Five Classic Albums Plus Third Set

~ Veröffentlichung von Anita O’Day (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Just One of Those Things
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-02)
Orchester:
Billy May & His Orchestra (am 1959-04-02)
recording of:
Just One of Those Things (am 1959-04-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
2:11
2You'd Be So Nice to Come Home To
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-02)
Orchester:
Billy May & His Orchestra (am 1959-04-02)
recording of:
You’d Be So Nice to Come Home To (am 1959-04-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
1:53
3Easy to Love
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-02)
Orchester:
Billy May & His Orchestra (am 1959-04-02)
recording of:
Easy to Love (am 1959-04-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
2:05
4I Get a Kick Out of You
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
I Get a Kick Out of You (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
2:25
5All of You
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-02)
Orchester:
Billy May & His Orchestra (am 1959-04-02)
recording of:
All of You (Silk Stockings musical) (am 1959-04-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
1:44
6Love for Sale
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-02)
Orchester:
Billy May & His Orchestra (am 1959-04-02)
recording of:
Love for Sale (am 1959-04-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
2:46
7Get Out of Town
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
Get Out of Town (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
Teil von:
Leave It to Me!
2:33
8I've Got You Under My Skin
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
I’ve Got You Under My Skin (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
1:50
9Night and Day
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
2:04
10It's De-Lovely
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
It’s De‐Lovely (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Teil von:
Anything Goes
Teil von:
Red, Hot and Blue (1936 Cole Porter musical)
2:07
11I Love You
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
I Love You (Mexican Hayride musical) (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:00
12What Is This Thing Called Love
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
2:34
13But Not for Me
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
But Not for Me (am 1958-04-27)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
2:51
14Medley: I Have a Reason for Living/My Love for You
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
5:06
15The Varsity Drag
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
Varsity Drag (Good News) (am 1958-04-27)
Texter:
Lew Brown und Ray Henderson
Komponist(in):
Buddy DeSylva
Teil von:
Good News (1947 film)
1:53
16It Never Entered My Mind
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
It Never Entered My Mind (am 1958-04-27)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) und Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:09
17Tea for Two
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
Tea for Two (No, No, Nanette) (am 1958-04-27)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
3:52
18Everytime I'm With You
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
2:08
19Have You Met Miss Jones?
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (am 1958-04-27)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
2:12
20The Wildest Gal in Town
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
2:39
21Star Eyes
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
Star Eyes (am 1958-04-27)
Komponist(in):
Gene de Paul und Don Raye
publisher:
EMI Feist Catalog Inc. und Red Cape Songs
Teil von:
I Dood It (1943)
2:53
22Loneliness Is a Well
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
3:15
23The Song Is You
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
The Song Is You (am 1958-04-27)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
3:29
24Key Largo
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1947)
alto saxophone:
Benny Carter (in 1947)
Klavier:
Ralph Burns (in 1947)
Posaune:
Ray Sims (in 1947)
Trompete:
Ray Linn (in 1947)
vocals:
Anita O’Day (in 1947)
Teil von:
Signature (by matrix number) (Nummer: SRC 660)
recording of:
Key Largo (in 1947)
Texter:
Leah Worth
Komponist(in):
Benny Carter und Karl Suessdorf
2:54
25Hi Ho Trailus Boot Whip
vocals:
Anita O’Day (in 1947-09)
2:32
26I Ain't Gettin' Any Younger
vocals:
Anita O’Day (in 1947)
3:04
27Malaguena
vocals:
Anita O’Day (in 1947)
recording of:
Malaguena (English lyrics) (in 1947)
Texter und Komponist(in):
Ernesto Lecuona
Übersetzer:
Marian Banks
übersetzte Version von:
Malagueña from Andalucia Suite (original Spanish vocal version)
2:59
28How High the Moon
vocals:
Anita O’Day (in 1947)
recording of:
How High the Moon (in 1947)
Texter:
Nancy Hamilton (in 1940)
Komponist(in):
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:57
29Sometimes I'm Happy
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1947-02)
accordion:
Bob Gudina (in 1947-02)
alto saxophone:
Alvy West (in 1947-02)
Bass:
Art Shapiro (in 1947-02)
Gitarre:
Tony Rizzi (in 1947-02)
Schlagzeug:
Milt Holland (in 1947-02)
Trompete:
Larry Neal (in 1947-02)
vocals:
Anita O’Day (in 1947-02)
Interpret(in):
Alvy West and The Little Band (in 1947-02)
Teil von:
Signature (by matrix number) (Nummer: SRC 376)
recording of:
Sometimes I’m Happy (in 1947-02)
Texter:
Vincent Youmans
Komponist(in):
Irving Caesar
publisher:
Harms, Inc.
Teil von:
Hit the Deck (1927 musical)
Teil von:
Hit the Deck (1955 movie)
2:44
30Ace in the Hole
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1947-02)
accordion:
Bob Gudina (in 1947-02)
alto saxophone:
Alvy West (in 1947-02)
Bass:
Art Shapiro (in 1947-02)
Gitarre:
Tony Rizzi (in 1947-02)
Schlagzeug:
Milt Holland (in 1947-02)
Trompete:
Larry Neal (in 1947-02)
vocals:
Anita O’Day (in 1947-02)
Interpret(in):
Alvy West and The Little Band (in 1947-02)
Teil von:
Signature (by matrix number) (Nummer: SRC 377)
recording of:
Ace in the Hole (Let’s Face It! musical) (in 1947-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1941)
2:56
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