Stolen … and Other Moments

~ Release by Mark Murphy (see all versions of this release, 1 available)

Annotation

The original recordings were remastered by Gene Paul at DB Plus Digital Services, New York

Annotation last modified on 2024-03-06 18:18 UTC.

Tracklist

1▼CD: Murphy Muses
#TitleRatingLength
1I’m Glad There Is You
engineer:
George Klabin (engineer and producer)
producer:
Helen Keane and David Matthews (US jazz/bop keyboardist, pianist, and arranger)
double bass:
Ron Carter (US jazz double-bassist)
drums (drum set) and percussion:
Jimmy Madison
guitar:
Sam Brown (jazz guitarist)
piano:
Pat Rebillot
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trumpet:
Randy Brecker
vocals:
Mark Murphy (US jazz singer)
arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
recorded at:
Basement Studios (American studio) in United States (in 1972)
recording of:
I’m Glad There Is You
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
5:03
2Looking for Another Pure Love
producer:
Helen Keane
double bass:
Mike Moore (rockabilly)
drums (drum set):
Jimmy Madison
guitar:
Sam Brown (jazz guitarist) and John Tropea
keyboard and piano:
Kenny Ascher
percussion:
Sue Evans
vocals:
Mark Murphy (US jazz singer)
arranger:
Dave Matthews (jazz saxophonist)
recorded at:
Basement Studios (American studio) in United States (from 1973-12-19 until 1973-12-21)
recording of:
Lookin’ for Another Pure Love
lyricist:
Syreeta (US singer‐songwriter active 1970s–80s)
composer:
Stevie Wonder
publisher:
Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
3:05
3Empty Faces
producer:
Helen Keane
alto saxophone:
David Sanborn
double bass:
Harvie Swartz
drums (drum set):
Jimmy Madison
guitar:
Joe Puma
keyboard:
Don Grolnick
percussion:
Sue Evans
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trumpet:
Randy Brecker
recorded at:
Basement Studio, New York City, New York (New York) in New York, New York, United States (from 1975-06-17 until 1975-06-19)
recording of:
Empty Faces
composer:
Lani Hall and Milton Nascimento
translated version of:
Vera Cruz
5:15
4Young and Foolish
producer:
Helen Keane and Dave Matthews (jazz saxophonist)
alto saxophone:
David Sanborn
double bass:
Harvie Swartz
drums (drum set):
Jimmy Madison
guitar:
Joe Puma
keyboard:
Don Grolnick
percussion:
Sue Evans
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trumpet:
Randy Brecker
vocals:
Mark Murphy (US jazz singer)
recorded at:
Basement Studio, New York City, New York (New York) in New York, New York, United States (from 1975-06-17 until 1975-06-19)
recording of:
Young and Foolish
lyricist:
Arnold Horwitt
composer:
Albert Hague
publisher:
Chappell & Co. and Chappell Music (UK)
2:49
5Waters of March
engineer:
Elvin Campbell
producer:
Mitch Farber and production coordinator
alto saxophone:
Richie Cole
double bass:
Chuck Metcalf
drums (drum set):
Vince Lateano (drummer)
guitar:
Jim Nichols (jazz guitarist & bassist)
percussion:
Jack Gobbetti
piano:
Smith Dobson (pianist)
trombone:
Mark Levine (US jazz pianist, trombonist, composer, author and educator)
trumpet:
Warren Gale
vocals:
Mark Murphy (US jazz singer)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (on 1978-06-01)
recording of:
Waters of March
lyricist and composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp. and 大洋音楽 (Taiyō Music)
translated version of:
Águas de março
3:38
6Like a Lover (O cantador)
engineer:
Elvin Campbell
producer:
Mitch Farber and production coordinator
alto saxophone:
Richie Cole
double bass:
Chuck Metcalf
drums (drum set):
Vince Lateano (drummer)
guitar:
Jim Nichols (jazz guitarist & bassist)
percussion:
Jack Gobbetti
piano:
Smith Dobson (pianist)
trombone:
Mark Levine (US jazz pianist, trombonist, composer, author and educator)
trumpet:
Warren Gale
vocals:
Mark Murphy (US jazz singer)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (on 1978-06-01)
recording of:
Like a Lover
lyricist:
Nelson Motta
composer:
Dori Caymmi (the son)
translator:
Alan Bergman (American lyricist) and Marilyn Bergman
translated version of:
O Cantador
5:40
7Satisfaction Guaranteed
engineer:
Malcolm Addey
producer:
Mitch Farber
alto saxophone:
Richie Cole
baritone saxophone:
Ronnie Cuber
double bass:
Mark Egan (US jazz bassist & trumpeter)
drums (drum set):
Jimmy Madison
instruments:
Gene Bertoncini (guitar player)
piano:
Mike Renzi
trombone:
Slide Hampton
trumpet:
Tom Harrell
vocals:
Mark Murphy (US jazz singer)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1979-11-21 to present)
recording of:
Satisfaction Guaranteed
lyricist and composer:
Michael Franks
publisher:
Mississippi Mud Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and 大洋音楽 (Taiyō Music)
5:22
8Medley: Long Ago and Far Away
producer:
Dave Matthews (recording engineer)
drums (drum set):
Jimmy Madison
electric bass guitar:
Mark Egan (US jazz bassist & trumpeter)
flugelhorn and trumpet:
Tom Harrell
guitar:
Gene Bertoncini (guitar player)
keyboard:
Ben Aronov
percussion:
Sue Evans
saxophone:
Gerry Niewood
vocals:
Mark Murphy (US jazz singer)
recorded at:
Sear Sound in New York, New York, United States (from 1982 to present)
recording of:
Long Ago (and Far Away)
lyricist:
Ira Gershwin
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and T.B. Harms Co. (in 1944)
part of:
The 17th Academy Award for Best Original Song (number: 2)
included in:
Cover Girl (1944)
recording of:
Long Ago and Far Away (James Taylor song)
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated)
4:05
9I Don’t Want to Cry Anymore
recorded in:
Sear Sound, NYC, New York, United States (from 1982-04-02 until 1982-04-03)
engineer:
Chuck Irwin (from 1982-04-02 until 1982-04-03)
producer:
Dave Matthews (recording engineer) (from 1982-04-02 until 1982-04-03)
drums (drum set):
Jimmy Madison (from 1982-04-02 until 1982-04-03)
electric bass guitar:
Mark Egan (US jazz bassist & trumpeter) (from 1982-04-02 until 1982-04-03)
flugelhorn and trumpet:
Tom Harrell (from 1982-04-02 until 1982-04-03)
guitar:
Gene Bertoncini (guitar player) (from 1982-04-02 until 1982-04-03)
instruments:
Ben Aronov (Benjamin James Aronov; American jazz pianist, Born October 16, 1932 in Gary, Indiana. Died May 23, 2015 in Aux-en-Provence, France.)
percussion:
Sue Evans (from 1982-04-02 until 1982-04-03)
saxophone:
Gerry Niewood (from 1982-04-02 until 1982-04-03)
vocals:
Mark Murphy (US jazz singer) (from 1982-04-02 until 1982-04-03)
arranger:
Dave Matthews (jazz saxophonist) (from 1982-04-02 until 1982-04-03)
recording of:
I Don’t Want to Cry Anymore (from 1982-04-02 until 1982-04-03)
lyricist and composer:
Victor Schertzinger
6:33
10Two Kites
producer:
Lupe Deleon, Mark Murphy (US jazz singer) and Steve Zegree
drums (drum set):
Rubens Moura, Jr.
guitar:
Claudio Amaral
percussion:
Chalo Eduardo and Michael Spiro (percussion)
piano:
Michael Austin-Boe
synthesizer:
Jay Wagner
vocals:
Mark Murphy (US jazz singer)
recorded at:
Russian Hill Recording in San Francisco, California, United States (from 1983-03-21 until 1983-08-04)
recording of:
Two Kites
lyricist and composer:
Antônio Carlos Jobim
3:36
11Someone to Light Up My Life
producer:
Lupe Deleon and Mark Murphy (US jazz singer)
drums (drum set):
Rubens Moura, Jr.
guitar:
Claudio Amaral
percussion:
Chalo Eduardo and Michael Spiro (folk singer–songwriter)
piano:
Michael Austin-Boe
synthesizer:
Jay Wagner
vocals:
Mark Murphy (US jazz singer)
recorded at:
Russian Hill Recording in San Francisco, California, United States (from 1983 to present)
recording of:
Someone to Light Up My Life
writer:
Antônio Carlos Jobim, Gene Lees and Vinicius de Moraes (O poetinha)
publisher:
Corcovado Music Corp., Hollis Music, Inc. and V.M. Enterprises
2:57
12Until the Real Thing Comes Along / Baby, Baby All the Time
producer:
Mark Murphy (US jazz singer) and Steve Zegree
double bass:
Bob Magnusson (jazz, pop and classical bassist)
vocals:
Mark Murphy (US jazz singer)
recorded at:
Western Sound Studios in Kalamazoo, Michigan, United States (from 1983-10-08 until 1983-10-10)
recording of:
Baby Baby All the Time
lyricist and composer:
Bobby Troup
recording of:
Until the Real Thing Comes Along
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
6:20
13Go Shopping
producer:
Mark Murphy (US jazz singer) and Steve Zegree
guitar:
Joseph LoDuca (American score composer)
vocals:
Mark Murphy (US jazz singer)
recorded at:
Western Sound Studios in Kalamazoo, Michigan, United States (from 1983 to present, from 1983-10-08 until 1983-10-10)
recording of:
Don’t Let Your Eyes Go Shopping (for Your Heart)
writer:
Billy Austin and Sheldon Smith (jazz songwriter)
4:12
14Lord Buckley
engineer:
Tim Geelan
producer:
Bill Mays
bass:
John Goldsby
drums (drum set):
Adam Nussbaum
vocals:
Mark Murphy (US jazz singer)
arranger:
Bill Mays
phonographic copyright (℗) by:
Muse Records
recorded at:
Hillside Sound Studio in Englewood, New Jersey, United States (in 1986-11)
recording of:
Lord Buckley
lyricist:
Lord Buckley
composer:
Bill Mays
3:12
15Ding Walls
engineer:
Jay Messina
producer:
Larry Fallon
bass:
Francisco Centeno (in 1990-09)
vocals:
Mark Murphy (US jazz singer) (in 1990-09)
arranger:
Larry Fallon
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (in 1990-09)
recording of:
Ding Walls
lyricist and composer:
Mark Murphy (US jazz singer)
publisher:
Mared Music Co
2:48
16Where You At?
engineer:
Michael MacDonald (Producer & Engineer from Aberdeen, Scotland)
producer:
Sheila Jordan and Mark Murphy (US jazz singer)
double bass:
Harvie Swartz
drums (drum set):
Ben Riley (American jazz drummer)
piano:
Kenny Barron and Bill Mays
synthesizer:
Bill Mays
vocals:
Sheila Jordan and Mark Murphy (US jazz singer)
recorded at:
Sear Sound in New York, New York, United States (on 1991-09-24)
recording of:
Where You At?
lyricist:
Jack Segal (US songwriter)
composer:
George Handy
6:24
17Time on My Hands
producer:
Larry Fallon
double bass:
David Fink (double bass player)
drums (drum set):
Peter Grant (drummer)
guitar:
John Basile
keyboard:
Clifford Carter
percussion:
Sammy Figueroa
piano:
Pat Rebillot
trumpet:
Claudio Roditi
vocals:
Mark Murphy (US jazz singer)
recorded at:
East Hill Studio in New York, New York, United States (from 1991-12-16 until 1991-12-17)
recording of:
Time on My Hands
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
4:05
2▶CD: Mark, Jack, Jazz

Credits

Release

liner notes:Michael Bourne
graphic design:Nancy Dwyer
Page Simon (grapic designer)
additional producer:Michael Bourne (task: Compilation)
mastering:Gene Paul
illustration:Page Simon (grapic designer)
distributed by:M.S. Distributing Co.
copyrighted (©) by and phonographic copyright (℗) by:32 Jazz
mastered at:DB Plus in New York, New York, United States
Discogs:https://www.discogs.com/release/15096958 [info]
ASIN:US: B000005BEZ [info]
Allmusic:https://www.allmusic.com/album/release/mr0001348445 [info]