School Reunion: The Smoochies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Label: Virgin TV/EMI - Catalog #: 860320

Label: Virgin TV/EMI - Catalog #: 860320

Anmerkung zuletzt geändert am 2007-03-31 20:45 UTC.

Titelliste

1CD
2CD
Nr.TitelKünstlerBewertungLänge
1China in Your Hand
Techniker(in):
Norman Goodman
Produzent(in):
Tim Burgess (T'Pau drummer) und Ron Rogers (Ronald Phillip Rogers, T'Pau)
phonographisches Urheberrecht (℗) von:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987), Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Bearbeitung von:
China in Your Hand von T’Pau
recording of:
China in Your Hand
Verfasser(in):
Carol Decker und Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. und Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau44:00
2Nothing Compares 2 U
Techniker(in):
Chris Birkett
Produzent(in):
Nellee Hooper und Sinéad O’Connor (Irish singer‐songwriter)
Mix:
Chris Birkett, Fachtna Ó Ceallaigh und Sinéad O’Connor (Irish singer‐songwriter)
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) und Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
Musikvideos:
Nothing Compares 2 U (music video) von Sinéad O’Connor (Irish singer‐songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 184) und Indie 88: Top 500 Indie Rock Songs (Nummer: 413)
cover recording of:
Nothing Compares 2 U
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing und Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:07
3Don't Dream It's Over
recording engineer:
Tchad Blake und Dennis Kirk
assistierende(r) Techniker(in):
Glen Holguin (engineer)
Produzent(in):
Mitchell Froom
Mix:
Michael Frondelli
Bass:
Nick Seymour (Nicholas More Seymour)
Conga, Mbira [kalimba] und shakers:
Jorge Bermudez
E-Gitarre [Gibson Les Paul Goldtop] und Sologesang:
Neil Finn
E-Gitarre [Tom Anderson “S” Style]:
Tim Pierce (US session guitarist)
Keyboard und Orgel:
Mitchell Froom
Schlagzeug:
Paul Hester (Australian drummer for Crowded House/Split Enz)
Hintergrundgesang:
Noel Crombie, Jim Gilstrap, Andy Milton und Joe Satriani
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 5)
recording of:
Don’t Dream It’s Over
Texter und Komponist(in):
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing und Roundhead Music (Neil Finn)
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 2)
Crowded House3.93:55
4More Than Words
recording of:
More Than Words
Verfasser(in):
Nuno Bettencourt und Gary Cherone
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Funky Metal Publishing
Extreme44:01
5The Power of Love
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
Saiteninstrumente arranger und zusätzlich arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:29
6Hands to Heaven
Techniker(in):
John Madden (UK producer/engineer)
Produzent(in):
Bob Sargeant
Mix:
Chris Porter (engineer and producer)
recording of:
Hands to Heaven
Verfasser(in):
David Glasper (Singer - Performer, author & lyricist) und Marcus Lillington
publisher:
Virgin Music (Publishers) Ltd. (in 1988)
Breathe3.54:17
7Right Here Waiting
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recording of:
Right Here Waiting
Texter:
Richard Marx
Komponist(in):
Bruce Gaitsch (American guitarist, producer, engineer and arranger) und Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. und EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx4:06
8Do What You Do
recording of:
Do What You Do
Verfasser(in):
Ralph Dino und Larry Di Tomaso
publisher:
MCA Music Ltd.
Jermaine Jackson4:16
9Don't Break My Heart
Musikvideos:
Don’t Break My Heart von UB40
recording of:
Don’t Break My Heart
Texter und Komponist(in):
Deborah Banks, Jim Brown (UB40 drummer), Ali Campbell (UB40’s former vocalist), Robin Campbell, Earl Falconer, Norman Hassan, Brian Travers, Michael Virtue (keyboardist) und Terence Wilson (aka Astro of UB40)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und DEP International (UB40)
UB4033:50
10Rush, Rush
Produzent(in):
Peter Lord Moreland und V. J. Smith (Vernon Jeffrey Smith, producer, writer, musician)
recording of:
Rush Rush
Texter und Komponist(in):
Peter Lord Moreland
publisher:
EMI April Music Inc.
Paula Abdul44:16
11Human
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986, in 2003)
Musikvideos:
Human von The Human League
recording of:
Human
Verfasser(in):
James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und Flyte Tyme Tunes
The Human League3.53:48
12Missing You
assistierende(r) Techniker(in):
Ken Stiger (engineer)
Techniker(in):
Gary Hellman
Produzent(in):
Gary Gersh, David Thoener und John Waite
Mix und Editing:
John Luongo
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984), EMI America Records (holding – file NO releases here!) (in 1984) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1984)
recording of:
Missing You
Texter:
John Waite
Komponist(in):
Mark Leonard, Chas Sandford und John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
John Waite54:01
13Circle in the Sand
Produzent(in):
Rick Nowels
phonographisches Urheberrecht (℗) von:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
recording of:
Circle in the Sand
Verfasser(in):
Rick Nowels und Ellen Shipley
publisher:
Bug Music Ltd., Screen Gems–EMI Music Ltd., Virgin Music (Publishers) Ltd., Future Furniture Music (in 1987) und Shipwreck Music (publisher) (in 1987)
Belinda Carlisle3.653:41
14It Must Have Been Love
Programmierung:
Clarence Öfwerman (von 1987 bis 1990)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Humberto Gatica
E-Gitarre [electric guitars]:
Jonas Isacsson (von 1987 bis 1990)
Keyboard [keyboards] und Synclavier:
Clarence Öfwerman (von 1987 bis 1990)
Schlagzeug:
Pelle Alsing (von 1987 bis 1990)
vocals:
Marie Fredriksson (von 1987 bis 1990) und Per Gessle (Swedish singer and guitarist) (von 1987 bis 1990)
phonographisches Urheberrecht (℗) von:
EMI Svenska AB (not for release label use!) (in 1990) und Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
aufgenommen bei:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990) und EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990)
mixed at:
Ground Control Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 466)
recording of:
It Must Have Been Love (von 1987 bis 1990)
Texter und Komponist(in):
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jimmy Fun Music
Roxette3.154:18
15Room in Your Heart
Produzent(in):
Living in a Box und Chris Porter (engineer and producer)
Mix:
Chris Porter (engineer and producer)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1989)
recording of:
Room in Your Heart
Verfasser(in):
Richard Darbyshire, Albert Hammond und Marcus Vere
publisher:
Chappell Music Ltd., Empire Music Ltd. und Windswept Pacific Music Ltd.
Living in a Box24:36
16No More Lonely Nights
assistierende(r) Techniker(in):
Jon Jacobs (UK producer/engineer) und Jon Kelly (engineer at Air London Studios)
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Bass:
Herbie Flowers (von 1982-11-05 bis 1984-07-26)
Bassgitarre:
Herbie Flowers
E-Gitarre:
David Gilmour (Pink Floyd) (von 1982-11-05 bis 1984-07-26)
Klavier und Sologesang:
Paul McCartney (The Beatles) (von 1982-11-05 bis 1984-07-26)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel) (von 1982-11-05 bis 1984-07-26)
Synthesizer:
Ann Dudley (English score composer) (von 1982-11-05 bis 1984-07-26)
Hintergrundgesang:
Linda McCartney (von 1982-11-05 bis 1984-07-26), Paul McCartney (The Beatles) (von 1982-11-05 bis 1984-07-26) und Eric Stewart (von 1982-11-05 bis 1984-07-26)
vocals:
Paul McCartney (The Beatles)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Paul McCartney (The Beatles)
Herausgeber:
Northern Songs Ltd.
aufgenommen bei:
Elstree Studios in Borehamwood, Hertfordshire, England, Vereinigtes Königreich (von 1984-06 bis 1984-07)
recording of:
No More Lonely Nights (von 1982-11-05 bis 1984-07-26)
Texter und Komponist(in):
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Paul McCartney2.254:40
17Do You Really Want to Hurt Me?
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
Gitarre, Hybrid-Piano und Synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
Schlagzeug und Vibraphon:
Jon Moss
Synclavier:
Keith Miller (Synthesiser Pioneer)
Sologesang:
Boy George
zusätzlich vocals:
Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1982)
Musikvideos:
Do You Really Want to Hurt Me von Culture Club (English pop group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 58)
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club3.954:23
18Sandy
Produzent(in):
John Farrar
Mix:
David J. Holman
arranger:
John Farrar, Michael Gibson (trombone) und Louis St. Louis (American songwriter, music arranger and singer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1978), Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1978) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Sandy (Grease, 1978 film)
Texter:
Scott Simon
Komponist(in):
Louis St. Louis (American songwriter, music arranger and singer)
publisher:
Ensign Music Corp. (in 1978) und Unichappell Music (in 1978)
Teil von:
Grease (1978 film)
John Travolta3.752:31
19Especially for You
Techniker(in):
Karen Hewitt und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Pete Hammond (UK producer aka “Mixmaster”)
vocals:
Jason Donovan (Australian actor and singer) (in 1988) und Kylie Minogue (in 1988)
phonographisches Urheberrecht (℗) von:
PWL Records Ltd. (not release use) (in 1988)
recording of:
Especially for You (in 1988)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., Mike Stock Publishing Limited, Sid’s Songs Limited, Sony/ATV Songs LLC, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und All Boys USA Music (in 1988)
Kylie Minogue & Jason Donovan43:58

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