catch-all for unknown arrangements)
Johann Sebastian Bach3:16
2Cantata no. 170, BWV 170: Vergnugte Ruh', beliebte Seelenlust (Contented Rest Beloved Heart's Desire)
recording engineer:
Tim Handley (engineer/editor/producer)
Produzent(in):
Nicholas Parker (Production music composer)
Editing:
Adrian Hunter (producer and engineer)
Instrumente und Orchester:
The King’s Consort (von 1988-09-05 bis 1988-09-07)
Countertenorgesang:
James Bowman (UK countertenor) (von 1988-09-05 bis 1988-09-07)
conductor:
Robert King (conductor and harpsichordist) (von 1988-09-05 bis 1988-09-07)
phonographisches Urheberrecht (℗) von:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
aufgenommen bei:
Wadham College Chapel in Oxford, Oxfordshire, England, Vereinigtes Königreich (von 1988-09-05 bis 1988-09-07)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (von 1988-09-05 bis 1988-09-07)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1726-07-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach6:34
3Concerto in D minor, BWV 974: Adagio
Klavier:
John Champ (pianist)
recording of:
Concerto in D minor after Alessandro Marcello, BWV 974: II. Adagio (transcription for cembalo by J.S. Bach)
Komponist(in):
Alessandro Marcello
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto per oboe, archi e continuo in re minore: II. Adagio (Konzert für Oboe, Streicher und Basso continuo in D-moll: II. Adagio)
Teil von:
Keyboard Concerto no. 3 in D minor after Alessandro Marcello, BWV 974 (transcription for cembalo by J.S. Bach)
Johann Sebastian Bach4:43
4Orchestral Suite no. 3 in D major, BWV 1068: Air (Air on the G String)
Orchester:
Tasmanian Symphony Orchestra
conductor:
David Stanhope (Australian composer, conductor and virtuoso pianist)
aufgenommen bei:
ABC Odeon in Hobart, Tasmania, Australien (von 1999-09-14 bis 1999-09-16)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (von 1999-09-14 bis 1999-09-16)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:27
5Cantata no.147, BWV 147: 'Jesu, Joy of Man's Desiring'
Produzent(in):
Christopher Hazell
Oboe:
Nicholas Daniel (oboist and conductor) (von 1996-07-01 bis 1996-07-05)
Orgel:
Robert Quinney (organist and choir director) (von 1996-07-01 bis 1996-07-05) und James Vivian (organist) (von 1996-07-01 bis 1996-07-05)
Chorgesang:
Choir of King’s College, Cambridge (von 1996-07-01 bis 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (von 1996-07-01 bis 1996-07-05)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (von 1996-07-01 bis 1996-07-05)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (von 1996-07-01 bis 1996-07-05)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Jesu, Joy of Man’s Desiring (in 1996-07)
Orchestrator(in):
Leopold Stokowski (conductor)
Texter:
Robert Bridges (poet)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
übersetzte Version von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach5:59
6Partita in E, BWV 1006: Gavotte and Rondeau
Gitarre [eight-string guitar]:
Paul Galbraith (Scottish guitarist)
arranger:
Paul Galbraith (Scottish guitarist)
Johann Sebastian Bach2:44
7Christmas Oratorio, BWV 248: Flosst, mein Heiland (Instil Thy name, my Saviour) 'Echo Duet'
Soprangesang:
Elly Ameling (soprano)
Orchester:
Stuttgart Chamber Orchestra
conductor:
Karl Münchinger (German conductor)
Johann Sebastian Bach6:21
8The Well-Tempered Clavier, Book 1, BWV 846: Prelude No. 1
Violoncello piccolo:
Pieter Wispelwey (cellist)
arranger:
Pieter Wispelwey (cellist)
Johann Sebastian Bach2:00
9Brandenberg Concerto No. 2 in F major, BWV 1047: Andante
Klavier:
Antony Gray (Australian pianist)
Johann Sebastian Bach4:11
10St Matthew Passion, BWV 244: Erbarme dich (Have Mercy)
Instrumente:
Musica Florea
Mezzosoprangesang:
Magdalena Kožená (Czech mezzo-soprano)
conductor:
Marek Štryncl (conductor)
Johann Sebastian Bach7:33
11Concerto for Two Violins and Strings in D minor, BWV 1043: Largo ma non troppo
Produzent(in):
Hans Weber (producer/engineer)
Cembalo:
George Malcolm (English harpsichordist, conductor) (in 1961-02)
Geige / Violine:
David Oistrakh (violinist) (in 1961-02) und Igor Oistrakh (violinist) (in 1961-02)
Orchester:
Royal Philharmonic Orchestra (in 1961-02)
conductor:
Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty) (in 1961-02)
Tonmeister(in):
Harald Baudis (sound engineer) (in 1961-02)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1961-02)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1961-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach7:32
12The Notebook of Anna Magdalena Bach, BWV 508: Bist du bei Mir (If you are with me)
Soprangesang:
Yvonne Kenny (Australian soprano)
Orchester:
Melbourne Symphony Orchestra
conductor:
Vladimir Kamirski (conductor)
arranger:
Walter Bergmann
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
Texter:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Komponist(in):
Gottfried Heinrich Stölzel (composer)
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bachs Notenbibliothek (BNB) (Nummer: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (Nummer: BWV 508), Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 508) und Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV 508)
Johann Sebastian Bach2:43
13To His Servant Bach, God Grants a Final Glimpse: The Morning Star
Harfe:
Marshall McGuire (harpist)
arranger:
Marshall McGuire (harpist)
Graeme Koehne3:45
14Blithe Bells, free ramble on 'Sheep May Safely Graze'
Orchester:
Adelaide Symphony Orchestra
conductor:
John Hopkins (Australian conductor)
Percy Grainger3:58
15Ave Maria (Meditation sur le ler prelude de piano de S. Bach)
Harfe:
Gayle Levant (American studio musician, harpist)
Mundharfe [mouth harp]:
Tommy Morgan (Harmonica player)
Charles‐François Gounod3:24
16Concerto for Harpsichord and Strings in F minor, BWV 1056: Largo (Arioso)
recording engineer:
Pierre Fatosme (sound engineer) (in 1964)
Produzent(in):
Pierre Fatosme (sound engineer)
Kontrabass:
Guy Pedersen (in 1964)
Perkussion:
Gus Wallez (in 1964)
Bass-Gesang:
Jean‐Claude Briodin (in 1964) und Jean Cussac (French kapellmeister, singer and choir director) (in 1964)
Hochgesang:
Anne Germain (in 1964) und Claudine Meunier (in 1964)
Soprangesang:
Jeanette Baucomont (in 1964) und Christiane Legrand (in 1964)
Tenor-Gesang:
Claude Germain (in 1964) und Ward Swingle (in 1964)
vocals:
The Swingle Singers (in 1964)
arranger:
Ward Swingle
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (catch-all for arrangements) (in 1964)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo
Teil von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056 (catch-all for unknown arrangements)
recording of:
Harpsichord Concerto in F minor: Largo (in 1964)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Johann Sebastian Bach13:05
17Sonata for Flute and Harpsichord in E-flat major, BWV 1031: Siciliano
recording engineer:
Klaus Scheibe (editor/engineer)
Produzent(in):
Dr. Gerd Ploebsch
Cembalo:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-04)
flute:
Aurèle Nicolet (flutist) (in 1973-04)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1977)
aufgenommen bei:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Deutschland (in 1973-04)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (in 1973-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Flute Sonata in E-flat major, BWV 1031
Johann Sebastian Bach2:17

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Veröffentlichung

ASIN:US: B000FJACG8 [Info]
andere Datenbanken:https://trove.nla.gov.au/work/19353879 [Info]