Best 200 Hits of the 90’s (Street market release)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1Can’t Help Falling in Love
cover recording of:
Can’t Help Falling in Love
Verfasser(in):
Luigi Creatore, Hugo Peretti und George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (publisher), Luigi Creatore Music (ASCAP) und The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (beendet), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Plaisir d’amour (Romance du chevrier)
UB403:30
2Total Eclipse of the Heart
Nicki French3:42
3Baby, I Love Your Way
recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Big Mountain4:21
4Kiss From a Rose
assistierende(r) Produzent(in):
Richard Lowe (UK producer/engineer)
Produzent(in):
Trevor Horn
assistierende(r) Mix:
Tom Elmhirst (mixing engineer)
Mix:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
aufgenommen bei und mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 308)
recording of:
Kiss From a Rose
Texter und Komponist(in):
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) und SPZ Music Incorporated (BMI affiliated)
Seal3.854:48
5Believe
Produzent(in):
Brian Rawling und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Mix:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) und Rive Droite Music Productions
aufgenommen bei und mixed at:
Dreamhouse Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
Grammy Award: Best Dance/Electronic Recording nominees (Nummer: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 159) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 337)
recording of:
Believe
Texter:
Brian Higgins (British producer and song writer) und Matt Gray (UK techno DJ/producer, former video game composer)
Komponist(in):
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) und Steve Torch (in 1998)
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music und Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.83:58
6Missing
recording of:
Missing
Texter:
Tracey Thorn (of Everything but the Girl)
Komponist(in):
Tracey Thorn (of Everything but the Girl) und Ben Watt
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony Music Publishing (worldwide except Japan, ended 1995)
Everything but the Girl4:43
7It’s All Coming Back to Me
recording engineer:
Steven Rinkoff
sonstige Unterstützung:
Don Ketteler
Programmierung:
Jeff Bova
assistierende(r) Techniker(in):
Greg Pinto und Charles Vasoll
Koproduzent(in):
Roy Bittan und Steven Rinkoff
leitende(r) Produzent(in):
John Doelp und Vito Luprano
Produzent(in):
Jim Steinman
Mix:
Tony Phillips (engineer, mix, remix credits)
Bass:
Steve Buslowe (in 1995)
Flügel [acoustic grand]:
Roy Bittan (in 1995)
Gitarre:
Eddie Martinez (guitar) (in 1995) und Tim Pierce (US session guitarist) (in 1995)
Keyboard:
Jeff Bova (in 1995)
Perkussion:
Jimmy Bralower (in 1995) und Bashiri Johnson (in 1995)
Schlagzeug:
Kenny Aronoff (in 1995) und Jimmy Bralower (in 1995)
Hintergrundgesang:
Glen Burtnik (in 1995), Rory Dodd (in 1995), Todd Rundgren (in 1995), Kasim Sulton (in 1995) und Eric Troyer (in 1995)
Sologesang:
Céline Dion (in 1995)
arranger:
Roy Bittan, Jeff Bova, Jimmy Bralower und Jim Steinman
Hintergrundgesang arranger:
Todd Rundgren
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (in 1995)
Musikvideos:
It’s All Coming Back to Me Now (single version) von Céline Dion
cover recording of:
It’s All Coming Back to Me Now (in 1995)
Texter und Komponist(in):
Jim Steinman
publisher:
Lost Boys Music (BMI affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Céline Dion57:38
8Unchained Melody
recording of:
Unchained Melody
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
The Righteous Brothers3:39
9Good Vibration
recording engineer:
Jeff Dovner, Randy Melton (American musician, engineer, and producer) und Leo Okeke
drum machine-Programmierung:
Leo Okeke und Donnie Wahlberg
Koproduzent(in):
Marky Mark und Leo Okeke
Produzent(in):
Donnie Wahlberg
Mix:
Mary Alford und Tom Soares
Bass und Klavier:
Leo Okeke
Sampler:
Leo Okeke und Donnie Wahlberg
vocals:
Marky Mark
zusätzlich vocals:
Loleatta Holloway
phonographisches Urheberrecht (℗) von:
Interscope Records, Inc. (not for release label use!)
aufgenommen bei:
The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten (von 1991-01 bis 1991-05)
Samples:
Hot Pants von Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) und Love Sensation (LP version) von Loleatta Holloway
recording of:
Good Vibrations
Verfasser(in):
Mark Wahlberg, Amir Shakir und Donnie Wahlberg
Marky Mark4.654:30
10Counting Blue Cars
recording of:
Counting Blue Cars
Texter und Komponist(in):
Scot Alexander, Rodney Browning Cravens, Gregory Kelanek, George Pendergast und J. R. Richards
Dishwalla54:52
11Standing Outside a Broken Phone Booth
recording engineer und Mix:
David Vaught
Produzent(in):
Chris O’Connor (member of Primitive Radio Gods)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
aufgenommen bei und mixed at:
Camp David in Thousand Oaks, California (Kalifornien), Vereinigte Staaten
Samples:
Back to Life (club mix) von Soul II Soul und How Blue Can You Get? (live, 1970-09-10: Cook County Jail, Chicago, Illinois, USA) von B.B. King
Bearbeitung von:
Standing Outside a Broken Phone Booth With Money in My Hand (album version) von Primitive Radio Gods
recording of:
Standing Outside a Broken Phone Booth With Money in My Hand
Verfasser(in):
Jane Feather, Leonard Feather und Chris O’Connor (member of Primitive Radio Gods)
Primitive Radio Gods44:32
12Semi Charmed Life
Programmierung:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind) und Eric Valentine (Eric Dodd, producer and instrumentalist)
assistierende(r) Techniker(in):
Jaquire King und Kevin Scott (engineer)
Techniker(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Koproduzent(in):
Eric Valentine (Eric Dodd, producer and instrumentalist)
Produzent(in):
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
zusätzliche(r) Produzent(in):
Kevin Cadogan und Arion Salazar
Bassgitarre:
Arion Salazar
Besen und Sologesang:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Gitarre:
Kevin Cadogan und Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Schlagzeug:
Brad Hargreaves
Hintergrundgesang:
Kevin Cadogan
arranger:
Kevin Cadogan und Arion Salazar
zusätzlich arranger:
Ren Klyce
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 138) und Indie 88: Top 500 Indie Rock Songs (Nummer: 347)
recording of:
Semi‐Charmed Life
Texter und Komponist(in):
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
publisher:
3EB Publishing
Third Eye Blind44:29
13One Sweet Day
Perkussion-Programmierung:
Walter Afanasieff und Dan Shea
Synthesizer-Programmierung:
Gary Cirimelli
Ko-Techniker(in):
Kurt Lundvall, Andy Smith (Engineer at the famous "The Hit Factory", New York.) und Brian Vibberts
Techniker(in):
Dana Jon Chappelle
zusätzliche(r) Techniker(in):
David Gleeson
Audio-Engineering:
Dana Jon Chappelle und Jay Healy
Mix:
Mick Guzauski
Bass-Synthesizer, Keyboard und Synthesizer:
Dan Shea
Gitarre [guitars]:
Dann Huff
Keyboard, Perkussion und Synthesizer:
Walter Afanasieff
Hintergrundgesang und Sologesang:
Boyz II Men und Mariah Carey
Interpret(in):
Boyz II Men und Mariah Carey
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und Wallyworld in San Rafael, California (Kalifornien), Vereinigte Staaten
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 43)
recording of:
One Sweet Day
Texter:
Mariah Carey, Michael McCary, Nathan Morris (Boyz II Men), Wanya Morris und Shawn Stockman
Verfasser(in):
Walter Afanasieff
Komponist(in):
Mariah Carey
publisher:
Aynaw Publishing, Black Panther Publishing Co., Ensign Music Corporation, Rye Songs, Shawn Patrick Publishing, Sony Songs Inc. und Vanderpool Publishing
Mariah Carey & Boyz II Men34:43
14I Believe
recording of:
I Believe
Verfasser(in):
Jeff Pence, Matthew Senatore und Eliot Sloan
Blessid Union of Souls4:28
15I Can See Clearly Now
recording of:
I Can See Clearly Now
Texter und Komponist(in):
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jimmy Cliff3:17
16She’s So High
Produzent(in):
Bob Rock
Bassgitarre [bass]:
Chris Wyse
E-Gitarre, Klavier, Lap-Steel-Gitarre und Sologesang:
Tal Bachman
Moog und Wurlitzer Electric Piano [Wurlitzer]:
Buck Johnson
Schlagzeug [drums]:
Lance Porter (Drummer)
Hintergrundgesang:
Tal Bachman und Buck Johnson
recording of:
She's So High
Verfasser(in):
Tal Bachman
Tal Bachman4.53:45
17As I Lay Me Down
vocals:
Sophie B. Hawkins
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1994)
recording of:
As I Lay Me Down
Texter und Komponist(in):
Sophie B. Hawkins
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Sophie B. Hawkins54:09
18Don’t Speak
recording engineer:
Phil Kaffel
Produzent(in):
Matthew Wilder
Mix:
Holman und Paul Palmer (engineer)
Bassgitarre:
Tony Kanal
Cello:
Melissa Hasin
Gitarre:
Tom Dumont
Keyboard und Klavier:
Eric Stefani
Perkussion und Schlagzeug [drums]:
Adrian Young (drummer for No Doubt)
Sologesang:
Gwen Stefani
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1995) und Interscope Records, Inc. (not for release label use!) (in 1996)
aufgenommen bei:
York Street Studios in Auckland, Auckland (Region Auckland), North Island, Neuseeland
mixed at:
Cactus Studios in California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Speak
Verfasser(in):
Eric Stefani und Gwen Stefani
publisher:
Knock Yourself Out Music und Universal‐MCA Music Publishing (US)
No Doubt4.154:24
19I Believe I Can Fly
recording engineer:
Stephen George und Carl Robinson (US bassist, guitarist & recording engineer)
Produzent(in):
R. Kelly
Mix:
Stephen George und R. Kelly
arranger:
R. Kelly
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 406)
recording of:
I Believe I Can Fly
Texter und Komponist(in):
R. Kelly
publisher:
Imagem Music (beendet), R. Kelly Publishing Inc., Zomba Music Publ. Ltd. und Zomba Songs Inc.
sub-publisher:
BMG Music Publishing Hong Kong Ltd
R. Kelly3.45:22
20Fly
Programmierung, Techniker(in), Produzent(in) und Mix:
David Kahne
assistierende(r) Techniker(in):
John Ewing, Jr. (engineer), James Murray (US engineer), Mark Nixdorf (engineer), Mike Rew und Doug Trantow
zusätzlich vocals:
Super Cat (dancehall deejay)
Interpret(in):
Super Cat (dancehall deejay)
aufgenommen bei:
NRG Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Pacifique (Burbank) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Quad Studios in New York, New York, Vereinigte Staaten und Scream Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Fly
Verfasser(in):
Sugar Ray (US alternative rock band) und William Maragh (dancehall deejay)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), Wild Apache Music Publishing, Inc. und Zomba Enterprises, Inc.
Sugar Ray4.254:52
21Vogue
leitende(r) Produzent(in):
Craig Kostich
Produzent(in):
Madonna (“Queen of Pop”) und Shep Pettibone
Mix:
Goh Hotoda und Shep Pettibone
Sologesang:
Madonna (“Queen of Pop”)
mixed at:
Sound Works (New York) in New York, New York, Vereinigte Staaten
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 5)
recording of:
Vogue
Verfasser(in):
Madonna (“Queen of Pop”) und Shep Pettibone
publisher:
Bleu Disque Music Co., Inc. (publisher), Lexor Music, Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) und Webo Girl Publishing, Inc.
Madonna4.155:18
22You Oughta Know
recording engineer:
Glen Ballard und Ted Blaisdell
zusätzlich recording engineer:
Chris Fogel (engineer) und David Schiffman (American producer/audio engineer)
Programmierung und Produzent(in):
Glen Ballard
Ko-Mix:
Chris Fogel (engineer)
Mix:
Jimmy Boyelle
Bass:
Flea (US bassist)
Gitarre [guitars]:
Dave Navarro (American guitarist)
Orgel:
Benmont Tench
Schlagzeug:
Matt Laug
vocals:
Alanis Morissette
Teil von:
Canada’s Drag Race Lip Sync Performances (season 1) (Nummer: 8), Huffington Post: 100 Best Canadian Songs Ever (Nummer: 15), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 103), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 145) und Indie 88: Top 500 Indie Rock Songs (Nummer: 358)
recording of:
You Oughta Know
Texter:
Alanis Morissette
Komponist(in):
Glen Ballard und Alanis Morissette
publisher:
Aerostation Corporation (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet), Vanhurst Place Music (beendet), Arlovol Music und Songs of Universal, Inc. (BMI)
Teil von:
Jagged Little Pill (the musical)
Alanis Morissette44:10
23Secret
Produzent(in):
Dallas Austin und Madonna (“Queen of Pop”)
produced for:
DARP, Inc.
Musikvideos:
Secret von Madonna (“Queen of Pop”)
recording of:
Secret
Komponist(in):
Dallas Austin, Madonna Louise Veronica Ciccone (“Queen of Pop”) und Shep Pettibone
Madonna3.55:03
24My Heart Will Go On
recording engineer:
Humberto Gatica und David Gleeson
sonstige Unterstützung:
Emilie Charlap (Aufgabe: orchestratra contractor) und Dan Shea (Aufgabe: sound design)
drum machine [drum and rhythm]-Programmierung:
Walter Afanasieff
Programmierung:
Dan Shea
zusätzliche drum machine [drum and rhythm]-Programmierung:
Dan Shea
assistierende(r) Techniker(in):
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer und Greg Thompson (engineer, mixer)
Techniker(in):
Humberto Gatica (Sologesang) und Dan Shea
Koproduzent(in):
James Horner (American score composer)
Produzent(in):
Walter Afanasieff
Mix:
Humberto Gatica
Bass-Synthesizer [synth bass], Hammond-Orgel [Hammond B-3 organ] und Keyboard:
Walter Afanasieff
Fiddle [Irish fiddle]:
Paul Peabody (violinist)
Gitarre:
Dann Huff
tin whistle [pennywhistle/whistles]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
zusätzlich Keyboard:
Dan Shea
Hintergrundgesang:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens und Jeanie Tracy
conductor:
William Ross (composer, orchestrator, arranger, conductor)
arranger:
Walter Afanasieff
Orchestrator(in):
William Ross (composer, orchestrator, arranger, conductor)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und Wallyworld in San Rafael, California (Kalifornien), Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
My Heart Will Go On (love theme from Titanic) von Céline Dion
a cappella versions:
The music from that movie about the boat von David Thorne (designer)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 2) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 279)
recording of:
My Heart Will Go On
Texter:
Will Jennings
Komponist(in):
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1997 winner)
Teil von:
Titanic
Céline Dion4.354:38
25You Gotta Be
recording of:
You Gotta Be
Verfasser(in):
Des’ree und Ashley Ingram
Des’ree4:04
26Love You Always Forever
Donna Lewis3:57
27Bittersweet Symphony
recording engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
Andrew Loog Oldham, The Verve und Youth (producer/bassist Martin Glover)
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Sologesang:
Richard Ashcroft
Orchester:
The Andrew Oldham Orchestra
zusätzlich Saiteninstrumente arranger:
Wil Malone
Samples:
The Last Time von The Andrew Oldham Orchestra
Musikvideos:
Bitter Sweet Symphony von The Verve
Teil von:
Triple J’s Hottest 100: Twenty Years (2013) (Nummer: 5), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 18), Indie 88: Top 500 Indie Rock Songs (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 382)
recording of:
Bitter Sweet Symphony
Texter und Komponist(in):
Richard Ashcroft
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
basiert auf:
The Last Time
The Verve4.35:59
28Nobody Knows
recording engineer und Techniker(in):
Neal Pogue (mix engineer)
Produzent(in):
Tony Rich
Mix:
Jon Gass
Akustikgitarre:
Peter Moore (guitarist)
Keyboard:
Joseph Richards (Joe Rich)
vocals:
Tony Rich
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1995) und LaFace Records (in 1995)
Musikvideos:
Nobody Knows von Tony Rich Project
recording of:
Nobody Knows
Verfasser(in):
Don Dubosé und Joseph Richards (Joe Rich)
publisher:
Menace Music Ltd.
The Tony Rich Project55:07
29Truly, Madly, Deeply
Produzent(in):
Charles Fisher (Australian producer)
Mix:
Mike Pela
vocals arranger:
Jim Bonnefond, Charles Fisher (Australian producer) und Darren Hayes
Orchestrator(in):
Jackie Orszaczky
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1997)
mixed at:
Whitfield Street Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, Vereinigtes Königreich
recording of:
Truly Madly Deeply
publisher:
Savage Garden
Verfasser(in):
Darren Hayes und Daniel Jones (Australian singer/producer of Savage Garden)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Music Publishing
Savage Garden4.254:41
30Cryin’
Programmierung:
John Webster (Canadian keyboardist)
assistierende(r) Techniker(in):
Mike Plotnikoff
Techniker(in):
Ken Lomas
Produzent(in):
Bruce Fairbairn
Mix:
Brendan O’Brien (engineer)
Appalachian dulcimer [dulcimer]:
Joe Perry (guitarist for Aerosmith)
baritone saxophone:
Ian Putz
E-Bass:
Tom Hamilton (bassist for Aerosmith)
Gitarre:
Joe Perry (guitarist for Aerosmith) und Brad Whitford (Aerosmith)
Instrumente:
The Margarita Horns
Keyboard [keyboards]:
Steven Tyler und John Webster (Canadian keyboardist)
Mandoline, Mundharmonika, zusätzlich Perkussion, Hintergrundgesang und Sologesang:
Steven Tyler
Posaune:
Bob Rogers (Trombonist)
Saxophon:
Tom Keenlyside
Schlagzeug und Schlagzeug und Perkussion:
Joey Kramer (drummer for Aerosmith)
Trompete:
Paul Baron (trumpet player) und Bruce Fairbairn
vocals:
Joe Perry (guitarist for Aerosmith)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1993) und Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1993)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Cryin' von Aerosmith (American hard rock band)
Teil von:
The Downloader’s Music Source Book (Nummer: 222)
recording of:
Cryin’
Verfasser(in):
Joe Perry (guitarist for Aerosmith), Taylor Rhodes (songwriter, producer, publisher, and musician) und Steven Tyler
publisher:
EMI April Music Inc., JuJu Rhythms, Primary Wave Steven Tyler, Universal Music Corp. (USA, affiliated with ASCAP), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (vom 1992 bis ????), Swag Song Music, Inc. (vom 1992 bis ????) und T. Rhodes Songs (vom 1992 bis heute)
Aerosmith3.655:09
31Ironic
recording engineer:
Glen Ballard und Ted Blaisdell
Produzent(in):
Glen Ballard
Mix:
Chris Fogel (engineer)
Bass:
Lance Morrison
Gitarre:
Glen Ballard und Basil Fung
Orgel:
Michael Thompson (American arranger, keyboardist, trombonist, accordionist and drummer)
Schlagzeug und Perkussion:
Rob Ladd
vocals:
Alanis Morissette
Musikvideos:
Ironic von Alanis Morissette
recording of:
Ironic
Texter:
Alanis Morissette
Komponist(in):
Glen Ballard und Alanis Morissette
publisher:
Aerostation Corporation, Arlovol Music und Vanhurst Place Music
Teil von:
Jagged Little Pill (the musical)
Alanis Morissette43:50
32Crash Into Me
assistierende(r) Techniker(in):
Scott Gormley, Paul Higgins (engineer) und Chris Laidlaw
Techniker(in):
John Siket
Produzent(in) und Mix:
Steve Lillywhite
Akustikgitarre und Sologesang:
Dave Matthews (of Dave Matthews Band)
alto saxophone, baritone saxophone, flute, Tenorsaxophon und Trillerpfeife:
LeRoi Moore
Bassgitarre und Klavier:
Stefan Lessard
E-Geige und Geige / Violine:
Boyd Tinsley
Gast-Akustikgitarre und E-Gitarre:
Tim Reynolds
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten
mixed at:
Greene St. Recording in SoHo, New York, New York, Vereinigte Staaten
recording of:
Crash Into Me
Texter und Komponist(in):
Dave Matthews (of Dave Matthews Band)
Dave Matthews Band3.855:16
33My Lovin’ [Never Gonna Get It]
recording engineer:
Steve Counter
assistierende(r) Techniker(in):
John Jackson (engineer)
zusätzliche(r) Techniker(in):
Neil King (sound engineer) und Michael Semanick
Produzent(in):
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
Mix:
Ken Kessie
arranger:
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 2022)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
mixed at:
Can Am Studios in Tarzana, Los Angeles, California (Kalifornien), Vereinigte Staaten
Samples:
The Payback von James Brown (The Godfather of Soul)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 2) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 471)
recording of:
My Lovin’ (You’re Never Gonna Get It)
Verfasser(in):
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
publisher:
EMI Blackwood Music Inc., Two Tuff Enuff Publishing und Irving Music (BMI) (vom 1992 bis heute)
En Vogue4.64:42
34Killing Me Softly
recording engineer und Mix:
Wyclef Jean (Haitian rapper, musician and actor) und Warren Riker
Techniker(in):
Warren Riker
Koproduzent(in):
Jerry Duplessis und Pras Michel (Pras, American rapper, member of The Fugees)
Produzent(in):
Ms. Lauryn Hill und Wyclef Jean (Haitian rapper, musician and actor)
Hintergrundgesang und Sologesang:
Ms. Lauryn Hill
Sologesang:
Wyclef Jean (Haitian rapper, musician and actor)
Interpret(in):
Fugees
vocals arranger:
Ms. Lauryn Hill
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (vom 1996 bis heute, in 1996) und Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1996)
aufgenommen bei und mixed at:
Booga Basement Studio in Bloomfield, New Jersey, Vereinigte Staaten
Samples:
Bonita Applebum von A Tribe Called Quest, Fool Yourself von Little Feat, Killing Me Softly With His Song von Roberta Flack (singer and pianist), Memory Band von Rotary Connection und The Day Begins (1972 stereo mix) von The Moody Blues with the London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) conducted by Peter Knight (British arranger, conductor and composer)
a cappella versions:
Killing Me Softly (L∆VINCi Remix) von L∆VINCi (LAVINCi) feat. Fugees & Kay Flock (Kevin Perez)
Teil von:
Flak: Best Cover Songs of the 90's, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 136) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 359)
cover recording of:
Killing Me Softly With His Song
Texter:
Norman Gimbel
Komponist(in):
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC und Fox-Gimbel Productions Inc. (in 1972)
Fugees4.155:00
35Turn the Beat Around
vocals:
Gloria Estefan
cover recording of:
Turn the Beat Around
Verfasser(in):
Gerald Jackson (American pianist and singer with group Touch of Class) und Pete Jackson (US disco producer)
Gloria Estefan43:54
36Fantasy
live recording of:
Fantasy
Texter:
Mariah Carey, Chris Frantz und Tina Weymouth
Komponist(in):
Adrian Belew, Mariah Carey, Chris Frantz, Dave Hall (producer a.k.a. Jam), Steven Stanley (audio engineer, record producer and keyboardist from Jamaica) und Tina Weymouth
publisher:
Metered Music, Inc., Ness Nitty and Capone Inc., Rye Songs, Sony Songs Inc., Sony/ATV Songs LLC, Stonejam Publishing Corp. und WB Music Corp. (1929–2019)
basiert auf:
Genius of Love
Mariah Carey3:44
37Black or White
recording engineer und Mix:
Bill Bottrell
zusätzliche(r) Techniker(in):
Matt Forger
Produzent(in):
Bill Bottrell und Michael Jackson (“King of Pop”)
Bassgitarre:
Terry Jackson
Gast-E-Gitarre:
Slash (Guns N’ Roses guitarist)
Gitarre:
Tim Pierce (US session guitarist)
Gitarre und Perkussion:
Bill Bottrell
Keyboard:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay) und Jasun Martz
Keyboard und Perkussion und Gast-Interpret(in):
Brad Buxer
Moog und Schlagzeug:
Bryan Loren (producer, songwriter, vocalist/singer, musician/multi-instrumentalist)
Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”)
sonstiger Gesang und Sprecher:
L.T.B.
Sprecher:
Andres McKenzie
Teil von:
CBC Music: 10 Songs That Have Changed the World
recording of:
Black or White (in 1991)
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
zusätzlicher Texter:
Bill Bottrell
Teil von:
MJ: The Musical
Michael Jackson3.64:16
38Smells Like Teen Spirit
assistierende(r) Techniker(in):
James Johnson (engineer) und Jeff Sheehan
Techniker(in) und Produzent(in):
Nirvana (1980s–1990s US grunge band) und Butch Vig
Mix:
Andy Wallace (engineer)
Bassgitarre:
Chris Novoselic (in 1991-05)
Gitarre und Sologesang:
Kurt Cobain (lead singer and guitarist for Nirvana) (in 1991-05)
Schlagzeug:
David Grohl (in 1991-05)
Hintergrundgesang:
Chris Novoselic (in 1991-05) und David Grohl (in 1991-05)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2011)
aufgenommen bei:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten (in 1991-05)
mixed at:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Smells Like Teen Spirit (official music video) von Nirvana (1980s–1990s US grunge band)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 2), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 2), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1991 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1992 (All-time)), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 5), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 9), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2009 (All-time)), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 110)
recording of:
Smells Like Teen Spirit (in 1991-05)
Texter:
Kurt Cobain (lead singer and guitarist for Nirvana)
Komponist(in):
Chris Novoselic, Kurt Cobain (lead singer and guitarist for Nirvana) und David Grohl
publisher:
EMI‐Virgin Songs, Inc., MJ Twelve Music, Murky Slough Music, Primary Wave Tunes, The End of Music LLC, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), The End of Music (in 1991) und Virgin Songs, Inc. (in 1991)
Nirvana4.254:58
39I’ll Be Missin’ You
recording engineer:
Lane Craven, Axel Niehaus (German-born engineer and producer), Joe Perrera und Doug Wilson (engineer)
Produzent(in):
Sean "Puffy" Combs (Sean Combs, aka Puff Daddy, P. Diddy) und Stevie J. (US hip-hop producer/songwriter Steven Jordan)
Mix:
Michael Patterson (engineer) und Sean "Puffy" Combs (Sean Combs, aka Puff Daddy, P. Diddy)
Interpret(in):
Faith Evans
zusätzliche(r) Interpret(in):
112
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1997)
produced for:
Puff Daddy Entertainment, Inc.
aufgenommen bei und mixed at:
Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten
Samples:
Every Breath You Take von The Police (British rock band)
recording of:
I’ll Be Missing You
Verfasser(in):
F. Evans, Sting (singer, songwriter & member of The Police) und T. Gaither
publisher:
Blue Turtle Music, Chyna Baby Music, EMI Blackwood Music, Illegal Songs, Inc., Janice Combs Publishing, Inc., Magnetic Publishing Ltd. und September Six Music
basiert auf:
Every Breath You Take
Puff Daddy and Faith Evans3.25:10
40The Sign
Produzent(in):
Jonas Berggren, Douglas Carr (Swedish songwriter) und Denniz PoP
Hintergrundgesang:
Douglas Carr (Swedish songwriter)
vocals:
Jenny Berggren, Jonas Berggren und Malin Berggren
zusätzlich vocals:
Jonas Berggren und Ulf Ekberg
Interpret(in):
Jonas Berggren und Ulf Ekberg
phonographisches Urheberrecht (℗) von:
Mega Records (Danish euro house) (in 1993) und Metronome Musik GmbH (marketing & distribution dept. spun off from Metronome Records GmbH — do not use as a release label) (in 1993)
aufgenommen bei:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
Teil von:
The Downloader’s Music Source Book (Nummer: 132), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 72) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 223)
recording of:
The Sign
Texter und Komponist(in):
Jonas Berggren
Verfasser(in):
Buddha
publisher:
Megasong Publishing A/S und Megasongs Ltd.
Ace of Base4.053:12
41I Don’t Want to Miss a Thing
assistierende(r) Techniker(in):
Alex Dejonge (engineer) und Rob Murphy (Engineer)
Techniker(in) und Mix:
Dave Thoener
Produzent(in):
Matt Serletic
Saiteninstrumente arranger:
Suzie Katayama
arranger:
Matt Serletic
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei und mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
BILLIONS CLUB und The Downloader’s Music Source Book (Nummer: 228)
recording of:
I Don’t Want to Miss a Thing
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Realsongs (beendet), Manatt, Phelps & Phillips, LLP, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 71st Academy Award for Best Original Song (Nummer: 2)
Aerosmith4.054:57
42Here Comes the Hotstepper
recording of:
Here Comes the Hotstepper
Verfasser(in):
Ini Kamoze, Chris Kenner und Salaam Remi
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), EMI (EMI Records, or EMI Music only if there is no other imprint), Longitude Music, Pine Publishing, Rondor Music (London) Ltd. und Salaam Remi Music
Ini Kamoze4:14
43Return to Innocence
Techniker(in) und Produzent(in):
Michael Cretu (Romanian-born German musician, composer and record producer)
zusätzlich vocals:
Angel X
recording of:
Return to Innocence
Texter und Komponist(in):
Michael Cretu (Romanian-born German musician, composer and record producer)
Enigma4.354:10
44Together Again
Assistent recording engineer:
Xavier Smith (US engineer)
recording engineer und Mix:
Steve Hodge (engineer and producer)
drum machine-Programmierung:
Alex Richbourg
leitende(r) Produzent(in):
René Elizondo Jr. und Janet Jackson
Produzent(in):
Jimmy Jam (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Sologesang:
Janet Jackson
instruments arranger und vocals arranger:
Janet Jackson, Jimmy Jam (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
phonographisches Urheberrecht (℗) von:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1997)
arranged for und produced for:
Flyte Tyme Productions
recording of:
Together Again
Verfasser(in):
René Elizondo Jr., Janet Jackson, James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Black Ice Publ. Comp., EMI April Music Inc. und Flyte Tyme Tunes Inc.
Janet Jackson4.25:04
45Right Here, Right Now
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Gary Hellman und John Luongo
Jesus Jones2:33
46Informer
recording of:
Informer
Texter:
Darrin Kenneth O’Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary und Shawn Moltke (old-school US rapper Shawn Moltke)
Verfasser(in):
Darrin O'Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary und Shawn Moltke (old-school US rapper Shawn Moltke)
Snow44:33
47Always Be My Baby
Sound-Engineering:
Phil Tan (Malaysian-American audio engineer)
Ko-Techniker(in):
Kurt Lundvall, Glen Marchese, Mike Scott (Production music composer/engineer a.k.a. “The Wizard”) und Andy Smith (Engineer at the famous "The Hit Factory", New York.)
Techniker(in):
Jay Healy
zusätzliche(r) Techniker(in):
Jay Healy und Phil Tan (Malaysian-American audio engineer)
Koproduzent(in):
Manuel Seal
Produzent(in):
Mariah Carey und Jermaine Dupri (American rapper, record producer, actor & DJ)
Mix:
Mick Guzauski
Hintergrundgesang:
Mariah Carey, Melonie Daniels, Kelly Price und Shanrae Price
arranger:
Mariah Carey und Jermaine Dupri (American rapper, record producer, actor & DJ)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
Crave Studios in New York, Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Crave Studios in New York, Vereinigte Staaten
recording of:
Always Be My Baby
Texter:
Mariah Carey
Komponist(in):
Mariah Carey und Jermaine Dupri (American rapper, record producer, actor & DJ)
publisher:
Air Control Music, Inc., EMI April Music Inc., EMI Full Keel Music, Rye Songs, So So Def und Sony Songs Inc.
Mariah Carey3.754:18
48I Will Always Love You
Techniker(in):
David Reitzas, Bill Schnee und Peter Yianilos
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive) und Whitney Houston
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Mix:
David Reitzas
künstlerische Leitung:
Rickey Minor (bass player, music director, composer, music producer)
Solo-Saxophon:
Kirk Whalum
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Whitney Houston
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 60), New York Post: 100 Greatest Covers (2007) (Nummer: 59), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 60) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 94)
cover recording of:
I Will Always Love You
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. und Velvet Apple Music
Whitney Houston4.54:33
49Dreams
recording of:
Dreams
Texter:
Dolores O’Riordan
Komponist(in):
Noel Hogan und Dolores O’Riordan
The Cranberries4:32
50I Want You
Produzent(in):
Charles Fisher (Australian producer)
Mix:
Chris Lord‐Alge
mixed at:
Gotham Studios in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 97)
recording of:
I Want You
Verfasser(in):
Darren Hayes und Daniel Jones (Australian singer/producer of Savage Garden)
publisher:
Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
ジョジョの奇妙な冒険 Part4 ダイヤモンドは砕けない (JoJo's Bizarre Adventure Part 4: Diamond is Unbreakable, 2016 anime soundtrack)
Savage Garden4.753:52
51Where Do You Go
recording of:
Where Do You Go
Texter:
Peter Bischof‐Fallenstein und Franz Reuther
Komponist(in):
Franz Reuther
publisher:
Far M.V.
No Mercy3.254:18
52Torn
Produzent(in):
Phil Thornalley
Mix:
Nigel Godrich (English record producer)
Sologesang:
Natalie Imbruglia
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (vom 1997 bis heute) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 32), Cachitos Nochevieja 2022 (Nummer: 60) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 333)
cover recording of:
Torn
Texter:
Anne Preven
Komponist(in):
Scott Cutler, Anne Preven und Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:08
53This Is How We Do It
recording of:
This Is How We Do It
Verfasser(in):
Montell Jordan, Oji Pierce und Ricky Walters (US rapper Slick Rick)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Songs of Universal, Inc. (BMI) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Montell Jordan4:40
54Mouth
Merril Bainbridge3:26
55U Can’t Touch This
Koproduzent(in):
James Earley und Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
Produzent(in):
MC Hammer
Mix:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) und MC Hammer
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Samples:
Super Freak von Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
Verfasser(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) und Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music und Stone Diamond Music Corporation
basiert auf:
Super Freak
MC Hammer4.14:18
56End of the Road
Koproduzent(in):
Daryl Simmons
leitende(r) Produzent(in):
Antonio M. Reid und Kenneth Edmonds (R&B musician Kenny Edmonds)
Produzent(in):
Babyface (R&B musician Kenny Edmonds) und L.A. Reid
recording of:
End of the Road
Verfasser(in):
Babyface (R&B musician Kenny Edmonds), L.A. Reid und Daryl Simmons
publisher:
Ensign Music Corporation, Green Skirt Music (publisher) und Kear Music (publisher)
Boyz II Men4.655:50
57Water Runs Dry
Boyz II Men3:22
58Mr. Jones
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten
recording engineer:
Pat McCarthy
assistierende(r) Techniker(in):
Mark Guilbeault und Brant Scott
zusätzliche(r) Techniker(in):
Robert Hart (engineer), Steve Holroyd und Howard Willing
leitende(r) Produzent(in):
Gary Gersh
Produzent(in):
T‐Bone Burnett (musician, songwriter and producer)
Mix:
Scott Litt (producer and engineer) und Pat McCarthy
accordion, Chamberlin und Hammond-Orgel:
Charlie Gillingham
Bassgitarre:
Matt Malley
Gitarre:
David Bryson und Matt Malley
Klavier:
Adam Duritz und Charlie Gillingham
Mundharmonika und Sologesang:
Adam Duritz
zusätzlich Gitarre:
T‐Bone Burnett (musician, songwriter and producer), Bill Dillon und David Immerglück
zusätzlich guitorgan:
Bill Dillon
zusätzlich Mandocello, zusätzlich Mandoline, zusätzlich Pedal-Steel-Gitarre und zusätzlich vocals:
David Immerglück
zusätzlich Perkussion und zusätzlich Schlagzeug:
Denny Fongheiser
vocals:
Steve Bowman, David Bryson, Charlie Gillingham und Matt Malley
zusätzlich Hintergrundgesang:
Gary Louris, Maria McKee und Mark Olson (US alt. country musician, Jayhawks etc)
zusätzlich aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Kiva West Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten, Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Mr. Jones von Counting Crows
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 474)
recording of:
Mr. Jones
Texter:
Adam Duritz
Komponist(in):
David Bryson und Adam Duritz
Counting Crows3.94:29
59Unbelievable
Produzent(in) und Mix:
Ralph Jezzard
E-Bass:
Zac Foley (in 1990)
E-Gitarre, Gitarre und Keyboard:
Ian Dench (in 1990)
Sampler [samples]:
Derry Brownson (in 1990)
Schlagzeug:
Mark Decloedt (in 1990)
Hintergrundgesang:
Claudia Fontaine (vocals, background vocals) (in 1990)
Sologesang:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 421)
recording of:
Unbelievable (in 1990)
Verfasser(in):
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench und Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Canada Ltd.
EMF3.653:31
60What’s Up
recording engineer:
David Tickle (in 1992)
Mastering:
Stephen Marcussen (mastering engineer)
Techniker(in):
Mark Hensley
zusätzliche(r) Techniker(in):
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy und Paul Dieter (American sound engineer and producer.)
Produzent(in) und Mix:
David Tickle
Akustikgitarre und E-Gitarre:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
Bass:
Christa Hillhouse (in 1992)
Gitarre:
Louis Metoyer (in 1992) und Roger Rocha (in 1992)
Schlagzeug:
Dawn Richardson (in 1992)
vocals:
Christa Hillhouse (in 1992) und Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1992, in 1993)
aufgenommen bei:
Groove Masters in Santa Monica, California (Kalifornien), Vereinigte Staaten (in 1992), The Bunker (in 1992) und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten (in 1992)
mixed at:
The Bunker
recording of:
What’s Up? (in 1992)
Texter und Komponist(in):
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat und Stuck in the Throat Music
4 Non Blondes4.354:17
61Creep
Assistent recording engineer:
Brian Smith (Recorder at Theo's Lab, NYC) und Carl Glover (Recording engineer - Glover Pro Sound)
recording engineer:
Leslie Brathwaite und Alvin Speights
Produzent(in):
Dallas Austin
Mix:
Alvin Speights
Instrumente:
Dallas Austin
turntable [scratching]:
Sol Messiah
Hintergrundgesang:
Debra Killings
vocals:
Chilli (Rozonda Thomas, member of TLC), Lisa “Left Eye” Lopes und T‐Boz
aufgenommen bei und mixed at:
D.A.R.P Studios in Atlanta, Georgia, Vereinigte Staaten
Samples:
Hey Young World von Slick Rick
recording of:
Creep
Texter und Komponist(in):
Dallas Austin
publisher:
Darp Music und EMI April Music Inc.
TLC4.34:29
62I Would Do Anything for Love
recording of:
I’d Do Anything for Love (but I Won’t Do That)
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1993)
Meat Loaf5:15
63Do You Remember the Time
recording engineer und Mix:
Teddy Riley (US R&B singer & producer), Bruce Swedien und Dave Way
Programmierung:
Wayne Cobham (US engineer)
Koproduzent(in):
Teddy Riley (US R&B singer & producer)
Produzent(in):
Michael Jackson (“King of Pop”) und Teddy Riley (US R&B singer & producer)
Keyboard und Synthesizer:
Teddy Riley (US R&B singer & producer)
Hintergrundgesang und Sologesang und Sologesang:
Michael Jackson (“King of Pop”)
Synthesizer arranger und zusätzlich arranger:
Teddy Riley (US R&B singer & producer)
vocals arranger:
Michael Jackson (“King of Pop”)
recording of:
Remember the Time (in 1991)
Verfasser(in):
Bernard Belle, Michael Jackson (“King of Pop”) und Teddy Riley (US R&B singer & producer)
publisher:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint), Sony/ATV Tunes LLC (ASCAP), Universal Music–Z Tunes LLC und Warner/Chappell Music, Inc.
Michael Jackson3.854:00
64Baby Got Back
Programmierung, Techniker(in), Produzent(in) und Mix:
Sir Mix‐A‐Lot
Gast vocals:
Amy Dorsey
arranger:
Sir Mix‐A‐Lot
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 327)
recording of:
Baby Got Back
Texter und Komponist(in):
Sir Mix‐A‐Lot
publisher:
Mix-A-Lot Publishing und Universal–Songs of PolyGram International, Inc.
Sir Mix‐A‐Lot3.654:27
65Show Me Love
phonographisches Urheberrecht (℗) von:
BMG Sweden AB (in 1997)
recording of:
Show Me Love
Verfasser(in):
Max Martin (Swedish record producer) und Robyn (Swedish singer and songwriter Robin Carlsson)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Robyn4.353:52
66Lovefool
Techniker(in) und Produzent(in):
Tore Johansson
Bassgitarre:
Magnus Sveningsson
Gitarre:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Keyboard:
Lars-Olof Johansson
Perkussion und Schlagzeug:
Bengt Lagerberg
Hintergrundgesang:
Magnus Sveningsson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Sologesang:
Nina Persson
phonographisches Urheberrecht (℗) von:
Stockholm Records und Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
produced at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
Musikvideos:
Lovefool von The Cardigans (Swedish rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 242)
recording of:
Lovefool
Texter:
Nina Persson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Komponist(in):
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs und Universal–Songs of PolyGram International, Inc.
The Cardigans3.653:19
67Unbreak My Heart
Assistent recording engineer:
Brandon Harris (US engineer) (in 1995)
recording engineer:
Felipe Elgueta (in 1995)
Keyboard-Programmierung:
David Foster (Canadian music producer, arranger and composer) (in 1995)
Synclavier-Programmierung:
Simon Franglen (English score composer) (in 1995)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Marnie Riley
Mix:
Mick Guzauski
Akustikgitarre:
Dean Parks (American session guitarist) (in 1995)
E-Gitarre:
Michael Thompson (session guitarist) (in 1995)
Hintergrundgesang:
Toni Braxton (in 1995) und Shanice (in 1995)
Sologesang:
Toni Braxton (in 1995) und Shanice Wilson (in 1995)
arranger:
David Foster (Canadian music producer, arranger and composer), L.A. Reid und Tim Thomas (from Tim & Ted)
phonographisches Urheberrecht (℗) von:
LaFace Records, Inc. (in 1996)
arranged for und produced for:
Chartmaker, Inc.
aufgenommen bei:
Chartmaker Studios in Malibu, California (Kalifornien), Vereinigte Staaten (in 1995) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1995)
mixed at:
Barking Doctor in Mount Kisco, New York, Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 16)
recording of:
Un-Break My Heart (in 1995)
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Realsongs
Toni Braxton3.74:25
68I’m Every Woman
Programmierung:
James T. Alfano und Chauncey Mahan
Techniker(in):
Marc Reyburn und Matt Rohr (Recording Engineer)
zusätzliche(r) Techniker(in):
Richard Joseph (recording engineer and musician) und Acar Key
Produzent(in):
Narada Michael Walden
zusätzliche(r) Produzent(in):
Robert Clivillés (record producer, songwriter, arranger, music video director) und David Cole (US musician/producer, member of C+C Music Factory)
Mix:
Bob Rosa
zusätzlich vocals arranger:
Robert Clivillés (record producer, songwriter, arranger, music video director) und David Cole (US musician/producer, member of C+C Music Factory)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Tarpan Studios in San Rafael, California (Kalifornien), Vereinigte Staaten
cover recording of:
I’m Every Woman (in 1992)
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Whitney Houston4.24:45
69Ice Ice Baby
Produzent(in):
Vanilla Ice
vocals:
Vanilla Ice
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1990) und SBK Records (in 1990)
Samples:
Under Pressure von Queen (UK rock group) & David Bowie (English singer‐songwriter)
Musikvideos:
Ice Ice Baby von Vanilla Ice
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 49)
recording of:
Ice Ice Baby
Texter:
Floyd Brown (Floyd Brown), Mario Lavell Johnson (90s US rapper) und Vanilla Ice
Komponist(in):
David Bowie (English singer‐songwriter), Floyd Brown (Floyd Brown), John R. Deacon, Mario Lavell Johnson (90s US rapper), Brian May (Queen guitarist), Freddie Mercury, Roger Taylor (Queen drummer) und Vanilla Ice
publisher:
Aftershock Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Fernhill Publishing, Ice Baby Music, Knightlife Productions, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), QPM Music Inc., Queen Music Ltd., Sony/ATV Music Publishing Ltd. und Sony/ATV Songs LLC
basiert auf:
Under Pressure
Vanilla Ice4.254:27
70Back for Good
Programmierung:
Gary Barlow und Chris Cameron (British pianist, singer-songwriter, arranger and producer)
assistierende(r) Techniker(in):
Steve McNichol
Produzent(in):
Gary Barlow und Chris Porter (engineer and producer)
Gitarre:
Phil Palmer (guitarist)
Sologesang:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) und Robbie Williams
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1995) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1995)
recording of:
Back for Good
Texter und Komponist(in):
Gary Barlow
publisher:
EMI Virgin Music Australia Pty Ltd und EMI Virgin Music Ltd. (do not use this as a release label!)
Take That34:05
71Crazy
Programmierung:
John Webster (Canadian keyboardist)
assistierende(r) Techniker(in):
Mike Plotnikoff
Techniker(in):
Ken Lomas
Produzent(in):
Bruce Fairbairn
Mix:
Brendan O’Brien (engineer)
Appalachian dulcimer [dulcimer]:
Joe Perry (guitarist for Aerosmith)
baritone saxophone:
Ian Putz
E-Bass [electric bass]:
Tom Hamilton (bassist for Aerosmith)
Gitarre:
Joe Perry (guitarist for Aerosmith) und Brad Whitford (Aerosmith)
Instrumente:
The Margarita Horns
Keyboard [keyboards]:
Desmond Child, Steven Tyler und John Webster (Canadian keyboardist)
Mandoline, Mundharmonika, zusätzlich Perkussion und Sologesang:
Steven Tyler
Posaune:
Bob Rogers (Trombonist)
Saxophon:
Tom Keenlyside
Schlagzeug und Perkussion:
Joey Kramer (drummer for Aerosmith)
Trompete:
Paul Baron (trumpet player) und Bruce Fairbairn
vocals:
Joe Perry (guitarist for Aerosmith)
Orchestrator(in):
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1993) und Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1993)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
The Downloader’s Music Source Book (Nummer: 221)
recording of:
Crazy
Verfasser(in):
Desmond Child, Joe Perry (guitarist for Aerosmith) und Steven Tyler
publisher:
JuJu Rhythms, Primary Wave Steven Tyler, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Desmobile Inc. (in 1992), EMI April Music Inc. (in 1992) und Swag Song Music, Inc. (in 1992)
Aerosmith3.95:14
72You Learn
recording engineer:
Glen Ballard und Chris Fogel (engineer)
Programmierung und Produzent(in):
Glen Ballard
Mix:
Chris Fogel (engineer)
Gitarre und Keyboard:
Glen Ballard
Orgel:
Benmont Tench
vocals:
Alanis Morissette
Samples:
Impeach the President von The Honey Drippers (70s US funk band, backing band for Roy C. Hammond)
recording of:
You Learn
Texter:
Alanis Morissette
Komponist(in):
Glen Ballard und Alanis Morissette
Teil von:
Jagged Little Pill (the musical)
Alanis Morissette3.73:55
73Giving Him Something He Can Feel
En Vogue3:58
74One Week
Assistent recording engineer:
Bob MacLeod (in 1998-02) und Scott Lake (in 1998-03)
recording engineer:
Susan Rogers (US sound engineer) (in 1998-02) und David Leonard (US producer and engineer) (in 1998-03)
Produzent(in):
Barenaked Ladies (in 1998), David Leonard (US producer and engineer) (in 1998) und Susan Rogers (US sound engineer) (in 1998)
assistierende(r) Mix:
Charlie Brocco (von 1998-03 bis 1998-04) und Kevin Szymanski (von 1998-03-04 bis 1998-04-04)
Mix:
David Leonard (US producer and engineer) (von 1998-03 bis 1998-04)
Akustikgitarre:
Ed (von 1998-02 bis 1998-03)
E-Gitarre:
Ed (von 1998-02 bis 1998-03) und Kevin (von 1998-02 bis 1998-03)
E-Kontrabass [electric double bass]:
Jim (von 1998-02 bis 1998-03)
Keyboard [keyboards]:
Kevin (von 1998-02 bis 1998-03)
Schlagzeug [drums]:
Tyler (von 1998-02 bis 1998-03)
Hintergrundgesang [dans la maison]:
Ed (von 1998-02 bis 1998-03) und Tyler (von 1998-02 bis 1998-03)
Sologesang [vocals]:
Ed (von 1998-02 bis 1998-03) und Steven (Barenaked Ladies) (von 1998-02 bis 1998-03)
aufgenommen bei:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, Vereinigte Staaten (in 1998-02) und Phase One Studios in Toronto, Ontario, Kanada (in 1998-03)
mixed at:
East Iris Studios in Nashville, Tennessee, Vereinigte Staaten (von 1998-03 bis 1998-04)
Musikvideos:
One Week von Barenaked Ladies
recording of:
One Week (von 1998-02 bis 1998-03)
Texter und Komponist(in):
Ed Robertson
publisher:
Treat Baker Music (in 1997) und WB Music Corp. (1929–2019) (in 1997)
Barenaked Ladies4.12:47
75Change the World
Techniker(in):
Brad Gilderman
zusätzliche(r) Techniker(in):
Kyle Bess, Bill Kinsley und Thomas Russo
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Mix:
Mick Guzauski
Gast Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds)
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1996)
cover recording of:
Change the World
Verfasser(in):
Gordon Kennedy (US country/bluegrass songwriter/musician), Wayne Kirkpatrick (American songwriter, musician and producer) und Tommy Sims (r&b, ccm)
publisher:
Magic Beans Music, Universal Music - Brentwood Benson Publishing (ASCAP), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Warner/Chappell (Warner/Chappell Music, Inc.) und シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
Eric Clapton3.253:56
76I Touch Myself
assistierende(r) Techniker(in):
Chris Albert (US engineer) und Vince Caro (engineer, music editor, producer)
Produzent(in):
Divinyls (Australian rock band), Howard Shore (Canadian score composer) und David Tickle
phonographisches Urheberrecht (℗) von:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) und Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
aufgenommen bei:
BMG Recording Studios in Theater District, New York, New York, Vereinigte Staaten
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 54) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 326)
recording of:
I Touch Myself
Texter und Komponist(in):
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) und William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:45
77Tubthumping
Techniker(in):
Neil Ferguson (Chumbawamba)
Produzent(in):
Chumbawamba
phonographisches Urheberrecht (℗) von:
Chumbawamba (in 1997)
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH & Co KG (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1997)
aufgenommen bei:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Vereinigtes Königreich (in 1997-02)
mixed at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Vereinigtes Königreich (in 1997-09)
Bearbeitung von:
Tubthumping (album version) von Chumbawamba
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 23)
recording of:
Tubthumping (in 1997-02)
publisher:
Chumbawamba (in 1997)
Verfasser(in):
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) und Boff Whalley
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Leosong (publisher) (in 1997)
Chumbawamba3.653:32
78Motown Philly
Programmierung:
Rick Sheppard (engineer)
leitende(r) Produzent(in):
BIV und Vida Sparks
Produzent(in) und Mix:
Dallas Austin
vocals:
Michael Bivins
zusätzlich vocals:
Michael Bivins
enthält Samples von:
Rick Sheppard (engineer)
arranger:
Michael Bivins, Nathan Morris (Boyz II Men) und Shawn Stockman
Herausgeber:
BIV Entertainment Corp. und Diva One Productions
recording of:
Motownphilly
Verfasser(in):
Dallas Austin, Michael Bivins, Nathan Morris (Boyz II Men) und Shawn Stockman
publisher:
Biv Ten Publishing, Diva One Music und Mike Ten Publishing
Boyz II Men3.53:58
79One of Us
recording of:
One of Us
Texter und Komponist(in):
Eric Bazilian
Joan Osborne4:58
80Mmm’bop
Programmierung und Techniker(in):
Mac Quale (US composer)
leitende(r) Produzent(in):
Steve Greenberg (Record producer)
Produzent(in):
The Dust Brothers (production duo John King & Mike Simpson)
zusätzliche(r) Produzent(in):
Stephen Lironi
Mix:
Tom Lord‐Alge
Gitarre:
Isaac Hanson
Keyboard:
Taylor Hanson
Schlagzeug:
Zac Hanson
vocals:
Isaac Hanson, Taylor Hanson und Zac Hanson
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 61)
recording of:
MMMBop
Verfasser(in):
Isaac Hanson, Taylor Hanson und Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Hanson3.54:29
81Jump
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 347)
recording of:
Jump
Verfasser(in):
Alphonso Mizell, Andrew Noland, Berry Gordy, Jr., Leroy Bonner (funk guitarist, aka Sugarfoot), Jermaine Dupri (American rapper, record producer, actor & DJ), Fred Perren, Joe Nicolo, Marshall Jones (US bassist & songwriter, member of Ohio Players), Marvin Pierce, Norman Napier, Ralph Middlebrooks, Deke Richards (American songwriter and record producer), Walter Morrison und Greg Webster (drummer for Ohio Players)
basiert auf:
I Want You Back
Kris Kross43:17
82Mambo #5
Koproduzent(in):
Lou Bega und Zippy (Christian Königseder)
Produzent(in):
D. Fact und Frank Lio
Instrumente:
D. Fact und Frank Lio
vocals:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
enthält Samples von:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
phonographisches Urheberrecht (℗) von:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1999) und Lautstark (in 1999)
produced for:
Syndicate
Samples:
Mambo No. 5 von Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 50)
recording of:
Mambo No. 5 (A Little Bit of…)
Texter:
Lou Bega und Zippy (Christian Königseder)
Komponist(in):
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
publisher:
Peer International Corporation (BMI), Peer Musik, Peer Musikverlag (Peermusic Musikverlag GesmbH) und Peermusic (Germany) GmbH
basiert auf:
Mambo No. 5 (original, 1949)
Lou Bega3.753:42
83How Bizarre
recording of:
How Bizarre
Verfasser(in):
Pauly Fuemana und Alan Jansson
publisher:
Lamont Music
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 34)
OMC4:16
84Ditty
Paperboy4:07
85Another Night
recording of:
Another Night
Verfasser(in):
Frank Hassas, Olaf Jeglitza und Jürgen Wind
publisher:
Diamond Cut und Universal Music Corp. (USA, affiliated with ASCAP)
Real McCoy3:56
86If I Could Turn Back the Hands of Time
Assistent recording engineer:
Jason Bacher, Rick Behrens und Trey Fratt
recording engineer:
Chris Brickley, Stephen George und Carl Robinson (US bassist, guitarist & recording engineer)
Programmierung:
Chris Brickley und Stephen George
zusätzliche(r) Techniker(in):
Tony Black (producer, engineer)
Produzent(in):
R. Kelly
assistierende(r) Mix:
Mark Johnson (engineer)
Mix:
Stephen George und R. Kelly
Editing:
Chaz Harper
zusätzlich Keyboard:
LaFayette Carthon, Jr.
Hintergrundgesang:
Bruce Kelly, R. Kelly und Sparkle (US R&B singer)
Sologesang:
R. Kelly
Orchester:
The Motown Romance Orchestra
conductor:
Paul Riser
zusätzliche(r) Interpret(in):
Hart Hollman (violist)
arranger:
R. Kelly
recording of:
If I Could Turn Back the Hands of Time
Texter und Komponist(in):
R. Kelly
publisher:
R. Kelly Publishing Inc. und Zomba Songs Inc.
R. Kelly36:18
87I’m Too Sexy
Programmierung und Produzent(in):
Tommy D.
Techniker(in):
Graham Bonnett (Sound Engineer)
Bassgitarre:
Phil Spalding
Gitarre:
Robert Manzoli
Sologesang:
Richard Fairbrass
arranger:
Tommy D.
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Joe's Garage (Bristol) in Bristol, England, Vereinigtes Königreich und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 475)
recording of:
I’m Too Sexy
Verfasser(in):
Fred Fairbrass, Richard Fairbrass und Robert Manzoli
publisher:
Hit & Run Music (Publishing) Ltd
Right Said Fred4.052:51
88If You Could Only See
recording of:
If You Could Only See
Texter und Komponist(in):
Emerson Hart
publisher:
EMI Blackwood Music Inc.
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today)
Tonic3.34:24
89Iris
assistierende(r) Techniker(in):
Greg Burns (engineer) (Aufgabe: second engineer) und Rafa Sardina (Aufgabe: second engineer)
Techniker(in):
Allen Sides
Produzent(in):
Rob Cavallo und Goo Goo Dolls
Mix:
Jack Joseph‐Puig
Bass:
Robby Takac
Gitarre:
John Rzeznik
Klavier:
Jamie Muhoberac
Mandoline:
Tim Pierce (US session guitarist)
Schlagzeug und Perkussion:
Mike Malinin
vocals:
John Rzeznik
Saiteninstrumente [string] arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Musikvideos:
Iris von Goo Goo Dolls
recording of:
Iris
Texter und Komponist(in):
John Rzeznik
publisher:
EMI Virgin Songs, Inc. und Scrap Metal Music
Goo Goo Dolls4.14:52
90I’ll Be There for You
leitende(r) Produzent(in):
Kevin Bright (producer), David Crane (creator of the television sitcom Friends) und Marta Kauffman
Produzent(in) und Mix:
Gavin MacKillop
vocals:
The Soldiers (singing trio of British Army soldiers)
recording of:
I’ll Be There for You (theme from ‘Friends’)
Texter:
David Crane (creator of the television sitcom Friends), Marta Kauffman, Phil Solem, Danny Wilde (The Rembrandts, Great Buildings & The Quick) und Allee Willis
Komponist(in):
Michael Skloff
publisher:
100 Billion Dollar Music, W3705 Music (publisher), Warner Brothers Music Corp (1929–2019) und Warner–Tamerlane Publishing Corp (publisher; do NOT use as release label)
The Rembrandts43:04
91Two Princes
Techniker(in):
Frank Aversa und Spin Doctors
Produzent(in):
Frank Aversa, Peter Denenberg, Frankie LaRocka und Spin Doctors
Mix:
Peter Denenberg, Frankie LaRocka und Spin Doctors
Bassgitarre:
Mark White (Spin Doctors)
Gitarre:
Eric Schenkman
Hammond-Orgel, Schlagzeug und Perkussion:
Aaron Comess
Gast Hintergrundgesang:
John Popper
vocals:
Chris Barron
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Two Princes (original version)
Verfasser(in):
Chris Barron, Aaron Comess, Eric Schenkman und Mark White (Spin Doctors)
publisher:
Mow B'jow Music, Sony Songs Inc. und Sony/ATV Music Publishing Ltd.
recording of:
Two Princes (Muppets parody)
Parodieversion von:
Two Princes (original version)
Spin Doctors4.24:17
92Breakfast at Tiffany’s
Techniker(in), Produzent(in) und Mix:
David Castell
Akustikgitarre und E-Gitarre:
Toby Pipes, Todd Pipes und Kirk Tatom
Bassgitarre:
Todd Pipes und Kirk Tatom
Keyboard:
Toby Pipes und Todd Pipes
Klavier und Orgel:
Kirk Tatom
Lap-Steel-Gitarre:
Toby Pipes
Perkussion und Schlagzeug:
John Kirtland (Drummer, head of Kirtland Records)
vocals:
Toby Pipes, Todd Pipes und Kirk Tatom
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1995) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1995)
recording of:
Breakfast at Tiffany’s
Texter und Komponist(in):
Todd Pipes
publisher:
Warner Chappell North America und WC Music Corp.
Deep Blue Something3.74:12
93You Make Me Wanna
Techniker(in) und Mix:
Phil Tan (Malaysian-American audio engineer)
Produzent(in):
Jermaine Dupri (American rapper, record producer, actor & DJ)
vocals:
Usher (American R&B singer‐songwriter)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 469)
recording of:
You Make Me Wanna...
Verfasser(in):
Jermaine Dupri Mauldin (American rapper, record producer, actor & DJ), Manuel Lonnie Seal, Jr und Usher Raymond IV (American R&B singer‐songwriter)
Usher2.53:42
94Gettin Jiggy Wit’ It
recording of:
Gettin’ Jiggy Wit It
Verfasser(in):
Samuel Barnes (US rapper & hip‐hop producer, aka Tone), Bernard Edwards & Nile Rodgers, Bernard Edwards (American bassist and record producer), David Porter (US soul musician, producer & songwriter), Joey Robinson, Jr. (US Electro funk/hip hop producer, songwriter & engineer), Nile Rodgers und Will Smith (US actor aka The Fresh Prince)
publisher:
Irving Music, Inc., Jelly’s Jams, LLC, Sony/ATV Tunes LLC (ASCAP), Treball Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Will Smith3:51
95Give Me One Good Reason
assistierende(r) Techniker(in):
Kevin Scott (engineer)
Techniker(in) und Mix:
Don Gehman
Produzent(in):
Tracy Chapman (American singer‐songwriter) und Don Gehman
vocals:
Tracy Chapman (American singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group for the United States (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1995), WEA International Inc. for the world outside of the United States (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1995) und Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2015)
produced for:
Rhapsody Productions, Inc.
aufgenommen bei:
The Site in San Rafael, California (Kalifornien), Vereinigte Staaten
mixed at:
Scream Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Give Me One Reason
Texter und Komponist(in):
Tracy Chapman (American singer‐songwriter)
publisher:
EMI April Music (in 1995) und Purple Rabbit Music (in 1995)
Tracy Chapman4.44:32
96All for You
recording of:
All for You
Texter:
Ken Block
Komponist(in):
Ken Block und Sister Hazel (American alternative rock band from Gainesville FL)
Sister Hazel3.53:39
97Can’t Nobody Hold Me Down
recording of:
Can’t Nobody Hold Me Down
Verfasser(in):
C. Broady, C. Chase, E. Fletcher, G. Prestopino, M. Betha (US rapper), M. Glover (Melvin Glover aka Melle Mel), M. Wilder, N. Myrick, S. Combs (Sean Combs, aka Puff Daddy, P. Diddy), S. Jordan (US hip-hop producer/songwriter Steven Jordan) und S. Robinson
publisher:
Buchu Music, EMI‐April Music Inc., Justin Combs Publishing, M. Betha Publishing, Nash Mack Publishing, No Ears Music, Six July, Steven A. Jordan Music, Streetwise Music (US publisher) und Sugar Hill Music, Inc.
Puff Daddy and Mase5:07
98Just a Girl
recording engineer:
Phil Kaffel und George Landress
Produzent(in):
Matthew Wilder
Mix:
Holman und Paul Palmer (engineer)
Bassgitarre:
Tony Kanal
Gitarre:
Tom Dumont
Keyboard und Klavier:
Eric Stefani
Perkussion und Schlagzeug:
Adrian Young (drummer for No Doubt)
Posaune:
Gabrial McNair
Trompete:
Phil Jordan (trumpet player)
zusätzlich Keyboard:
Matthew Wilder
Sologesang:
Gwen Stefani
Interpret(in):
No Doubt (American rock band)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1995)
mixed at:
Cactus Studios in California (Kalifornien), Vereinigte Staaten
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 133) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 192)
recording of:
Just a Girl
Verfasser(in):
Gwen Stefani und Thomas Dumont
publisher:
Knock Yourself Out Music und Universal‐MCA Music Publishing (US)
No Doubt4.33:33
99Return of the Mack
recording of:
Return of the Mack
Texter und Komponist(in):
Mark Morrison (r&b vocalist)
Mark Morrison4:38
100Tha Crossroads
recording of:
Tha Crossroads (DJ U‐Neek’s Mo Thug remix)
Verfasser(in):
Byron McCane, Charles Scruggs, Anthony Henderson (aka Krayzie Bone), Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley, Chris Jasper und Steve Howse
gewidmet:
Eazy‐E
publisher:
Bovina Music Inc., EMI April Music Inc., Keenu Songs, Mo Thugs Muzik und Ruthless Attack Muzick
basiert auf:
Crossroad (different from "Tha Crossroads")
Bone Thugs‐n‐Harmony3:49
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