In Concert at the Brussels Fair, 1958

~ Release by Sidney Bechet-Buck Clayton Sextet (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Introduction
recorded in:
Brussels (Brussels-Capital Region), Belgium (from 1958-07-29 until 1958-08-03)
1:48
2Indiana
recorded in:
Brussels (Brussels-Capital Region), Belgium (from 1958-07-29 until 1958-08-03)
bass:
Arvell Shaw (from 1958-07-29 until 1958-08-03)
membranophone:
Kansas Fields (from 1958-07-29 until 1958-08-03)
piano:
George Wein (from 1958-07-29 until 1958-08-03)
soprano saxophone:
Sidney Bechet (from 1958-07-29 until 1958-08-03)
trombone:
Vic Dickenson (from 1958-07-29 until 1958-08-03)
trumpet:
Buck Clayton (from 1958-07-29 until 1958-08-03)
6:09
3Society Blues
recorded in:
Brussels (Brussels-Capital Region), Belgium (from 1958-07-29 until 1958-08-03)
bass:
Arvell Shaw (from 1958-07-29 until 1958-08-03)
membranophone:
Kansas Fields (from 1958-07-29 until 1958-08-03)
piano:
George Wein (from 1958-07-29 until 1958-08-03)
soprano saxophone:
Sidney Bechet (from 1958-07-29 until 1958-08-03)
trombone:
Vic Dickenson (from 1958-07-29 until 1958-08-03)
trumpet:
Buck Clayton (from 1958-07-29 until 1958-08-03)
7:52
4In a Sentimental Mood
recorded in:
Brussels (Brussels-Capital Region), Belgium (from 1958-07-29 until 1958-08-03)
bass:
Arvell Shaw (from 1958-07-29 until 1958-08-03)
membranophone:
Kansas Fields (from 1958-07-29 until 1958-08-03)
piano:
George Wein (from 1958-07-29 until 1958-08-03)
soprano saxophone:
Sidney Bechet (from 1958-07-29 until 1958-08-03)
trombone:
Vic Dickenson (from 1958-07-29 until 1958-08-03)
trumpet:
Buck Clayton (from 1958-07-29 until 1958-08-03)
live instrumental recording of:
In a Sentimental Mood (in 1958)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
5:12
5Swanee River
recorded in:
Brussels (Brussels-Capital Region), Belgium (from 1958-07-29 until 1958-08-03)
bass:
Arvell Shaw (from 1958-07-29 until 1958-08-03)
membranophone:
Kansas Fields (from 1958-07-29 until 1958-08-03)
piano:
George Wein (from 1958-07-29 until 1958-08-03)
soprano saxophone:
Sidney Bechet (from 1958-07-29 until 1958-08-03)
trombone:
Vic Dickenson (from 1958-07-29 until 1958-08-03)
trumpet:
Buck Clayton (from 1958-07-29 until 1958-08-03)
3:12
6All of Me
recorded in:
Brussels (Brussels-Capital Region), Belgium (from 1958-07-29 until 1958-08-03)
bass:
Arvell Shaw (from 1958-07-29 until 1958-08-03)
membranophone:
Kansas Fields (from 1958-07-29 until 1958-08-03)
piano:
George Wein (from 1958-07-29 until 1958-08-03)
soprano saxophone:
Sidney Bechet (from 1958-07-29 until 1958-08-03)
trombone:
Vic Dickenson (from 1958-07-29 until 1958-08-03)
trumpet:
Buck Clayton (from 1958-07-29 until 1958-08-03)
2:58
7St. Louis Blues
recorded in:
Brussels (Brussels-Capital Region), Belgium (from 1958-07-29 until 1958-08-03)
bass:
Arvell Shaw (from 1958-07-29 until 1958-08-03)
membranophone:
Kansas Fields (from 1958-07-29 until 1958-08-03)
piano:
George Wein (from 1958-07-29 until 1958-08-03)
soprano saxophone:
Sidney Bechet (from 1958-07-29 until 1958-08-03)
trombone:
Vic Dickenson (from 1958-07-29 until 1958-08-03)
trumpet:
Buck Clayton (from 1958-07-29 until 1958-08-03)
live instrumental recording of:
St. Louis Blues (in 1958)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
7:15
8When the Saints Go Marchin' In
recorded in:
Brussels (Brussels-Capital Region), Belgium (from 1958-07-29 until 1958-08-03)
bass:
Arvell Shaw (from 1958-07-29 until 1958-08-03)
membranophone:
Kansas Fields (from 1958-07-29 until 1958-08-03)
piano:
George Wein (from 1958-07-29 until 1958-08-03)
soprano saxophone:
Sidney Bechet (from 1958-07-29 until 1958-08-03)
trombone:
Vic Dickenson (from 1958-07-29 until 1958-08-03)
trumpet:
Buck Clayton (from 1958-07-29 until 1958-08-03)
live instrumental recording of:
When the Saints Go Marching In (Bartholomew & Domino version) (in 1958)
writer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
arranger:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
version of:
When the Saints Go Marching In
8:55
9Blues Ad-Lib
recorded in:
Brussels (Brussels-Capital Region), Belgium (from 1958-07-29 until 1958-08-03)
bass:
Arvell Shaw (from 1958-07-29 until 1958-08-03)
membranophone:
Kansas Fields (from 1958-07-29 until 1958-08-03)
piano:
George Wein (from 1958-07-29 until 1958-08-03)
soprano saxophone:
Sidney Bechet (from 1958-07-29 until 1958-08-03)
trombone:
Vic Dickenson (from 1958-07-29 until 1958-08-03)
trumpet:
Buck Clayton (from 1958-07-29 until 1958-08-03)
vocals:
Sarah Vaughan (from 1958-07-29 until 1958-08-03)
orchestra:
International Youth Band (from 1958-07-29 until 1958-08-03)
conductor:
Marshall Brown (jazz musician, conductor, educator) (from 1958-07-29 until 1958-08-03)
4:40
10I Only Have Eyes for You
recorded in:
Paris, Île-de-France, France (on 1957-03-12)
bass:
Lloyd Thompson (bass) (on 1957-03-12)
membranophone:
Al Levitt (on 1957-03-12)
piano:
Martial Solal (on 1957-03-12)
soprano saxophone:
Sidney Bechet (on 1957-03-12)
live instrumental recording of:
I Only Have Eyes for You (in 1958)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. and Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
3:00
11The Man I Love
recorded in:
Paris, Île-de-France, France (on 1957-03-12)
bass:
Lloyd Thompson (bass) (on 1957-03-12)
membranophone:
Al Levitt (on 1957-03-12)
piano:
Martial Solal (on 1957-03-12)
soprano saxophone:
Sidney Bechet (on 1957-03-12)
live instrumental recording of:
The Man I Love (in 1958)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
2:45
12Exactly Like You
recorded in:
Paris, Île-de-France, France (on 1957-03-12)
bass:
Lloyd Thompson (bass) (on 1957-03-12)
membranophone:
Al Levitt (on 1957-03-12)
piano:
Martial Solal (on 1957-03-12)
soprano saxophone:
Sidney Bechet (on 1957-03-12)
live instrumental recording of:
Exactly Like You (in 1958)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
writer:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Jimmy McHugh (songwriter) (in 1930)
2:56
13These Foolish Things
recorded in:
Paris, Île-de-France, France (on 1957-03-12)
bass:
Lloyd Thompson (bass) (on 1957-03-12)
membranophone:
Al Levitt (on 1957-03-12)
piano:
Martial Solal (on 1957-03-12)
soprano saxophone:
Sidney Bechet (on 1957-03-12)
live instrumental recording of:
These Foolish Things (Remind Me of You) (in 1958)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
3:49
14Once in a While
recorded in:
Paris, Île-de-France, France (on 1957-03-12)
bass:
Lloyd Thompson (bass) (on 1957-03-12)
membranophone:
Al Levitt (on 1957-03-12)
piano:
Martial Solal (on 1957-03-12)
soprano saxophone:
Sidney Bechet (on 1957-03-12)
2:43
15Jeepers Creepers
recorded in:
Paris, Île-de-France, France (on 1957-03-12)
bass:
Lloyd Thompson (bass) (on 1957-03-12)
membranophone:
Al Levitt (on 1957-03-12)
piano:
Martial Solal (on 1957-03-12)
soprano saxophone:
Sidney Bechet (on 1957-03-12)
live instrumental recording of:
Jeepers Creepers (in 1958)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting (composer)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
3:06
16I Never Knew
recorded in:
Paris, Île-de-France, France (on 1957-03-12)
bass:
Lloyd Thompson (bass) (on 1957-03-12)
membranophone:
Al Levitt (on 1957-03-12)
piano:
Martial Solal (on 1957-03-12)
soprano saxophone:
Sidney Bechet (on 1957-03-12)
live instrumental recording of:
I Never Knew (in 1958)
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Gilbert Keyes Music Company
3:00
17Pennies From Heaven
recorded in:
Paris, Île-de-France, France (on 1957-03-12)
bass:
Lloyd Thompson (bass) (on 1957-03-12)
membranophone:
Al Levitt (on 1957-03-12)
piano:
Martial Solal (on 1957-03-12)
soprano saxophone:
Sidney Bechet (on 1957-03-12)
live instrumental recording of:
Pennies From Heaven (in 1958)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
3:42