Meet The Parents (Original Motion Picture Soundtrack)

~ Release by Randy Newman (see all versions of this release, 2 available)

Annotation

Copyright: © 2000 SKG Music L.L.C.
℗ 2014 SKG Music L.L.C.

Annotation last modified on 2025-01-05 04:36 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1A Fool in Love
assistant recording engineer:
Bill Talbot, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music) and John Rodd (engineer)
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
producer:
Bruno Coon, Randy Newman (American singer‐songwriter and score composer) and Frank Wolf (engineer at Skyline Recording)
editor:
Bruno Coon
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
A Fool in Love
orchestrator:
Don Davis (American score composer), Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
part of:
The 73rd Academy Award for Best Original Song (number: 2)
Randy Newman2:16
2Poor Me
cover recording of:
Poor Me
lyricist and composer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
Randy Newman1:34
3Got My Mo Jo Working
cover recording of:
Got My Mojo Working (original version)
lyricist and composer:
Preston Foster
publisher:
Dare Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Randy Newman1:59
4Give Me a Sign
assistant recording engineer:
Bill Talbot, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music) and John Rodd (engineer)
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
producer:
Bruno Coon, Randy Newman (American singer‐songwriter and score composer) and Frank Wolf (engineer at Skyline Recording)
editor:
Bruno Coon
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Give Me a Sign
orchestrator:
Don Davis (American score composer), Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman3:21
5Meet the Parents
assistant recording engineer:
Bill Talbot, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music) and John Rodd (engineer)
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
producer:
Bruno Coon, Randy Newman (American singer‐songwriter and score composer) and Frank Wolf (engineer at Skyline Recording)
editor:
Bruno Coon
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Meet the Parents
orchestrator:
Don Davis (American score composer), Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman2:41
6Could You Milk Me?
assistant recording engineer:
Bill Talbot, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music) and John Rodd (engineer)
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
producer:
Bruno Coon, Randy Newman (American singer‐songwriter and score composer) and Frank Wolf (engineer at Skyline Recording)
editor:
Bruno Coon
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Could You Milk Me?
orchestrator:
Don Davis (American score composer), Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman2:39
7Greg Loses Jinx
assistant recording engineer:
Bill Talbot, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music) and John Rodd (engineer)
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
producer:
Bruno Coon, Randy Newman (American singer‐songwriter and score composer) and Frank Wolf (engineer at Skyline Recording)
editor:
Bruno Coon
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Greg Loses Jinx
orchestrator:
Don Davis (American score composer), Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman1:48
8Burning Down the House
assistant recording engineer:
Bill Talbot, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music) and John Rodd (engineer)
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
producer:
Bruno Coon, Randy Newman (American singer‐songwriter and score composer) and Frank Wolf (engineer at Skyline Recording)
editor:
Bruno Coon
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Burning Down the House
orchestrator:
Don Davis (American score composer), Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman1:56
9Wrong Cat
assistant recording engineer:
Bill Talbot, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music) and John Rodd (engineer)
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
producer:
Bruno Coon, Randy Newman (American singer‐songwriter and score composer) and Frank Wolf (engineer at Skyline Recording)
editor:
Bruno Coon
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Wrong Cat
orchestrator:
Don Davis (American score composer), Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman1:06
10The Car Race
assistant recording engineer:
Bill Talbot, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music) and John Rodd (engineer)
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
producer:
Bruno Coon, Randy Newman (American singer‐songwriter and score composer) and Frank Wolf (engineer at Skyline Recording)
editor:
Bruno Coon
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Car Race
orchestrator:
Don Davis (American score composer), Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman2:48
11Broken Hearted
assistant recording engineer:
Bill Talbot, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music) and John Rodd (engineer)
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
producer:
Bruno Coon, Randy Newman (American singer‐songwriter and score composer) and Frank Wolf (engineer at Skyline Recording)
editor:
Bruno Coon
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Broken Hearted
orchestrator:
Don Davis (American score composer), Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman1:14
12Pam’s Problem
assistant recording engineer:
Bill Talbot, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music) and John Rodd (engineer)
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
producer:
Bruno Coon, Randy Newman (American singer‐songwriter and score composer) and Frank Wolf (engineer at Skyline Recording)
editor:
Bruno Coon
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Pam’s Problem
orchestrator:
Don Davis (American score composer), Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman1:51
13Jack to the Rescue
assistant recording engineer:
Bill Talbot, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music) and John Rodd (engineer)
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
producer:
Bruno Coon, Randy Newman (American singer‐songwriter and score composer) and Frank Wolf (engineer at Skyline Recording)
editor:
Bruno Coon
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Jack to the Rescue
orchestrator:
Don Davis (American score composer), Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman1:06
14Together Again
assistant recording engineer:
Bill Talbot, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music) and John Rodd (engineer)
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
producer:
Bruno Coon, Randy Newman (American singer‐songwriter and score composer) and Frank Wolf (engineer at Skyline Recording)
editor:
Bruno Coon
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Together Again
orchestrator:
Don Davis (American score composer), Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman1:22
15I’m Your Puppet
recording of:
I’m Your Puppet
writer:
Spooner Oldham and Dan Penn (songwriter, soul singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (1996–2019), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Australia Pty. Ltd.
Bobby Womack3:32
16Ya Ya
recording of:
Ya, Ya
writer:
Lee Dorsey, Morris Levy, Clarence Lewis and Morgan Robinson
publisher:
FROST Music Corp
was commissioned by:
Fury Records (USA label active 50s to 70s)
Lee Dorsey2:28
17Big Chief
bass guitar:
Jimmy Calhoun
cornet:
Melvin Lastie
drums (drum set):
Freddie Staehle
electric piano and organ:
Ronnie Barron
guitar:
Ken Klimak and Alvin Robinson
percussion:
Richard "Didimus" Washington
saxophone:
Lee Allen (US jazz tenor saxophonist), Harold Battiste, Moe Bechamin, Sidney George and David Lastie
background vocals:
Ronnie Barron, Moe Bechamin, Shirley Goodman, Tami Lynn, Robbie Montgomery, Alvin Robinson and Jesse Smith (Background vocal for Dr. John)
lead vocals:
Dr. John (New Orleans blues pianist, singer and songwriter)
cover recording of:
Big Chief
composer:
Earl King
Dr. John43:25
18A Fool in Love (Reprise)
assistant recording engineer:
Bill Talbot, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music) and John Rodd (engineer)
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
producer:
Bruno Coon, Randy Newman (American singer‐songwriter and score composer) and Frank Wolf (engineer at Skyline Recording)
editor:
Bruno Coon
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
partial recording of:
A Fool in Love
orchestrator:
Don Davis (American score composer), Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
part of:
The 73rd Academy Award for Best Original Song (number: 2)
Randy Newman2:27