Rock Times, Volume 9: 1971-1972

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Theme From Shaft
Produzent(in):
Isaac Hayes
Bassgitarre:
James Alexander (US soul bassist, singer and songwriter)
Bongos und Conga:
Gary Jones (percussionist)
Gitarre:
Charles Pitts und Michael Toles
Hybrid-Piano:
Lester Snell (Pianist/keyboardist, songwriter and producer)
Hybrid-Piano, Orgel, Klavier und Vibraphon und Sologesang:
Isaac Hayes
membranophone und Tamburin:
Willie "Too Big" Hall
phonographisches Urheberrecht (℗) von:
Stax Records (not for release) (in 1971)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 303)
recording of:
Theme From Shaft (Shaft, 1971)
Texter und Komponist(in):
Isaac Hayes
publisher:
Irving Music, Inc.
Teil von:
The 44th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1971 winner)
Teil von:
Shaft (1971 film soundtrack)
Isaac Hayes3.654:36
2Locomotive Breath
Techniker(in):
John Burns (engineer/producer for Genesis)
leitende(r) Produzent(in):
Terry Ellis (UK producer & band manager)
Produzent(in):
Ian Anderson (of Jethro Tull) und Terry Ellis (UK producer & band manager)
Akustikgitarre und flute und Sologesang:
Ian Anderson (of Jethro Tull) (am 1971-02-12)
Bassgitarre und Altblockflöte:
Jeffrey Hammond Hammond (am 1971-02-12)
E-Gitarre und soprano recorder:
Martin Barre (am 1971-02-12)
Hammond-Orgel, Klavier, Pianoakkordeon und Synthesizer und mellotron, Orgel und Klavier:
John Evan (am 1971-02-12)
Schlagzeug und Perkussion:
Clive Bunker (am 1971-02-12)
conductor:
Dee Palmer (aka David Palmer, of Jethro Tull) (am 1971-02-12)
remixer:
Robin Black (engineer)
Orchestrator(in):
Dee Palmer (aka David Palmer, of Jethro Tull)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1971)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (am 1971-02-12)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
recording of:
Locomotive Breath (am 1971-02-12)
Texter und Komponist(in):
Ian Anderson (of Jethro Tull)
Jethro Tull4.34:26
3Hot ’Lanta
recording of:
Hot ’Lanta
Komponist(in):
Duane Allman, Gregg Allman, Dickey Betts, Jai Johanny Johanson, Berry Oakley (US bassist, The Allman Brothers Band) und Butch Trucks
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und Warner Chappell Music, Inc.
The Allman Brothers Band5:20
4Hey America
recording of:
Hey America
Verfasser(in):
Nat Jones (Saxophonist and organist, worked with James Brown) und Addie Williams
James Brown3:40
5American Pie
Techniker(in):
Tom Flye
Produzent(in):
Ed Freeman (producer, arranger, musician, and photographer)
E-Gitarre:
David Spinozza (von 1971-05 bis 1971-06)
Klavier:
Paul Griffin (American pianist, session musician) (von 1971-05 bis 1971-06)
vocals:
Don McLean (von 1971-05 bis 1971-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971, in 2000)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1971-05 bis 1971-06)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 131)
recording of:
American Pie (von 1971-05 bis 1971-06)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.158:35
6One Way Wind
recording of:
One Way Wind
Texter und Komponist(in):
Arnold Mühren
The Cats3:42
7(Is This the Way To) Amarillo
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1972) und JTC Music (in 2001)
recording of:
Is This the Way to Amarillo
Verfasser(in):
Howard Greenfield und Neil Sedaka
publisher:
Kirshner-Warner Bros Music
Tony Christie23:14
8If You Could Read My Mind
cover recording of:
If You Could Read My Mind
Texter und Komponist(in):
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (beendet), Early Morning Music (beendet), Laetrec Music (beendet), Chelsea Music Publishing Co., Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
The Spotnicks33:19
9Vincent
Techniker(in):
Tom Flye
Produzent(in):
Ed Freeman (producer, arranger, musician, and photographer)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1971-05 bis 1971-06)
recording of:
Vincent (Starry Starry Night)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal/MCA Music Ltd. (not for release label use!)
übersetzte Version von:
Wim
Don McLean4.44:00
10I’d Like to Teach the World to Sing
Produzent(in):
David Mackay (Australian producer, arranger, musical director)
vocals:
Eve Graham
arranger:
David Mackay (Australian producer, arranger, musical director)
recording of:
I’d Like to Teach the World to Sing
Verfasser(in):
Bill Backer, Roger Cook (US‐based British singer, songwriter and producer), Roquel Davis und Roger Greenaway
publisher:
PolyGram Music Publishing
Version von:
I’d Like to Buy the World a Coke (original commercial jingle off which “I’d Like to Teach the World to Sing” was based)
The New Seekers3.652:23
11I Hear You Knocking
Produzent(in):
Dave Edmunds
phonographisches Urheberrecht (℗) von:
EMI Records UK (company credits only; file no releases here!) (in 1970) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
cover recording of:
I Hear You Knocking
Texter und Komponist(in):
Dave Bartholomew und Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier und World Music (publisher)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:48
12Cross Eyed Mary
recording of:
Cross‐Eyed Mary
Texter und Komponist(in):
Ian Anderson (of Jethro Tull)
Jethro Tull4:10
13School’s Out
Techniker(in):
Roy Cicala und Shelly Yakus
Produzent(in):
Bob Ezrin
E-Bass:
Dennis Dunaway (original bass player for Alice Cooper)
E-Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Gitarre und Hintergrundgesang:
Reggie Vincent
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Schlagzeug:
Neil Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975–present)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated und Nimbus 9 Productions
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 293) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 319)
recording of:
School’s Out
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975–present), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:30
14Get on the Good Foot
recording of:
Get on the Good Foot
Texter und Komponist(in):
James Brown (The Godfather of Soul), Joseph Mims und Fred Wesley
James Brown3:35
15Layla
leitende(r) Produzent(in):
Tom Dowd
Produzent(in):
Derek and the Dominos
Bassgitarre:
Carl Radle (am 1970-09-09)
elektronische Orgel und Klavier:
Bobby Whitlock (am 1970-09-09)
Gitarre:
Duane Allman (am 1970-09-09) und Eric Clapton (am 1970-09-09)
Schlagzeug und Perkussion:
Jim Gordon (US drummer with Derek and the Dominos) (am 1970-09-09)
Sologesang:
Eric Clapton (am 1970-09-09)
vocals:
Bobby Whitlock (am 1970-09-09)
arranger:
Derek and the Dominos
phonographisches Urheberrecht (℗) von:
RSO Records Ltd., London (in 1970) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1970)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1970-09-09)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 23), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 27) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 224)
recording of:
Layla (am 1970-09-09)
Verfasser(in):
Eric Clapton und Jim Gordon (US drummer with Derek and the Dominos)
publisher:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Derek and the Dominos4.57:05
16In Memory of Elizabeth Reed
recording of:
In Memory of Elizabeth Reed
Komponist(in):
Dickey Betts
publisher:
F.R. Betts Music Co., Unichappell Music, Inc. und Warner Chappell Music, Inc.
The Allman Brothers Band12:51

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Veröffentlichungsgruppe

Teil von:Rock Times (Nummer: 9) (Reihenfolge: 9)