Louis Armstrong (The Entertainers compilation)

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Cabaret
recorded in:
Juan-les-Pins, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, Frankreich (am 1967-07-26)
Klarinette:
Joe Muranyi (am 1967-07-26)
Klavier:
Marty Napoleon (am 1967-07-26)
Kontrabass:
Buddy Catlett (am 1967-07-26)
Posaune:
Tyree Glenn (am 1967-07-26)
Schlagzeug:
Danny Barcelona (am 1967-07-26)
Trompete:
Louis Armstrong (am 1967-07-26)
vocals:
Louis Armstrong (am 1967-07-26)
live cover recording of:
Cabaret (title song from the Kander & Ebb musical) (am 1967-07-26)
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
Carlin Music Corp.
Teil von:
Cabaret (musical)
4:00
2A Kiss to Build a Dream On
recorded in:
Juan-les-Pins, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, Frankreich (am 1967-07-27)
Klarinette:
Joe Muranyi (am 1967-07-27)
Klavier:
Marty Napoleon (am 1967-07-27)
Kontrabass:
Buddy Catlett (am 1967-07-27)
Posaune:
Tyree Glenn (am 1967-07-27)
Schlagzeug:
Danny Barcelona (am 1967-07-27)
Trompete:
Louis Armstrong (am 1967-07-27)
vocals:
Louis Armstrong (am 1967-07-27)
recording of:
A Kiss to Build a Dream On
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) und Bert Kalmar (in 1935)
Komponist(in):
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Fallout 2: A Post Nuclear Role Playing Game
Teil von:
The Strip (1951 film)
3:03
3Mack the Knife
recorded in:
Juan-les-Pins, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, Frankreich (am 1967-07-26)
Klarinette:
Joe Muranyi (am 1967-07-26)
Klavier:
Marty Napoleon (am 1967-07-26)
Kontrabass:
Buddy Catlett (am 1967-07-26)
Posaune:
Tyree Glenn (am 1967-07-26)
Schlagzeug:
Danny Barcelona (am 1967-07-26)
Trompete:
Louis Armstrong (am 1967-07-26)
vocals:
Louis Armstrong (am 1967-07-26)
recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
3:29
4Blueberry Hill
recorded in:
Juan-les-Pins, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, Frankreich (am 1967-07-26)
Klarinette:
Joe Muranyi (am 1967-07-26)
Klavier:
Marty Napoleon (am 1967-07-26)
Kontrabass:
Buddy Catlett (am 1967-07-26)
Posaune:
Tyree Glenn (am 1967-07-26)
Schlagzeug:
Danny Barcelona (am 1967-07-26)
Trompete:
Louis Armstrong (am 1967-07-26)
vocals:
Louis Armstrong (am 1967-07-26)
recording of:
Blueberry Hill
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
3:22
5That's My Desire
recorded in:
Juan-les-Pins, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, Frankreich (am 1967-07-27)
Klarinette:
Joe Muranyi (am 1967-07-27)
Klavier:
Marty Napoleon (am 1967-07-27)
Kontrabass:
Buddy Catlett (am 1967-07-27)
Posaune:
Tyree Glenn (am 1967-07-27)
Schlagzeug:
Danny Barcelona (am 1967-07-27)
Trompete:
Louis Armstrong (am 1967-07-27)
vocals:
Louis Armstrong (am 1967-07-27) und Tyree Glenn (am 1967-07-27)
Bearbeitung von:
That's My Desire (live, 1967-07-27: Juan-les-pins, France) von Louis Armstrong
recording of:
That’s My Desire
Texter:
Carroll Loveday
Komponist(in):
Helmy Kresa
publisher:
Mills Music, Inc.
2:55
6Ramona
recorded in:
New York, New York, Vereinigte Staaten (am 1953-04-21)
alto saxophone:
Dick Jacobs (arranger, musician and bandleader) (am 1953-04-21) und Milt Yaner (am 1953-04-21)
Gitarre:
Everett Barksdale (am 1953-04-21)
Klarinette:
Barney Bigard (am 1953-04-21)
Klavier:
Joe Bushkin (am 1953-04-21)
Kontrabass:
Arvell Shaw (am 1953-04-21)
Posaune:
Trummy Young (am 1953-04-21)
Schlagzeug:
Cozy Cole (am 1953-04-21)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1953-04-21)
Trompete:
Louis Armstrong (am 1953-04-21)
vocals:
Louis Armstrong (am 1953-04-21)
recording of:
Ramona (English version) (am 1953-04-21)
Texter:
L. Wolfe Gilbert
Komponist(in):
Mabel Wayne (in 1928)
2:43
7Black and Blue
recorded in:
New York, New York, Vereinigte Staaten (am 1955-04-26)
Produzent(in):
George Avakian (US 1940–90s record producer) (in 1955)
Klarinette:
Barney Bigard (am 1955-04-26)
Klavier:
Billy Kyle (am 1955-04-26)
Kontrabass:
Arvell Shaw (am 1955-04-26)
Posaune:
Trummy Young (am 1955-04-26)
Schlagzeug:
Barrett Deems (am 1955-04-26)
Trompete:
Louis Armstrong (am 1955-04-26)
vocals:
Louis Armstrong (am 1955-04-26)
recording of:
Black and Blue (am 1955-04-26)
Texter:
Harry Brooks (jazz pianist & songwriter) und Andy Razaf
Komponist(in):
Fats Waller
publisher:
Memory Lane Music Ltd. und Redwood Music Ltd. (Carlin)
4:42
8La vie en rose
recorded in:
New York, New York, Vereinigte Staaten (am 1950-06-26)
alto saxophone:
Hymie Schertzer (am 1950-06-26) und Milt Yaner (am 1950-06-26)
Gitarre:
Everett Barksdale (am 1950-06-26)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1950-06-26)
Kontrabass:
George Duvivier (am 1950-06-26)
Posaune:
Morton Bullman (am 1950-06-26)
Schlagzeug:
Johnny Blowers (am 1950-06-26)
Tenorsaxophon:
Art Drelinger (am 1950-06-26) und Bill Holcombe (US composer and flutist) (am 1950-06-26)
Trompete:
Louis Armstrong (am 1950-06-26), Melvin Solomon (am 1950-06-26), Bernie Privin (am 1950-06-26) und Paul Webster (trumpet, jazz musician) (am 1950-06-26)
vocals:
Louis Armstrong (am 1950-06-26)
Orchester:
Sy Oliver’s Orchestra (am 1950-06-26)
conductor:
Sy Oliver (am 1950-06-26)
arranger:
Sy Oliver
cover recording of:
La Vie en rose (English translation) (am 1950-06-26)
Texter:
Édith Piaf
Komponist(in):
Louiguy (French composer Louis Guglielmi)
Übersetzer:
Mack David (American lyricist and songwriter)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
übersetzte Version von:
La Vie en rose (French original)
43:21
9I Can't Give You Anything but Love
recorded in:
New York, New York, Vereinigte Staaten (am 1956-12-11)
alto saxophone:
George Dorsey (am 1956-12-11)
baritone saxophone und Bassklarinette:
Dave McRae (US clarinetist & saxophonist) (am 1956-12-11)
Bass:
Squire Gersh (US jazz bassist/tuba player, aka Squire Girsback) (am 1956-12-11)
Gitarre:
Everett Barksdale (am 1956-12-11)
Klarinette:
Edmond Hall (American jazz clarinetist, bandleader) (am 1956-12-11)
Klavier:
Billy Kyle (am 1956-12-11)
Posaune:
Trummy Young (am 1956-12-11)
Schlagzeug:
Barrett Deems (am 1956-12-11)
Tenorsaxophon:
Lucky Thompson (am 1956-12-11)
Trompete:
Louis Armstrong (am 1956-12-11)
vocals:
Louis Armstrong (am 1956-12-11)
cover recording of:
I Can’t Give You Anything but Love, Baby (am 1956-12-11)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
4:24
10New Orleans Function
recorded in:
New York, New York, Vereinigte Staaten (von 1950-04-26 bis 1950-04-27)
Klarinette:
Barney Bigard (von 1950-04-26 bis 1950-04-27)
Klavier:
Earl Hines (jazz pianist and bandleader) (von 1950-04-26 bis 1950-04-27)
Kontrabass:
Arvell Shaw (von 1950-04-26 bis 1950-04-27)
Posaune:
Jack Teagarden (von 1950-04-26 bis 1950-04-27)
Schlagzeug:
Cozy Cole (von 1950-04-26 bis 1950-04-27)
Trompete:
Louis Armstrong (von 1950-04-26 bis 1950-04-27)
recording of:
New Orleans Function
Verfasser(in):
William Christopher Handy
6:40
11C'est si bon
recorded in:
New York, New York, Vereinigte Staaten (am 1950-06-26)
alto saxophone:
Hymie Schertzer (am 1950-06-26) und Milt Yaner (am 1950-06-26)
Gitarre:
Everett Barksdale (am 1950-06-26)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1950-06-26)
Kontrabass:
George Duvivier (am 1950-06-26)
Posaune:
Morton Bullman (am 1950-06-26)
Schlagzeug:
Johnny Blowers (am 1950-06-26)
Tenorsaxophon:
Art Drelinger (am 1950-06-26) und Bill Holcombe (US composer and flutist) (am 1950-06-26)
Trompete:
Louis Armstrong (am 1950-06-26), Melvin Solomon (am 1950-06-26), Bernie Privin (am 1950-06-26) und Paul Webster (trumpet, jazz musician) (am 1950-06-26)
vocals:
Louis Armstrong (am 1950-06-26)
conductor:
Sy Oliver (am 1950-06-26)
arranger:
Sy Oliver
recording of:
C’est si bon (It's So Good, English version) (am 1950-06-26)
Texter:
André Hornez (in 1947)
Komponist(in):
Henri Betti (songwriter and pianist) (in 1947)
Übersetzer:
Jerry Seelen (screenwriter, lyricist. songwriter) (in 1949)
publisher:
Éditions Beuscher Arpège
übersetzte Version von:
C’est si bon (original French version)
3:02
12Only You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-09-08)
alto saxophone:
Arthur Herfurt (am 1955-09-08) und Harry Klee (am 1955-09-08)
Klarinette:
Barney Bigard (am 1955-09-08)
Klavier:
Billy Kyle (am 1955-09-08)
Kontrabass:
Arvell Shaw (am 1955-09-08)
Posaune:
Trummy Young (am 1955-09-08) und Si Zentner (am 1955-09-08)
Schlagzeug:
Barrett Deems (am 1955-09-08)
Tenorsaxophon:
Babe Russin (am 1955-09-08) und Donald Ruffell (am 1955-09-08)
Trompete:
Louis Armstrong (am 1955-09-08), Pete Candoli (am 1955-09-08), Manny Klein (am 1955-09-08) und Vito N. Mangano (am 1955-09-08)
vocals:
Louis Armstrong (am 1955-09-08)
Orchester:
Benny Carter and His Orchestra (am 1955-09-08)
cover recording of:
Only You (am 1955-09-08)
Texter und Komponist(in):
Buck Ram
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music und Sherwin Music (publisher) (in 1973)
3:10
13The Gipsy
recorded in:
New York, New York, Vereinigte Staaten (am 1953-10-22)
Gitarre:
Carmen Mastren (am 1953-10-22)
Klavier:
Bernie Leighton (am 1953-10-22)
Kontrabass:
Sandy Block (Jazz bassist, band leader) (am 1953-10-22)
Posaune:
Cutty Cutshall (am 1953-10-22), Phil Giardina (am 1953-10-22), Lou McGarity (am 1953-10-22) und Jack Satterfield (am 1953-10-22)
Saxophon:
Hymie Shertzer (am 1953-10-22)
Schlagzeug:
Eddie Grady (US jazz drummer) (am 1953-10-22)
Tenorsaxophon:
Al Klink (am 1953-10-22)
Trompete:
Louis Armstrong (am 1953-10-22), Billy Butterfield (am 1953-10-22), Andy Ferretti (am 1953-10-22) und Carl Poole (US trumpeter) (am 1953-10-22)
vocals:
Louis Armstrong (am 1953-10-22)
arranger:
Toots Camarata
recording of:
The Gypsy (am 1953-10-22)
Texter und Komponist(in):
Billy Reid (UK orchestra leader and songwriter)
publisher:
Colgems-EMI Music Inc. und MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
3:17
14St James Infirmary
recorded in:
Juan-les-Pins, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, Frankreich (am 1967-07-26)
Klarinette:
Joe Muranyi (am 1967-07-26)
Klavier:
Marty Napoleon (am 1967-07-26)
Kontrabass:
Buddy Catlett (am 1967-07-26)
Posaune:
Tyree Glenn (am 1967-07-26)
Schlagzeug:
Danny Barcelona (am 1967-07-26)
Trompete:
Louis Armstrong (am 1967-07-26)
vocals:
Louis Armstrong (am 1967-07-26)
recording of:
St. James Infirmary (Joe Primrose’s arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
Arrangement von:
St. James Infirmary
Version von:
The Unfortunate Lass (Bad Girl's Lament)
1:45
15Hello Dolly!
recorded in:
Juan-les-Pins, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, Frankreich (am 1967-07-26)
Klarinette:
Joe Muranyi (am 1967-07-26)
Klavier:
Marty Napoleon (am 1967-07-26)
Kontrabass:
Buddy Catlett (am 1967-07-26)
Posaune:
Tyree Glenn (am 1967-07-26)
Schlagzeug:
Danny Barcelona (am 1967-07-26)
Trompete:
Louis Armstrong (am 1967-07-26)
vocals:
Louis Armstrong (am 1967-07-26)
recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
2:32
16When It's Sleepy Time Down South
recorded in:
Juan-les-Pins, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, Frankreich (am 1967-07-27)
Klarinette:
Joe Muranyi (am 1967-07-27)
Klavier:
Marty Napoleon (am 1967-07-27)
Kontrabass:
Buddy Catlett (am 1967-07-27)
Posaune:
Tyree Glenn (am 1967-07-27)
Schlagzeug:
Danny Barcelona (am 1967-07-27)
Trompete:
Louis Armstrong (am 1967-07-27)
vocals:
Louis Armstrong (am 1967-07-27)
recording of:
When It’s Sleepy Time Down South
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
2:42
17Ain't Misbehavin'
recorded in:
New York, New York, Vereinigte Staaten (am 1955-05-03)
Klarinette:
Barney Bigard (am 1955-05-03)
Klavier:
Billy Kyle (am 1955-05-03)
Kontrabass:
Arvell Shaw (am 1955-05-03)
Posaune:
Trummy Young (am 1955-05-03)
Schlagzeug:
Barrett Deems (am 1955-05-03)
Trompete:
Louis Armstrong (am 1955-05-03)
vocals:
Louis Armstrong (am 1955-05-03)
Remaster:
Ain’t Misbehavin’ von Louis Armstrong
recording of:
Ain’t Misbehavin’ (am 1955-05-03)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
4:05
18I've Got a Feeling I'm Falling
recorded in:
New York, New York, Vereinigte Staaten (am 1955-04-26)
Produzent(in):
George Avakian (US 1940–90s record producer) (in 1955)
Klarinette:
Barney Bigard (am 1955-04-26)
Klavier:
Billy Kyle (am 1955-04-26)
Kontrabass:
Arvell Shaw (am 1955-04-26)
Posaune:
Trummy Young (am 1955-04-26)
Schlagzeug:
Barrett Deems (am 1955-04-26)
Trompete:
Louis Armstrong (am 1955-04-26)
vocals:
Louis Armstrong (am 1955-04-26)
cover recording of:
I’ve Got a Feeling I’m Falling (am 1955-04-26)
Texter:
Billy Rose (lyricist and Broadway producer)
Komponist(in):
Harry Link (US vaudeville actor & songwriter) und Fats Waller
3:14
19When the Saints Go Marchin' In
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-08-15)
Klarinette:
Edmond Hall (American jazz clarinetist, bandleader) (am 1956-08-15)
Klavier:
Billy Kyle (am 1956-08-15)
Kontrabass:
Dale Jones (bass, vocals) (am 1956-08-15)
Posaune:
Trummy Young (am 1956-08-15)
Schlagzeug:
Barrett Deems (am 1956-08-15) und Buddy Rich (am 1956-08-15)
Tenorsaxophon:
Illinois Jacquet (am 1956-08-15) und Flip Phillips (am 1956-08-15)
Trompete:
Louis Armstrong (am 1956-08-15), Harry “Sweets” Edison (am 1956-08-15) und Roy Eldridge (am 1956-08-15)
vocals:
Louis Armstrong (am 1956-08-15)
aufgenommen bei:
Hollywood Bowl in Hollywood Hills, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-15)
Bearbeitung von:
When the Saints Go Marching In (live, 1956-08-15: Hollywood Bowl, Los Angeles, CA, USA) von Louis Armstrong & the All Stars and Guests
recording of:
When the Saints Go Marching In (Louis Armstrong’s version)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Louis Armstrong
Version von:
When the Saints Go Marching In
3:28

Nennungen

Veröffentlichungsgruppe

enthalten in:Louis Armstrong & Guests (3 CD set)