| # | Title | Artist | Rating | Length |
|---|
| 1 | Respect- recording engineer:
- Tom Dowd (on 1967-02-14)
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:21 |
| 2 | In the Midnight Hour | Wilson Pickett | | 2:37 |
| 3 | Soul Man- recorded in:
- Memphis, Tennessee, United States (on 1967-08-10)
- producer:
- Isaac Hayes, David Porter and Jim Stewart
- instruments:
- Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
- lead vocals:
- Sam Moore (in 1967) and David Prater (in 1967)
- phonographic copyright (℗) by:
- HHO Recordings Ltd., WEA International Inc. (in 1966) and Atlantic Recording Corporation (in 1967)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 458)
- recording of:
- Soul Man (on 1967-08-10)
- writer:
- Isaac Hayes (in 1967) and David Porter (in 1967)
- publisher:
- EMI Music Publishing , Rondor Music (London) Ltd., Rondor Music Ltd. , Walden Music, Inc., Warner Chappell Music Ltd. , Warner Chappell North America, Almo Music Corp. (in 1986) and Walden Music Corp. (in 1986)
| Sam & Dave | 4.5 | 2:37 |
| 4 | Let’s Go Dancin’ (Ooh La, La, La)- recording of:
- Ooh, La, La (Let’s Go Dancin’)
- writer:
- Clifford Adams , Amir Bayyan, Ronald Bell, George Brown , Curtis Williams , Eumir Deodato, James Warren Taylor , Robert Spike Mickens, Michael Ray , Robert Bell and Claydes Smith
| Kool & the Gang | | 6:37 |
| 5 | We Are Family | Sister Sledge | 4 | 3:34 |
| 6 | It’s Alright | Deni Hines | | 3:25 |
| 7 | Mama Used to Say | Junior | | 3:34 |
| 8 | Somebody’s Watching Me | Rockwell | 3.85 | 3:52 |
| 9 | Do You Love Me | The Contours | 4.35 | 2:50 |
| 10 | Papa’s Got a Brand New Bag | James Brown | | 4:16 |
| 11 | I Was Made to Love Her- producer:
- Henry Cosby
- bass:
- James Jamerson (on 1967-03-31)
- electric sitar:
- Eddie Willis (on 1967-03-31)
- harmonica and lead vocals:
- Stevie Wonder (on 1967-03-31)
- instruments:
- The Funk Brothers (on 1967-03-31)
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1966) and Motown Record Corporation (in 1967)
- recorded at:
- Hitsville in Detroit, Michigan, United States (on 1967-03-31)
- recording of:
- I Was Made to Love Her (on 1967-03-31)
- writer:
- Henry Cosby, Lula Mae Hardaway , Sylvia Moy and Stevie Wonder
- publisher:
- Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽
| Stevie Wonder | 4.7 | 2:34 |
| 12 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd. , WEA International Inc. (in 1960, in 1961), Atlantic Recording Corporation (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) and Trio Music Co., Inc. (in 1981)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt , Melodie der Welt GmbH & Co. KG , Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music , Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 4.65 | 2:53 |
| 13 | Ballerina Girl | Lionel Richie | | 3:36 |
| 14 | It Started With a Kiss | Hot Chocolate | 3 | 3:59 |
| 15 | What’d I Say | Ray Charles | | 6:27 |
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