Magic 80’s Top 200

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1You’re My Heart You’re My Soul
recording of:
You’re My Heart, You’re My Soul
Texter und Komponist(in):
Steve Benson (German songwriter Dieter Bohlen)
publisher:
Arabella Musikverlag GmbH (ARABELLA MUSIC EDITION MUENCHEN), Blue Obsession, Hansa Musikverlag, Hanseatic Musikverlag (German music publishing company owned by Warner Chappell Music), Hanseatic Musikverlag GmbH (since 2017) und Warner Chappell
Modern Talking5:36
2U.S.S.R.
recording of:
U.S.S.R.
Verfasser(in):
Michele Chieregato, Tom Hooker (American singer, songwriter and photographer) und Roberto Turatti
Eddy Huntington3:25
3Tarzan Boy
recorded in:
Italien
Produzent(in):
Maurizio Bassi
arranger:
Maurizio Bassi
recording of:
Tarzan Boy
Texter:
Naimy Hackett
Komponist(in):
Maurizio Bassi
publisher:
EMI Music Publishing (do not use as a release label!) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Baltimora3.73:47
4Live Is Life (live)
E-Bass:
Niki Gruber (am 1984-09-02)
Gitarre:
Ewald Pfleger (am 1984-09-02)
Keyboard:
Kurt René Plisnier (am 1984-09-02)
Schlagzeug:
Günter Grasmuck (am 1984-09-02)
Sologesang:
Herwig Rüdisser (am 1984-09-02)
phonographisches Urheberrecht (℗) von:
OK Music (in 1984) und Deshima Music GmbH (in 2000)
aufgenommen bei:
Informstadion in Oberwart, Burgenland, Österreich (am 1984-09-02)
Musikvideos:
Live Is Life von Opus (Austrian band; track: “Live Is Life”)
live recording of:
Live Is Life (song by Opus) (am 1984-09-02)
Texter:
Ewald Pfleger
Komponist(in):
Günter Grasmuck, Peter Niklas Gruber, Ewald Pfleger, Kurt René Plisnier und Herwig Rüdisser
publisher:
Garden of Music Publishing und Opus Music (Publisher for Opus)
Opus3.54:01
51, 2, 3, 4, 5, 6, 7, 8
recording of:
1.2.3.4.5.6.7.8 (1, 2, 3, 4, 5, 6, 7, 8)
Verfasser(in) und arranger:
Gino Caria (Italian Italo-Disco & Eurobeat producer) und Sandro Oliva
publisher:
Curci Germany GmbH und Star edizioni musicali Srl
Ken Laszlo6:00
6Self Control
cover recording of:
Self Control
Texter:
Steve Piccolo
zusätzliche(r) Verfasser(in):
Harro Steffen
Komponist(in):
Giancarlo Bigazzi und Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) und Sugarmusic Spa (publisher, do NOT use as label)
Laura Branigan4:05
7I Like Chopin
phonographisches Urheberrecht (℗) von:
BMG Music (in 1983)
recording of:
I Like Chopin
Texter:
Gazebo (80s Italian synth‐pop artist Paul Mazzolini “I Like Chopin”)
Komponist(in):
Pierluigi Giombini (arranger ,composer and producer)
publisher:
Abramo Allione Ed Mus SRL, Shinko Music Entertainment Co., Ltd., Televis Edizioni Musicali S.R.L. (publisher), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Gazebo3.54:09
8Happy Station
recording of:
Happy Station
Verfasser(in):
Dario Raimondi, I. Abacab und Ivana Spagna
publisher:
Ed. Glaser (publisher) (in 1983)
Fun Fun3:12
9Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:55
10Happy Song
recording of:
Happy Song
Texter:
I. Abacab
Komponist(in):
Ottavio Bacciocchi und Ivana Spagna
Boney M.3:59
11Flames of Love
recording of:
Flames of Love
Verfasser(in):
Fancy (Manfred Alois Segieth, Italo / Eurodisco singer), Sabrina Lorenz und Alfons Weindorf
Fancy54:00
12Give Me the Night
recording of:
Give Me the Night
Verfasser(in):
Jérome (Italo disco, of Facts & Fiction) und Uwe Lux
Facts & Fiction6:14
13Voyage Voyage
recording of:
Voyage, voyage
Texter:
Jean‐Michel Rivat
Verfasser(in) und Komponist(in):
Dominique Dubois und Jean‐Michel Rivat
publisher:
Jean‐Michel Franck Rivat und Editions Rivat Music (publisher) (in 1986)
Desireless6:47
14You Spin Me Round
Produzent(in):
Pete Waterman
Interpret(in):
Dead or Alive (UK new wave band) (in 1984)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
Musikvideos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) von Dead or Alive (UK new wave band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 52)
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive4.153:13
15Big in Japan
recording of:
Big in Japan
Texter:
Marian Gold
Komponist(in):
Marian Gold, Lloyd Bernhard und Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville3:52
16Japanese Boy
recording of:
Japanese Boy
Texter und Komponist(in):
Bobby Heatlie (songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1981)
Aneka6:40
17Suzana
recording of:
Suzanne (original Dutch version)
Verfasser(in):
Bogman und F. Lancee (Dutch singer & songwriter)
VOF de Kunst4:47
18My Bed Is Too Big
recording of:
My Bed Is Too Big
Texter und Komponist(in):
Dieter Bohlen
publisher:
Hanseatic (publisher)
Blue System3:16
19I Can Lose My Heart Tonight
recording of:
I Can Lose My Heart Tonight
Texter und Komponist(in):
Dieter Bohlen
C.C.Catch3:49
20(I Just) Died in Your Arms
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:34
21You’re a Woman
recording of:
You’re a Woman
Texter:
Mary Applegate und Karin van Haaren
Komponist(in):
Tony Hendrik
publisher:
Hanseatic Musikverlag GmbH (1964–2001)
Bad Boys Blue4:00
22Wings of Love
recording of:
Wings of Love
Verfasser(in):
Elvin (Alfons Weindorf, Alfons Weindorf) und Grant Miller
Grant Miller5:15
23I Should Be So Lucky
Techniker(in):
Karen Hewitt, Mark McGuire (UK producer/engineer) und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographisches Urheberrecht (℗) von:
Mushroom Records (vom 1988 bis heute)
Musikvideos:
I Should Be So Lucky von Kylie Minogue
recording of:
I Should Be So Lucky
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
Mushroom Music Pty. Ltd. (vom 1988 bis heute)
Kylie Minogue4.353:22
24Just an Illusion
recording of:
Just an Illusion
Verfasser(in):
Ashley Ingram, Leee John, Steve Jolley und Tony Swain (songwriter, producer)
publisher:
Broadley Music (International) Ltd. (PRS)
Imagination3:57
25Love’s Just a Breath Away
recording of:
Love Is Just a Breath Away
Texter und Komponist(in):
Dieter Bohlen
publisher:
Hansa Musikverlag (vom 1988 bis heute) und Hanseatic Musikverlag (1964–2001) (vom 1988 bis heute)
Les McKeown5:47
26Buona Sera Ciao Ciao (club mix)
recording of:
Buona Sera - Ciao Ciao
Verfasser(in):
Claus Mathias und Majo Rolyat
Mauro7:19
27Slice Me Nice
recording of:
Slice Me Nice
Texter und Komponist(in):
Todd Canedy
Fancy5:25
28Looking for Freedom
recording of:
Looking for Freedom
Texter:
Gary Cowtan (songwriter)
Komponist(in):
Jack White (German producer Horst Nußbaum)
publisher:
“Young” Musikverlag GmbH (Jack White)
David Hasselhoff3:54
29Kung Fu Fighting
recording of:
Kung Fu Fighting
Texter und Komponist(in):
Carl Douglas
publisher:
Carren Music (publisher) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
basiert auf:
[Oriental Riff]
Carl Douglas3:11
30Ring My Bell
phonographisches Urheberrecht (℗) von:
Juana (in 1979, in 1980)
recording of:
Ring My Bell (Anita Ward song)
Texter und Komponist(in):
Frederick Knight
publisher:
Peermusic Pty. Ltd. (Australia), Two Knight Publishing Co. und Universal Music Publishers MGB Australia Pty Ltd
Anita Ward4.43:30
31When Will I Be Famous
recording engineer:
John Brand (engineer), Simon Humphrey und Robin Sellers
assistierende(r) Techniker(in):
Richard Edwards (sound engineer) und Alex Osman
Techniker(in):
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in) und Mix:
Nicky Graham
aufgenommen bei:
Hot Nights Studio in London (Greater London), England, Vereinigtes Königreich
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
When Will I Be Famous?
Verfasser(in):
Nicky Graham und Thomas Watkins
publisher:
Alderzone Ltd., BMG Platinum Songs US, BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, Maximum Music Limited und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Bros5:03
32Miss You So
recording of:
Miss You So
Verfasser(in):
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge) und Gunther Mende
publisher:
EMI Songs Musikverlag GmbH und Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
Bonnie Bianco4:52
33Don’t Break My Heart
recording of:
Don’t Break My Heart
Texter:
Tom Hooker (American singer, songwriter and photographer) und Roberto Turatti
Komponist(in):
Riccardo Ballerini, Michele Chieregato und Stefano Montin
publisher:
Gini Music
Den Harrow3:51
34Fotonovela
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Spain) S.A. (not for release label use!) (in 1984)
recording of:
Fotonovela
Texter und Verfasser(in):
Luis Gómez Escolar
Komponist(in):
Pedro Vidal
Iván4:30
35Everyday
recording of:
Every Day (I Love You More)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Jason Donovan3:25
36Sunshine Reggae
recording of:
Sunshine Reggae
Texter und Komponist(in):
John Guldberg und Tim Stahl
Laid Back3.354:14
37Living in a Box
recording of:
Living in a Box
Texter und Komponist(in):
Steve Piggott und Marcus Vere
publisher:
Brampton Music International, Brampton Music Ltd. (publisher) und Empire Music Ltd.
Living in a Box3:03
38Holiday Rap
recording of:
Holiday Rap
Verfasser(in):
Brian Bennett (Shadows drummer/library music composer), Curtis Hudson, Lucien Witteveen, Lisa Stevens, Sven van Veen (Dutch DJ Sven van Veen) und Bruce Welch (English guitarist, singer, songwriter and producer)
basiert auf:
Holiday
quotes lyrics from:
Summer Holiday
quotes music from:
Summer Holiday
MC Miker G & DJ Sven34:26
39Little RussianMr. Zivago3:53
40One Night in Bangkok
recording of:
One Night in Bangkok
Texter:
Tim Rice
Komponist(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MdW (publisher) und RCA Music Ltd. (publisher)
Teil von:
Chess (full musical)
Murray Head5:38
41Im Nin’Alu
recording of:
אם ננעלו
Texter:
שלום שבזי
Komponist(in):
עממי תימני ([traditional], special purpose artist)
עפרה חזה6:38
42Lady Fantasy
recording of:
Lady Fantasy
Verfasser(in):
Dino Melotti und Romano Trevisani
Max Him6:10
43Boys
Produzent(in):
Claudio Cecchetto (Italian record producer & talent scout)
produced for:
Five Record (Italian label owned by Fininvest)
recording of:
Boys (Summertime Love)
Texter:
Claudio Cecchetto (Italian record producer & talent scout) und Malcolm Charlton
Komponist(in):
Matteo Bonsanto und Roberto Rossi (composer)
publisher:
Budde Music France, Canale 5 Music, D.J.'s Gang, Melmax, RTI SpA (not for release label use!), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sabrina Salerno3.63:53
44The Loco‐Motion
Techniker(in):
Karen Hewitt, Mark McGuire (UK producer/engineer) und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographisches Urheberrecht (℗) von:
Mushroom Records (vom 1988 bis heute), PWL International Ltd. (in 1988) und KDB Pty Limited (in 1997)
cover recording of:
The Loco‐Motion (aka Locomotion)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (vom 1962 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Kylie Minogue3.53:13
45Cherish
recording of:
Cherish
Verfasser(in):
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) und Claydes Smith
publisher:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Windswept Pacific Music Ltd.
Kool & the Gang4:44
46Marrakesh
recording of:
Marrakesh
Verfasser(in):
Michael Cretu (Romanian-born German musician, composer and record producer) und Michael Kunze (producer and songwriter)
Goombay Dance Band4:15
47Words
Produzent(in):
Jean-Michel Gallois-Montbrun (Rolando Tambin) und Frédéric Leibovitz
arranger:
Daniel Darras, F.R. David und Frédéric Leibovitz
phonographisches Urheberrecht (℗) von:
Carrère (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (in 1982)
recording of:
Words
Texter:
Martin Kupersmith und Louis Sandy Yagura
Verfasser(in):
Martin Kupersmith, Louis Sandy Yagura und Robert Fitoussi (French artist)
Komponist(in):
Robert Fitoussi (French artist)
publisher:
Fable Music und Warner Chappell
übersetzte Version von:
Sen můj a Lízin
F.R. David4.43:25
48Oh L’Amour
recording of:
Oh l’amour
Verfasser(in):
Andy Bell (singer / songwriter for Erasure) und Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
Erasure3:00
49She Has a Way
recording of:
She Has a Way
Verfasser(in):
Bobby Orlando (US record producer, indie record label owner, songwriter & musician)
Bobby Orlando5:52
50Blame It on the Boogie
cover recording of:
Blame It on the Boogie
Verfasser(in):
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) und Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. und Peterman & Co. Ltd.
Teil von:
MJ: The Musical
Big Fun3:34
51Your Heart Keeps Burning
recording of:
Your Heart Keeps Burning
Texter:
Peter Koch und Emmo Reiss
Komponist(in):
Axel Klopprogge und Lothar Krell (Production music composer)
publisher:
Chartbreaker (publisher), EMI Songs, CBS Songs Musikverlag (publisher) (in 1985) und Edition Chartbreaker (publisher) (in 1985)
Blind Date3:59
52Upside Down
recording of:
Upside Down
Verfasser(in):
Giuliano Crivellente und Mauro Farina
Coo Coo2:59
53You Ain’t Got a Chance
recording of:
You Ain't Got a Chance
Verfasser(in):
Felix B. Mangione und Richie Rauet (Ricardo Rauet Guinau; Spanish keyboardist and producer from Barcelona)
Charly Danone7:22
54The Wild Boys
Techniker(in), Audio-Engineering und Mix:
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
Duran Duran (English rock band) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984, in 1998)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 54)
recording of:
The Wild Boys
Verfasser(in):
Andrew Taylor (of Duran Duran), Nicholas James Bates, Nigel John Taylor (UK bassist for Duran Duran), Roger Andrew Taylor (Duran Duran drummer) und Simon John Charles Le Bon (singer for Duran Duran)
publisher:
EMI Music Publishing (do not use as a release label!), Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. und Noticevale Ltd.
live recording of:
The Wild Boys
Verfasser(in):
Andrew Taylor (of Duran Duran), Nicholas James Bates, Nigel John Taylor (UK bassist for Duran Duran), Roger Andrew Taylor (Duran Duran drummer) und Simon John Charles Le Bon (singer for Duran Duran)
publisher:
EMI Music Publishing (do not use as a release label!), Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. und Noticevale Ltd.
Duran Duran4.14:16
55High Energy
recording of:
High Energy
Verfasser(in):
Ian Levine (Hi-NRG music songwriter and producer) und Fiachra Trench
publisher:
EMI Tunes Ltd und Filmtracks Picture
Evelyn Thomas6:47
56Last Night a D.J.Saved My Life
recording of:
Last Night a D.J. Saved My Life
Texter und Komponist(in):
Mike Cleveland (80's dance)
publisher:
Windswept Pacific Music Ltd.
Indeep5:40
57Big Fun
Techniker(in) und Produzent(in):
Kevin Saunderson
vocals:
Paris Grey
phonographisches Urheberrecht (℗) von:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1988, in 1989)
aufgenommen bei:
KMS Studios in Detroit, Michigan, Vereinigte Staaten
recording of:
Big Fun
Verfasser(in):
Arthur Forest, Paris Grey, Hollis P. Monroe, James Pennington (Detroit techno producer) und Kevin Saunderson
publisher:
Drive On Publishing und Renaissance Infinity Music
Inner City23:24
58D.I.S.C.O.
recording of:
D.I.S.C.O. (catch-all)
Komponist(in):
Jean Kluger (Belgian producer, publisher, songwriter) und Daniel Vangarde
Ottawan4:56
59Don QuichotteMagazine 605:05
60Cruel Summer
recording of:
Cruel Summer
Texter:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) und Keren Woodward
Komponist(in):
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) und Keren Woodward
publisher:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama3:28
61Sometimes
Produzent(in):
Flood (British producer Mark Ellis)
Mix:
Flood (British producer Mark Ellis), Daniel Miller (British music producer and founder of Mute Records) und Mike Pela
Trompete:
Guy Barker
Teil von:
Cachitos Nochevieja 2022 (Nummer: 107)
recording of:
Sometimes
Verfasser(in):
Andy Bell (singer / songwriter for Erasure) und Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Warner/Chappell Music GmbH & Co. KG Germany
Erasure2.73:38
62Forever Lovers
recording of:
Forever Lovers
Verfasser(in):
Luciano Genovesi und Marco Masini
Italian Boys6:06
63Touch by TouchJoy3:47
64Hey Hey Guy
recording of:
Hey Hey Guy
Texter:
Sandro Oliva
Komponist(in):
Gino Caria (Italian Italo-Disco & Eurobeat producer) und Sandro Oliva
publisher:
Star edizioni musicali Srl
Ken Laszlo7:36
65Passion
recording of:
Passion
Texter und Komponist(in):
Bobby O (US record producer, indie record label owner, songwriter & musician)
The Flirts3:20
66Ballet Dancer
recording of:
Ballet Dancer
Texter:
Ronny Schreinzer
Komponist(in):
Sven Dohrow
The Twins3:27
67Da da DaTrio6:34
68Disco Band
Produzent(in):
Walter Verdi und David Zambelli
recording of:
Disco Band
Texter und Komponist(in):
Fabio Margutti
Scotch3:58
69Pump Up the Jam
recording of:
Pump Up the Jam
Texter:
Manuela Kamosi (Belgian‐Congolese singer Manuela Kamosi)
Komponist(in):
Patrick de Meyer (Belgian electronic music producer) und Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
basiert auf:
Technotronic
Technotronic3:36
70Dolce Vita
recording of:
Dolce vita
Texter:
Paul Mazzolini
Komponist(in):
Pierluigi Giombini (arranger ,composer and producer)
publisher:
Pianola Music (publisher) (in 1983)
Ryan Paris7:28
71Around My DreamSilver Pozzoli34:28
72Another Life
recording of:
Another Life
Texter:
Barbara Addoms und Mamared
Komponist(in):
Luciano Ninzatti und Stefano Pulga
Kano3:51
73Reach Out
Interpret(in):
Paul Engemann
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Reach Out
Texter:
Paul Engemann und Richie Zito
Komponist(in):
Giorgio Moroder
publisher:
Axxis Musikverlag GmbH
Giorgio Moroder3:44
74I.O.U.
recording of:
I.O.U.
Verfasser(in):
Arthur Baker (American record producer and DJ) und John Robie
publisher:
Shakin’ Baker Music
Freeez3:49
75Shoot Your Shot
recording of:
Shoot Your Shot
Texter und Komponist(in):
Bobby Orlando (US record producer, indie record label owner, songwriter & musician)
Divine4:07
76Karma Chameleon
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
Mundharmonika:
Judd Lander (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Hintergrundgesang:
Helen Terry (UK singer) (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Karma Chameleon von Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club3.754:00
77Isn’t It You
recording of:
Isn’t It You
Texter:
Christian Blau und Jan-Henrick Krueger
Komponist(in):
Jan-Henrick Krueger und L. Westphal (German violinist)
Channel 54:26
78Love Is a ShieldCamouflage3:59
79The Tide Is High
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Perkussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) und Emil Richards (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Hintergrundgesang [girl-group backup vocals]:
The ‘B’ Girls und Deborah Harry
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
cover recording of:
The Tide Is High (in 1980)
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
Blondie4.154:33
80Valentino Mon Amour
recording of:
Valentino Mon Amour
Verfasser(in):
Gino Caria (Italian Italo-Disco & Eurobeat producer) und Sandro Oliva
Alan Ross5:42
81Sounds Like a Melody
recording engineer und Mix:
Wolfgang Loos (von 1984-07 bis 1984-08)
assistierende Programmierung:
Boris Balin und Thomas Beck (technical assistant, likely German)
Programmierung:
Wolfgang Loos
Produzent(in):
Andreas Budde, Wolfgang Loos und Colin Pearson (producer and violinist)
drum machine:
Bernhard Lloyd (von 1984-07 bis 1984-08)
Keyboard:
Bernhard Lloyd (von 1984-07 bis 1984-08) und Frank Mertens (German synthpop keyboardist Frank Sorgatz) (von 1984-07 bis 1984-08)
Saiteninstrumente:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (von 1984-07 bis 1984-08)
zusätzlich Keyboard:
Wolfgang Loos (von 1984-07 bis 1984-08)
Sologesang:
Marian Gold (von 1984-07 bis 1984-08)
arranger:
Alphaville (German synth pop band) und Wolfgang Loos
aufgenommen bei und mixed at:
Studio 54 (Berlin recording studio) in Deutschland (von 1984-07 bis 1984-08)
recording of:
Sounds Like a Melody (von 1984-07 bis 1984-08)
Texter:
Marian Gold
Komponist(in):
Marian Gold, Bernhard Lloyd und Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.654:45
82Obsession
recording engineer:
Jeff Harris (recording engineer)
Programmierung:
Jeff Harris (recording engineer) und Holly Knight
Produzent(in):
John Ryan (producer a/k/a “The Chicago Kid”)
Bassgitarre:
Charles Ottavio
Gitarre:
Bill Wadhams
Keyboard:
Paul Antonelli
membranophone:
Frenchy O'Brien
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 12)
cover recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
Animotion5:34
83Strangers by Night
recording of:
Strangers by Night
Texter und Komponist(in):
Dieter Bohlen
C.C.Catch5:42
84Geil
recording of:
Geil
Texter und Komponist(in):
Bruce Hammond Earlam
publisher:
Boogie Tunes Edition
Bruce & Bongo3:15
85Maneater
assistierende(r) Techniker(in):
Bruce Buckhalter (Engineer), Barry Harris (engineer) und Michael Somer-Abbott
Techniker(in):
Neil Kernon
Koproduzent(in):
Neil Kernon
Produzent(in):
Daryl Hall und John Oates
Mix:
Hugh Padgham
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
recording of:
Maneater (in 1981-12)
Texter:
Sara Allen, Daryl Hall und John Oates
Komponist(in):
Daryl Hall und John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Ltd. (1996–2019)
Daryl Hall & John Oates4.44:28
86Glasses Man
recording of:
Glasses Man
Texter:
Sandro Oliva
Komponist(in):
Gino Caria (Italian Italo-Disco & Eurobeat producer) und Sandro Oliva
publisher:
Star edizioni musicali Srl
Ken Laszlo4:12
87Don’t Worry
recording of:
Don’t Worry
Verfasser(in):
Kim Appleby und Craig Logan
Kim Appleby2.353:37
88Got to Be Certain
Techniker(in):
Karen Hewitt, Mark McGuire (UK producer/engineer) und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographisches Urheberrecht (℗) von:
Mushroom Records (vom 1988 bis heute)
recording of:
Got to Be Certain
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
Mushroom Music Pty. Ltd. (vom 1988 bis heute)
Kylie Minogue43:17
89Shattered Dreams
Produzent(in):
Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) und Mike Nocito
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
recording of:
Shattered Dreams
Texter und Komponist(in):
Clark Datchler
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sweet Oily Music
Johnny Hates Jazz4.53:24
90Take On Me
Produzent(in):
Alan Tarney
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
Teil von:
BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha44:49
91Flesh for Fantasy
recording of:
Flesh for Fantasy
Verfasser(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music und Sitting Pretty Music
übersetzte Version von:
F.F.F. (Flesh for Fantasy) (German Version)
Billy Idol4:37
92Two Tribes
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 27)
recording of:
Two Tribes
geschrieben in:
Liverpool, Merseyside, England, Vereinigtes Königreich (von 1982 bis 1983)
Texter und Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood4.23:22
93Hey Little Girl
recording of:
Hey Little Girl
Texter und Komponist(in):
Iva Davies
publisher:
EMI Songs Australia Pty. Ltd.
Icehouse34:21
94Tonight
recording of:
Tonight
Texter:
Sandro Oliva
Komponist(in):
Gino Caria (Italian Italo-Disco & Eurobeat producer) und Sandro Oliva
publisher:
Curci Germany GmbH und Star edizioni musicali Srl
Ken Laszlo5:47
95You Came
Programmierung und Produzent(in):
Tony Swain (songwriter, producer) und Ricky Wilde
Techniker(in):
James Richards (engineer)
Mix:
Richard Lengyel
Gitarre:
Steve Byrd und Ricky Wilde
Keyboard:
Tony Swain (songwriter, producer) und Ricky Wilde
Hintergrundgesang:
Junior Giscombe (Norman Washington Giscombe, Jr.) und Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1988) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (British record and publishing company)
aufgenommen bei und mixed at:
Select Sound Studios in Knebworth, Hertfordshire, England, Vereinigtes Königreich
Bearbeitung von:
You Came von Kim Wilde
recording of:
You Came
Verfasser(in):
Kim Wilde und Ricky Wilde
publisher:
Peermusic (UK) Limited
Kim Wilde3.753:30
96Neverending Story
Produzent(in):
Giorgio Moroder
Hintergrundgesang:
Beth Andersen (US pop vocalist)
Sologesang:
Limahl
vocals:
Beth Anderson (US pop vocalist) und Limahl
Interpret(in):
Limahl
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und Neue Constantin Film Productions GmbH
Teil von:
Cachitos Nochevieja 2022 (Nummer: 51)
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
Texter:
Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Limahl3.353:23
97Touch in the Night
recording of:
Touch in the Night
Texter, Verfasser(in) und Komponist(in):
Axel Breitung, Bernd Dietrich (German songwriter and producer) und Engelbert Simons
publisher:
Känguruh-Musikverlag (publisher)
Silent Circle5:29
98Together Forever
Keyboard [Fairlight]-Programmierung:
Ian Curnow (in 1987)
assistierende(r) Techniker(in):
Boky, Gordon Dennis (engineer at PWL Studios), Jonathan King und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Techniker(in):
Mark McGuire (UK producer/engineer)
zusätzliche(r) Techniker(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) und Karen Hewitt
Produzent(in):
Aitken, Stock (of Stock Aitken Waterman) und Waterman
Mix:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”)
Gitarre [guitars]:
Matt Aitken (in 1987)
Keyboard [keyboards]:
Mike Stock (of Stock Aitken Waterman) und Matt Aitken (in 1987)
Schlagzeug [drums]:
A Linn (Linn 9000) (in 1987)
Hintergrundgesang [backing vocals]:
Dee Lewis (in 1987), Shirley Lewis (in 1987), Mae McKenna (vocalist) (in 1987) und Suzanne Rhatigan (in 1987)
vocals:
Rick (English singer, songwriter and radio personality) (in 1987)
arranger:
Gordon Jenkins
phonographisches Urheberrecht (℗) von:
Pete Waterman Ltd. (copyrights holder) (in 1987)
sonstige Unterstützung:
PWL (Aufgabe: original sound recordings made by)
aufgenommen bei:
PWL Studio 1 (in 1987) und PWL Studio 2 (in 1987)
mixed at:
PWL Studio 1 und PWL Studio 2
recording of:
Together Forever (in 1987)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und Terrace Music (vom 1987 bis heute)
Rick Astley4.653:25
99In the Heat of the Night
recording of:
In the Heat of the Night
Texter:
Klaus Hirschburger und Markus Löhr
Komponist(in):
Michael Cretu (Romanian-born German musician, composer and record producer) und Hubert Kemmler (singer, songwriter, producer)
Sandra4:58
100Babe We’re Gonna Love TonightLime6:55
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