Motown Classics, Volume 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Despite best efforts, it has been impossible to turn up any indication that this title exists with this track listing (other than as the other release in this group).

See notes on my merge that put these five "volumes" (yes, that release title should only read "Motown Classics" by now, the 5 volumes are the 5 discs) together. Please shed light if you can!

Anmerkung zuletzt geändert am 2023-09-22 13:53 UTC.

Titelliste

1Medium
2Medium
3Medium
4Medium
5Medium
Nr.TitelKünstlerBewertungLänge
1Upside Down
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980)
recording of:
Upside Down
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross4?:??
2Super Freak, Part 1
recording of:
Super Freak
Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
Texter und Komponist(in):
Alonzo Miller (Singer-songwriter, producer) und Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. und Stone Diamond Music Corporation
Rick James?:??
3Endless Love
recording engineer:
Reggie Dozier
Produzent(in):
Lionel Richie
Mix:
Guy Costa
zusätzliche(r) Gast-Interpret(in):
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 20)
recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner/Chappell North America
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1981 nominee)
Diana Ross & Lionel Richie3.5?:??
4Let It Whip
recording of:
Let It Whip
Verfasser(in) und Komponist(in):
Reggie Andrews und Leon Ndugu Chancler
Dazz Band?:??
5All Night Long
Produzent(in):
James Anthony Carmichael und Lionel Richie
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983) und Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
All Night Long (All Night)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music und Rondor Music (Australia) Pty Ltd
Lionel Richie3.4?:??
6Don’t Look Any Further
recording engineer:
Jeremy Smith (producer/engineer)
drum machine-Programmierung und Partner-Koproduzent(in):
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Produzent(in):
Dennis Lambert
Bass-Synthesizer und E-Gitarre [Valley Arts Stratocaster]:
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Bassgitarre:
Nathan East
cabasa, shakers, Tama / Dundun / Talking Drum, Tamburin und Timbales:
Paulinho da Costa (Brazilian percussionist)
Synthesizer:
Dennis Lambert
Gast vocals:
Siedah Garrett
Interpret(in):
Siedah Garrett
arranger:
Dennis Lambert und Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
aufgenommen bei:
Soundcastle Studios (former LA location) in Silver Lake, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Look Any Further
Verfasser(in):
Franne Golde, Duane Hitchings und Dennis Lambert
publisher:
BMG Platinum Songs US, Universal Music Careers und VMG Worldwide
Dennis Edwards & Siedah Garrett4?:??
7Somebody’s Watching Me
Produzent(in):
Curtis Anthony Nolen und Rockwell (R & B – “Somebody’s Watching Me”)
Gast vocals:
Michael Jackson (“King of Pop”)
Hintergrundgesang:
Jermaine Jackson (soul/pop singer, of Jackson 5)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 20)
recording of:
Somebody’s Watching Me
Texter und Komponist(in):
Rockwell (R & B – “Somebody’s Watching Me”)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Rockwell3.85?:??
8Rhythm of the Night
Produzent(in):
Richard Perry (producer)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 1985, in 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (vom 2016 bis heute)
Musikvideos:
Rhythm of the Night von DeBarge
recording of:
Rhythm of the Night
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. und Realsongs
DeBarge3.6?:??
9Say You, Say Me
Produzent(in):
James Anthony Carmichael und Lionel Richie
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2003) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Say You, Say Me
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1985 winner)
Lionel Richie4.15?:??
10In My House
recording of:
In My House
Texter und Komponist(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (Nummer: 13)
Mary Jane Girls?:??
11Nightshift
Partner-Produzent(in):
Peter Wolfe (Austrian classical/jazz composer/producer, keyboards for Zappa) und Jeremy Smith (producer/engineer)
Produzent(in):
Dennis Lambert
arranger:
Peter Wolfe (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1984)
Bearbeitung von:
Nightshift von Commodores (US funk/soul band with Lionel Richie)
recording of:
Nightshift
Verfasser(in):
Franne Golde, Dennis Lambert und Walter Orange
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Zomba Enterprises, Inc.
Commodores4.35?:??
12Who’s Johnny
Produzent(in):
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
recording of:
Who’s Johnny
Verfasser(in):
Peter & Ina Wolf, Ina Wolf und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
El DeBarge?:??
13Him or Me
recording of:
Him or me (Today song)
Verfasser(in):
Wesley Adams, Lee Drakeford, Gene Griffin, Larry Mc Caine und Harry Singletarry
Today?:??
14MotownphillyBoyz II Men?:??
15Rub You the Right Way
recording of:
Rub You the Right Way
Verfasser(in):
James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Johnny Gill?:??
16I Love Your SmileShanice4?:??
17I’ll Make Love to You
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 24)
recording of:
I’ll Make Love to You
Texter und Komponist(in):
Kenny Edmonds (R&B musician Kenny Edmonds)
cover recording of:
I’ll Make Love to You
Texter und Komponist(in):
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men?:??
18On and On
Assistent recording engineer:
Charles McCrorey
recording engineer, Programmierung und Mix:
Bob Power
zusätzliche(r) Techniker(in) und assistierende(r) Mix:
Tim Donovan
Produzent(in):
JaBorn Jamal und Bob Power
Hintergrundgesang und Sologesang:
Erykah Badu
Interpret(in):
Bob Power
Musikvideos:
On & On von Erykah Badu
a cappella versions:
On & On (L∆VINCi Remix) von L∆VINCi (LAVINCi) feat. Erykah Badu
recording of:
On & On
Verfasser(in):
Erykah Badu und JaBorn Jamal
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und MCA Music Ltd
Erykah Badu3.75?:??

Nennungen

Veröffentlichungsgruppe

Teil von:Motown Classics (Nummer: 1) (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/1334186 [Info]