Dance Classics, Volume 7 & 8

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD: Volume 7
Nr.TitelKünstlerBewertungLänge
1(Every Time I Turn Around) Back in Love Again
recording of:
(Every Time I Turn Around) Back in Love Again
Verfasser(in):
Zane Grey (singer, songwriter, arranger and producer) und Len Ron Hanks (soul and funk singer, songwriter, arranger and producer)
L.T.D.4:41
2I’m Your Boogie Man
Produzent(in):
Harry Wayne Casey und Richard Finch
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977) und T.K. Records (Miami‐based disco label) (in 1977)
recording of:
I’m Your Boogie Man
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Songs, EMI Songs Australia, Harrick Music und Longitude Music
KC and the Sunshine Band4.353:59
3We Are Family
recording of:
We Are Family
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge7:31
4Let’s Groove
Produzent(in):
Maurice White (Earth, Wind & Fire)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recording of:
Let’s Groove
Verfasser(in):
Wayne Vaughn und Maurice White (Earth, Wind & Fire)
publisher:
Campbell Connelly, EMI Songs, EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Earth, Wind & Fire4.455:33
5Don’t Let Me Be Misunderstood
cover recording of:
Don’t Let Me Be Misunderstood
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
Santa Esmeralda7:05
6Dancin’ the Night Away
recording of:
Dancin’ the Night Away
Verfasser(in):
Denis LePage und Denyse LePage
Voggue6:18
7I Want Your Love
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
recording of:
I Want Your Love
Texter und Komponist(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1989)
Chic46:51
8Let’s All Chant
Techniker(in):
Rick Rowe
leitende(r) Produzent(in):
Jerry Love
Produzent(in):
Michael Zager
Solo-Klarinette:
George Marge
Solo-Trompete:
Raymond Crisara
vocals:
Billy Baker, Alvin Fields und Dolette McDonald
phonographisches Urheberrecht (℗) von:
Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1977, in 1978)
recording of:
Let’s All Chant
Verfasser(in):
Alvin Fields und Michael Zager
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Michael Zager Band4.353:02
9Use It Up and Wear It Out
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
Bearbeitung von:
Use It Up and Wear It Out von Odyssey (originally US family act Lopez Sisters, now UK fronted by Steven Collazo)
recording of:
Use It Up and Wear It Out
Verfasser(in):
Lawrence Russell Brown (lyricist) und Sandy Linzer
publisher:
ATV Music Ltd., Chappell & Co Ltd., Featherbed, Larball Music (publisher), Peermusic (UK) Limited, Unichappell (publisher) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Odyssey4.54:51
10Controversy
Techniker(in):
Mick Guzauski, Bob Mockler (engineer) und Ross Pallone
Produzent(in):
Prince (“The Artist Formerly Known as…”)
Instrumente und vocals:
Prince (“The Artist Formerly Known as…”)
Hintergrundgesang:
Lisa Coleman (US pianist/keyboardist & composer)
arranger:
Prince (“The Artist Formerly Known as…”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
aufgenommen bei:
Kiowa Trail Home Studio in Chanhassen, Minnesota, Vereinigte Staaten (in 1981)
mixed at:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1981-08-14 bis 1981-08-23)
recording of:
Controversy (von 1981-04-01 bis 1981-08-13)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince47:16
11The Message
Produzent(in):
Clifton Chase und Ed Fletcher
vocals:
Duke Bootee und Melle Mel (Melvin Glover aka Melle Mel)
Musikvideos:
The Message von Grandmaster Flash & The Furious Five
a cappella versions:
The Message (a cappella) von Grandmaster Flash & The Furious Five feat. Melle Mel (Melvin Glover aka Melle Mel) & Duke Bootee
instrumental versions:
The Message (instrumental) von Grandmaster Flash & The Furious Five
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 51) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 59)
recording of:
The Message (in 1982)
Verfasser(in):
Edward Fletcher, Jiggs Chase, Melvin Glover (Melvin Glover aka Melle Mel) und Sylvia Robinson
publisher:
IQ Music Ltd.
Grandmaster Flash & The Furious Five4.37:06
12For the Love of Money
recording of:
For the Love of Money
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff) und Anthony Jackson (US bassist)
publisher:
Mighty Three Music (beendet), Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
MJ: The Musical
The O’Jays6:06
13We Got the Funk
recording of:
We Got the Funk
Verfasser(in):
Nate Edmonds (keyboard player/songwriter), Brenda Reynolds und Albert Williams
publisher:
Sugar Hill Music Publishing Ltd. (beendet), B.I.B. Music und Songs of Universal, Inc. (BMI)
Positive Force4:32
14The Look of Love
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Keyboard:
Mark White (ABC/Vice Versa)
Sologesang:
Martin Fry
Saiteninstrumente arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 4), The Downloader’s Music Source Book (Nummer: 73) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 43)
teilweise recording of:
The Look of Love
Verfasser(in):
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Teil von:
Mantrap (ABC long-form film)
ABC3.93:28
2▶CD: Volume 8

Nennungen

Veröffentlichung

Discogs:https://www.discogs.com/release/954048 [Info]

Veröffentlichungsgruppe

Teil von:Dance Classics (Arcade Netherlands) (Nummer: 7+8) (Reihenfolge: 11)