| # | Title | Artist | Rating | Length |
|---|
| 1 | Wannabe | Spice Girls | 3.85 | 2:53 |
| 2 | Man! I Feel Like a Woman! | Shania Twain | | 3:53 |
| 3 | U Can’t Touch This | MC Hammer | 4.1 | 4:17 |
| 4 | Fly Away- programming:
- Lenny Kravitz, Terry Manning , Matthew Knobel and Eric Rehl
- engineer and mixer:
- Terry Manning
- producer:
- Lenny Kravitz
- bass, drums (drum set), guitar, background vocals and lead vocals:
- Lenny Kravitz
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1998), Virgin Records America, Inc. (in 1998), Union Square Music Ltd. (in 2018) and Universal Music Operations Ltd. (in 2018)
- recording of:
- Fly Away
- lyricist and composer:
- Lenny Kravitz
- publisher:
- BMG Rights Management (UK) Ltd. , Miss Bessie Music and Virgin Records America, Inc.
| Lenny Kravitz | 4 | 3:42 |
| 5 | All the Small Things- recording engineer:
- Sean O’Dwyer
- assistant engineer:
- Darrell Harvey , John Nelson and Robert Read
- producer:
- Jerry Finn
- mixer:
- Tom Lord‐Alge
- bass guitar and background vocals:
- Mark “Fish Guts” Hoppus
- drums (drum set):
- Travis “Fuck Boy” Barker
- guitar and lead vocals:
- Tom “Hot Pants” DeLonge
- keyboard:
- Roger Joseph Manning Jr.
- arranger:
- blink‐182
- drums (drum set) technician:
- Mike Fasano
- phonographic copyright (℗) by:
- Geffen Records (in 1999), MCA Records, Inc. (in 1999), MCA Records (in 2000), Union Square Music Ltd. (in 2018) and Universal Music Operations Ltd. (in 2018)
- mixed at:
- South Beach Studios in Miami Beach, Florida, United States
- music videos:
- All the Small Things by blink‐182
- part of:
- BILLIONS CLUB, Indie 88: Top 500 Indie Rock Songs (number: 59) and Billboard: The 500 Best Pop Songs (number: 365)
- recording of:
- All the Small Things
- writer:
- Tom DeLonge and Mark Hoppus
- publisher:
- Fun With Goats (ended), Beat Poet Music, EMI April Music Inc., HMNIM Music, Jolly Old Saint Dick and Kobalt Songs Music Publishing
| blink‐182 | 4 | 2:51 |
| 6 | Better Off Alone | Alice DeeJay | 4.2 | 3:35 |
| 7 | If I Could Turn Back Time- recording engineer and mixer:
- Frank Wolf
- additional engineer:
- Guy Roche
- assistant engineer:
- Ken Allardyce, Mario Luccy, Craig Porteils and Duane Seykora
- producer:
- Guy Roche and Diane Warren
- additional guitar:
- Gene Black and Glenn Sciurba
- bass guitar:
- John Pierce
- drums (drum set) and tambourine:
- Mark T. Williams
- guitar:
- Steve Lukather
- keyboard:
- Alan Pasqua and Guy Roche
- background vocals:
- Michael Anthony , Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal
- lead vocals:
- Cher
- phonographic copyright (℗) by:
- Geffen Records (in 1989), The David Geffen Company (in 1989), Union Square Music Ltd. (in 2018) and Universal Music Operations Limited (in 2018)
- recorded at:
- Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
- mixed at:
- The Complex Studios in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 386)
- recording of:
- If I Could Turn Back Time
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing and Realsongs (in 1989)
| Cher | 3.75 | 3:57 |
| 8 | Boom, Boom, Boom, Boom!! | Vengaboys | 2.9 | 3:23 |
| 9 | Bed of Roses | Bon Jovi | 4 | 6:35 |
| 10 | Barbie Girl | Aqua | 3.75 | 3:18 |
| 11 | You Get What You Give | New Radicals | 4.65 | 5:00 |
| 12 | I’d Do Anything for Love (But I Won’t Do That) (live from the Beacon Theatre, New York, U.S.A. / 1995) | Meat Loaf | | 5:29 |
| 13 | Love Is All Around | Wet Wet Wet | 3.85 | 4:05 |
| 14 | Ice Ice Baby- producer:
- Vanilla Ice
- vocals:
- Vanilla Ice
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1990) and SBK Records (in 1990)
- samples:
- Under Pressure by Queen & David Bowie
- music videos:
- Ice Ice Baby by Vanilla Ice
- part of:
- Paste: The 50 Greatest One-Hit Wonders of All Time (number: 49)
- recording of:
- Ice Ice Baby
- lyricist:
- Floyd Brown , Mario Lavell Johnson and Vanilla Ice
- composer:
- David Bowie , Floyd Brown , John R. Deacon, Mario Lavell Johnson , Brian May , Freddie Mercury, Roger Taylor and Vanilla Ice
- publisher:
- Aftershock Music, EMI Blackwood Music Inc., EMI Music Publishing , Fernhill Publishing, Ice Baby Music, Knightlife Productions, MCA Music , QPM Music Inc., Queen Music Ltd., Sony/ATV Music Publishing Ltd. and Sony/ATV Songs LLC
- is based on:
- Under Pressure
| Vanilla Ice | 4.25 | 4:31 |
| 15 | Wind of Change- assistant engineer:
- Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher
- engineer:
- Erwin Musper and Keith Olsen
- producer:
- Keith Olsen and Scorpions
- mixer:
- Shay Baby, Erwin Musper and Keith Olsen
- acoustic guitar:
- Rudolf Schenker (in 1990)
- bass guitar:
- Francis Buchholz (in 1990)
- drums (drum set) and percussion:
- Herman Rarebell (in 1990)
- electric guitar [lead guitar] and electric guitar [rhythm guitar]:
- Matthias Jabs (in 1990) and Rudolf Schenker (in 1990)
- guest keyboard:
- Koen van Baal (in 1990)
- slide guitar:
- Matthias Jabs (in 1990)
- background vocals:
- Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (in 1990) and Rudolf Schenker (in 1990)
- lead vocals:
- Klaus Meine (in 1990)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1990, in 1991) and The Island Def Jam Music Group (in 1990)
- recorded at:
- Goodnight LA Studios in Van Nuys, California, United States (in 1990) and Wisseloord Studios in Hilversum, Noord-Holland , Netherlands, Kingdom of the Netherlands (in 1990)
- mixed at:
- Wisseloord Studios in Hilversum, Noord-Holland , Netherlands, Kingdom of the Netherlands
- recording of:
- Wind of Change (in 1990)
- lyricist and composer:
- Klaus Meine
- publisher:
- BMG Rights Management GmbH , Copyright Control , PolyGram International Publishing, Inc. , Polygram Music, PRI Music, Inc. and Universal PolyGram International Publishing, Inc.
| Scorpions | 3.4 | 5:11 |
| 16 | Are You Gonna Go My Way- additional engineer:
- David Domanich
- assistant engineer:
- Greg DiGesu
- engineer and mixer:
- Henry Hirsch
- producer:
- Lenny Kravitz
- acoustic guitar and electric guitar:
- Craig Ross (in 1998-12)
- bass:
- Lenny Kravitz (in 1998-01) and Tony Breit (in 1998-12)
- drums (drum set), drums (drum set) [junkanoo] and background vocals and lead vocals:
- Lenny Kravitz (in 1998-12)
- synthesizer [arp string ensemble]:
- Henry Hirsch (in 1998-12)
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1993) and Virgin Records America, Inc. (in 1993)
- recording of:
- Are You Gonna Go My Way (in 1998-12)
- lyricist:
- Lenny Kravitz
- composer:
- Henry Hirsch, Lenny Kravitz and Craig Ross
- publisher:
- BMG Gold Songs, EMI Music Publishing Scandinavia AB, Miss Bessie Music, Shukat Arrow Hafer Weber & Herbsman, LLP, Warner/Chappell Music Scandinavia AB, Wigged Music, ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
| Lenny Kravitz | 3.85 | 3:32 |
| 17 | The Bad Touch | Bloodhound Gang | 3.75 | 4:20 |
| 18 | Shiny Happy People | R.E.M. | 3.9 | 3:46 |
| 19 | When You Say Nothing at All | Ronan Keating | 2.75 | 4:13 |
| 20 | Learning to Fly | Tom Petty and the Heartbreakers | 4.45 | 4:02 |
| 21 | Viva Forever | Spice Girls | 4.4 | 5:11 |
| 22 | Breakfast at Tiffany’s | Deep Blue Something | 3.7 | 4:17 |
| 23 | Closing Time | Semisonic | 3.7 | 4:34 |
| 24 | MMMBop | Hanson | 3.5 | 4:28 |
| 25 | Bitch- drum machine [drum/loop] programming:
- Geza X
- assistant engineer:
- Husky Hoskulds, Cappy Japngie, Mauricio Iragorri and Charles Nasser
- engineer:
- Jim Ebert and Geza X
- producer:
- Geza X
- mixer:
- Jim Ebert
- acoustic guitar, electric guitar and background vocals:
- Meredith Brooks
- bass and fretless bass:
- Paul Bushnell
- drums (drum set):
- Josh Freese
- keyboard [keyboards]:
- David Ricketts
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1997)
- recorded at:
- City Lab Sound Design in Hollywood, Los Angeles, California, United States
- mixed at:
- Sunset Sound Factory in Hollywood, Los Angeles, California, United States
- recording of:
- Bitch
- writer:
- Meredith Brooks and Shelly Peiken
- publisher:
- Bug Music , Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music and Warner–Tamerlane Music Corp.
| Meredith Brooks | 3.85 | 4:13 |
| 26 | All I Wanna Do- engineer:
- Blair Lamb
- producer:
- Bill Bottrell
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1993) and UMG Recordings, Inc. (in 1993)
- part of:
- Billboard: The 500 Best Pop Songs (number: 405)
- recording of:
- All I Wanna Do
- writer:
- David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow and Kevin Gilbert
- publisher:
- Almo Music Corp. , Ignorant Music , Old Crow Music , Reservoir One America, Sony/ATV Tunes LLC , Warner–Tamerlane Publishing Corp. , WB Music Corp. , WC Music Corp. and Zen of Iniquity
| Sheryl Crow | 3.9 | 4:33 |
| 27 | Sexbomb | Tom Jones feat. Mousse T. | 5 | 3:32 |
| 28 | Weather With You | Crowded House | 3.85 | 3:44 |
| 29 | Sex & Candy | Marcy Playground | 3.9 | 2:53 |
| 30 | Hold On- additional recording engineer:
- Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
- recording engineer and mixer:
- Francis Buckley
- assistant engineer:
- Dan Bosworth , Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
- producer:
- Glen Ballard
- additional guitar:
- Joe Walsh
- bass:
- Jimmy Johnson
- drums (drum set):
- John “JR” Robinson
- guitar:
- Michael Landau
- keyboard:
- Glen Ballard and Randy Kerber
- percussion:
- Paulinho da Costa
- percussion arranger:
- Glen Ballard
- vocals arranger:
- Glen Ballard and Wilson Phillips
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1990)
- part of:
- Billboard: The 500 Best Pop Songs (number: 312)
- recording of:
- Hold On
- writer:
- Glen Ballard, Chynna Phillips and Carnie Wilson
- publisher:
- Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (in 1990, in 2003), MCA Music Publishing (in 1990, in 2003), Wilphill Music (in 1990) and Universal Music Corp. (in 2003)
| Wilson Phillips | 4.5 | 4:23 |
| 31 | We Like to Party! (The Vengabus) | Vengaboys | 3.1 | 3:42 |
| 32 | Would I Lie to You? (edit) | Charles & Eddie | | 3:44 |
| 33 | Man on the Moon- additional engineer:
- George Cowan , Mark Howard , John Keane , Ted Malia and Andrew Roshberg
- engineer:
- Clif Norrell
- producer:
- Scott Litt and R.E.M.
- additional mixer:
- Ed Brooks
- assistant mixer:
- Tod Lemkuhl
- mixer:
- Scott Litt and Clif Norrell
- vocals:
- Michael Stipe
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
- additionally recorded at:
- Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios in New Orleans, Louisiana, United States
- recorded at:
- Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
- mixed at:
- Bad Animals Studio in Seattle, Washington, United States
- recording of:
- Man on the Moon
- writer:
- Bill Berry , Peter Buck , Mike Mills and Michael Stipe
- publisher:
- Night Garden Music
| R.E.M. | 4.05 | 5:14 |
| 34 | That Don’t Impress Me Much (international mix) | Shania Twain | 5 | 3:59 |
| 35 | Spice Up Your Life | Spice Girls | 4 | 2:54 |
| 36 | Cats in the Cradle- engineer and mixer:
- Mark Dodson and Randy Long
- producer:
- Mark Dodson
- bass guitar:
- Cordell Crockett (in 1992)
- drums (drum set):
- Mark Davis (in 1992)
- guitar:
- Klaus Eichstadt (in 1992) and Dave Fortman (in 1992)
- background vocals:
- Jennifer Barry (in 1992)
- lead vocals:
- Whitfield Crane (in 1992)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1992) and UMG Recordings, Inc. (in 1992)
- cover recording of:
- Cat’s in the Cradle (in 1992)
- writer:
- Sandra Campbell Chapin and Harry F Chapin
- publisher:
- Neue Welt Musikverlag GmbH & Co. KG , Story Songs, Ltd, Warner Bros., Inc. , Warner Chappell Music , Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited
| Ugly Kid Joe | 3.75 | 4:02 |
| 37 | Together Again | Janet Jackson | 4.2 | 5:01 |
| 38 | Push the Feeling On (MK dub revisited edit) | Nightcrawlers | 3 | 4:03 |
| 39 | Boombastic- recording engineer:
- "Tootie" Wayne Nicholson
- miscellaneous support:
- Dennis Halliburton (task: track layed by) and Robert Livingston (task: track layed by)
- producer:
- Robert Livingston and Shaun "Sting Int'l" Pizzonia
- mixer:
- Sting Int'l
- produced for:
- Big Yard Production
- recorded at and mixed at:
- HC&F Recording Studio, Long Island, N.Y. in Freeport, Hempstead, New York, United States
- samples:
- Baby Let Me Kiss You by King Floyd
- recording of:
- Boombastic
- writer:
- King Floyd, Robert Livingston and Orville Richard Burrell
- publisher:
- Jobete Music Co., Inc., Malaco Music Company, Pedigree Ranch Music, Peermusic III, Ltd. , Roffignac Music Co., Scikron Music Publishing and Stone Diamond Music Corp.
| Shaggy | 3.5 | 4:07 |
| 40 | ’74-’75 | The Connells | 2.8 | 4:39 |
| 41 | Bring It All Back- additional producer:
- Andy Wright
- producer:
- Eliot Kennedy , Tim Lever and Mike Percy
- assistant mixer:
- Jan “Stan” Kybert
- mixer:
- Mark “Spike” Stent
- bass:
- Mike Percy
- drums (drum set), membranophone and tambourine:
- Geoff Holroyde
- guitar:
- Tim Lever
- keyboard:
- Eliot Kennedy and Andy Wright
- saxophone:
- Steve Beighton
- trumpet:
- Nicolas Coombs
- lead vocals and solo lead vocals:
- Jo O’Meara
- solo vocals:
- Tina Barrett, Jo O’Meara, Hannah Spearritt and Rachel Stevens
- performer:
- S Club
- phonographic copyright (℗) by:
- S Club Ltd. (in 1999)
- recorded at:
- Steelworks Studios in Sheffield, South Yorkshire, England, United Kingdom
- music videos:
- Bring It All Back by S Club 7
- recording of:
- Bring It All Back
- writer:
- Tina Barrett, Paul Cattermole, Jonathan Lee , Eliot Kennedy , Tim Lever, Bradley McIntosh, Jo O’Meara, Mike Percy, Hannah Spearritt and Rachel Stevens
- publisher:
- 19 Music Ltd., BMG Music Publishing Ltd. and Sony/ATV Music Publishing LLC
| S Club | 3.85 | 3:34 |
| 42 | Who Let the Dogs Out- drum machine [drums] programming and keyboard programming:
- The Magician
- programming and mixer:
- Michael Mangini
- assistant engineer:
- Juan Rosario
- engineer:
- Luis Diaz
- producer:
- Steve Greenberg and Michael Mangini
- bass guitar [bass]:
- Isaiah Taylor
- cowbell:
- Pat Carey, Colyn Grant, Herschel Small and Isaiah Taylor
- drums (drum set) [set drums]:
- Colyn Grant
- guitar:
- Pat Carey
- membranophone [goat skin drum]:
- Anthony Flowers, Colyn Grant and Isaiah Taylor
- percussion:
- Anthony (Monks) Flowers
- background vocals:
- Chea, Steve Greenberg , Herschel, Marvin, Moe, Monks, Pat and Monty Taylor
- lead vocals:
- Rick Carey
- other vocals [rap]:
- Marvin Prosper
- phonographic copyright (℗) by:
- Edel Records (in 2000) and S‐Curve Records (in 2000)
- recorded at:
- Circle House Studios in North Miami, Florida, United States and Mojo Music in New York, New York, United States
- music videos:
- Who Let The Dogs Out by Baha Men
- part of:
- Grammy Award: Best Dance/Electronic Recording nominees (number: 2001 winner)
- cover recording of:
- Who Let the Dogs Out?
- writer:
- Anslem Douglas, Osbert Gurley and Marvin Prosper
- publisher:
- BMG Platinum Songs US, Desmoné Music, Full Wingspan Music, Hyckryck Publishing Inc, Wyz Girl Entertainment Consulting LLC, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
| Baha Men | 2.25 | 3:18 |
| 43 | Just Another Day | Jon Secada | 4 | 5:24 |
| 44 | Unfinished Sympathy (2012 mix / master)- engineer:
- Hayden (strings)
- producer:
- Jonny Dollar and Massive Attack
- mixer:
- Jeremy Allom
- vocals:
- Shara Nelson
- conductor:
- Wil Malone
- remixer:
- Bruno Ellingham
- strings arranger:
- Wil Malone
- concertmaster:
- Gavin Wright
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom and Coach House Studios in Bristol, England, United Kingdom
- mixed at:
- Matrix Studios in Soho, Westminster, London , England, United Kingdom
- recording of:
- Unfinished Sympathy
- writer:
- Robert Del Naja, Grant Marshall, Shara Nelson, Jonathan Sharp and Andrew Vowles
| Massive Attack feat. Shara Nelson | 5 | 5:08 |
| 45 | We’re Going to Ibiza! | Vengaboys | 2.9 | 3:38 |
| 46 | Finally | CeCe Peniston | | 4:05 |
| 47 | Return to Innocence | Enigma | 4.4 | 4:19 |
| 48 | Doctor Jones- producer and mixer:
- Delgado , Johnny Jam, Claus Norreen and Søren Rasted
- arranger:
- Delgado , Johnny Jam, Claus Norreen and Søren Rasted
- recording of:
- Doctor Jones
- lyricist:
- Claus Norreen, Anders Øland, Søren Rasted and René Dif
- composer:
- Claus Norreen, Anders Øland and Søren Rasted
- publisher:
- MCA Music Scandinavia AB, Universal MCA Music Publishing , Universal/MCA Music Publishing Scandinavia AB , Warner Chappell Music France, Warner/Chappell Music Denmark, A/S , シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Aqua | 3.45 | 3:22 |
| 49 | Dreams | Gabrielle | 3 | 3:41 |
| 50 | Now That We Found Love | Heavy D. & the Boyz feat. Aaron Hall | 4 | 4:18 |
| 51 | No Matter What- recorded in:
- London , England, United Kingdom and Los Angeles, California, United States
- keyboard programming:
- Lee McCutcheon
- programming:
- Simon Franglen
- assistant engineer:
- Alex Black and Tom
- engineer:
- Simon Franglen , Steve Rinkoff and Robin Sellars
- additional producer:
- Simon Franglen and Lupino
- executive producer:
- Andrew Lloyd Webber and Jim Steinman
- producer:
- Andrew Lloyd Webber , Jim Steinman and Nigel Wright
- mixer:
- Mick Guzauski and Steve Rinkoff
- acoustic guitar [acoustic guitars] and electric guitar [electric guitars]:
- Michael Thompson
- bass:
- Angela Lupino
- guitar:
- Fridrik Karlsson
- keyboard [keyboards]:
- Simon Franglen and Nigel Wright
- background vocals [backing vocals]:
- Tracy Ackerman and Andy Caine
- lead vocals:
- Stephen Gately and Ronan Keating
- vocals:
- Keith Duffy , Mikey Graham and Shane Lynch
- arranger:
- Simon Franglen and Lupino
- phonographic copyright (℗) by:
- Polydor Ireland (in 1998)
- recorded at:
- FLM Studios in Hollywood, Los Angeles, California, United States, Metropolis Studios in London , England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
- engineered at:
- Barking Dog Studios in New York, New York, United States
- music videos:
- No Matter What by Boyzone
- cover recording of:
- No Matter What
- lyricist:
- Jim Steinman
- composer:
- Andrew Lloyd Webber
- publisher:
- Universal Music Publishing Ltd. (ended), Universal–Songs of PolyGram International, Inc. (ended), Lost Boys Music Inc. and The Really Useful Group Limited
- part of:
- Whistle Down the Wind
- recording of:
- No Matter What
- lyricist:
- Jim Steinman
- composer:
- Andrew Lloyd Webber
- publisher:
- Universal Music Publishing Ltd. (ended), Universal–Songs of PolyGram International, Inc. (ended), Lost Boys Music Inc. and The Really Useful Group Limited
- part of:
- Whistle Down the Wind
| Boyzone | 2 | 4:33 |
| 52 | Sunchyme | Dario G | 3.65 | 3:56 |
| 53 | Jessie | Joshua Kadison | 3 | 5:19 |
| 54 | Show Me Heaven (acoustic demo version) | Maria McKee | | 3:43 |
| 55 | Back in My Life | Alice DeeJay | 2.9 | 3:30 |
| 56 | Baby, Baby | Amy Grant | 5 | 3:57 |
| 57 | Sadeness (Pt. 1 / radio edit) | Enigma | 4.8 | 4:15 |
| 58 | Killer | Adamski feat. Seal | 3.4 | 4:11 |
| 59 | Dance the Night Away | The Mavericks | 3.4 | 4:22 |
| 60 | High | Lighthouse Family | 3.35 | 5:12 |
| 61 | How Much Is the Fish? | Scooter | 3 | 3:47 |
| 62 | Sailing on the Seven Seas | Orchestral Manoeuvres in the Dark | 3 | 3:46 |
| 63 | I Turn to You (Hex Hector radio mix) | Melanie C | 3.5 | 4:12 |
| 64 | Would You…? | Touch and Go | 3.25 | 3:11 |
| 65 | Out of the Dark | Falco | 4 | 3:36 |
| 66 | The Shoop Shoop Song (It’s in His Kiss) | Cher | 3.35 | 2:47 |
| 67 | Close to You | Maxi Priest | | 5:31 |
| 68 | Connected- assistant engineer:
- Neil Douglas and Elliot Singerman
- engineer:
- Al Stone
- producer:
- Stereo MC’s
- additional keyboard:
- James Hallawell
- brass:
- Kick Horns
- additional vocals:
- Cath Coffey, Verona Davis, Andrea Groves and Jennifer Ismail
- phonographic copyright (℗) by:
- Island Records Ltd. (in 1992)
- recorded at:
- The Workhouse in London , England, United Kingdom
- samples:
- Let Me Let Me Be Your Lover by Jimmy “Bo” Horne
- recording of:
- Connected
- writer:
- Rob Birch , Harry Wayne Casey, Richard Finch, Nick Hallam and Jimmy “Bo” Horne
- publisher:
- EMI Virgin Songs, Inc., Harrick Music, Longitude Music Co. and Virgin Music Ltd.
| Stereo MC’s | 3.85 | 5:13 |
| 69 | Every Heartbeat | Amy Grant | 5 | 3:34 |
| 70 | Mr Wendal | Arrested Development | 3.8 | 4:07 |
| 71 | My Town | Glass Tiger | 5 | 4:49 |
| 72 | Sing | Travis | 3.75 | 3:49 |
| 73 | Lifted | Lighthouse Family | 2 | 4:34 |
| 74 | No Rain | Blind Melon | 4.3 | 3:37 |
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