Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1▶CD: Bach: Christmas Oratorio (Parts I-III)
2▶CD: Bach: Christmas Oratorio (Parts IV-VI)
3▶CD: Bach: St. Matthew Passion (Parts I & II beg.)
4▶CD: Bach: St. Matthew Passion (Part II cont.)
5▶CD: Bach: St. John Passion (Parts I & II beg.)
6▶CD: Bach: St. John Passion (Part II cont.)
7▶CD: Bach: Mass in B minor (Kyrie - Gloria)
8▶CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9▶CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11▶CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12▶CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13▶CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14▶CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15▶CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16▶CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17▶CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18▶CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19▶CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20▶CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21▶CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22▶CD: Beethoven: Symphonies nos. 1 & 2
23▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25▶CD: Beethoven: Symphonies nos. 7 & 8
26▶CD: Beethoven: Symphony no. 9 “Choral”
27▶CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28▶CD: Beethoven: Piano Concertos nos. 3 & 4
29▶CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30▶CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31▶CD: Beethoven: Violin Concerto
32▶CD: Beethoven: Missa solemnis
33▶CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36▶CD: Interviews with John Eliot Gardiner
37▶CD: Britten: War Requiem
38▶CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39▶CD: Bruckner: Mass no. 1 / 5 Motets
40▶CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41▶CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42▶CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43▶CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44▶CD: Handel: Acis and Galatea (Act I)
45▶CD: Handel: Acis and Galatea (Act II)
46▶CD: Handel: Hercules (Acts I & II beg.)
47▶CD: Handel: Hercules (Acts II cont. & III)
48▶CD: Haydn: The Creation (Parts I & II beg.)
49▶CD: Haydn: The Creation (Parts II cont. & III)
50▶CD: Haydn: The Seasons (Spring - Summer)
51▶CD: Haydn: The Seasons (Autumn - Winter)
52▶CD: Grainger: The Warriors / Holst: The Planets
53▶CD: Lehár: Die lustige Witwe
54▶CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55▶CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56▶CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57▶CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58▶CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59▶CD: Monteverdi: L'Orfeo (Acts III-V)
60▶CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61▶CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62▶CD: Monteverdi: L'incoronazione di Poppea (Act III)
63▶CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65▶CD: Mozart: Piano Concertos nos. 11, 12 & 13
66▶CD: Mozart: Piano Concertos nos. 14, 15 & 18
67▶CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68▶CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69▶CD: Mozart: Piano Concertos nos. 22 & 23
70▶CD: Mozart: Piano Concertos nos. 24 & 25
71▶CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72▶CD: Mozart: Idomeneo (Acts I & II beg.)
73▶CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74▶CD: Mozart: Idomeneo (Act III cont.)
75▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79▶CD: Mozart: Le nozze di Figaro (Act IV)
80▶CD: Mozart: Don Giovanni (Act I beg.)
81▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82▶CD: Mozart: Don Giovanni (Act II cont.)
83▶CD: Mozart: Così fan tutte (Act I beg.)
84▶CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85▶CD: Mozart: Così fan tutte (Act II cont.)
86▶CD: Mozart: La clemenza di Tito (Act I)
87▶CD: Mozart: La clemenza di Tito (Act II)
88▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89▶CD: Mozart: Die Zauberflöte (Act II cont.)
90▶CD: Purcell: The Fairy Queen (Acts I-III)
91▶CD: Purcell: The Fairy Queen (Acts IV & V)
92▶CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93▶CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94▶CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95▶CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96▶CD: Schumann: Symphonies nos. 4 (original version) & 2
97▶CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98▶CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99▶CD: Schumann: Das Paradies und die Peri (Parts II & III)
100▶CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101▶CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102▶CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103▼CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
#TitleArtistRatingLength
1Die sieben Todsünden: Prologue: “Meine Schwester und ich stammen aus Louisiana” (Anna)
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 1. Prolog. Andante sostenuto (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer) (in 1933)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:24
2Die sieben Todsünden: 1. Faulheit: “Hoffentlich nimmt sich unsre Anna auch zusammen” (family)
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (German bass-baritone) (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 2. Faulheit. Allegro vivace (Familie) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:47
3Die sieben Todsünden: 2. Stolz: “Als wir aber ausgestattet waren” (Anna, family)
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (German bass-baritone) (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 3. Stolz. Allegretto, quasi Andantino (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:19
4Die sieben Todsünden: 3. Zorn: “Das geht nicht vorwärts!” (family, Anna)
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (German bass-baritone) (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 4. Zorn. Molto agitato (Familie, Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:00
5Die sieben Todsünden: 4. Völlerei: “Da ist ein Brief aus Philadelphia” (family)
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (German bass-baritone) (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 5. Völlerei. Largo (Familie) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill2:58
6Die sieben Todsünden: 5. Unzucht: “Und wir fanden einen Mann in Boston” (Anna, family)
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (German bass-baritone) (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 6. Unzucht. Moderato (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill5:38
7Die sieben Todsünden: 6. Habsucht: “Wie hier in der Zeitung steht, ist Anna” (family)
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (German bass-baritone) (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 7. Habsucht. Allegro giusto (Familie) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill2:57
8Die sieben Todsünden: 7. Neid: “Und die letzte Stadt der Reise war San Francisco” (Anna, family)
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (German bass-baritone) (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 8. Neid. Allegro non troppo (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill5:06
9Die sieben Todsünden: Epilogue: “Darauf kehrten wir zurück nach Louisiana” (Anna)
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 9. Epilog. Andante sostenuto (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill1:56
10Lady in the Dark: My Ship
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Lady in the Dark: My Ship (in 1993-09)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
publisher:
Chappell & Co., Inc. (USA)
part of:
Lady in the Dark: Act II. Childhood Dream
Kurt Weill2:42
11Lady in the Dark: One Life to Live
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Lady in the Dark: One Life to Live (in 1993-09)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
part of:
Lady in the Dark: Act I. Glamour Dream
Kurt Weill3:04
12Buddy on the Nightshift
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Buddy on the Nightshift (in 1993-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Kurt Weill (composer)
Kurt Weill2:09
13Nannas Lied
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Lied eines Freudenmädchens (Nanna’s Lied) (music by Kurt Weill) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer) (in 1939-12)
dedicated to:
Lotte Lenya
Kurt Weill4:06
14Happy End: Bilbao-Song
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Happy End: Teil 1. No. 1: Bilbao‐Song. “Bills Ballhaus in Bilbao” (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
publisher:
Universal Edition AG (Wien) (publisher; do NOT use as release label)
part of:
Happy End: Teil 1: Lieder vom Höllenfeuer und Reue
Kurt Weill4:27
15Happy End: Surabaya-Johnny
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Happy End: Teil 3. No. 10: Das Lied vom Surabaya‐Johnny. “Ich war jung, Gott, erst sechzehn Jahre” (original German version) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
Kurt Weill6:01
16Happy End: Das Lied von der harten Nuss
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Happy End: Teil 3. No. 11: Das Lied von der harten Nuss. "Wer will einen großen Mann hab'n" (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
Kurt Weill1:08
17Je ne t'aime pas
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
engineer and audio engineer:
Ulrich Vette (engineer) (in 1993-09)
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
grand piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Je ne t’aime pas (in 1993-09)
lyricist:
Maurice Magre (writer, poet, playwright)
composer:
Kurt Weill (composer) (in 1934)
was commissioned by:
Heugel & Cie. (in 1934)
Kurt Weill4:29
18Schickelgruber
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Schickelgruber (in 1993-09)
lyricist:
Howard Dietz (librettist)
composer:
Kurt Weill (composer)
Kurt Weill2:51
19Der Abschiedsbrief
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Der Abschiedsbrief (in 1993-09)
lyricist:
Erich Kästner
composer:
Kurt Weill (composer)
Kurt Weill3:28
20One Touch of Venus: Foolish Heart
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Foolish Heart (One Touch of Venus) (in 1993-09)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
part of:
One Touch of Venus (1943 musical)
Kurt Weill2:28
21One Touch of Venus: Speak Low
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Speak Low (One Touch of Venus) (in 1993-09)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
Kurt Weill3:59
22One Touch of Venus: I'm a Stranger Here Myself
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
I’m a Stranger Here Myself (One Touch of Venus) (in 1993-09)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
part of:
One Touch of Venus (1943 musical)
Kurt Weill3:13
104▶CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105▶CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]