Jazz Deluxe

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Disc 3 track 9 misspelled as "My Heart Belong To Daddy".
Relesed with same EAN code also in Brazil and Mexico.

Annotation last modified on 2015-03-07 11:50 UTC.

Tracklist

1▶CD: The Greatest Voices
2▶CD: Groovin´ Without Words
3▼CD: The Cole Porter Songbook
#TitleArtistRatingLength
1I’ve Got You Under My Skin
engineer:
Val Valentin (on 1956-02-09)
producer:
Norman Granz
bass trombone:
George Roberts (american bass trombone) (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (american trombone player) (on 1956-02-09) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-09)
conductor:
Buddy Bregman (on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
I’ve Got You Under My Skin (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Ella Fitzgerald2.252:43
2I Concentrate on You
live recording of:
I Concentrate on You (on 1981-01-17)
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
Carmen McRae4:20
3Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Lena Horne2:35
4Easy to Love
Steve Grossman5:25
5Love for Sale
Sidney Bechet3:19
6Let’s Do It
alto saxophone:
Eddie Barefield (on 1941-03-21) and Leslie Johnakins (on 1941-03-21)
double bass:
Ted Sturgis (on 1941-03-21)
drums (drum set):
Kenny Clarke (on 1941-03-21)
guitar:
John Collins (US jazz guitarist) (on 1941-03-21)
piano:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (on 1941-03-21)
tenor saxophone:
Lester Young (saxophonist) (on 1941-03-21)
trumpet:
Shad Collins (on 1941-03-21)
vocals:
Billie Holiday (on 1941-03-21)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (on 1941-03-21)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
Billie Holiday2:57
7All of You
cover recording of:
All of You (Silk Stockings musical)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
Miles Davis15:32
8(You’d Be) So Nice to Come Home To
recorded in:
New York, New York, United States (on 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-29)
baritone saxophone:
Cecil Payne (on 1955-07-29)
cornet:
Nat Adderley (on 1955-07-29)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-29)
drums (drum set):
Kenny Clarke (on 1955-07-29)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-29)
piano:
John Williams (American jazz pianist) (on 1955-07-29)
trombone:
J. Johnson (jazz/bop trombonist/session leader) (on 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955), HHO Licensing (in 2005, in 2008) and Xelon Productions (in 2010)
instrumental cover recording of:
You’d Be So Nice to Come Home To (on 1955-07-29)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Cannonball Adderley3:43
9My Heart Belong to Daddy
double bass:
Beverly Peer (on 1939-02-17)
drums (drum set):
Chick Webb (on 1939-02-17)
guitar:
Bobby Johnson (US guitarist) (on 1939-02-17)
piano:
Tommy Fulford (on 1939-02-17)
reeds:
Garvin Bushell (on 1939-02-17) and Hilton Jefferson (on 1939-02-17)
tenor saxophone:
Teddy McRae (on 1939-02-17)
trombone:
George Matthews (trombone) (on 1939-02-17), Nat Story (on 1939-02-17) and Sandy Williams (American jazz trombonist) (on 1939-02-17)
trumpet:
Taft Jordan (on 1939-02-17), Bobby Stark (on 1939-02-17) and Dick Vance (US jazz trumpeter and arranger) (on 1939-02-17)
woodwind:
Wayman Carver (on 1939-02-17)
vocals:
Ella Fitzgerald (American jazz singer) (on 1939-02-17)
cover recording of:
My Heart Belongs to Daddy (on 1939-02-17)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. and Chappell Music Ltd.
Ella Fitzgerald43:05
10I Love You
recording engineer:
Rudy van Gelder (on 1957-08-16)
double bass [bass]:
Earl May (on 1957-08-16)
drums (drum set):
Art Taylor (on 1957-08-16)
tenor saxophone:
John Coltrane (on 1957-08-16)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-08-16)
instrumental cover recording of:
I Love You (Mexican Hayride musical) (on 1957-08-16)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
John Coltrane Trio5:30
11Everytime We Say Goodbye
Sonny Rollins3:18
12Begin the Beguine
recording of:
Begin the Beguine (on 1945-11-27)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Stan Kenton2:38
13Let’s Be Buddies
Les Brown3:05
14What Is This Thing Called Love?
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Sarah Vaughan1:47