Christmas Music from Medieval and Renaissance Europe

~ Release by The Sixteen, Harry Christophers (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Puer natus est nobis
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1987-05-07 until 1987-05-09)
conductor:
Harry Christophers (conductor) (from 1987-05-07 until 1987-05-09)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-05-07 until 1987-05-09)
recording of:
Puer natus est nobis (from 1987-05-07 until 1987-05-09)
lyricist and composer:
[anonymous] (special purpose artist)
[anonymous]3:12
2Nowell, nowell: In Bethlem
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
alto vocals:
Christopher Royall (countertenor) (from 1987-05-07 until 1987-05-09)
choir vocals:
The Sixteen (UK choir) (from 1987-05-07 until 1987-05-09)
tenor vocals:
Neil MacKenzie (classical tenor vocalist) (from 1987-05-07 until 1987-05-09)
conductor:
Harry Christophers (conductor) (from 1987-05-07 until 1987-05-09)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-05-07 until 1987-05-09)
recording of:
Nowell, nowell: In Bethlem (english carol; 15th century) (from 1987-05-07 until 1987-05-09)
writer:
[anonymous] (special purpose artist)
[anonymous]2:21
3Gaudete
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
frame drum [pandarete]:
Robin Barda (from 1987-05-07 until 1987-05-09)
choir vocals:
The Sixteen (UK choir) (from 1987-05-07 until 1987-05-09)
tenor vocals:
Nicolas Robertson (Tenor) (from 1987-05-07 until 1987-05-09)
conductor:
Harry Christophers (conductor) (from 1987-05-07 until 1987-05-09)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-05-07 until 1987-05-09)
recording of:
Gaudete, gaudete Christus est natus (original “Piæ cantiones” version) (from 1987-05-07 until 1987-05-09)
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Piæ cantiones (first published in 1582 in Greifswald, Sweden; a collection of 74 Latin and Swedish/Latin songs)
[anonymous]1:30
4Nesciens Mater
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1987-05-07 until 1987-05-09)
conductor:
Harry Christophers (conductor) (from 1987-05-07 until 1987-05-09)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-05-07 until 1987-05-09)
recording of:
Nesciens mater virgo virum (from 1987-05-07 until 1987-05-09)
composer:
Walter Lambe (English composer)
Walter Lambe4:56
5The Song of the Nuns of Chester
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1987-05-07 until 1987-05-09)
soprano vocals:
Fiona Clarke (soprano) (from 1987-05-07 until 1987-05-09)
conductor:
Harry Christophers (conductor) (from 1987-05-07 until 1987-05-09)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-05-07 until 1987-05-09)
recording of:
Song of the Nuns of Chester (from 1987-05-07 until 1987-05-09)
composer:
[traditional] (special purpose artist)
[anonymous]3:12
6Coventry Carol
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bass vocals:
Simon Birchall (operatic bass) (from 1987-05-07 until 1987-05-09)
choir vocals:
The Sixteen (UK choir) (from 1987-05-07 until 1987-05-09)
soprano vocals:
Mary Seers (soprano) (from 1987-05-07 until 1987-05-09)
tenor vocals:
Neil MacKenzie (classical tenor vocalist) (from 1987-05-07 until 1987-05-09)
conductor:
Harry Christophers (conductor) (from 1987-05-07 until 1987-05-09)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-05-07 until 1987-05-09)
recording of:
Coventry Carol (from 1987-05-07 until 1987-05-09)
lyricist:
Robert Croo (16th-century lyricist of "The Coventry Carol") (in 1534)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 19028)
[anonymous]3:25
7The Boar's Head Carol
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bass vocals:
Jeremy White (operatic bass) (from 1987-05-07 until 1987-05-09)
choir vocals:
The Sixteen (UK choir) (from 1987-05-07 until 1987-05-09)
conductor:
Harry Christophers (conductor) (from 1987-05-07 until 1987-05-09)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-05-07 until 1987-05-09)
recording of:
The Boar's Head Carol (from 1987-05-07 until 1987-05-09)
lyricist and composer:
[traditional] (special purpose artist)
[anonymous]1:32
8Videte miraculum
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1987-05-07 until 1987-05-09)
conductor:
Harry Christophers (conductor) (from 1987-05-07 until 1987-05-09)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-05-07 until 1987-05-09)
recording of:
Videte miraculum (motet for 6 voices, P. 293) (from 1987-05-07 until 1987-05-09)
composer:
Thomas Tallis (composer)
Thomas Tallis9:59
9Quem pastores laudavere
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1987-05-07 until 1987-05-09)
conductor:
Harry Christophers (conductor) (from 1987-05-07 until 1987-05-09)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-05-07 until 1987-05-09)
recording of:
Quem pastores laudavere (Shepherds left their flocks astraying) (from 1987-05-07 until 1987-05-09)
composer:
[traditional] (special purpose artist)
[anonymous]2:21
10Pueri, concinite
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1987-05-07 until 1987-05-09)
conductor:
Harry Christophers (conductor) (from 1987-05-07 until 1987-05-09)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-05-07 until 1987-05-09)
recording of:
Pueri concinite (from 1987-05-07 until 1987-05-09)
composer:
Jacobus Gallus (aka Jacob(us) Handl)
Jacob Handl1:55
11O magnum mysterium
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1987-05-07 until 1987-05-09)
conductor:
Harry Christophers (conductor) (from 1987-05-07 until 1987-05-09)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-05-07 until 1987-05-09)
recording of:
O magnum mysterium (from 1987-05-07 until 1987-05-09)
composer:
Jacobus Gallus (aka Jacob(us) Handl)
Jacob Handl2:26
12Resonet in laudibus
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1987-05-07 until 1987-05-09)
conductor:
Harry Christophers (conductor) (from 1987-05-07 until 1987-05-09)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-05-07 until 1987-05-09)
recording of:
Resonet in laudibus (Jacob Handl, adapted by Philip Ledger) (from 1987-05-07 until 1987-05-09)
composer:
Jacob Handl (aka Jacob(us) Handl)
Jacob Handl1:24
13In dulci jubilo (Piæ Cantiones)
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1987-05-07 until 1987-05-09)
conductor:
Harry Christophers (conductor) (from 1987-05-07 until 1987-05-09)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-05-07 until 1987-05-09)
recording of:
In dulci iubilo (1601 harmony by Bartholomäus Gesius) (from 1987-05-07 until 1987-05-09)
lyricist:
Heinrich Seuse
composer:
traditional ([anonymous], special purpose artist)
vocals arranger:
Bartholomäus Gesius
version of:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
[anonymous]2:50
14Riu, riu chiu
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tambourine:
Robin Barda (from 1987-05-07 until 1987-05-09)
bass vocals:
Christopher Hodges (bass vocalist) (from 1987-05-07 until 1987-05-09)
choir vocals:
The Sixteen (UK choir) (from 1987-05-07 until 1987-05-09)
conductor:
Harry Christophers (conductor) (from 1987-05-07 until 1987-05-09)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-05-07 until 1987-05-09)
recording of:
Ríu, ríu, chíu (from 1987-05-07 until 1987-05-09)
writer:
[anonymous] (special purpose artist) (from 1500 until 1600)
composer:
Mateu Fletxa ("El Vell" or "El Viejo", Catalan renaissance composer)
part of:
Cancionero de Uppsala (number: 40)
[anonymous]2:22
15Nesciens Mater
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1987-05-07 until 1987-05-09)
conductor:
Harry Christophers (conductor) (from 1987-05-07 until 1987-05-09)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-05-07 until 1987-05-09)
recording of:
Nesciens mater virgo virum (from 1987-05-07 until 1987-05-09)
composer:
Jean Mouton (French Renaissance composer)
Jean Mouton5:55
16Omnes de Saba
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1987-05-07 until 1987-05-09)
conductor:
Harry Christophers (conductor) (from 1987-05-07 until 1987-05-09)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-05-07 until 1987-05-09)
recording of:
Omnes de Saba venient (from 1987-05-07 until 1987-05-09)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
Orlande de Lassus3:22