Summer Love

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1I Never Loved a Man
tecnico di registrazione:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-01-24)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-01-24) e Chips Moman (il 1967-01-24)
chitarra basso :
Tommy Cogbill (il 1967-01-24)
pianoforte :
Aretha Franklin (il 1967-01-24) e Spooner Oldham (il 1967-01-24)
sassofono tenore :
Joe Arnold (il 1967-01-24) e Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-01-24)
tromba :
Ken Laxton (il 1967-01-24)
trombone :
David Hood (Muscle Shoals, AL guitarist and trombonist) (il 1967-01-24)
voce:
Aretha Franklin (il 1967-01-24)
direttore d'orchestra:
Tom Dowd (il 1967-01-24)
arrangiatore corno :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Muscle Shoals Sound Studio in Sheffield, Alabama, Stati Uniti (il 1967-01-24)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 186)
registrazione di:
I Never Loved a Man (The Way I Love You) (il 1967-01-24)
paroliere e compositore:
Ronnie Shannon
editore:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music e Pronto Music (publisher)
Aretha Franklin42:47
2Let It Be Me
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1960)
registrazione cover di:
Let It Be Me (il 1959-12-15)
paroliere:
Pierre Delanoë
compositore:
Gilbert Bécaud
traduttore:
Mann Curtis
editore:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) e Universal Music Corp. (USA, affiliated with ASCAP)
sub-editore:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione tradotta di:
Je t’appartiens
The Everly Brothers2:40
3The Worst That Could Happen
The Brooklyn Bridge3:10
4Tell It Like It Is
registrazione di:
Tell It Like It Is
autore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Lee Diamond
editore:
Conrad Music (publisher; do NOT use as release label) e Olrap Publishing Co., Inc.
Aaron Neville3:11
5More Today Than Yesterday
Spiral Stairs2:57
6Blue Velvet
Bobby Vinton2:52
7You’ve Lost That Lovin’ Feelin’
registrazione di:
You’ve Lost That Lovin’ Feelin’
autore:
Barry Mann, Phil Spector e Cynthia Weil
editore:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Righteous Brothers3:45
8A Lover’s Concerto
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
A Lover’s Concerto (nel 1965)
autore:
Sandy Linzer e Denny Randell
editore:
EMI Music Publishing (do not use as a release label!)
si basa su:
Minuet in G major, BWV Anh. 114 (for keyboard)
The Toys2:39
9Please Come to Boston
edit di:
Please Come to Boston di Dave Loggins
registrazione di:
Please Come to Boston
paroliere e compositore:
Dave Loggins
Dave Loggins4:10
10Don’t You Care
The Buckinghams2:31
11I Got You Babe
voce:
Sonny Bono (nel 1965) e Cher (nel 1965)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 331) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 444)
registrazione di:
I Got You Babe (nel 1965)
paroliere e compositore:
Sonny Bono
editore:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) e Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:15
12When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:53
13Surfer Girl
registrazione di:
Surfer Girl
paroliere e compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management)
sub-editore:
ミュージカル・ライツ・東京株式会社 (Musical Lights Tokyo)
The Beach Boys2:30
14Yes, I’m Ready
registrazione di:
Yes, I’m Ready
paroliere e compositore:
Barbara Mason
editore:
Embassy Music Corporation e Jamie Music Publishing Co.
Barbara Mason3:07
15All by Myself
registrazione di:
All by Myself
paroliere:
Eric Carmen
compositore:
Eric Carmen e Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (conclusa), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
Let’s Pretend
si basa su:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4:36
16Oh How Happy
Shades of Blue2:15
17I’m Your Puppet
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1966)
registrazione cover di:
I’m Your Puppet
autore:
Spooner Oldham e Dan Penn (songwriter, soul singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (1996–2019), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Australia Pty. Ltd.
James & Bobby Purify3:03
18Save the Last Dance for Me
registrazione di:
Save the Last Dance for Me
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
The Drifters2:31
19Could It Be I’m Falling in Love
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Thom Bell (keyboards, songwriter, producer)
basso :
Ron Baker (record producer, bassist, arranger and songwriter) (nel 1973)
batteria :
Earl Young (nel 1973)
percussione [vibraphone, marimba] :
Vince Montana (nel 1973)
pianoforte :
Thom Bell (keyboards, songwriter, producer) (nel 1973)
voce di accompagnamento:
Yvette Benson (nel 1973), Carla Benton (nel 1973) e Barbara Ingram (nel 1973)
voce di baritono:
Henry Fambrough (A member of the R&B quintet The Spinners) (nel 1973)
voce di basso:
Pervis Jackson (The bass singer for The Spinners) (nel 1973)
voce di tenore:
Billy Henderson (founding member of The Spinners) (nel 1973), Bobbie Smith (US R&B lead singer for The Spinners) (nel 1973) e Philippé Wynne (A lead vocalist of The Spinners) (nel 1973)
direttore d'orchestra:
Thom Bell (keyboards, songwriter, producer) (nel 1973)
remixer:
Joe Tarsia (engineer)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 221)
registrazione di:
Could It Be I’m Falling in Love (nel 1973)
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:15
20To Love Somebody
co-produttore:
Ossie Byrne
produttore:
Barry Gibb, Maurice Gibb, Robin Gibb e Robert Stigwood
direttore d'orchestra:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arrangiatore:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1967), Maurice Gibb (nel 1967) e Robin Gibb (nel 1967)
diritti fonografici (℗) detenuti da:
PolyGram International Ltd. (nel 1967), PolyGram International Music B.V. (not for release label use!) (nel 1967), Robert Stigwood Organisation Ltd. (nel 1967), RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1967) e RSO Records, Ltd. (nel 1969)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (nel 1967-04)
registrazione di:
To Love Somebody (nel 1967-04)
scritta a:
New York, New York, Stati Uniti (nel 1967)
autore:
Barry Gibb (nel 1967) e Robin Gibb (nel 1967)
editore:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) e Universal Music Careers
parte di:
50/50
Bee Gees3.93:01
21Who’s Sorry Now
voce:
Connie Francis (American former actress and chart-topping singer)
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1958)
registrazione cover di:
Who’s Sorry Now? (1923 song)
paroliere:
Bert Kalmar (nel 1923) e Harry Ruby (nel 1923)
compositore:
Ted Snyder (nel 1923)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (il 1923-03-07) e Mills Music Corporation (nel 1929)
Connie Francis4.52:20
22A Summer Song
Chad & Jeremy2:39
23Me & Mrs. Jones
registrazione di:
Me and Mrs. Jones
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Yamaha Music Entertainment (Japanese label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4:47
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Discogs:https://www.discogs.com/master/1103900 [info]