Complete Works

~ Release by Ludwig van Beethoven (see all versions of this release, 5 available)

Tracklist

1▶CD: Symphonies Nos. 1 & 3
2▶CD: Symphonies Nos. 2 & 7
3▶CD: Symphonies Nos. 6 & 8
4▶CD: Symphonies Nos. 4 & 5
5▶CD: Symphony No. 9
6▶CD: Piano Concertos Nos. 1 & 3
7▶CD: Piano Concertos No. 2 & Op. 61
8▶CD: Piano Concertos Nos. 4 & 5
9▶CD: Violin Concerto
10▶CD: Triple Concerto
11▶CD: Overtures
12▶CD: Orchestral Works/Organ Works
13▶CD: Dances I
14▶CD: Dances II
15▶CD: Music for Wind Ensemble I
16▶CD: Music for Wind Ensemble II
17▶CD: Chamber Music for Flute I
18▶CD: Chamber Music for Flute II
19▶CD: Septet Op. 20 & Sextet Op. 81b
20▶CD: Quintet Op. 16 – Trio Op. 11 – Horn Sonata Op. 17
21▶CD: Trio Op. 38; Duo WoO 40
22▶CD: Serenade Op. 25, Works for Mandolin & Piano
23▶CD: Piano Quartets
24▶CD: Piano Trios I
25▶CD: Piano Trios II
26▶CD: Trios Piano III
27▶CD: Piano Trios IV
28▶CD: Cello Sonatas I
29▶CD: Cello Sonatas II
30▶CD: Violin Sonatas I
31▶CD: Violin Sonatas II
32▶CD: Violin Sonatas III
33▶CD: String Trios I
34▶CD: String Trios II
35▶CD: String Quartets Op. 18 Nos. 1 & 2
36▶CD: String Quartets Op. 18 Nos. 3 & 4
37▶CD: String Quartets Op. 18 Nos. 5 & 6; Op. 95 “Serioso”
38▶CD: String Quartets Op. 59 Nos. 1 & 2
39▶CD: String Quartets Op. 74 & Op. 131
40▶CD: String Quartets Op. 127 & Op. 135
41▶CD: String Quartets Op. 132 & Op. 59 No. 3
42▶CD: String Quartet Op. 130 & Große Fuge
43▶CD: String Ensembles I
44▶CD: String Ensembles II
45▶CD: Piano Sonatas Op. 2 Nos. 1, 2, 3
46▶CD: Piano Sonatas Op. 7, Op. 10 No. 1, Op. 10 No. 2
47▶CD: Piano Sonatas Op. 10 No. 3, Op. 13 “Pathétique”, Op. 14 No. 1, Op. 14 No. 2
48▶CD: Piano Sonatas Op. 22 – Op. 26, Op. 27 No. 1, Op. 27 No. 2 ,“Mondschein”
49▶CD: Piano Sonatas Op. 28 “Pastoral”, Op. 31 No. 1, Op. 31 No 2. “Sturm”
50▶CD: Piano Sonatas Op. 31 No. 3, Op. 49 No. 1, Op. 49 No. 2, Op. 53 “Waldstein”, Op. 54
51▶CD: Piano Sonatas Op. 57 “Appassionata”, Op. 78, Op. 79, Op. 81a, Op. 90
52▶CD: Piano Sonatas Op. 101, Op. 106 “Hammerklavier”
53▶CD: Piano Sonatas Op. 109, Op. 110, Op. 111
54▶CD: Piano Variations I
55▶CD: Piano Variations II
56▶CD: Piano Variations III
57▶CD: Piano Variations IV, Bagatelles
58▶CD: Bagatelles
59▶CD: Piano Works
60▶CD: Piano Works 4-Hands
61▶CD: Leonore Part 1
62▶CD: Leonore Part 2
63▶CD: Fidelio Part 1
64▶CD: Fidelio Part 2
65▶CD: Egmont
66▶CD: Die Geschöpfe des Prometheus, Ballet Music Op. 43
67▶CD: Die Ruinen von Athen, Köng Stephan
68▶CD: Arias
69▶CD: Cantatas WoO 87 & 88
70▶CD: Der Glorreiche Augenblick Op. 136
71▶CD: Vocal Works
72▶CD: Oratorio “Christ on the Mount of Olives” (Christus am Ölberge)
73▶CD: Missa solemnis
74▶CD: Missa solemnis, Mass in C major
75▶CD: Songs I
76▶CD: Songs II
77▶CD: Songs III
78▶CD: Songs IV
79▶CD: Canons, Epigrams and Jokes
80▶CD: Irish Songs WoO 152 & 153, Selection
81▶CD: 12 Irish Songs WoO 154
82▶CD: 26 Welsh Songs WoO 155
83▶CD: Scottish Songs WoO 156 & 157, Complete
84▶CD: Scottish Songs Op. 108 & WoO 158/1
85▶CD: Folksongs WoO 158 a/b/c
86▶CD: Symphony No. 9 in D minor Op. 125
87▶CD: Otto Klemperer, Symphony No. 3 - Leonore, Overtures No. 1 & 2
88▶CD: Herbert von Karajan, Symphonies Nos. 5 & 7
89▶CD: Piano Concerto No. 5, Piano Sonatas Nos. 8 & 23
90▶CD: Violin Concerto Op. 61, Romances for Violin & Orchestra Nos. 1 & 2
91▶CD: Piano Sonatas Op. 13, 27, 57 (Yves Nat, piano)
92▶CD: Piano Sonatas No. 30, 31, 32 (Arthur Schnabel, piano)
93▶CD: Piano Sonatas No. 21, 23, 30, 31 (Walter Gieseking, Piano)
94▶CD: Piano Sonatas No. 29 & 32 (Solomon, piano)
95▶CD: Violin Sonatas No. 5 & 7 - J.S. Bach: Partita No. 2 (Adolf Busch, violin)
96▶CD: Cello Sonatas Nos. 1, 2, 3
97▶CD: Piano Trio Op. 97, Franz Schubert Piano Trio No. 1
98▶CD: String Quartets Op. 130 & 131
99▶CD: Fidelio - Act 1 (Wilhelm Fürtwängler, Wiener Philharmoniker & Chor der Wiener Staatsoper)
100▼CD: Fidelio - Act 2 (Wilhelm Fürtwängler, Wiener Philharmoniker & Chor der Wiener Staatsoper)
#TitleRatingLength
1Fidelio, Op. 72: Act II, Scene I, No. 11a. Introduction
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11a. Introduction (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
4:07
2Fidelio, Op. 72: Act II, Scene I, No. 11a. Recitative "Gott! Welch Dunkel hier!" (Florestan)
producer:
Lawrance Collingwood
tenor vocals [Florestan]:
Wolfgang Windgassen (German heldentenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11a. Recitative "Gott! Welch Dunkel hier!" (Florestan) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
7:31
3Fidelio, Op. 72: Act II, Scene I, No. 12a. Melodrama "Wie kalt ist es in diesem unteirdischen Gewölbe!" (Leonore, Rocco)
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
2:15
4Fidelio, Op. 72: Act II, Scene I, No. 12b. Duet "Nur hurtig fort" (Rocco, Leonore)
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
soprano vocals:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
4:36
5Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Florestan]:
Wolfgang Windgassen (German heldentenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
6:40
6Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)
bass vocals:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-17)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-17)
soprano vocals:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-17)
tenor vocals:
Wolfgang Windgassen (German heldentenor) (from 1953-10-13 until 1953-10-17)
vocals:
Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (from 1953-10-13 until 1953-10-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
3:50
7Fidelio, Op. 72: Act II, Scene I, No. 14a. "Vater Rocco!"
producer:
Lawrance Collingwood
baritone vocals [Pizarro]:
Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Florestan]:
Wolfgang Windgassen (German heldentenor) (from 1953-10-13 until 1953-10-19)
tenor vocals [Jaquino]:
Rudolf Schock (tenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
1:32
8Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan)
producer:
Lawrance Collingwood
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Florestan]:
Wolfgang Windgassen (German heldentenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
2:49
9Fidelio, Op. 72a: Leonore No. 3
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
recording of:
Overture “Leonore” no. 3 in C major, op. 72b (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (from 1805 until 1806)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72b)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
15:19
10Fidelio, Op. 72: Act II, Scene I, No. 16a. "Heil sei dem Tag" (Chorus & Soloists)
producer:
Lawrance Collingwood
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
2:00
11Fidelio, Op. 72: Act II, Scene I, No. 16a. "Des besten Konigs Wink und Wille" (Don Fernando, Chorus)
producer:
Lawrance Collingwood
baritone vocals [Pizarro]:
Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19)
bass vocals [Don Fernando]:
Alfred Poell (baritone) (from 1953-10-13 until 1953-10-19)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
3:53
12Fidelio, Op. 72: Act II, Scene I, No. 16a. "Du schlossest auf des Edlen Grab" (Don Fernando)
producer:
Lawrance Collingwood
bass vocals [Don Fernando]:
Alfred Poell (baritone) (from 1953-10-13 until 1953-10-19)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Florestan]:
Wolfgang Windgassen (German heldentenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
3:52
13Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco)
producer:
Lawrance Collingwood
bass vocals [Don Fernando]:
Alfred Poell (baritone) (from 1953-10-13 until 1953-10-19)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Florestan]:
Wolfgang Windgassen (German heldentenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
4:00