Star Mark Greatest Hits

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Strangers in the Night
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-04-11)
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter) (am 1966-04-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-04-11)
arranger:
Ernie Freeman (am 1966-04-11)
phonographisches Urheberrecht (℗) von:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
recording of:
Strangers in the Night (am 1966-04-11)
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Leeds Music, Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4.12:37
2I've Got You Under My Skin
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-12) und Wilbur Schwartz (am 1956-01-12)
baritone saxophone:
Morton Friedman (am 1956-01-12)
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Klavier:
Bill Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jimmy Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Schlagzeug:
Irving Cottler (am 1956-01-12)
Tenorsaxophon:
Justin Gordon (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Vito "Mickey" Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-12)
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (am 1956-01-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
43:43
3Theme From 'New York, New York'
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1979-09-19)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (am 1979-09-19)
Bratsche / Viola:
Pamela Goldsmith (American violist) (am 1979-09-19), Allan Harshman (violist) (am 1979-09-19), Archie Levin (am 1979-09-19) und Barbara Simons (am 1979-09-19)
Cello:
Ronald Cooper (am 1979-09-19), Douglas Davis (cellist) (am 1979-09-19), Raymond Kelley (cellist) (am 1979-09-19) und Mary Lane (cellist) (am 1979-09-19)
Geige / Violine:
Rochelle Abramson (violinist) (am 1979-09-19), Judith Aller (am 1979-09-19), Israel Baker (American violinist) (am 1979-09-19), Harry Bluestone (am 1979-09-19), David Frisina (am 1979-09-19), Harris Goldman (am 1979-09-19), Marvin Limonick (am 1979-09-19), Sheldon Sanov (violinist) (am 1979-09-19), Daniel Shindaryov (Session Musician) (am 1979-09-19), Jennifer Small (am 1979-09-19), Marshall Sosson (am 1979-09-19) und Joseph Stepansky (am 1979-09-19)
Gitarre:
Al Viola (am 1979-09-19)
Holzblasinstrumente:
Gene Cipriano (am 1979-09-19), Jules Jacob (US jazz woodwind player) (am 1979-09-19), John Lowe (woodwind) (am 1979-09-19), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1979-09-19) und Wilbur Schwartz (am 1979-09-19)
Klavier:
Pete Jolly (American jazz pianist, accordionist, and composer) (am 1979-09-19)
Kontrabass:
Gene Cherico (am 1979-09-19) und Meyer "Mike" Rubin (US bassist 1930s - 1960s) (am 1979-09-19)
Perkussion:
Dale Anderson (percussionist) (am 1979-09-19)
Posaune:
Charles Loper (American trombonist) (am 1979-09-19), Dick Nash (am 1979-09-19) und Lloyd Ulyate (am 1979-09-19)
Schlagzeug:
Irv Cottler (am 1979-09-19)
Trompete:
John Audino (am 1979-09-19), Johnny Best (jazz trumpeter) (am 1979-09-19), Chuck Findley (trumpet, trombone, horn player) (am 1979-09-19) und Charles Turner (US jazz trumpeter) (am 1979-09-19)
Tuba:
Tommy Johnson (session tuba player) (am 1979-09-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1979-09-19)
Orchester:
Vincent Falcone, Jr. & His Orchestra (am 1979-09-19)
conductor:
Vincent Falcone, Jr. (am 1979-09-19) und Vinnie Falcone (conductor) (am 1979-09-19)
arranger:
Don Costa (US pop music arranger & producer) (am 1979-09-19)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1979-09-19)
cover recording of:
Theme From “New York, New York” (usually just titled “New York, New York”) (am 1979-09-19)
gewidmet:
New York, New York, Vereinigte Staaten
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (beendet), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
New York, New York (1977 musical film soundtrack)
recording of:
Theme From “New York, New York” (usually just titled “New York, New York”) (am 1979-09-19)
gewidmet:
New York, New York, Vereinigte Staaten
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (beendet), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
New York, New York (1977 musical film soundtrack)
3.83:26
4My Way
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-12-30)
Techniker(in):
Lee Herschberg
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) und Don Costa (US pop music arranger & producer)
Instrumente:
Buddy Saltzman
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1968-12-30)
conductor:
Don Costa (US pop music arranger & producer) (am 1968-12-30)
arranger:
Don Costa (US pop music arranger & producer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 79)
cover recording of:
My Way (Frank Sinatra song) (am 1968-12-30)
Texter:
Paul Anka (Canadian singer, songwriter and actor)
Komponist(in):
Claude François und Jacques Revaux
vorher zugeschrieben zu:
Gilles Thibaut
Übersetzer:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
übersetzte Version von:
Comme d’habitude
3.954:34
5Somethin' Stupid
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-02-01)
Techniker(in):
Eddie Brackett und Phil Ramone
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter) und Lee Hazlewood
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-02-01) und Nancy Sinatra (am 1967-02-01)
conductor:
Billy Strange (am 1967-02-01)
arranger:
Billy Strange
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1967)
cover recording of:
Somethin’ Stupid (am 1967-02-01)
Texter und Komponist(in):
Carson Parks
publisher:
Greenwood Music, Montclare Music und Montclare Music Co Ltd.
übersetzte Version von:
Forelsket
42:39
6When Somebody Loves You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-04-14)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1965-04-14)
Orchester:
Gordon Jenkins & His Orchestra (am 1965-04-14)
conductor:
Gordon Jenkins (am 1965-04-14)
arranger:
Ernie Freeman
recording of:
When Somebody Loves You (am 1965-04-14)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Maraville Music Corp.
11:57
7The Way You Look Tonight
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-01-27)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-01-27)
conductor:
Nelson Riddle (am 1964-01-27)
arranger:
Nelson Riddle
cover recording of:
The Way You Look Tonight (from “Swing Time”) (am 1964-01-27)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
2.853:25
8More [Theme from Mondo Cane]
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-12)
Techniker(in):
Lowell Frank (engineer) (am 1964-06-12)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (am 1964-06-12)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-12)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-12)
Klavier:
Count Basie (pianist) (am 1964-06-12)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (jazz trombonist) (am 1964-06-12), Bill Hughes (jazz trombonist) (am 1964-06-12), Grover Mitchell (trombone) (am 1964-06-12) und Ken Shroyer (trombonist) (am 1964-06-12)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-12), Frank Foster (saxophonist) (am 1964-06-12), Charlie Fowlkes (baritone saxophonist) (am 1964-06-12) und Frank Wess (am 1964-06-12)
Schlagzeug:
Sonny Payne (am 1964-06-12)
Trompete:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-12), Wallace Davenport (am 1964-06-12), Harry “Sweets” Edison (am 1964-06-12) und Al Porcino (am 1964-06-12)
Vibraphon:
Emil Richards (am 1964-06-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-12)
Orchester:
Count Basie and His Orchestra (am 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones (am 1964-06-12)
cover recording of:
More (English translation) (am 1964-06-12)
Texter:
Marcello Ciorciolini (Italian screenwriter, director, playwright, television/radio author & lyricist)
Komponist(in):
Nino Oliviero (Italian musician and composer) und Riz Ortolani (songwriter, film music composer and music director)
Übersetzer:
Norman Newell
publisher:
C.A.M. Creazioni Artistiche Musicali (company, do not use as label), Ortolani Creative Team Inc. und Sugar Song Publications, Inc.
Teil von:
The 36th Academy Award for Best Original Song (Nummer: 2)
übersetzte Version von:
Ti guarderò nel cuore
2.53:07
9I've Got a Crush on You
recording of:
I’ve Got a Crush on You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
2:19
10Moon River
recording of:
Moon River
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
3:21
11Something
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-10-28)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1970-10-28)
arranger:
Lennie Hayton
cover recording of:
Something (am 1970-10-28)
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Harrisongs Ltd. und Nichion Synch Division (NICHION, INC. Synch Division)
3:35
12Anytime, Anywhere
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-05-02)
Orchester:
The Nelson Riddle Orchestra (am 1953-05-02)
conductor:
Nelson Riddle (am 1953-05-02)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-05-02)
recording of:
Anytime, Anywhere (am 1953-05-02)
Verfasser(in):
Lenny Adelson und Imogen Carpenter
2:43
13The Girl From Ipanema
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-01-31)
Techniker(in):
Lee Herschberg
Koproduzent(in):
Ray Gilbert
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Akustikgitarre und Hintergrundgesang:
Antônio Carlos Jobim (am 1967-01-31)
Bass:
Ralph Peña
Cello:
Elizabeth Greenschpoon, Ray Kramer, Kurt Reher (cellist) und Nino Rosso (cellist)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Arnold Belnick, Bonnie Douglas, Emo Neufeld, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Bernard Kundell, Nathan Ross und Ralph Schaeffer
Holzblasinstrumente und Saxophon:
Buddy Collette, Arthur Gleghorn und Bud Shank
Klavier:
Bill Miller (pianist)
Posaune:
Dick Noel (trombone)
Schlagzeug:
Irv Cottler und Dom Um Romão
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-01-31)
conductor:
Claus Ogerman (am 1967-01-31)
arranger:
Claus Ogerman
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-01-31)
cover recording of:
The Girl From Ipanema (am 1967-01-31)
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, volume I)
43:14
14Quiet Nights of Quiet Stars (Corcovado)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-01-31)
Techniker(in):
Lee Herschberg
Koproduzent(in):
Ray Gilbert
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Ralph Peña
Cello:
Elizabeth Greenschpoon, Ray Kramer, Kurt Reher (cellist) und Nino Rosso (cellist)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Arnold Belnick, Bonnie Douglas, Emo Neufeld, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Bernard Kundell, Nathan Ross und Ralph Schaeffer
Holzblasinstrumente und Saxophon:
Buddy Collette, Arthur Gleghorn und Bud Shank
Klavier:
Bill Miller (pianist)
Posaune:
Dick Noel (trombone)
Schlagzeug:
Irv Cottler und Dom Um Romão
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-01-31)
conductor:
Claus Ogerman (am 1967-01-31)
arranger:
Claus Ogerman
cover recording of:
Quiet Nights of Quiet Stars (lyric version #2, with "Corcovado" included in the lyric) (am 1967-01-31)
Texter:
Gene Lees
Komponist(in):
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
übersetzte Version von:
Corcovado (original Portuguese version)
cover recording of:
Quiet Nights of Quiet Stars (version #3, lyrics credited to Buddy Kaye & Gene Lees) (am 1967-01-31)
Texter:
Buddy Kaye und Gene Lees
Komponist(in):
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
übersetzte Version von:
Corcovado (original Portuguese version)
2.52:47
15All the Way
Produzent(in):
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-08-13)
Orchester:
The Nelson Riddle Orchestra (am 1957-08-13)
conductor:
Nelson Riddle (am 1957-08-13)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
recording of:
All the Way (from “The Joker Is Wild”) (am 1957-08-13)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network und Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1957 winner)
2.52:52
16The World We Knew (Over And Over)
2:49
17Somewhere In Your Heart
recording of:
Somewhere in Your Heart
Verfasser(in):
Clarence Keltner und Russell Faith (co-songwriter with Pal Rakes)
publisher:
MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
2:29
18Cheek to Cheek
Produzent(in):
Dave Cavanaugh
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt und Irving “Babe” Russin
Klavier:
Bill Miller (pianist)
Kontrabass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
Posaune:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-22)
Orchester:
The Billy May Orchestra (am 1958-12-22)
conductor:
Billy May (am 1958-12-22)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-22)
cover recording of:
Cheek to Cheek (from “Top Hat”) (am 1958-12-22)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
13:06
19As Time Goes By
recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
3:18
20Let's Face the Music and Dance
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
3:01
21Tell Her (You Love Her Each Day)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-04-14)
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1965-04-14)
Orchester:
Gordon Jenkins & His Orchestra (am 1965-04-14)
conductor:
Ernie Freeman (am 1965-04-14) und Gordon Jenkins (am 1965-04-14)
arranger:
Ernie Freeman
recording of:
Tell Her (You Love Her Each Day) (am 1965-04-14)
Verfasser(in):
Gil Ward und Charles Watkins
publisher:
Oracle Music und Unichappell Music
12:43
22You and the Night and the Music
recording of:
You and the Night and the Music
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
The Band Wagon (1953 film)
2:38
23Mack The Knife
recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
4:53
24Summer Wind
recorded in und engineered in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-05-16)
Techniker(in):
Eddie Brackett (am 1966-05-16) und Lee Herschberg (am 1966-05-16)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (am 1966-05-16)
Bass:
Ralph Peña
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn und Barbara Simons
Cello:
Justin Ditullio, Elizabeth Greenschpoon und Armand Kaproff
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Victor Bay, Alex Beller, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Ralph Schaeffer und Paul Shure
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), William Green (woodwind), Harry Klee und Abe Most
Klavier:
Bill Miller (pianist)
Orgel:
Artie Kane
Perkussion:
Victor Feldman (jazz musician)
Posaune:
Dick Noel (trombone), Pullman “Tommy” Pederson und Tommy Shepard (trombonist)
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Don Fagerquist, Cappy Lewis und Ray Triscari
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-05-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Nelson Riddle (am 1966-05-16)
arranger:
Nelson Riddle
phonographisches Urheberrecht (℗) von:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
cover recording of:
Summer Wind (am 1966-05-16)
Texter:
Johnny Mercer
Komponist(in):
Henry Mayer
publisher:
Edition Primus Rolf Budde KG, M. Witmark & Sons, Warner Bros., Inc. (not for release label use!) und Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
übersetzte Version von:
Sommerwind
32:55
25Blue Moon
recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
2:51
26Bein Green
recording of:
Bein’ Green
Texter und Komponist(in):
Joe Raposo (piano, composer, Sesame Street)
Verfasser(in):
Joseph G. Raposo (piano, composer, Sesame Street)
publisher:
Green Fox Music Inc., Standard Music und Jonico Music Inc. (in 1970)
2:57
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